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Download Book Sample ‘Teardrop’ Massive Attack Teardrop SONG TITLE: ‘TEARDROP’ ALBUM: MEZZANINE RELEASED: 1998 LABEL: VIRGIN = 75 Trip Hop q GENRE: TRIP HOP/ELECTRONICA WRITTEN BY: ROBERT DEL NAJA/ N.C. ELIZABETH FRASER/ # # GRANTLEY MARSHALL/ # 4 ‰ ‰ ANDREW VOWLES & 4 j œ œ œ œ j œ œ œ PRODUCED BY: NEIL DAVIDGE/ œ œ œ œ œ œ œ MASSIVE ATTACK p UK CHART PEAK: 10 # ? ## 4 ∑ ∑ ‘Teardrop’ was a top ten hit for British trip hop (a Asus4 Asus4/G Dsus2 fusion of hip hop and electronica) group, Massive ‘Teardrop’ peaked at number 10 in the UK singles Attack. The song features on their third studio chart and remains their only top ten hit to date. The #song has featured heavily in television and film album, Mezzanine (1998), and was the second song # to be released from said album. Mezzanine broadcasts,# ‰ including US hit series’ Prison Break ‰ ‰ topped & j j j the album charts in the UK, Australia, Ireland and House. œ œ œ œ œ œ œ œ œ œ œ œ and New Zealand, making it the groups most œ œ œ œ œ œ œ œ œ commercially successful release to date. Their fourth The songP has proved a popular cover choice studio album, 100th Window, also topped the UK amongst musicians, with many having released album chart in 2003. their reworkings over the years. Newton Faulkner’s ?2007# #version features a complex acoustic guitar accompaniment,# which features in our 2016 Acoustic ‘Teardrop’ was written by the three founding [3] w nw members of Massive Attack (Robert Del Naja, Guitar syllabus, and made it to number 60 in the w Grantley Marshall and Andrew Vowles), as well as UK singles wchart. British band Elbow performed nw guest vocalist Elizabeth Fraser (Cocteau Twins). The ‘Teardrop’ for a BBC Radio 1 Live Lounge session in w idea for the song originally stemmed from a simple 2003 and their version proved so popular that they decided to include a studio version on their ‘Not a Job’ harpsichord riff and grew to become something quite 4 4 2 unique in sound. Looking for a guest vocalist, Andrew single theA followingsus year. Last but by no means least, Asus /G Dsus Vowles sent the demo to Madonna, hoping she would O’Hooley & Tidow were praised for their intricate perform the vocal as she had done for their earlier adaptation# # of the track with Guardian music critic collaboration on ‘I Want You’. Unfortunately, Vowles Jude# Rogers‰ voting it one of the best tracks of 2012. ‰ ‰ was outvoted by fellow bandmates Marshall and Del & j j j Naja and to Madonna’s dismay the band didn’t choose Massive attack have beenœ praised for theirœ original œ œ œ œ œ œ œ œ œ œ her for guest vocals. Instead, Elizabeth Fraser of and exclusive soundœ and were awardedœ the ‘Innovationœ œ œ œ œ œ œ Cocteau Twins was brought in and the result did not in Sound Award’ by Q magazine in 2008. The group disappoint. Fraser delivers a haunting and emotional have proved particularly successful in Europe and lyrical performance, one which she claims was have won# several awards reflecting this, including inspired by the untimely passing of her dear friend ?the #MTV Europe Music Award for Best Video with [6] # Jeff Buckley. ‘Teardrop’ andw the award for Best Foreign Album for nw Mezzanine at the 1998 Fryderyk awards (Poland). w w nw Piano Grade 5 w Asus4 15 Asus4/G # # # œ & œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ .nœ œ œ œ œ œ nœ œ œ œ J ≈ . Ó # ? ## [9] w nw w nw Dsus2 Asus4 3 # ## j & nœ œ œ œ ˙. œ œ œ œ œ. œ œ œ œ œ œ œ nœ œ œ Œ ‰ J ? # # [11] # w w w w Teardrop Massive Attack = 75 Trip Hop q N.C. # # & # 4 ‰ j ‰ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ p # ? ## 4 ∑ ∑ Asus4 Asus4/G Dsus2 # # & # ‰ j ‰ j ‰ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ P ? ### [3] w nw w w nw w Asus4 Asus4/G Dsus2 # # & # ‰ j ‰ j ‰ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? ### [6] w nw w w nw w Asus4 Asus4/G ### & œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ. œ œ œ œ œ nœ œ œ œ J ≈ nœ . Ó ? ### [9] w nw w nw Dsus2 Asus4 3 # ## & nœ j . œ œ œ œ œ œ. œ œ œ œ ˙ œ œ œ œ œ nœ œ œ Œ ‰ J ? # # [11] # w Piano Grade 5 Grade Piano w Words & Music by Robert Del Naja, Grant Marshall, Andreww Vowles & Elizabeth Fraser w © Copyright 1998 Universal/Island Music Limited/Cocteau Twins Limited/Ajs Music Limited. 16 Universal/Island Music Limited/Sony Music Publishing (UK) Limited. All Rights Reserved. International Copyright Secured. Technical Exercises Scales, Arpeggios, Chord Voicings & Technical Studies Technical Exercises In this section you will be required to play a selection of exercises drawn from each of the groups below. The examiner will be looking for the speed of your response and will also give credit for the level of your musicality. Please see the syllabus guide for details on the marking criteria. ■ Candidates can choose to play either natural minor or harmonic minor scales ■ Major scales, minor scales, chromatic scales and arpeggios need to be played hands together, in straight or swung feel, ascending and descending, across three octaves (except contrary motion scales, pentatonics, lydian and phrygian modes, which must be played over two octaves and extended arpeggios which are one octave only) ■ Pentatonic scales are right hand only ■ Lydian and Phrygian modes need to be played hands separately ■ Groups A, B and C (scales, arpeggios and chords) need to be played from memory. You may use your book for Group D (technical studies) Note that Groups A and B need to be played to a click and any fingerings shown are suggestions only. Group A: Scales The tempo for this group is q =126 bpm. 1. B major (three octaves, two octave example shown) 5 3 4 1 4 2 2 3 1 2 3 1 2 3 1 # # œ œ œ œ œ œ œ œ œ & # ## œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ ? ? # # œ œ œ & œ œ œ œ # œ4 œ3 2 1 4 3 2 1 1 4 œ3 œ2 1 œ œ œ œ # 3 2 œ œ œ œ œ œ œ œ œ œ œ 2. B major | contrary motion 5 3 4 1 4 2 2 3 1 2 3 1 2 3 1 # # œ œ œ œ œ œ œ œ œ & # ## œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? # ## œ œ œ œ œ œ œ œ œ œ # 1 2 3 4 1 2 œ3 œ1 2 3 œ œ # œ œ 4 1 œ œ œ œ 2 3 œ œ œ œ œ4 œ œ 3. D major (three octaves, two octave example shown) 2 b 4 1 2 3 1 2 1 2 3 3 4 1 2 3 œ œ œ œ œ œ œ œ œ bb b œ œ œ œ œ œ œ œ œ œ & b b œ œ œ œ œ œ œ œ œ œ œ œ ? b œ œ œ œ œ œ œ œ ? œ œ œ œ b œ 3 2 1 3 & 2 1 4 œ3 œ œ œ œ b b 2 1 4 œ œ 1 3 œ œ b 3 œ 2 œ œ œ œ 4. D major | contrary motion 2 b 4 1 2 3 1 2 1 2 3 3 4 1 2 3 œ œ œ œ œ œ œ œ œ bb b œ œ œ œ œ œ œ œ œ œ & b b œ œ œ œ œ œ œ œ œ œ Piano Grade 5 Grade Piano œ œ œ œ œ œ 46 ? b b œ œ œ œ œ œ œ œ œ œ b 3 1 2 3 œ1 œ2 3 4 œ œ b b 4 1 2 3 œ œ 1 2 œ œ œ œ œ3 œ œ Supporting Tests Sight Reading Sight Reading In the exam, you have a choice between either a Sight Reading test or an Improvisation & Interpretation test. The examiner will ask Sight Reading | Example 2 you which one you wish to choose before commencing. Once you have decided you cannot change your mind. c 80 Pop Ballad In the sight reading test, the examiner will give you an 8–16 bar example in the key of either B major or D b major. You will first be given 90 seconds to practise, after which the examiner will play the backing track twice. The first time is for you to b b j œ œ ˙ j œ ˙ j œ œ practise and the second time is for you to perform the final version for the exam. For each playthrough, the backing track & b b b c ‰ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ q œ œ œ will begin with a one bar count-in.
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