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Fourth Rehearsal and Concert SYMPHONY HALL, BOSTON HUNTINGTON (S- MASSACHUSETTS AVENUES _, , ( Ticket Office, 1492 Telephones, ) ^^^^„ , ^^^^ j Administration Offices, 3200 | TWENTY-SEVENTH SEASON, 1907-1908 DR. KARL MUCK, Conductor Fourth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, NOVEMBER 1 AT 2.30 O'CLOCK SATURDAY EVENING, NOVEMBER 2 AT 8.00 O'CLOCK PUBLISHED BY C. A. ELLIS, MANAGER 233 PlAHO. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix 'Weingartner REPRESENTED BY G. L SCHIRMER & COMPANY, 38 Huntington Avenue, Boston, Mass. 234 Boston Symphony Orchestra PERSONNEL Twenty -seventh Season, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorewicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Stnibe, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Wamke, H. Nagel, R. Barth, C. Loeffler, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Elkind, S. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Litke, H. Brooke, A. Sautet, A. Vannini, A. Regestein, E. Fox, P. English Horn. Bass Clarinet. Contra-bassoon. Mueller, F. Stumpf, K. Helleberg, J. Horns. Horns. Trumpets. Trombones. Tuba. Hess, M. Schmid, K. Kloepfel, L. Hampe, C. LorenZj'O. Lorbeer, H. Gebhardt, W. Mann, J. Mausebach, A^ Hain, F. Hackebarth, A. Heim, G. Kenfield, L. Phair, J. Schumann, C. Merrill, C. Harp. Tympani. Percussion. Schuecker, H. Rettberg, A. Dworak, J. Senia, T. Kandler, F. Ludwig, C. Burkhardt, H. Librarian. Sauerquell, J. 235 p?g»i=s^^5^=Hswags^sa=aca=«^^ i Zfit Qt^itktrin^ %^iuno Bears a name which has become known to purchasers as representing the highest possible value produced in the piano industry. It has been associated with all that is highest and best in piano making since 1823. Its name is the hall mark of piano worth and is a guarantee to the purchaser that in the instrument bearing it, is incorporated the highest artistic value possible. CHICKERING & SONS PIANOFORTE MAKERS Established 1823 791 TREMONT STREET Cor. NORTHAMPTON ST. Near Mass. Ave. BOSTON 236 TWENTY-SEVENTH SEASON, NINETEEN HUNDRED SEVEN and EIGHT Fourth Rehearsal and Concert* FRIDAY AFTERNOON, NOVEMBER f, at 2.30. SATURDAY EVENING, NOVEMBER 2, at 8 o'clock. PROGRAMME. Bruckner .... Symphony in D minor, No. 9 (Unfinished) I. Feierlich. II. Scherzo: Bewegt, lebhaft. Trio: Schnell. III. Adagio : Sehr langsam. ''• The Young Nun " (with the accompaniment orchestrated by Franz Liszt) ' " Death and the Maiden " (with the accompani- Schubert I ment orchestrated by Felix Mottl) "The Erlking" (with the accompaniment orchestrated by Hector Berlioz) Beethoven .... Overture to "Leonore" No. i, Op. 138 SOLOIST, Mme. SCHUMANN-HEINK. There will be an intermissioQ of' ten minutes after the symphony. The doors of the hall will be closed during the performance of each number on the program,me. Those who wish to leave before the end of the concert are requested to do so in an interval be- tween the numbers. City of Boston, Revised Re|{uIatlon of August 5. 1898.— Chapter 3. relating to the coverlnii of the head tn places of public amusement. Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any leat therein provided for spectators, it being understood that a low head covering without projection, which doe« not obrtnict Mjch view, may be worn. Attest: J. M. GALVIN, Oty Clerk. 237 L. P. Hollander & Co. FINE FURS Fur Motor Coats Black Pony Jackets $50 UPWARDS $50 UPWARDS SPLENDID ASSORTMENT of NECK PIECES and MUFFS in BLACK LYNX, MINK, NATURAL BEAVER, RUSSIAN , and HUDSON SABLES, made up from specially selected skins. 202 to 216 Boylston Street and Park Square, Boston '^iT^ WEDDING GIFTS. Sterling Silver, Cut Glass, Bric-a-brac, Bronzes. m-M Diamonds, Watches, Clocks, r' ''-=^-:- Reliable Goods, Moderate \ ^^»&-g-t^.. w/ ^^^^^T SMITH JS?^^' PATTERSON '"•^^mS^ ratetf. COMPANY mMMj'^& 4^ S3 Summer St. Symphony in D minor (Unfinished), No. 9 . Anton, Bruckner (Bom at Ansfelden, in Upper Austria, September 4, 1825 ; died at Vienna, October 11, 1896.) Ferdinand Lowe,* the editor of Bruckner's Unfinished Symphony, writes in a prefatory note to the score that it was the original intention of the composer to end the work with a purely orchestral Finale. This remark is in answer, no doubt, to the sorry jest of von Biilow that Bruckner's Ninth Symphon)^ "must end with a choral finale." The composer was hurt by this display of malice, nor did he see why he should apologize to admirers of Beethoven—of whom he was chief —for choosing the tonality of D minor for the chief theme of the symphony. This tonality was his favorite. Bodily sufferings often obliged Bruckner to put aside his work, and death came before the Finale was shaped. Although sketches of this Finale are in existence, they are only faint indications of the composer's intentions. He is said to have remarked to friends that, if the three movements were performed after his death, his ' 'Te Deum"t might be added as a Finale. The manuscript of the Ninth Symphony is in the Court. Library at Vienna. We learn from it that the first movement was begun toward the end of April, 1891, and finished October 14, 1892. The Scherzo was completed on February 15, 1894, but the Trio was finished as early as February 27, 1893. The Adagio was completed October 31, 1894. The first performance was by the Vienna Academic Wagner Society and the Vienna Concert Society at Vienna, February 11, 1903. The conductor was Lowe, and as an act of piety Bruckner's "Te Deum" was performed as the Finale. The three movements were soon after- ward played in other German cities, as at Berlin by the Philharmonic, * Ferdinand Lowe, bom at Vienna, February 19, 1865, was taught at the Vienna Conservatory of Music by Bruckner and Dachs. He taught the pianoforte and also chorus singing at the Conservatory. In 1897-98 he was conductor of the Kaim Orchestra at Munich. In 1898 he was called to Vienna to assist at the Court Opera. He became in 1900 the conductor of the Gesellschafts concerts—he resigned this position in 1904—and conductor of the Concert Society Orchestra. He has edited several works of Bruckner, and he was a great friend of Hugo Wolf. t Bruckner's "Te Deum" was produced at Vienna in 1886. It was performed for the first time in the United States at St. Louis in December, 1891, on the occasion of the golden jubilee of Archbishop Kendrick. Joseph Otten conducted. It was performed at the Tenth Biennial Festival at Cincinnati, Theodore Thomas conductor. May 26, 1892. The first performance in Boston was by the Cecilia Society, Mr. Lang conductor, December 12, 1905. The Worcester County Musical Association, Mr. W. Goodrich conductor, pierformed it September 28, 1905. LATEST ADDITIONS TO THE LIST OF MINIATURE SCORES MOZART. Symphony in D major $0.50 AUBER. "Le Cheval de Bronze" Overture ----- .50 BOIELDIEU. "La Dame Blanche" Overture .50 MENDELSSOHN. " Calm Sea. and Prosperous Voyage " - - - .50 ROSSINI. "Semiramide" - - .50 E. ELGAR. "Military Marches" "Pomp and Circumstance" No. linD $1.00 No. 2inA 1.00 No. 3 in C - 1.00 No. 4 in G -.... 1.00 E. ELGAR. "Sea Pictures." Cycle of Five Songs for Contralto - 1.50 BRAHMS. German Requiem -------- 3.00 HAYDN. "Creation" 2.50 LISZT. Second Piano Concerto in A major ----- 2.00 MOZART. Requiem 1.50 4 BOOSEY & COMPANY, 9 East Seventeenth St., New YorK Chy INVITE ATTENTION TO THEIR UNUSUALLY ATTRACTIVE IMPORTED MODELS AND THOSE OF ORIGINAL DESIGN, INCLUDING Tailor Gowns and Coats, Visiting Costumes, and Theatre Coats- Riding Habits Safety Side Saddle and Straddle DRESSMAKI/NG DEPARTME/NT WE ARE OFFERING UNUSUAL OPPORTUNITIES House, Dinner, and Evening Dresses and Waists MODELS FROM THE LEADING PARIS HOUSES OUR FITTERS AND DESIGNERS POSSESS MOST EXCELLENT ABILITY AND- PRICES WILL BE FOUND ATTRACTIVE 256 BOYLSTON STREET, BOSTON Shreve^ Crump & Low Company*. Diamonds. Gems. Diamond Jewelry. Old English Silver. The only house showing a large and splendid stock of rare old English Silver. Art Rooms» fitted with Choice Antiques. ARTISTIC JEWELRY. WATCHES.. HALL CLOCKS. Tiffany Lamps and Favrile Glass. J 47 Tremont Street^ Boston* 240 — ; led by Nikisch, October 26, 1903; and they were performed at Munich for the third time in the season of 1 903-1 904. The first performance at a Philharmonic Concert in Vienna was on March 4, 1906 (Dr. Muck, conductor). The first performance in the United States was at Chicago by the Chicago Orchestra, Theodore Thomas conductor, February 20, 1904. The first performance in Boston was at a concert of the Boston Symphony Orchestra, April 2, 1904 (Mr.
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