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Dream Baby Dream: Suicide: a New York City Story Online
EoeUa [Download] Dream Baby Dream: Suicide: A New York City Story Online [EoeUa.ebook] Dream Baby Dream: Suicide: A New York City Story Pdf Free Kris Needs ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #1025856 in eBooks 2015-10-12 2015-10-18File Name: B0100QGEGW | File size: 55.Mb Kris Needs : Dream Baby Dream: Suicide: A New York City Story before purchasing it in order to gage whether or not it would be worth my time, and all praised Dream Baby Dream: Suicide: A New York City Story: 0 of 0 people found the following review helpful. Nice overview of New York City when it was a ...By John J. PotterNice overview of New York City when it was a dangerous creative cauldron of activity. Furthermore, Harrry Hill supplies insightful writing that adds resonance to Suicide's musical contributions to the period and the history of electronic music. BUY their first album and this tome!0 of 0 people found the following review helpful. A history of New York's musical art world in the 70'sBy Timm DavisonA great read0 of 0 people found the following review helpful. True originals. True story.By CustomerFantastic. ldquo;We were living through the realities of war and bringing the war onto the stage... Everybody hated us, manrdquo; Alan Vega Born out of the city's vibrant artistic underground as a counter-cultural performance art statement, opposing the war by mirroring its turmoil, Suicide became the most terrifyingly iconoclastic band in history, and also one of the most influential. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Bibliografia Canterbury Ridotta
Presentazione La scena di Canterbury fu un movimento musicale che si sviluppò tra la fine degli anni Sessanta e la meta dei Settanta nell’omonima cittadina del Kent. Anche se furono molti i gruppi che la composero – alcuni dei quali ancora oggi leggendari come i Soft Machine, i Caravan o i Matching Mole - il numero dei musicisti coinvolti fu sempre molto ridotto, favorendo così un rapporto osmotico tra le varie band anche nelle scelte musicali intraprese. Ciò che caratterizzò la Scena fu infatti una comune idea di arte che possiamo definire – citando Marcus O’Dair, autore della recente biografia di Wyatt – come “un certo stile rock psichedelico venato di jazz, pastorale, very english… con tempi complessi, una preferenza di tastiere rispetto alle chitarre e un modo di cantare convintamente radicato nell’East Kent, là dove i cantanti dell’epoca posavano tutti da Delta bluesman”. Nata con l’album Soft Machine (1968) e conclusa da Rock Bottom (1974) – nonostante i successivi epigoni - la Scena di Canterbury fu sicuramente il momento più alto di tutto il genere Progressive e uno dei movimenti musicali più innovativi (e altrettanto ostici) di tutto il rock. Riascoltato oggi può apparire troppo contorto e scarsamente fruibile, persino nelle sue espressioni più “pop” quali i dischi di Kevin Ayers o dei Caravan, ma in realtà è ancora un’esperienza unica ed entusiasmante per tutti gli ascoltatori disposti a superare le barriere e i tabù che troppo spesso caratterizzano il mondo della musica popolare. Aprile - Maggio 2015 Discografia: Guida all’ascolto Soft machine - Soft machine (1968) Una premessa importante: la Scena di Canterbury fu per sei Soft machine – Two (1969) entusiasmanti anni il fulcro della musica d’avanguardia inglese, Soft machine – Third (1970) proponendo opere spesso di non semplice fruizione che richiedono più Soft machine – Fourth (1971) di un ascolto per essere godute pienamente. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Jason Jägel La Machine Molle February 7 - March 27, 2020 Opening Reception Friday February 7, 6-9Pm
JASON JÄGEL LA MACHINE MOLLE FEBRUARY 7 - MARCH 27, 2020 OPENING RECEPTION FRIDAY FEBRUARY 7, 6-9PM Gallery 16 is pleased to welcome artist Jason Jägel for his second solo exhibition with the gallery, La Machine Molle. Jägel presents a new series of paintings, works on paper and sculptures. There will be an opening reception for the artist on Friday, February 7th, from 6-9pm. La Machine Molle is French for The Soft Machine, the title of a 1961 cut-up novel by American author William S. Burroughs, as well as the name of seminal Canterbury scene band, Soft Machine. After being kicked out of his own band (Soft Machine), Robert Wyatt started a new band which he named Matching Mole, a linguistic pun on the French name for Soft Machine. The images in a new series of paintings refer to the 1972 live performance of Wyatt’s group on the French television program Rockenstock. Jägel broad admiration for Wyatt includes his use of everyday speech, wry humor, and self-referential elements in his lyrics. There is a kinship in the way both Jägel and Wyatt bring together elements of improvisation and lyrical narrative. In his own unique and poetic way, Jason Jägel's work cultivates a strong improvisational component, born out of a form of autobiographical fiction, his love of music, comics, and literary fiction. In the words of Kevin Killian, he is an “ace raconteur” and, above all, Jägel's work tells a story. His compositions often appear as fragments where experiences, dreams, people, places, individual narratives and past experiences intersect and intertwine to create open-ended, conversational stories full of rhythm and flow. -
Lindsay Cooper: Bassoonist with Henry Cow Advanced Search Article Archive Topics Who Who Went on to Write Film Music 100 NOW TRENDING
THE INDEPENDENT MONDAY 22 SEPTEMBER 2014 Apps eBooks ijobs Dating Shop Sign in Register NEWS VIDEO PEOPLE VOICES SPORT TECH LIFE PROPERTY ARTS + ENTS TRAVEL MONEY INDYBEST STUDENT OFFERS UK World Business People Science Environment Media Technology Education Images Obituaries Diary Corrections Newsletter Appeals News Obituaries Search The Independent Lindsay Cooper: Bassoonist with Henry Cow Advanced search Article archive Topics who who went on to write film music 100 NOW TRENDING 1 Schadenfreudegasm The u ltim ate lis t o f M an ch ester -JW j » United internet jokes a : "W z The meaning of life J§ according to Virginia Woolf 3 Labour's promises and their m h azard s * 4 The Seth Rogen North Korea . V; / film tra ile r yo u secretly w a n t to w atch 5 No, Qatar has not been stripped o f th e W orld Cup Most Shared Most Viewed Most Commented Rihanna 'nude photos' claims emerge on 4Chan as hacking scandal continues Frank Lampard equalises for Manchester City against Her Cold War song cycle ‘ Oh Moscow’ , written with Sally Potter, was performed Chelsea: how Twitter reacted round the world Stamford Hill council removes 'unacceptable' posters telling PIERRE PERRONE Friday 04 October 2013 women which side of the road to walk down # TWEET m SHARE Shares: 51 Kim Kardashian 'nude photos' leaked on 4chan weeks after Jennifer Lawrence scandal In the belated rush to celebrate the 40 th anniversary of Virgin Records there has been a tendency to forget the groundbreaking Hitler’s former food taster acts who were signed to Richard Branson’s label in the mid- reveals the horrors of the W olf s Lair 1970s. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
Myspace.Com - - 43 - Male - PHILAD
MySpace.com - WWW.RECORDCASTLE.COM - 43 - Male - PHILAD... http://www.myspace.com/recordcastle Sponsored Links Gear Ink JazznBlues Tees Largest selection of jazz and blues t-shirts available. Over 100 styles www.gearink.com WWW.RECORDCASTLE.COM WWW.RECORDCASTLE.COM is in your extended "it's an abomination that we are in an network. obama nation ... ron view more paul 2012 ... balance the budget and bring back tube WWW.RECORDCASTLE.COM's Latest Blog Entry [ Subscribe to this Blog ] amps" [View All Blog Entries ] Male 43 years old PHILADELPHIA, Pennsylvania WWW.RECORDCASTLE.COM's Blurbs United States About me: I have been an avid music collector since I was a kid. I ran a store for 20 years and now trade online. Last Login: 4/24/2009 I BUY PHONOGRAPH RECORDS ( 33 lp albums / 45 rpms / 78s ), COMPACT DISCS, DVD'S, CONCERT MEMORABILIA, VINTAGE POSTERS, BEATLES ITEMS, KISS ITEMS & More Mood: electric View My: Pics | Videos | Playlists Especially seeking Private Pressings / Psychedelic / Rockabilly / Be Bop & Avant Garde Jazz / Punk / Obscure '60s Funk & Soul Records / Original Contacting WWW.RECORDCASTLE.COM concert posters 1950's & 1960's era / Original Beatles memorabilia I Offer A Professional Buying Service Of Music Items * LPs 45s 78s CDS DVDS Posters Beatles Etc.. Private Collections ** Industry Contacts ** Estates Large Collections / Warehouse finds ***** PAYMENT IN CASH ***** Over 20 Years experience buying collections MySpace URL: www.myspace.com/recordcastle I pay more for High Quality Collections In Excellent condition Let's Discuss What You May Have For Sale Call Or Email - 717 209 0797 Will Pick Up in Bucks County / Delaware County / Montgomery County / Philadelphia / South Jersey / Lancaster County / Berks County I travel the country for huge collections Print This Page - When You Are Ready To Sell Let Me Make An Offer ----------------------------------------------------------- Who I'd like to meet: WWW.RECORDCASTLE.COM's Friend Space (Top 4) WWW.RECORDCASTLE.COM has 57 friends. -
Music DVD Reviews: Review of Syd Barrett: Under Review
Music DVD Reviews: Review of Syd Barrett: Under Review http://www.bullz-eye.com/music_dvd/2006/syd_barrett_under_review.htm Music DVD Reviews: Review of Syd Barrett: Under Review Music DVDs Home / Entertainment Channel / Bullz-Eye Home Syd Barrett: Under Review (2006) Entertainment Bullz-Eye Home Entertainment Music Buy your copy now from Movies Television Movie DVDs Music DVDs Games Celebrity Babes When the seminal lineup of Pink Floyd – Roger Waters, Rick Wright, Nick Entertainers Mason, and David Gilmour – reunited for the London Live 8 concert in 2005, Interviews before performing “Wish You Were Here,” Waters introduced the song by Channels saying, “we play this number for everyone who cannot be here today, but most The Opposite Sex of all, of course, for Syd.” Sports Entertainment Statistically, most of the people who heard this probably went, “Whatever, just Fitness play the song.” Some, however, got downright misty. Gadgets Vices Roger Barrett – known to his friends and admirers as Syd – was the original Wagering frontman for Pink Floyd, back in their decidedly psychedelic days of the late Humor Recreation ‘60s. None of the tracks from his era of the band have ever made it into regular Travel rotation on classic rock radio, but Barrett’s work, both with Pink Floyd and as a Stuff to Buy solo artist, have made him a hero to cult musicians (most notably Robyn News Hitchcock, who all but built his career on imitating Barrett) as well as record store clerks and music writers everywhere. Premium Members Described as “the ultimate review and critical analysis of the music of Syd Join Enter Barrett,” Under Review is, unfortunately, really only for the diehard fans who already know rather a lot about the music of Syd Barrett…and, even then, you IntenseX run into the inevitable problem of telling those people stuff they already know. -
Jean-Philippe Rykiel
Jean-Philippe Rykiel Nato cieco nel 1961, Jean-Philippe Rykiel ha imparato a suonare il pianoforte da autodidatta fin da bambino. Anche se la sua passione musicale è nata dall'ascolto di classici come Thelonious Monk, la sua passione si è quasi subito rivolta verso le tastiere. La sua padronanza tecnica e il suo vivace intuito musicale lo hanno portato a collaborare con grandi musicisti sotto diverse vesti: come programmatore (con Vangelis e Vladimir Cosma), come strumentista (con Steve Hillage, Jon Hassell, Didier Malherbe e per numerosi progetti africani) e come arrangiatore (per Xalam, Salif Keita, Leonard Cohen, Youssou N'Dour e molti altri). Nel 1992 ha composto e coprodotto con Youssou N'Dour Eyes Open , una collaborazione che è poi proseguita con l’album Wommat The Guide del 1994 e per una tournée che ha toccato Europa, Africa e Stati Uniti. Il 2002 li vede ancora insieme con Nothing's In Vain (Nonesuch). Parallelamente a queste collaborazioni Rykiel ha proseguito anche la sua personale ricerca sfociata nel suo album solista apparso nel 1982 e in numerose creazioni per spettacoli, cinema e pubblicità, tra cui le musiche per il film Les Pierres Bleues du Désert di Nabil Ayouch e la colonna sonora di L’Enfant Lion di Patrick Grandperret. Nel 1994 ha arrangiato e suonato in The Lama's Chants , un album di preghiere tibetane cantato da Lama Gyurme, disco d'oro in Spagna e brillantemente recensito in tutto il mondo. Nel 2000 collabora nuovamente con Lama Gyurme a Vajra Chants, seguito da una tournée in Europa, Asia e America. -
The Blank Generation
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage.