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Three Twes M»? Washengt®N Pqrtrmts John Trumbull Charles T H R E E T W E S m»? WA S H EN G T ® N P Q R T R M T S JO HN T RU MBU L L C HARL ES WI LLSON PE AL E GIL B E RT §T U A RT B Y C H A R LES A L LEN MU N N NE W Y O R K PR IVA T E LY PR I N T E D MC MV I I I L i B flARY of GO NS RES' S Two Co i es fl ec m p e k. FEB 8 5 3 0 8 KRC Nu. CO PY R G T 1 0 8 I H , 9 MU B Y C HARLE S A . NN FO REWO RD RO M the time Wash i ngton took c o m mand of the army at Cambridge a very general p ubli c interest was aroused in the personal appearance o f the Commander-i n f m o f Chie . The any engraved portraits Wash i ngton which were published during his lifetim e bear upon their face the evidence o f their own a nd identity genuineness . Not so , however , the oil portraits which have as a rule no date or si g n ature ; their authen ticity rests partly upon their inherent quality but m ore particularly upon their history or pedigree . Most of the original por traits o f Washington were painted from one hun dred and t e n to one hundred and twenty -fiv e n m years ago , and , as in so lo g a period docu ent ary evidence of authenticity is in the case of most o f the contemporary portraits entirely lost or rests vii FOR E WOR D f f m n upon very eeble a ily traditio , it is desirable t o take every precaution to preserve j ealously the f n pedigrees o such portraits as are beyo d dispute . Letters or documen ts relating to such a precious m as m heirloo an authentic cont—e porary portrait o f Washington should be safe guarded in every m possible way . Such docu ents are always in n o f n or da ger bei g lost destroyed , but there is o ne m n n i s ethod , reproductio by printi g , which more sure and certai n than preservatio n even in f a sa e deposit vault . Although this little book m m of f is circulated only a ong a s all circle riends , it is hoped that the printing of these records m ay be the means of preserving in perpetuity the his tory and the pedigree of the three portraits i l lustrated within these covers , which represent Washington as he appeared at two very differ of h i s f — ent periods li e Washington , the Gene W ral , and ashington , the President . C . A . M . TH E TE R CE R A S , L n n N. lewelly Park , Ora ge , J . viii I LLUSTRATI ONS F ACI NG PAGE / W ‘ G E N E RAL ASH I N G T ON .Title t h s son Pai n ed by C arle Will Peale . Ori gi nal ow ner J os eph Wil son o f Philadelphia and i n s nt o n h A D ubl . Pre e w er C arles . M u n n. JOH N TR UM BULL Fro m a port rait by Gilbert St uart . Pro perty of Mrs . William Forbe s M organ . POR T RAI T O F G E N E RAL WASH I NG T ON h n T u u — 1 Painted by J o r mb ll 7 8 0 . n own . N u fv of A t Origi al er M de e ille m s erdam . s nt o n s A . unn . Pre e w er, Charle M G E OR G E WASH I N G T ON — E ngraved by V alentine Green 1 7 8 1 A h o t t T u u T h e fter t e p r rai by r mb ll . earliest gen i n o t t of sh n ton u i n u o u e p r rai Wa i g p blished E r pe . WASH I N GT ON A fter th e T ru mb u ll port rait . fi With c t it ious tropical land scape . EAR LY C H I N T Z B E D CUR T AI N Allegorical comp osition with figure o f Wa sh ington ft th e T u u o t t a er r mb ll p r rai . EAR LY L A t E R E D T E A TRAY “ h n n f h n f nde ende n e T e Sig i g o t e Declarat io o I p c . o an un no n o o s t on o T u Fr m k w c mp i i , pr bably by r m b ull . i x I LLUS T RAT IONS FACI N G PAGE WA SH I N GT ON A T T H E BA T T L E O F PR I N C E T O N h n —1 Pai nted by C arles Willso Peale 7 83. i n n ton o nt o n O r gi nal ow er Pri ce C llege . Prese w er Prin cet o n U ni versity . P EAR LI E S T AU T H E N T I C WEN GRAV E D O R T RAI T O F G E N E RAL ASH I N G—T ON Drawn and engraved by C . W . Peale 1 7 7 8 . CHAR L E S WI LLSON P E AL E h n From t e Natio al Portrai t Gallery . CHAR L E S WI LLSON P E AL E C E R T I FI CA T E 33 Signed by Benjami n Fran klin . L E T T E RS P A T E NT A O I W P P NT I —NG J O SE P H I L SO N CONSU L A T D UBL I N 1 7 9 4 PR E S ID E N T WASH I N G T ON nt t St u t —1 Pai ed by Gilber ar 79 5 . n own . S ott o f L n st . s Origi al er Mr c a ca er, Pa Pre ent o n h A w er C arles . M u nn . G E OR G E WASH I N GT ON E n — gra ved by E . Savage 1 8 0 1 . ‘ Aft th e L n er a s downe p ortrait . IVORY M I N I A T UR E O F G I LB E R T S T UAR T Painted by Mi ss Goodridge . wn th e t o o n f O ed by Me r p lita M use u m o Ar t . M I N I AT UR E O F WASH I N G T ON By Robert Field . s nt t o T o L Pre e ed bias ear by Mr s . Wash ington . n h l A Ow ed by C ar es . M unn . TRU MB U L L the War a t t h e ‘ brp ké out mm was - very gene ral i nn TE SS m was fi m as th e C o mmand e r h i n e w as at i ms zmnt h In M d ay o f afi i rs and ea m t o tur g , i st ed h ed ’ h e r e ' unt ‘ Suc h a Ii ttl m. tbe war bega n . hmw e ver st and i n th e , did not mg th e pu bli c d e ma nd . J J UHMUHT VIRO I JOHN TRU MB U LL TH E J O HN TRUMBULL TYPE H EN the War o f the Revolutio n ‘ broke o u t there was i n Europe a very general interest in the man w h o w as chosen as the Commander - i n- Chief of the m w as o e American ar y . The age n when the o f i ts n love portraiture was at ze ith , and the beau tiful mezzotints which w e know so well and which command to - day such enormous prices were being published an d sold fo r a fe w shil w as lings . The publisher in those days gener ally a m an o f affairs and eager to turn the nimble O f of W shilling . course , no portrait ashington f no had been sent to Europe ; in act , engraved portrait o f the great leader existed i n this coun ‘ tr no r s y , was one published here until three year after the war began . Such a little obstacle as o f this , however , did not stand in the way grat i f i n m y g the public de and . T H R E E T YP E S OF WASH I N G T ON POR T RAI T S I n m 1 w as Septe ber , 7 7 5 , there published in n n m Lo do a very curious ezzotint , entitled C o m George Washington , Esq ., General and mander - i n- Chief of the Continental Army in m n f m a n f m A erica .
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