Internationales Brucknerfest Linz 2020 Kontroverse – Bruckner Und Seine Zeit(Genossen)

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INTERNATIONALES BRUCKNERFEST LINZ 2020 KONTROVERSE – BRUCKNER UND SEINE ZEIT(GENOSSEN) TENEBRAE CHOIR FR, 18. September 2020, 19.30 Uhr Alter Dom Linz Das weltweit führende Vokalensemble Tenebrae Choir unter der Leitung von Nigel Short singt meisterhafte Chor-Werke der geistlichen Musik von J. Brahms, A. Bruckner und J. G. Rheinberger. Rund 50 JAhre lAng, Also sein gesAmtes Komponistenleben hindurch, hAt Anton Bruckner geistliche Chormusik geschrieben. Einigen seiner bedeutendsten A-cappellA-Motetten, darunter das berühmte Ave Maria, stellt der 2001 gegründete Tenebrae Choir, der inzwischen zu den führenden VokAlensembles der Welt zählt, meisterhAfte Chorwerke von Johannes Brahms gegenüber, die den großen Stellenwert dokumentieren, der auch in seinem Schaffen der geistlichen Musik zukam. Gleichzeitig bietet dAs Konzert die Gelegenheit, mit Josef Gabriel Rheinbergers CAntus MissAe die „schönste reine Vokalmesse des 19. Jahrhunderts“ kennenzulernen. PROGRAMM Johannes Brahms (1833–1897) Fest- und Gedenksprüche für gemischten Doppelchor a cappella, op. 109 (1888–89) Anton Bruckner (1824–1896) „Virga Jesse floruit“. GraduAle e-moll für vierstimmigen gemischten Chor A cAppellA, WAB 52 (1885) „Os justi“. GraduAle lydisch für vier- bis achtstimmigen gemischten Chor a cappella, WAB 30 (1879) Josef Gabriel Rheinberger (1839–1901) Cantus MissAe. Messe Es-Dur für gemischten Doppelchor A cAppellA, op. 109 (1878) – Pause – Brucknerhaus Presse – Mag. Valerie Himmelbauer Untere Donaulände 7 | 4010 Linz | T +43 732 7612 2126 | [email protected] 1 www.brucknerhaus.at | www.brucknerfest.at| www.facebook.com/brucknerhaus Johannes Brahms „Warum ist das Licht gegeben dem Mühseligen?“. Motette d-moll für sechsstimmigen gemischten Chor A cAppella, op. 74, Nr. 1 (1877) Drei geistliche Chöre für vierstimmigen FrAuenchor A cAppellA, op. 37 (1859, 1863) Anton Bruckner Ave Maria. Offertorium F-Dur für siebenstimmigen gemischten Chor A cAppellA, WAB 6 (1861) „Pange lingua“. Hymnus phrygisch für vierstimmigen gemischten Chor a cAppellA, WAB 33 (1868) „Christus factus est“ (III). GraduAle d-moll für vierstimmigen gemischten Chor A cAppellA, WAB 11 (1884) Johannes Brahms Drei Motetten für gemischten (Doppel-)Chor a cAppellA, op. 110 (1889) BESETZUNG Tenebrae Choir Nigel Short | Leitung Brucknerhaus Presse – Mag. Valerie Himmelbauer Untere Donaulände 7 | 4010 Linz | T +43 732 7612 2126 | [email protected] 2 www.brucknerhaus.at | www.brucknerfest.at| www.facebook.com/brucknerhaus .

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Vida De Anton Bruckner
CICLO BRUCKNER ENERO 1996 Fundación Juan March CICLO BRUCKNER ENERO 1996 ÍNDICE Pág. Presentación 3 Cronología básica 5 Programa general 7 Introducción general, por Angel-Fernando Mayo 11 Notas al programa: Primer concierto 17 Segundo concierto 21 Textos de las obras cantadas 25 Tercer concierto 31 Participantes 35 Antón Bruckner es hoy uno de los sinfonistas más prestigiosos del siglo XIX. Ya son páginas de historia de la música su ferviente admiración por Wagnery las diatribas que Hanslicky los partidarios de Brahms mantuvieron entonces respecto a su arte sinfónico, y un capítulo importante de la historia de la difusión musical lo ocupa la lenta recepción de su obra hasta el triunfo incuestionable de los últimos años. Pero Bruckner es también autor de un buen número de obras corales, con o sin acompañamiento de órgano, y de muy pocas pero significativas obras de cámara. También escribió para órgano -aunque siempre añoraremos más y más ambiciosas obras en quien fue organista profesional-, algo para piano y muy pocas canciones. En este ciclo, que no puede acercarse al mundo sinfónico, hemos acogido la mayor parte de su obra camerística centrándola en su importante Quinteto para cuerda, y una buena antología de su obra coral, desde la temprana Misa para el Jueves Santo de 1844 hasta ejemplos de su estilo final en 1885, en la época de su explosión sinfónica. Más de cuarenta años de actividad musical que ayudará al buen aficionado a completar la imagen de uno de los músicos más importantes del posromanticismo. Para no dejar aislado el Cuarteto de cuerda de 1862, hemos programado uno de los de su colega y contrincante Brahms.
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Bach: Magnificat & Christmas Cantata
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“Complete” Cycles
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Brahms Ruckner
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Analysis and Discussion of Selected Vocal Motets of Anton Bruckner
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