Universal Penman
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Robert Burns in American Cultural Memory, C. 1840-1866
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture 2018-04 The Burnsian Palimpsest: Robert Burns in American Cultural Memory, c. 1840-1866 Sood, A http://hdl.handle.net/10026.1/11284 Symbiosis: a journal of anglo-american literary relations All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. The Burnsian Palimpsest: Robert Burns in American Cultural Memory, c. 1840- 1866 The memory of Burns…The west winds are murmuring it… Ralph Waldo Emerson (Ballantine 1959: 37) ~ Cultural memory reaches back into the past only so far as the past can be reclaimed as ‘ours’… Jan Assmann (Assmann 2008: 111) Introduction Arguably more so than any other eighteenth-century literary figure, the political and popular legacy of Robert Burns has been continually contested, revised and appropriated to various ends. As recently as the 2015 UK General Election, the Scottish branch of the right-wing populist United Kingdom Independence Party (UKIP) attempted to win the hearts (if not the minds) of Scottish voters by producing posters emblazoned with lines from Burns’s ‘The Dumfries Volunteers’;1 while, previously, the opposing Scottish Nationalist Party strategically launched an electoral campaign on the poet’s birthday (Tempest 2005). Contests were also waged over Burns’s presumed political leanings during the 2014 Scottish Referendum, as he was variably cast as a Unionist or Nationalist across several media outlets (Maddox 2012). -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Meet Grow Smart RI's Board of Directors
Meet Grow Smart RI’s Board of Directors Ashish G. Airan Ashish is a former Florida prosecutor and solo practitioner. He has 10+ years of broad based legal experience in criminal and commercial litigation and in intellectual property law as a registered patent attorney. A champion of small businesses, Ashish is also establishing a tax controversy practice in Rhode Island which provides free representation before the Internal Revenue Service to returning United States combat veterans. Ashish also works at Amgen, Inc. in its Quality organization and will obtain M.S. in Chemical Engineering in 2013. Ashish lives in East Greenwich, RI with his wife and daughter. Ashish joined the Board in 2013. Susan Arnold Susan has served as CEO and General Counsel for the Rhode Island Association of Realtors since 1997, after three years as the Association’s legal counsel. The Association is the primary provider of education, communication, internet and paper forms, legal information and services and advocacy for its members and serves as the voice of real estate in Rhode Island. In addition to her legal background, Susan was a business manager and sold real estate in Washington County. Susan received her undergraduate degree from Tufts University and her J.D. from Suffolk University. She lives in Wakefield. Susan joined the Board in 1999 and serves on the Nominating Committee. William Ashworth, PE, PTOE (Bill) Bill is the Manager for Vanasse, Hangen & Brustlin’s Rhode Island office where he oversees the operations of a team of transportation, land development, and environmental professionals. He specializes in transportation planning and traffic engineering and has led these efforts for VHB’s Rhode Island office for more than a decade. -
“To a Mouse” (Standard English Translation) by Robert Burns- 1785
“To a Mouse” (standard English translation) by Robert Burns- 1785 Small, crafty, cowering, timorous little beast, O, what a panic is in your little breast! You need not start away so hasty With argumentative chatter! I would be loath to run and chase you, With murdering plough-staff. I'm truly sorry man's dominion Has broken Nature's social union, And justifies that ill opinion Which makes you startle At me, your poor, earth born companion And fellow mortal! I doubt not, sometimes, but you may steal; What then? Poor little beast, you must live! An odd ear in twenty-four sheaves Is a small request; I will get a blessing with what is left, And never miss it. Your small house, too, in ruin! Its feeble walls the winds are scattering! And nothing now, to build a new one, Of coarse grass green! And bleak December's winds coming, Both bitter and keen! You saw the fields laid bare and wasted, And weary winter coming fast, And cozy here, beneath the blast, You thought to dwell, Till crash! the cruel plough passed Out through your cell. That small bit heap of leaves and stubble, Has cost you many a weary nibble! Now you are turned out, for all your trouble, Without house or holding, To endure the winter's sleety dribble, And hoar-frost cold. But little Mouse, you are not alone, In proving foresight may be vain: The best laid schemes of mice and men Go often awry, And leave us nothing but grief and pain, For promised joy! Still you are blessed, compared with me! The present only touches you: But oh! I backward cast my eye, On prospects dreary! And forward, though I cannot see, I guess and fear! Questions: 1. -
How Robert Burns Captured America James M
Studies in Scottish Literature Volume 30 | Issue 1 Article 25 1998 How Robert Burns Captured America James M. Montgomery Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Montgomery, James M. (1998) "How Robert Burns Captured America," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol30/iss1/25 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. James M. Montgomery How Robert Burns Captured America Before America discovered Robert Bums, Robert Bums had discovered America. This self-described ploughman poet knew well the surge of freedom which dominated much of Europe and North America in the waning days of the eight eenth century. Bums understood the spirit and the politics of the fledgling United States. He studied the battles of both ideas and infantry. Check your knowledge of American history against Bums's. These few lines from his "Ballad on the American War" trace the Revolution from the Boston Tea Party, through the Colonists' invasion of Canada, the siege of Boston, the stalemated occupation of Philadelphia and New York, the battle of Saratoga, the southern campaign and Clinton's failure to support Cornwallis at Yorktown. Guilford, as in Guilford Court House, was the family name of Prime Minister Lord North. When Guilford good our Pilot stood, An' did our hellim thraw, man, Ae night, at tea, began a plea, Within America, man: Then up they gat to the maskin-pat, And in the sea did jaw, man; An' did nae less, in full Congress, Than quite refuse our law, man. -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Levan Bregadze the Markers of Nikoloz Baratashvili's
Levan Bregadze The Markers of Nikoloz Baratashvili’s Romanticism Abstract: It is discussed N. Baratashvili’s romanticism in close connection with the worldview of one of the most prominent creators and thinkers, “foremost” romanticist Novalis; on the basis of Novalis’ perception of the life romanticizing, using the technical means of polarization and potentiation it is studied how in the Nikoloz Baratashvili’s creative works the relationship with the universe, people, everyday occurrences is romanticized, the goal of which is to make the life intensive, full-blooded, to open its way towards infinity. Key words: Baratashvili, Novalis, romanticism, polarization, potentiation. Most of the writer-romanticists lived short lives: Edgar Allan Poe lived 40 years on this earth, Giacomo Leopardi and Juliusz Słowacki died at their 39th years of age, Charlotte Brontë passed away at the age of 38, Robert Burns and Alexander Pushkin diedat 37, George Gordon Byron – 36, José María Heredia – 35, Heinrich von Kleist, José de Espronceda and Gustavo Adolfo Bécquer – 34, Wilhelm Müller – 33, Percy Bysshe Shelley and Emily Brontë -30, Novalis, Anne Brontë and Branko Radičević – 29, Nikoloz Baratashvili – 27, Mikhail Lermontov, Sándor Petőfi, Karel Hynek Mácha and Karoline von Günderrode – 26, John Keats, Wilhelm Hauff and Wilhelm Heinrich Wackenroder – 25... and yet, in the short time of their lives, they created the literature of such a quality that they will remain in the memory of mankind forever; some of them marked the history of literature so profoundly that they still influence and will continue to influence in future the spiritual formation of people. How did they manage that? What explanation can be found? The answer to this conundrumhas to be found in their philosophy of life, in the philosophy of romantic life. -
Universal Penman NEWSLETTER of the PROVIDENCE ATHENÆUM
Universal Penman NEWSLETTER OF THE PROVIDENCE ATHENÆUM MESSAGE FROM EXECUTIVE DIRECTOR, “Listen! The wind is rising, and the air is wild with leaves, ALISON MAXELL We have had our summer evenings, now for October eves!” Humbert Wolfe Ah, sweet Autumn - colorful foliage, crisp fall mornings, warm wool sweaters – my favorite time of the year. The shift in the seasons, the hint of promised change stirs my soul…and today I am grateful. This past spring you left us spellbound by your spirit and generosity – exceeding our Annual Fund expectations and sending us into the summer with promise and possibility. In early July we reviewed final recommendations from our consultancy and received news of Christina’s fellowship. Informed by both, we made the bold decision to suspend fall programming to enable board and staff to engage more deeply in the planning process – a strategic investment now of time and talent for the promise of a future filled with new possibility. By August, the Athenaeum became center stage - transforming from library to Hollywood set to construction site as members, tourists, artists, filmmakers, and contractors came and went. Suddenly, summer slipped by, students returned, a new semester began - the hustle and bustle of Benefit Street was back - fall had arrived. Inside the Athenaeum, leaves and crushed berries spot the carpets while the familiar scent of old books suggests you are home. Depending upon the day, Mary, Tina, Amy, Amanda, Kirsty, Kathleen, Stephanie or Morgan await your arrival, ready with the latest mystery, best seller, or biscuit (canines only)! Meanwhile, Mary Anne and Allen are upstairs ordering and cataloging the next batch of new books. -
Portraits by Gilbert Stuart
PORTRAITS BY JUNE 29 TO AUGUST l • 1936 AT THE GALLERIES OF M. KNOEDLER & COMPANY NEWPORT RHODE ISLAND As A contribution to the Newport Tercentenary observation we feel that in no way can we make a more fitting offering than by holding an exhibition of paintings by Gilbert Stuart. Nar- ragansett was the birthplace and boyhood home of America's greatest artist and a Newport celebration would be grievously lacking which did not contain recognition of this. In arranging this important exhibition no effort has been made to give a chronological nor yet an historical survey of Stuart's portraits, rather have we aimed to show a collection of paintings which exemplifies the strength as well as the charm and grace of Stuart's work. This has required that we include portraits he painted in Ireland and England as well as those done in America. His place will always stand among the great portrait painters of the world. 1 GEORGE WASHINGTON Canvas, 25 x 30 inches. Painted, 1795. This portrait of George Washington, showing the right side of the face is known as the Vaughan type, so called for the owner of the first of the type, in contradistinction to the Athenaeum portrait depicting the left side of the face. Park catalogues fifteen of the Vaughan por traits and seventy-four of the Athenaeum portraits. "Philadelphia, 1795. Canvas, 30 x 25 inches. Bust, showing the right side of the face; powdered hair, black coat, white neckcloth and linen shirt ruffle. The background is plain and of a soft crimson and ma roon color. -
Catherine Little Bert Bert Gallery, Inc 24 Bridge Street Providence, RI 02903 401.374.5708
Catherine Little Bert Bert Gallery, Inc 24 Bridge Street Providence, RI 02903 401.374.5708 EDUCATION 2018, 2016, 2012 United Standards of Professional Appraisal Practice Compliant, AAA 2014 Christ Church Oxford University, the Oxford Experience – Modern Art 2012 New York University, IRS Legal guidelines in Valuation of Fine and Decorative Arts 2010 New York University – Certificate Appraisal Studies in Fine & Decorative Arts 2007 Christ Church Oxford University, The Oxford Experience - William Morris & the Arts & Crafts Movement 1980 University of Connecticut - M.A. 1977 Providence College - B.A. EXPERIENCE Director/ Founder/ Owner Bert Gallery, 1992-present, 24 Bridge Street, Providence, R.I. Bert Gallery, 1984-1992, Biltmore Plaza Hotel, Providence, R.I. Responsible for the management of a Fine Arts Gallery, which features primarily Regional American painters from the late 19th century to present. Consultant 1985 –present. Invited curator for exhibitions, market analysis and strategic planning for artist estates MEMBERSHIPS, and AWARDS Providence Art Club Medal, June 2017 Appraisers Association of America, Associate Member, 2010 - 2018 Providence College, Board of Trustees, 2010 - 2016 Arts & Business Council of RI - Encore Award, 2010 Brooklyn Art Museum, Brooklyn, NY – E. A. Sackler Center of Feminist Art Council, 2008 National Museum of Women in the Arts, Washington, DC – National Advisory Board Member, 1994-present; Chairperson: 2000- 2003; Collections Initiative Chair, 2005-09; Patron’s Award, National Museum of Women in the Arts, 2005 Providence Tourism Council – Marketing Committee, 2003 Celebrate Women, City of Providence - Arts Award recipient, 2002 Gallery Night Providence - Co-President & founding member, 1997- 2007 National Arts Club, New York City, New York - Member, 1998-2001 Providence Art Club - Member, 1985-1998 Providence Preservation Society - Tourism Committee Rhode Island School of Design Museum - Member, 1998-present Rhode Island Historical Society, Board of Trustees, 1999-2005; Membership Chair, 2001-2005; lifetime member. -
The Champlin Foundation Capital Grants 2020 Grant Awards by City/Town
The Champlin Foundation Capital Grants 2020 Grant Awards by City/Town Organization City Project Name Grant Award Area of Focus Replace A/C Unit, Front Door and Copier; Electrical Ashaway Free Library Ashaway $9,983.00 Libraries Upgrades for Community Room Tap-In Barrington Food Pantry Barrington Refrigeration $6,548.00 Social Services Blackstone Valley Boys & Girls Club Blackstone Emergency Back-Up Generating System $68,798.00 Youth Services Block Island School Block Island Towards the Costs to Create a Makerspace $16,340.00 Education Southeast Lighthouse Foundation Block Island Towards HVAC and Electrical System Installation $194,500.00 Historic Preservation Historic New England Boston Casey Farm Electronic & Security Infrastructure $22,000.00 Historic Preservation Coggeshall Farm Museum Bristol Pickup Truck and ATV $40,500.00 Historic Preservation Mount Hope Trust In Bristol Bristol Fire Alarm Installation $49,200.00 Historic Preservation Roger Williams University Bristol Mobile Computer Lab for Justice Analytics Training $30,303.00 Education Progreso Latino Central Falls Vehicle Purchase and Building Repairs $102,106.00 Social Services Cross Mills Public Library Charlestown Lighting & Acoustical Renovations $7,775.00 Libraries Frosty Drew Nature Center and Observatory Charlestown Primary Observatory Telescope Replacement $107,541.00 Education Chepachet Union Church Chepachet Exterior Painting $30,000.00 Historic Preservation Glocester Manton Free Public Library Chepachet Exteriors Renovation/Repairs - Chimney, Doors, Railings $9,300.00 -
MJB-RESUME.Pdf
M A R Y J A N E B E G I N 401-247-7978 www.maryjanebegin.com [email protected] SUMMARY: • Rhode Island based award-winning children’s book illustrator and author. • 22 years teaching experience at Rhode Island School of Design, with expertise in teaching a broad range of conceptual, technical and professional courses. • 21 years experience providing presentations and lectures to schools and public organizations. • 26 years experience as freelance illustrator in a variety of Illustration industries: traditional publishing, educational publishing, character development for animation, advertising, licensing, and original art sales and exhibition. EDUCATION: RHODE ISLAND SCHOOL OF DESIGN 1981-1985 Providence, Rhode Island Bachelor of Fine Arts in Illustration- Honors BROWN UNIVERSITY 2009 Providence, RI Sheridan Teaching Certificate I PROFESSIONAL DEVELOPMENT: Hasbro- Three-day workshop on Resin casting and Z-Brush 3D sculpting 2010 Harriet W. Sheridan Center Teaching Certificate Program at Brown University 2009 RISD Figure Sculpting Course-Summer Studies 2008 PTFA Grant Funded tutorials on Adobe digital programs 2008 SURTEX- Surface and Textile Licensing Show- lectures and workshops 2003-2007 ICON-Illustrators Conference - lectures and workshops 1999, 2003, 2004 ALA-American Library Association- lectures and workshops 2004 1 of 11 WORK HISTORY: RHODE ISLAND SCHOOL OF DESIGN Providence, Rhode Island Faculty- Adjunct, Senior Critic 1991-present Faculty- Full-Time, Assistant Professor-Term Position 1998-2000, 2009-2010 COURSES: What’s Your Story,