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Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
RIAA/Defreese/Proposed Default Judgment and Permanent Injunction
Case 6:04-cv-01362-WEB -DWB Document 10 Filed 08/18/05 Page 1 of 2 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS PRIORITY RECORDS LLC, ET AL., ) ) ) Plaintiffs, ) ) ) v. ) Case No. 04-1362-WEB-DWB ) ) KELLI DEFREESE, Defendant. DEFAULT JUDGMENT AND PERMANENT INJUNCTION Based upon Plaintiffs' Application For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Six Thousand Seven Hundred and Fifty Dollars ($6,750.00). 2. Defendant shall pay Plaintiffs' costs of suit herein in the amount of Two Hundred and Thirty Dollars ($230.00). 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: C "Freak On a Leash," on album "Follow the Leader," by artist "Korn" (SR# 263-749); C "The New Pollution," on album "Odelay," by artist "Beck" (SR# 222-917); C "Here With Me," on album "No Angel," by artist "Dido" (SR# 289-904); C "Best Friends," on album "Supa Dupa Fly," by artist "Missy Elliot" (SR# 245-232); C "What's Your Fantasy (Remix)," on album "Back For the First Time," by artist "Ludacris" (SR# 289-433); C "Daddy," on album "Pieces of You," by artist "Jewel" (SR# 198-481); C "Father Figure," on album "Faith," by artist "George Michael" (SR# 92-432); 1 Case 6:04-cv-01362-WEB -DWB Document -
Morning Phase", Il Nuovo Album Di BECK
MARTEDì 25 FEBBRAIO 2014 È disponibile da oggi nei negozi tradizionali e negli store digitali "Morning phase", il nuovo album di BECK. L'album, a poche ore dalla pubblicazione, è già presente nella TopTen di iTunes dei principali paesi Beck, è uscito oggi il nuovo album del mondo a cominciare dagli Stati Uniti e il Canada, passando per la "Morning phase" Gran Bretagna e i paesi del nord Europa fino ad arrivare all'Italia. Il disco già in TopTen su iTunes "Morning phase" è il dodicesimo lavoro di studio del cantautore americano ed è il primo disco contenente materiale inedito dall'uscita di "Modern Guilt" del 2008. ANDREA LECCARDI In scaletta 12 brani inediti: "Morning", "Heart Is A Drum", "Say Goodbye", "Waking Light", "Unforgiven", "Wave", "Don't Let It Go", "Blackbird Chain", "Evil Things", "Blue Moon", "Turn Away", "Country Down". Intervistato a proposito del nuovo album dal magazine inglese Q, Beck ha chiarito nel dettaglio quali sono state le ispirazioni e le fonti che hanno dato vita ai brani del nuovo album: "Sono tornato alla musica della [email protected] mia giovinezza e delle mie radici: parlo di Neil Young, Gram Parsons e SPETTACOLINEWS.IT Crosby, Stills, & Nash. Ricordo sempre il suono di quei dischi e di quelle registrazioni, erano parte di una cultura mentre crescevo. Fanno parte del mio imprinting di crescita, che mi piaccia o meno. Forse rifiutavo questa musica quando ho cominciato a suonare, perché cercavo di trovare la mia identità. Ma sia io sia tutti quelli che hanno suonato su questo disco, siamo cresciuti tutti in California e quindi questo tipo di musica è inevitabilmente parte del nostro DNA". -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
On the Beat Calderone School of Music
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, October 10, 2002 Page 21 Peter Gabriel’s ‘Up’ Is Downer; But Indies Don’t Disappoint Arts & Entertainment By ANDY GOLDENBERG happening. Specially Written for The Westfield Leader and The Times Universal Music sent some good As fall arrives, the quantity of CD reissue material beginning with a two- Pen & Ink releases continues unabated. disc Deluxe Edition of The Who’s CONTINUED FROM PAGE 22 Beginning with his first album in “My Generation” album complete and make trouble,” encouraged about 30 (well, 10) years by Peter with bonus material and the sound Sarandon, who coincidentally has Gabriel, “Up” on Geffen Records is quality is extraordinary. Also from not as much a return to Universal come great a movie coming out this month. form as it is a continua- compilations of “Kiss” As inappropriate as the enter- tion of form from his last and “T-Rex.” tainment industry’s desperate album “Us.” Some smaller labels The moody keyboard have put out some great scramble to stage a 9/11 sounds abound, there is a reissue and new material fundraiser (which I’m still con- lot of dark lyrical imag- beginning with Cunei- vinced was done to keep the peace ery. While the themes of form Records out of the last album dealt with Maryland. Known for the between their pocketbooks and relationships, “Up” deals devotion to Progressive their adoring fans), it is equally more with the finality and Rock, Cuneiform has just improper for celebrities to get fragility of life. -
December 6) 1999
VOLUME 33 The season to b e jolly: December 6, Author Frank McCourt con tinues the au~obiographical 1999 story he began in "Angela's Ashes" in the new book ISSUE 973 "'Tis. " ..... See pages 6-7 http://WlNlN.ulnsl.edu/studen"tli fe/curreni: UNIVERSITV O F MIS SOURI - S T. LOUIS Faculty'Council demands -.. III D: more involvement in ·cGI . .cIII c. decision-making process GI iii BY BRIAN DOUGLAS "In order to restore the cOIili ., .• . ,. , . , q ., ... , . ... ,., .. .".,., . ",. " . ..•. ,.. of The Current staff dence of the faculty in her adminis tration, Chancellor Toullill must In response to Chancellor inlplemem steps to meaningfully Blanche Touhill's fonnation of a task involve the faculty in the campus' force for campus-wide strategic planning and governance. At future planning, the Faculty Council passed meetings the Faculty CoUl)cil will a motion Thursday which reiterated consider whether effective steps its call for greater faculty involve have been taken," the motion said, ment in the planning and decision Judd acknowledged that the making process. motion was not satis Dennis Judd, pre factory to all members siding officer of the of the council. Faculty Council, Criticism of the described the motion motion ranged from as a middle-ground statements that it was Gary Grace, vice chancellor for student affairs, explains the new policy for overdue stUdent proposal. Previously, too harshly worded to accounts to Tilly lashel, a junior. Judd had expressed the complaints that it was view that the faculty's overly vague. confidence ill The fOlmation of Chancellor Touhill the Chancellor's task Administrators want to was so badly marred Touhill force followed the that a change in leader recent controversy ship might be the only over a system-level way to resolve the situ audit of UM-St. -
Diplo and Beck Confirmed for Northside
Diplo 2017-12-01 09:59 CET Diplo and Beck confirmed for NorthSide Thundercat, Rhye, and Jimmy Eat World will also appear at next year's festival This year’s last round of announcements for NorthSide 2018 will significantly expand the festival’s musical spectrum and offer everything from baile funk and sophisticated electronica to fusion jazz and postmodern disco-funk. Over the last three years, Diplo has been unavoidable because of global megahits like “Lean On”, "Where Are Ü Now", and “Cold Water”. He has found chart success as a producer for M.I.A., Sia, and Beyoncé, as a member of Major Lazer and Jack Ü and as solo artist, and he is always highly ranked on DJ Mag's list of the world’s best dj’s. The productive producer’s unique take on baile funk has made its mark on charts throughout the world since the breakthrough with "Paper Planes", and as he himself put it a few years ago; Random White Dude Be Everywhere. This summer that will for the first time also include NorthSide. Diplo will play Saturday June 9th at NorthSide 2018 Earlier this year, the always unpredictable Beck released the album "Colors", which picked up the thread from the dance-friendly and fun album from 1999, “Midnite Vultures”. Through a long and ever changing career, he has sold millions of records, won Grammys, and impressed with masterpieces such as "Odelay" and most recently the understated "Morning Phase". But the acoustic guitar has taken the backseat on new songs like "Dreams" and "Wow" and the focus is now instead on getting people back on the dance floor. -
Volume 128, Number 12
The Weather MIT’s Today: Mostly cloudy, High 51°F (11°C) Tonight: Light rain, Low 37°F (3°C) Oldest and Largest Tomorrow: Light rain in the morning, Newspaper High 43°F (6°C) Details, Page 2 Volume 128, Number 12 Cambridge, Massachusetts 02139 Friday, March 14, 2008 Most Undergrads Pay Less Tuition Despite Increases, MIT Says By Elijah Jordan Turner ratory space. STAFF REPORTER According to the report, 90 per- What should you make of MIT’s cent of students received some form voluminous response to the Senate of financial aid, either from MIT Finance Committee, which asked it or from other sources, in 2006–7. to explain exorbitant tuition costs Barkowitz said that 42 percent of in light of a sixth-in-the-nation en- students did not receive grants from dowment? MIT last year. MIT’s response makes three The Institute’s endowment, things very clear: first, the endow- which totaled nearly $10 billion in ment has tripled in the past ten the past fiscal year, is ranked sixth years; second, tuition has increased in the country, behind Harvard, by nearly 50 percent; and finally, the Yale, Stanford, the University of average student pays less to attend Texas system, and Princeton. The SHREYES Seshasai—The TECH MIT than he did ten years ago. endowment’s value has nearly tri- Upperclassmen help freshmen explore their options at the Choice of Major Study Break in Next Over the past ten years, tuition pled in ten years; it was just under Dining on Thursday night. The event, organized by Next House RBA (Residence-Based Advising), has increased by an average of just $3.7 billion in 1998. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist.