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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
RIAA/Defreese/Proposed Default Judgment and Permanent Injunction
Case 6:04-cv-01362-WEB -DWB Document 10 Filed 08/18/05 Page 1 of 2 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS PRIORITY RECORDS LLC, ET AL., ) ) ) Plaintiffs, ) ) ) v. ) Case No. 04-1362-WEB-DWB ) ) KELLI DEFREESE, Defendant. DEFAULT JUDGMENT AND PERMANENT INJUNCTION Based upon Plaintiffs' Application For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Six Thousand Seven Hundred and Fifty Dollars ($6,750.00). 2. Defendant shall pay Plaintiffs' costs of suit herein in the amount of Two Hundred and Thirty Dollars ($230.00). 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: C "Freak On a Leash," on album "Follow the Leader," by artist "Korn" (SR# 263-749); C "The New Pollution," on album "Odelay," by artist "Beck" (SR# 222-917); C "Here With Me," on album "No Angel," by artist "Dido" (SR# 289-904); C "Best Friends," on album "Supa Dupa Fly," by artist "Missy Elliot" (SR# 245-232); C "What's Your Fantasy (Remix)," on album "Back For the First Time," by artist "Ludacris" (SR# 289-433); C "Daddy," on album "Pieces of You," by artist "Jewel" (SR# 198-481); C "Father Figure," on album "Faith," by artist "George Michael" (SR# 92-432); 1 Case 6:04-cv-01362-WEB -DWB Document -
Jason Jägel La Machine Molle February 7 - March 27, 2020 Opening Reception Friday February 7, 6-9Pm
JASON JÄGEL LA MACHINE MOLLE FEBRUARY 7 - MARCH 27, 2020 OPENING RECEPTION FRIDAY FEBRUARY 7, 6-9PM Gallery 16 is pleased to welcome artist Jason Jägel for his second solo exhibition with the gallery, La Machine Molle. Jägel presents a new series of paintings, works on paper and sculptures. There will be an opening reception for the artist on Friday, February 7th, from 6-9pm. La Machine Molle is French for The Soft Machine, the title of a 1961 cut-up novel by American author William S. Burroughs, as well as the name of seminal Canterbury scene band, Soft Machine. After being kicked out of his own band (Soft Machine), Robert Wyatt started a new band which he named Matching Mole, a linguistic pun on the French name for Soft Machine. The images in a new series of paintings refer to the 1972 live performance of Wyatt’s group on the French television program Rockenstock. Jägel broad admiration for Wyatt includes his use of everyday speech, wry humor, and self-referential elements in his lyrics. There is a kinship in the way both Jägel and Wyatt bring together elements of improvisation and lyrical narrative. In his own unique and poetic way, Jason Jägel's work cultivates a strong improvisational component, born out of a form of autobiographical fiction, his love of music, comics, and literary fiction. In the words of Kevin Killian, he is an “ace raconteur” and, above all, Jägel's work tells a story. His compositions often appear as fragments where experiences, dreams, people, places, individual narratives and past experiences intersect and intertwine to create open-ended, conversational stories full of rhythm and flow. -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
Myspace.Com - - 43 - Male - PHILAD
MySpace.com - WWW.RECORDCASTLE.COM - 43 - Male - PHILAD... http://www.myspace.com/recordcastle Sponsored Links Gear Ink JazznBlues Tees Largest selection of jazz and blues t-shirts available. Over 100 styles www.gearink.com WWW.RECORDCASTLE.COM WWW.RECORDCASTLE.COM is in your extended "it's an abomination that we are in an network. obama nation ... ron view more paul 2012 ... balance the budget and bring back tube WWW.RECORDCASTLE.COM's Latest Blog Entry [ Subscribe to this Blog ] amps" [View All Blog Entries ] Male 43 years old PHILADELPHIA, Pennsylvania WWW.RECORDCASTLE.COM's Blurbs United States About me: I have been an avid music collector since I was a kid. I ran a store for 20 years and now trade online. Last Login: 4/24/2009 I BUY PHONOGRAPH RECORDS ( 33 lp albums / 45 rpms / 78s ), COMPACT DISCS, DVD'S, CONCERT MEMORABILIA, VINTAGE POSTERS, BEATLES ITEMS, KISS ITEMS & More Mood: electric View My: Pics | Videos | Playlists Especially seeking Private Pressings / Psychedelic / Rockabilly / Be Bop & Avant Garde Jazz / Punk / Obscure '60s Funk & Soul Records / Original Contacting WWW.RECORDCASTLE.COM concert posters 1950's & 1960's era / Original Beatles memorabilia I Offer A Professional Buying Service Of Music Items * LPs 45s 78s CDS DVDS Posters Beatles Etc.. Private Collections ** Industry Contacts ** Estates Large Collections / Warehouse finds ***** PAYMENT IN CASH ***** Over 20 Years experience buying collections MySpace URL: www.myspace.com/recordcastle I pay more for High Quality Collections In Excellent condition Let's Discuss What You May Have For Sale Call Or Email - 717 209 0797 Will Pick Up in Bucks County / Delaware County / Montgomery County / Philadelphia / South Jersey / Lancaster County / Berks County I travel the country for huge collections Print This Page - When You Are Ready To Sell Let Me Make An Offer ----------------------------------------------------------- Who I'd like to meet: WWW.RECORDCASTLE.COM's Friend Space (Top 4) WWW.RECORDCASTLE.COM has 57 friends. -
Music DVD Reviews: Review of Syd Barrett: Under Review
Music DVD Reviews: Review of Syd Barrett: Under Review http://www.bullz-eye.com/music_dvd/2006/syd_barrett_under_review.htm Music DVD Reviews: Review of Syd Barrett: Under Review Music DVDs Home / Entertainment Channel / Bullz-Eye Home Syd Barrett: Under Review (2006) Entertainment Bullz-Eye Home Entertainment Music Buy your copy now from Movies Television Movie DVDs Music DVDs Games Celebrity Babes When the seminal lineup of Pink Floyd – Roger Waters, Rick Wright, Nick Entertainers Mason, and David Gilmour – reunited for the London Live 8 concert in 2005, Interviews before performing “Wish You Were Here,” Waters introduced the song by Channels saying, “we play this number for everyone who cannot be here today, but most The Opposite Sex of all, of course, for Syd.” Sports Entertainment Statistically, most of the people who heard this probably went, “Whatever, just Fitness play the song.” Some, however, got downright misty. Gadgets Vices Roger Barrett – known to his friends and admirers as Syd – was the original Wagering frontman for Pink Floyd, back in their decidedly psychedelic days of the late Humor Recreation ‘60s. None of the tracks from his era of the band have ever made it into regular Travel rotation on classic rock radio, but Barrett’s work, both with Pink Floyd and as a Stuff to Buy solo artist, have made him a hero to cult musicians (most notably Robyn News Hitchcock, who all but built his career on imitating Barrett) as well as record store clerks and music writers everywhere. Premium Members Described as “the ultimate review and critical analysis of the music of Syd Join Enter Barrett,” Under Review is, unfortunately, really only for the diehard fans who already know rather a lot about the music of Syd Barrett…and, even then, you IntenseX run into the inevitable problem of telling those people stuff they already know. -
Diplo and Beck Confirmed for Northside
Diplo 2017-12-01 09:59 CET Diplo and Beck confirmed for NorthSide Thundercat, Rhye, and Jimmy Eat World will also appear at next year's festival This year’s last round of announcements for NorthSide 2018 will significantly expand the festival’s musical spectrum and offer everything from baile funk and sophisticated electronica to fusion jazz and postmodern disco-funk. Over the last three years, Diplo has been unavoidable because of global megahits like “Lean On”, "Where Are Ü Now", and “Cold Water”. He has found chart success as a producer for M.I.A., Sia, and Beyoncé, as a member of Major Lazer and Jack Ü and as solo artist, and he is always highly ranked on DJ Mag's list of the world’s best dj’s. The productive producer’s unique take on baile funk has made its mark on charts throughout the world since the breakthrough with "Paper Planes", and as he himself put it a few years ago; Random White Dude Be Everywhere. This summer that will for the first time also include NorthSide. Diplo will play Saturday June 9th at NorthSide 2018 Earlier this year, the always unpredictable Beck released the album "Colors", which picked up the thread from the dance-friendly and fun album from 1999, “Midnite Vultures”. Through a long and ever changing career, he has sold millions of records, won Grammys, and impressed with masterpieces such as "Odelay" and most recently the understated "Morning Phase". But the acoustic guitar has taken the backseat on new songs like "Dreams" and "Wow" and the focus is now instead on getting people back on the dance floor. -
CD List, No Songs
CD list Brian Auger 51 Sacred Fire Santana 2 Skull & Roses Grateful Dead 52 Borboletta Santana 3 100 Year Hall - Disc 1 Grateful Dead 53 Santana (galaxy) Santana 4 Europe 72 - Disc 1 Grateful Dead 54 Supernatural Santana 5 Europe 72 - Disc 2 Grateful Dead 55 Shaman Santana 6 Steal Your Face - Disc 1 Grateful Dead 56 Time out of Mind Bob Dylan 7 Steal Your Face - Disc 2 Grateful Dead 57 Love and Theft Bob Dylan 8 Without a Net - Disc 1 Grateful Dead 58 Highway 61 Revisited Bob Dylan 9 Without a Net - Disc 2 Grateful Dead 59 Blonde on Blonde Bob Dylan 10 One from the Vault (composite CD) Grateful Dead 60 The Ultimate Experience Jimi Hendrix 11 Two from the Vault - Disc 1 Grateful Dead 61 Jefferson Airplane Loves You - Jefferson Airplane Disc 1 12 Two from the Vault - Disc 2 Grateful Dead 62 Jefferson Airplane Loves You - Jefferson Airplane 13 Fallout from the Phil Zone - Disc 1 Grateful Dead Disc 2 14 Fallout from the Phil Zone - Disc 2 Grateful Dead 63 Jefferson Airplane Loves You - Jefferson Airplane 15 Reckoning Grateful Dead Disc 3 16 Workingman's Dead Grateful Dead 64 Blows against the Empire Jefferson Airplane 17 American Beauty Grateful Dead 65 Red Octopus Jefferson Airplane 18 Wake of the Flood Grateful Dead 66 America's Choice Hot Tuna 19 Terrapin Station - Studio Grateful Dead 67 Phosphorescent Rat Hot Tuna 20 Built to Last Grateful Dead 69 Greatest Hits Three Dog Night 21 So Many Roads - disc 1 Grateful Dead 70 Waiting for the Sun Doors, The 22 So Many Roads - disc 2 Grateful Dead 71 Best of the Doors Doors, The 23 So Many Roads - disc 3 Grateful Dead 72 Essential Rarities Doors, The 24 Steppin' Out (England '72) - cd 1 Grateful Dead 73 Time Traveller - Disc 1 Moody Blues 25 Steppin' Out (England '72) - cd 2 Grateful Dead 74 Time Traveller - Disc 2 Moody Blues 26 Steppin' Out (England '72) - cd 3 Grateful Dead 76 Rubber Soul/Sgt. -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist. -
January 31, 2006 Six Mile Post Online Page 14 Vol
Nutritional SixSix MileMile PPostostostost lunch from The Student Voice the vending Georgia Highlands College - Rome, Georgia machine? January 31, 2006 Six Mile Post Online Page 14 Vol. 35, #4 www.highlands.edu/sixmilepost GHC Briefs ASF trip sign-up now underway By Jeff Denmon [email protected] Assistant Editor Sign-up is now underway for the March 18 and 19 Georgia Highlands College trip to the Ala- bama Shakespeare Festival in Montgomery. Sign-up is on a first-come, first-served basis un- til Feb. 17 or until the trip fills up. The costs, $76 for four people in a room, $82 for three people in a room, $93 for two people in a room, will cover the play tickets, transportation, admissions to the Rosa Parks Museum and the MLK Parsonage, a background packet on the plays (“Twelfth Night” and “To Kill a Mocking- bird”) and hotel accommodations. Many instructors offer extra credit to trip participants. Those interested in going on the trip may sign-up in the Office of Student Life on the Floyd and Cartersville campuses or at the GHC offices on the other cam- puses. A $40 deposit is required Photo by Sarah Abercrombie at sign-up. Jennifer Smith, a dental hygiene major from Ellijay, Ga., scans through the profiles on Facebook.com in between classes. Bookmarks list learning outcomes By Jeff Denmon [email protected] Assistant Editor GHC gets Facebook By Whitney Anderson dents to post hilarious pictures Facebook.com allows stu- Facebook.com isn’t just for This week students in all En- [email protected] of themselves and their friends, dents to meet others through the college student. -
Look Alikes Gadfly Mail Ox in Defense of J.T\.Mericau
THE FLY The St. John's College Student Week{y Annapolis, Maryland Volume XXIV, Issue 5 October 1, 2002 Look Alikes Gadfly Mail ox In Defense of J.t\.mericau. In a quite sophomoric letter to the editor, slaves. But he fails to mention that in the origi Editor-in-Chief Response to the Best Government Money Can Buy: . .lVIr. Nick Colten, of tl1e class of 2005, asked My saying tllat the inlmigrants who come nal draft of the docU111ent, Jefferson harshly Cooper N. Gallimore In hi . 1 'Th Best Government Money the state coffers in any way, the re_sult is es sen me to clarify some alleged contradictions in a to this country do so because t11ey seek refuge s art1c e, e . th b · s ent 1n these pro condemned King George III for promoting Can Buy,' l\1ichael Bridge supported a position ually that" e money ,,emg P column that I published two weeks ago. Being slave trade: from places ruled by mobs also seemed to con Production Managers f: ul tion and mislead- grams ts ta,"X money. a freshman, and following Mr. Cohen's ex fuse Mr. Colten, so I'll try to briefly clear that Ervin Romero . that rests on a a ty assump tl in Indeed if this money zj ta,"X money, it opens "He has waged cruel war against hU111an . ing information. He cons1sten y _assumes ' . Wh should some- ample, I may be expected to respond by writ up. By "mobs" I mean groups of privileged Cathy Keene nature itself, violating its most sacred rights of . -
Beck Lets the Purple Rain Fall JOHN ZEISS Reviews Editor Beck Contrary to Midnite Vultures Advance Hype (And It's Been a Bad Year for L.A
Natalie Merchant delivers a must-own MEREDITH VONDRA staff writer Buy this CD! Buy this CD! Buy this CD! Some "best of" CDs are noth- ing more than a desper- ate cry for money. Oth- ers are a true exploration on the versatility of the songs. Natalie Mer- chant's Live In Concert is the latter. Merchant's new CD is a recording of her show on June 13 at the Neil ferent view of Merchant. Too Simon Broadway Theater. often, live versions differ very Although she is singing to a little from an artist's original large audience, intimacy recording. Merchant puts her oozes from the songs. The entire self into her live music. songs are a mix of Merchant's The result is an amazing hits, new songs and several album quite different than one covers. The best track is the produced in a studio. Live In cover of David Bowie's Concert cannot even be com- "Space Oddity." The lone gui- pared to Merchant's previous tar and Merchant's soulful work. Her true talent as an .' vocals create a haunting artist shines, and her voice is effect. For once, a cover is bet- astounding. Buy this CD! ter than the original. Live In Concert offers a dif- Na.talie Merchant wraps up and gets cozy. Her new live album feels cozy and 1nt1mate as well. Beck lets the purple rain fall JOHN ZEISS reviews editor Beck Contrary to Midnite Vultures advance hype (and It's been a bad year for L.A. First, DGC/Interscope the title and bulk the Chili Peppers berated its broken of this review), dreams on Califomication.