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Guilty Conscience - Song List
Guilty Conscience - Song List DANCE – POP – DISCO – NEW WAVE Bad Romance - Lady Gaga Billie Jean - Michael Jackson Blurred Lines - Robin Thicke Brick House – Commodores Brown Eyed Girl – Jimmy Buffet/Van Morrison Celebration – Kool and the Gang Crazy in Love - Beyonce Dancing in the Streets – Martha & The Vandellas Dancing Queen - Abba Get this Party Started – Pink Girls Just Wanna Have Fun - Cindy Lauper Heart of Glass – Blondie Hella Good – No Doubt Hot and Cold - Katy Perry I Wanna Dance with Somebody - Whitney Houston I Will Survive – Gloria Gaynor Kiss - Prince Lady Marmalade – Patti LaBelle Love Shack - B52’s Material Girl – Madonna One Way or Another – Blondie Play That Funky Music – Wild Cherry Rolling in the Deep - Adele Royals - Lorde Titanium - Dave Guetta/Sia Fuller Turn the Beat Around - Gloria Estefan Walking on Sunshine – Katrina and the Waves We Are Family – Sister Sledge ROCK Bad Moon Rising – CCR Black Horse and the Cherry Tree – KT Turnstall Black Velvet – Alannah Myles Blue Suede Shoes – Elvis Presley Born to Be Wild – Steppenwolf Cadillac Ranch – Bruce Springsteen Don’t Stop Believin’ – Journey For What It’s Worth – Buffalo Springfield Give Me One Reason – Tracy Chapman Hit Me With Your Best Shot – Pat Benetar Honky Tonk Women – Rolling Stones/Tina Turner I Love Rock & Roll – Joan Jett Johnny B. Goode – Chuck Berry La Bamba – Ritchie Valens Lola - The Kinks Magic Man - Heart Mary Jane’s Last Dance - Tom Petty Miss You - Rolling Stones Mustang Sally - Wilson Pickett Old Time Rock & Roll – Bob Seger Pink Cadillac – Bruce -
RIAA/Defreese/Proposed Default Judgment and Permanent Injunction
Case 6:04-cv-01362-WEB -DWB Document 10 Filed 08/18/05 Page 1 of 2 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS PRIORITY RECORDS LLC, ET AL., ) ) ) Plaintiffs, ) ) ) v. ) Case No. 04-1362-WEB-DWB ) ) KELLI DEFREESE, Defendant. DEFAULT JUDGMENT AND PERMANENT INJUNCTION Based upon Plaintiffs' Application For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Six Thousand Seven Hundred and Fifty Dollars ($6,750.00). 2. Defendant shall pay Plaintiffs' costs of suit herein in the amount of Two Hundred and Thirty Dollars ($230.00). 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: C "Freak On a Leash," on album "Follow the Leader," by artist "Korn" (SR# 263-749); C "The New Pollution," on album "Odelay," by artist "Beck" (SR# 222-917); C "Here With Me," on album "No Angel," by artist "Dido" (SR# 289-904); C "Best Friends," on album "Supa Dupa Fly," by artist "Missy Elliot" (SR# 245-232); C "What's Your Fantasy (Remix)," on album "Back For the First Time," by artist "Ludacris" (SR# 289-433); C "Daddy," on album "Pieces of You," by artist "Jewel" (SR# 198-481); C "Father Figure," on album "Faith," by artist "George Michael" (SR# 92-432); 1 Case 6:04-cv-01362-WEB -DWB Document -
Kd Lang Landmarks Press Release FINAL
Press Contacts: Elizabeth Boone, WNET, 212-560-8831, [email protected] Dorean Pugh, WNET, 212-560-3005, [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom k.d. lang – Landmarks Live in Concert: A Great Performances Special Premieres Nationwide Friday, December 14 on PBS Iconic singer-songwriter k.d. lang performs complete “Ingénue” album in honor of its 25 th anniversary at the Majestic Theatre in San Antonio Iconic singer-songwriter k.d. lang performs a 25 th anniversary concert celebrating her critically acclaimed 1992 album “Ingénue” from the Majestic Theater in San Antonio, Texas, in k.d. lang – Landmarks Live in Concert – A Great Performances Special , premiering nationwide Friday, December 14 at 9 p.m. on PBS (check local listings). Lush and subtle, “Ingénue” allowed lang and co-writer-producer Ben Mink to explore jazz, cabaret and Tin Pan Alley songwriting, resulting in some of her greatest compositions. This Landmarks Live in Concert special features an uninterrupted performance of the complete “Ingénue” album, including lang’s GRAMMY ® Award-winning hit “Constant Craving,” “Save Me,” “Wash Me Clean,” “Season of Hollow Soul” and “Miss Chatelaine.” The concert also includes the beloved Leonard Cohen song “Hallelujah” and a previously unreleased song by lang and Joe Pisapia, “Sleeping Alone.” The special also features an interview with lang by James Reed, an entertainment editor at Los Angeles Times. Twenty-six years ago, k.d. lang was embraced by the music world, its elders (including collaborators such as Tony Bennett and Roy Orbison) and audiences all over the globe for her powerfully emotional voice and often quirky take on country music. -
Lesbian News August 2018
LESBIAN NEWS VOL. 44 ∙ NO. 05 ∙ December 2018 K.D. LANG AT 25 CELEBRATING BODY HEAT: BOCELLI’S THE RETURN OF CRASHING “SI” AND A INGÉNUE THE MODERN STAR IS BORN LN Contributors Anne Laure Pineau At 32, Anne Laure is a Parisian journalist working for national magazines (ELLE, Paris-Match, Liberation) on many subjects, from the far-right and conservative movements in France, to the Angola Prison Rodeo in Louisiana. She has the absolute conviction that her job is political and can enlighten the human complexity. As a feminist, as an anti-racist and as a lesbian, she is working daily to give a space to the untold stories. (Photo: Juliette Robert). Beth Shipp is the first Executive Director of LPAC, the lesbian Super PAC that builds the political power of lesbian, queer, bisexual and transgender women by electing candidates who champion LGBTQ rights, women’s equality and social justice. She is a political strategist with more than 20 years of experience working for women’s reproductive rights, Democratic candidates and progressive causes. Prior to joining LPAC, Ms. Shipp was the political director for NARAL Pro- Choice and worked on a variety of federal and state campaigns throughout the nation. Carl Matthes is the current president of UGLA, Uptown Gay and Lesbian Alliance, an organization providing a support system for gay men, lesbians and education for individuals and the community He is a columnist on the Lesbian News, owned and published by his sister, Ella and her wife, Gladi. He was editor of the GLAAD/newsletter, and a GLAAD/LA representative on the Board. -
On the Beat Calderone School of Music
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, October 10, 2002 Page 21 Peter Gabriel’s ‘Up’ Is Downer; But Indies Don’t Disappoint Arts & Entertainment By ANDY GOLDENBERG happening. Specially Written for The Westfield Leader and The Times Universal Music sent some good As fall arrives, the quantity of CD reissue material beginning with a two- Pen & Ink releases continues unabated. disc Deluxe Edition of The Who’s CONTINUED FROM PAGE 22 Beginning with his first album in “My Generation” album complete and make trouble,” encouraged about 30 (well, 10) years by Peter with bonus material and the sound Sarandon, who coincidentally has Gabriel, “Up” on Geffen Records is quality is extraordinary. Also from not as much a return to Universal come great a movie coming out this month. form as it is a continua- compilations of “Kiss” As inappropriate as the enter- tion of form from his last and “T-Rex.” tainment industry’s desperate album “Us.” Some smaller labels The moody keyboard have put out some great scramble to stage a 9/11 sounds abound, there is a reissue and new material fundraiser (which I’m still con- lot of dark lyrical imag- beginning with Cunei- vinced was done to keep the peace ery. While the themes of form Records out of the last album dealt with Maryland. Known for the between their pocketbooks and relationships, “Up” deals devotion to Progressive their adoring fans), it is equally more with the finality and Rock, Cuneiform has just improper for celebrities to get fragility of life. -
December 6) 1999
VOLUME 33 The season to b e jolly: December 6, Author Frank McCourt con tinues the au~obiographical 1999 story he began in "Angela's Ashes" in the new book ISSUE 973 "'Tis. " ..... See pages 6-7 http://WlNlN.ulnsl.edu/studen"tli fe/curreni: UNIVERSITV O F MIS SOURI - S T. LOUIS Faculty'Council demands -.. III D: more involvement in ·cGI . .cIII c. decision-making process GI iii BY BRIAN DOUGLAS "In order to restore the cOIili ., .• . ,. , . , q ., ... , . ... ,., .. .".,., . ",. " . ..•. ,.. of The Current staff dence of the faculty in her adminis tration, Chancellor Toullill must In response to Chancellor inlplemem steps to meaningfully Blanche Touhill's fonnation of a task involve the faculty in the campus' force for campus-wide strategic planning and governance. At future planning, the Faculty Council passed meetings the Faculty CoUl)cil will a motion Thursday which reiterated consider whether effective steps its call for greater faculty involve have been taken," the motion said, ment in the planning and decision Judd acknowledged that the making process. motion was not satis Dennis Judd, pre factory to all members siding officer of the of the council. Faculty Council, Criticism of the described the motion motion ranged from as a middle-ground statements that it was Gary Grace, vice chancellor for student affairs, explains the new policy for overdue stUdent proposal. Previously, too harshly worded to accounts to Tilly lashel, a junior. Judd had expressed the complaints that it was view that the faculty's overly vague. confidence ill The fOlmation of Chancellor Touhill the Chancellor's task Administrators want to was so badly marred Touhill force followed the that a change in leader recent controversy ship might be the only over a system-level way to resolve the situ audit of UM-St. -
Diplo and Beck Confirmed for Northside
Diplo 2017-12-01 09:59 CET Diplo and Beck confirmed for NorthSide Thundercat, Rhye, and Jimmy Eat World will also appear at next year's festival This year’s last round of announcements for NorthSide 2018 will significantly expand the festival’s musical spectrum and offer everything from baile funk and sophisticated electronica to fusion jazz and postmodern disco-funk. Over the last three years, Diplo has been unavoidable because of global megahits like “Lean On”, "Where Are Ü Now", and “Cold Water”. He has found chart success as a producer for M.I.A., Sia, and Beyoncé, as a member of Major Lazer and Jack Ü and as solo artist, and he is always highly ranked on DJ Mag's list of the world’s best dj’s. The productive producer’s unique take on baile funk has made its mark on charts throughout the world since the breakthrough with "Paper Planes", and as he himself put it a few years ago; Random White Dude Be Everywhere. This summer that will for the first time also include NorthSide. Diplo will play Saturday June 9th at NorthSide 2018 Earlier this year, the always unpredictable Beck released the album "Colors", which picked up the thread from the dance-friendly and fun album from 1999, “Midnite Vultures”. Through a long and ever changing career, he has sold millions of records, won Grammys, and impressed with masterpieces such as "Odelay" and most recently the understated "Morning Phase". But the acoustic guitar has taken the backseat on new songs like "Dreams" and "Wow" and the focus is now instead on getting people back on the dance floor. -
Loretta Lynn: Writin' Life Article 1
Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse. -
Song List 10'S 00'S 90'S 80'S 70'S 50'S & 60'S Jazz
Song List 10’s 00’s 80’s 70’s Song Artist Song Artist Song Artist Song Artist 24K Magic Bruno Mars American Boy Estelle 9 to 5 Dolly Parton April Sun In Cuba Dragon All About That Bass Meghan Trainor Big Jet Plane Angus & Julia Stone All Night Long Lionel Richie Best of My Love Emotions Bad Guy Billie Eilish Buttons The Pussycat Dolls Better Be Home Soon Crowded House Blame It on The Boogie The Jacksons Be The One Dua Lipa Crazy In Love Beyonce Bette Davis Eyes Kim Carnes Dancing Queen ABBA Blinding Lights The Weeknd Crazy Gnarls Barkley Blister In The Sun Violent Femmes Dreams Fleetwood Mac Break Free Ariana Grande Don’t Know Why Norah Jones Call Me Blondie Eagle Rock Daddy Cool Break My Heart Dua Lipa Don’t Stop The Music Rihanna Crazy Little Thing Called Love Queen Go Your Own Way Fleetwood Mac Call Me Maybe Carly Rae Jepsen Forget You Cee Lo Green Do You See What I See Hunters & Collectors Highway To Hell ACDC Can’t Feel My Face The Weeknd Hot & Cold Katy Perry Don’t Stop Believin’ Journey I Will Survive Gloria Gaynor Can’t Hold Us Macklemore & Ryan Lewis Jai Ho Pussycat Dolls Easy Lionel Richie Let's Stay Together Al Green Cake By The Ocean DNCE Love Story Taylor Swift Feeling Hot Hot Hot The Merrymen Mamma Mia ABBA Can’t Stop The Feeling! Justin Timberlake Mr Brightside Killers Flame Trees Cold Chisel Moondance Van Morrison Cheap Thrills Sia Murder On The Dance Floor Sophie Ellis-Bextor Footloose Kenny Loggins Proud Mary Tina Turner Closer The Chainsmokers Party In The U.S.A Miley Cyrus Free Fallin’ Tom Petty Rock With You Michael -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist. -
Look Alikes Gadfly Mail Ox in Defense of J.T\.Mericau
THE FLY The St. John's College Student Week{y Annapolis, Maryland Volume XXIV, Issue 5 October 1, 2002 Look Alikes Gadfly Mail ox In Defense of J.t\.mericau. In a quite sophomoric letter to the editor, slaves. But he fails to mention that in the origi Editor-in-Chief Response to the Best Government Money Can Buy: . .lVIr. Nick Colten, of tl1e class of 2005, asked My saying tllat the inlmigrants who come nal draft of the docU111ent, Jefferson harshly Cooper N. Gallimore In hi . 1 'Th Best Government Money the state coffers in any way, the re_sult is es sen me to clarify some alleged contradictions in a to this country do so because t11ey seek refuge s art1c e, e . th b · s ent 1n these pro condemned King George III for promoting Can Buy,' l\1ichael Bridge supported a position ually that" e money ,,emg P column that I published two weeks ago. Being slave trade: from places ruled by mobs also seemed to con Production Managers f: ul tion and mislead- grams ts ta,"X money. a freshman, and following Mr. Cohen's ex fuse Mr. Colten, so I'll try to briefly clear that Ervin Romero . that rests on a a ty assump tl in Indeed if this money zj ta,"X money, it opens "He has waged cruel war against hU111an . ing information. He cons1sten y _assumes ' . Wh should some- ample, I may be expected to respond by writ up. By "mobs" I mean groups of privileged Cathy Keene nature itself, violating its most sacred rights of . -
Beck Lets the Purple Rain Fall JOHN ZEISS Reviews Editor Beck Contrary to Midnite Vultures Advance Hype (And It's Been a Bad Year for L.A
Natalie Merchant delivers a must-own MEREDITH VONDRA staff writer Buy this CD! Buy this CD! Buy this CD! Some "best of" CDs are noth- ing more than a desper- ate cry for money. Oth- ers are a true exploration on the versatility of the songs. Natalie Mer- chant's Live In Concert is the latter. Merchant's new CD is a recording of her show on June 13 at the Neil ferent view of Merchant. Too Simon Broadway Theater. often, live versions differ very Although she is singing to a little from an artist's original large audience, intimacy recording. Merchant puts her oozes from the songs. The entire self into her live music. songs are a mix of Merchant's The result is an amazing hits, new songs and several album quite different than one covers. The best track is the produced in a studio. Live In cover of David Bowie's Concert cannot even be com- "Space Oddity." The lone gui- pared to Merchant's previous tar and Merchant's soulful work. Her true talent as an .' vocals create a haunting artist shines, and her voice is effect. For once, a cover is bet- astounding. Buy this CD! ter than the original. Live In Concert offers a dif- Na.talie Merchant wraps up and gets cozy. Her new live album feels cozy and 1nt1mate as well. Beck lets the purple rain fall JOHN ZEISS reviews editor Beck Contrary to Midnite Vultures advance hype (and It's been a bad year for L.A. First, DGC/Interscope the title and bulk the Chili Peppers berated its broken of this review), dreams on Califomication.