DOCSLIB.ORG

1 Ludwig Van Beethoven Symphony #9 in D Minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 Ludwig Van Beethoven Symphony #9 in D Minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion 1 Ludwig van Beethoven Symphony #9 in D minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion "Ebarme dich, mein Gott" 3 George Frideric Handel Messiah: Hallelujah Chorus 4 Wolfgang Amadeus Mozart Symphony 41 C, K.551 "Jupiter" 5 Samuel Barber Adagio for Strings Op.11 6 Wolfgang Amadeus Mozart Clarinet Concerto A, K.622 7 Ludwig van Beethoven Piano Concerto 5 E-Flat, Op.73 "Emperor" (3) 8 Antonin Dvorak Symphony No 9 (IV) 9 George Gershwin Rhapsody In Blue (1924) 10 Wolfgang Amadeus Mozart Requiem in D minor K 626 (aeternam/kyrie/lacrimosa) 11 George Frideric Handel Xerxes - Largo 12 Johann Sebastian Bach Toccata And Fugue In D Minor, BWV 565 (arr Stokowski) 13 Ludwig van Beethoven Symphony No 5 in C minor Op 67 (I) 14 Johann Sebastian Bach Orchestral Suite #3 BWV 1068: Air on the G String 15 Antonio Vivaldi Concerto Grosso in E Op. 8/1 RV 269 "Spring" 16 Tomaso Albinoni Adagio in G minor 17 Edvard Grieg Peer Gynt 1, Op.46 18 Sergei Rachmaninov Piano Concerto No 2 in C minor Op 18 (I) 19 Ralph Vaughan Williams Lark Ascending 20 Gustav Mahler Symphony 5 C-Sharp Min (4) 21 Peter Ilyich Tchaikovsky 1812 Overture 22 Jean Sibelius Finlandia, Op.26 23 Johann Pachelbel Canon in D 24 Carl Orff Carmina Burana: O Fortuna, In taberna, Tanz 25 Wolfgang Amadeus Mozart Serenade G, K.525 "Eine Kleine Nachtmusik" 26 Johann Sebastian Bach Brandenburg Concerto No 5 in D BWV 1050 (I) 27 Johann Strauss II Blue Danube Waltz, Op.314 28 Franz Joseph Haydn Piano Trio 39 G, Hob.15-25 29 George Frideric Handel Water Music Suite #2 in D 30 Wolfgang Amadeus Mozart Ave Verum Corpus, K.618 31 Johannes Brahms Symphony 1 C Min, Op.68 32 Felix Mendelssohn Violin Concerto in E minor, Op. 64 (1) 33 Gustav Holst The Planets, Op. 32: Jupiter, the Bringer of Jollity 34 Joaquin Rodrigo Concierto de Aranjuez- 2.Adagio 35 Sergei Rachmaninov Piano Concerto 3 D Min, Op.30 (3) 36 Jean Joseph Mouret Rondeau 37 Johannes Brahms German Requiem, Op.45 (4) 38 Ludwig van Beethoven Symphony No 3 in E flat Op 55 (IV) 39 Franz Schubert Symphony 8 B Min, D.759 "Unfinished" (1) 40 Aaron Copland Fanfare for the Common Man 41 Erik Satie Gymnopedie #1 & 3 42 Gioachino Rossini William Tell Overture 43 Johann Sebastian Bach Double Violin Concerto D Min, Bwv 1043 44 Franz Joseph Haydn Piano Concerto D, Hob.18-11 45 Gregorio Allegri Miserere 46 Giacomo Puccini Turandot: Nessun dorma 47 Antonio Vivaldi Concerto Grosso Op. 8/4 "Winter" 48 Johann Sebastian Bach Mass in B Minor, BWV.232: Kyrie eleison 49 Peter Ilyich Tchaikovsky Violin Concerto in D, Op. 35 (3) 50 Gabriel Faure Requiem, Op.48: i. Introit et Kyrie 51 Wolfgang Amadeus Mozart Symphony No 40 in G minor K550 (I) 52 Bedrich Smetana The Moldau 53 Aaron Copland Appalachian Spring: Selections 54 Edward Elgar Enigma Vars, Op.36/9 "Nimrod" 55 Modest Mussorgsky Pictures at an Exhibition: Old Castle, Bydlo 56 Ludwig van Beethoven Piano Sonata 14 C-Sharp Min, Op.27/2 "Moonlight" 57 Max Bruch Violin Concerto #1 in G minor, Op. 26 (3) 58 Wolfgang Amadeus Mozart Exsultate Jubilate, K 165 59 Franz Liszt Hungarian Rhapsody No.2 60 George Frideric Handel Arrival of the Queen of Sheba 61 Rodgers & Hammerstein Carousel: Waltz 62 Christoph Willibald Gluck Dance of the Blessed Spirits from Orfeo ed Euridice 63 Igor Stravinsky Rite Of Spring 64 Ralph Vaughan Williams Fantasia on a Theme by Tallis 65 George Frideric Handel Coronation Anthem No 1, HWV 258 "Zadok the Priest" 66 Claude Debussy Suite Bergamasque (1890) 67 Antonin Dvorak Symphony No 7 in D minor (IV) 68 Peter Ilyich Tchaikovsky Swan Lake, Op. 20: Waltz 69 Maurice Ravel Pavane for a dead princess 70 Frederic Chopin Fantasie Impromptu in C-sharp minor, Op. 66 71 Richard Wagner Tannhauser: Overture 72 Pablo De Sarasate Zigeunerweisen 73 George Frideric Handel Rodrigo Overture B-Flat, Hwv5 74 Edward Elgar Cello Concerto E Min, Op.85 75 Nikolai Rimsky-Korsakov Scheherazade, Op. 35: The Sea & Sinbad's Ship 76 Georges Bizet Carmen: Habanera (Act 1) 77 Leo Delibes Lakme - Flower Duet 78 Peter Ilyich Tchaikovsky March Slave Op 31 79 Ludwig van Beethoven Violin Concerto in D, Op 61 80 Sergei Rachmaninov Rhapsody on a Theme of Paganini (pt 1) 81 Richard Wagner Ride of the Valkries 82 Morten Lauridsen O magnum mysterium 83 Felix Mendelssohn Symphony 4 A, Op.90 "Italian" 84 George Frideric Handel Royal Fireworks Music 85 Frederic Chopin Piano Concerto #1 in e minor, Op. 11 86 Johann Sebastian Bach Cello Suite No 1 (I, II, III) 87 George Gershwin 3 Preludes 88 Franz Joseph Haydn Symphony 104 D "London" (3) 89 Giovanni Battista Pergolesi Stabat Mater (I-III) 90 Frederic Chopin Andante Spianato & Grande Polonaise, Op.22 91 William Byrd Pavan & Galliard 1 92 Hugo Wolf Italian Serenade G 93 D'mitri Shostakovich Piano Concerto 2, Op.102 94 Camille Saint-Saens The Swan 95 Thomas Tallis Spem in Alium 96 Alexander Borodin Polovtsian Dances 97 Georg Philipp Telemann Quartet G from Table Music 98 Jules Massenet Thais - Meditation, Act 2 99 Johann Sebastian Bach Cantata 208: Sheep May Safely Graze 100 Wolfgang Amadeus Mozart Magic Flute, K.620 101 Ludwig van Beethoven Symphony #6 in F, Op. 68 "Pastoral" 102 Maurice Ravel Bolero 103 Wolfgang Amadeus Mozart Horn Concerto 4 E-Flat, K.495 104 Gustav Mahler Symphony 1 D "Titan" (2) 105 Carl Maria Von Weber Clarinet Concerto 1 F Min, Op.73 106 Frederic Chopin Polonaise in A-Flat, Op. 53 "Heroic" 107 Franz Schubert Ellens Gesang 3, D.839 "Ave Maria" 108 Pietro Mascagni Cavelleria rusticana: intermezzo 109 Benjamin Britten Simple Symphony, Op.4 110 Peter Ilyich Tchaikovsky Symphony 5 E Min, Op.64 - Andante Cantabile 111 Gaetano Donizetti The Elixir of Love "A Furtive Tear" 112 Johannes Brahms Variations on a Haydn Theme Op.56a 113 Wolfgang Amadeus Mozart Piano Concerto No. 21 (II) (Elvira Madigan) 114 Antonio Vivaldi Mandolin Concerto in C, RV425 115 Samuel Barber Violin concerto Op.14 (II) 116 Johann Sebastian Bach Italian Concerto in F major BWV 971 117 Gabriel Faure Pavane, Op. 50 118 Sergei Prokofiev Peter & The Wolf, Op.67: March 119 Ottorino Respighi Fountains Of Rome: daybreak & sunset 120 Maurice Ravel Le Tombeau De Couperin 121 Ennio Morricone The Mission: Gabriel's Oboe 122 Gerald Finzi Eclogue 123 Ludwig van Beethoven Egmont, Op.84 124 Johann Strauss II Emperor Waltz 125 Leonard Bernstein Symphonic Dances from West Side Story 126 Anton Bruckner Os Justi 127 Aram Khachaturian Dances from Gayne 128 Arvo Part Spiegel Im Spiegel 129 Gustav Holst St. Paul's Suite, Op.29/2 130 George Frideric Handel Concerto Grosso Op.6/ 1 G 131 Jacques Offenbach Tales Of Hoffmann - Barcarolle 132 Isaac Albeniz Suite Espanola 5 "Asturias" 133 Gioachino Rossini Overture from The Barber of Seville 134 Johann Sebastian Bach Violin Partita 2 D Min, Bwv 1004 - Chaconne 135 Edvard Grieg Piano Concerto in A Min, Op. 16 (I) 136 Felix Mendelssohn Midsummer Night's Dream, Op.21 137 Antonin Dvorak Scherzo Capriccioso, Op.66 138 Franz Joseph Haydn Symphony 82 C "The Bear" 139 Johannes Brahms Cello Sonata No 1 E minor, Op 38 (1) 140 Carl Philipp Emanuel Bach Concerto G, Wq.169 141 Johann Sebastian Bach The Art of Fugue BWV1080 (I,14,Chorale) 142 Claude Debussy Prelude To The Afternoon Of A Faun 143 Ludwig van Beethoven Piano Sonata No 23 in F minor Op 57 "Appassionata" (I) 144 John Dowland King Of Denmark's Galliard 145 Anton Bruckner Symphony 7 E - Scherzo 146 Wolfgang Amadeus Mozart Piano Concerto 9 E-Flat, K.271 "Jeunehomme" 147 Johann Sebastian Bach Brandenburg Concerto #6 B-Flat, Bwv 1051 148 Antonin Dvorak String Quartet No 12 in F Op 96 (II) 149 Tomaso Albinoni Oboe Concerto in D, Op. 7 #6 150 Hector Berlioz Symphonie Fantastique, Op.14: Un Bal 151 Giovanni Battista Pergolesi Flute Concerto in G 152 Giuseppe Verdi Requiem: Dies irae & Tuba mirum 153 Antonio Vivaldi Concerto Grosso Op.8/ 3 F Rv.293 "Autumn" 154 Gustav Mahler Symphony 9 D (4) 155 Giuseppe Verdi La Traviata - Prel Act 1 156 Franz Schubert Piano Quintet in A (IV) 157 Heitor Villa-Lobos Bachianas brasileiras No 1 158 Peter Ilyich Tchaikovsky Symphony No 6 in B minor (IV) 159 Johann Strauss II Die Fledermaus 160 Camille Saint-Saens Intro & Rondo Capriccioso, Op.28 161 Ferde Grofe Grand Canyon Suite: Sunrise 162 Antonio Vivaldi Fl Concerto 1 F, Op.10 P.261 Rv.433 "Tempesta Di Mare" 163 Frederic Chopin Fantasy on Polish Airs, Op. 13 164 Georg Philipp Telemann Concerto for 4 Violins C 165 Leonard Bernstein Candide Overture 166 Edouard Lalo Symphonie Espagnole, Op.21 167 Zoltan Kodaly Hary Janos Suite 168 Tomaso Albinoni Oboe Concerto in F, Op. 7 #9 169 Franz Schubert Symphony #9 in C "Great" 170 Wolfgang Amadeus Mozart Violin Concerto 3 G, K.216 (3) 171 Peter Ilyich Tchaikovsky Nutcracker: Waltz of the Snowflakes 172 Johann Sebastian Bach Keyboard Concerto in g minor, BWV1058 173 Antonin Dvorak Prague Waltzes 174 George Frideric Handel Sonata Op.2/4 F 175 Ludwig van Beethoven Piano Sonata 21 in C, Op. 53 "Waldstein" 176 Franz Joseph Haydn Piano Concerto F, Hob.18-3 177 Antonio Vivaldi The Four Seasons: Summer 178 Luigi Boccherini Cello Concerto D, G.476 179 Sergei Rachmaninov Vocalise 180 Johannes Brahms Serenade #1 in D, Op. 11 181 Clara Schumann Piano Concerto 1 A Min, Op.7 182 Karl Ditters Von Dittersdorf Harp Concerto in A 183 Robert Schumann Symphony #2 C, Op.61 (1845-46) 184 Philip Glass Facades 185 Franz Schubert Overture in C "In The Italian Style" 186 Sergei Prokofiev Romeo & Juliet: Romeo & Juliet 187 Robert Schumann Arabeske, Op.
Load more

Recommended publications
  • Public Events May 2019
    Public Events May 2019 Subscribe to this publication by emailing Shayla Butler at [email protected] Table of Contents Overview Highlighted Events ................................................................................................. 3 Youth Summer Camps ........................................................................................... 5 Neighborhood and Community Relations 1800 Sherman, Suite 7-100 Northwestern Events Evanston, IL 60208 Arts www.northwestern.edu/communityrelations Music Performances ..................................................................................... 15 Theater ......................................................................................................... 24 Art Exhibits .................................................................................................. 26 Dave Davis Art Discussions ............................................................................................. 27 Executive Director Film Screenings ............................................................................................ 27 [email protected] 847-491-8434 Living Leisure and Social ......................................................................................... 31 Norris Mini Courses Around Campus To receive this publication electronically ARTica (art studio) every month, please email Shayla Butler at Norris Outdoors [email protected] Northwestern Music Academy Religious Services .......................................................................................
    [Show full text]
  • Teacher Packet Arapahoe Philharmonic – Children’S Discovery Concert November 13, 2019
    Teacher Packet Arapahoe Philharmonic – Children’s Discovery Concert November 13, 2019 Links to Music Period Descriptions https://www.classicsforkids.com/music/musical_period.php?id=Baroque Description and musical examples of the Baroque period. https://www.classicsforkids.com/music/musical_period.php?id=Classical Description and musical examples of the Classical period. https://www.classicsforkids.com/music/musical_period.php?id=Romantic Description and musical examples of the Romantic period. https://www.classicsforkids.com/music/musical_period.php?id=Modern Description and musical examples of the Modern period. Link to Music Games https://www.classicsforkids.com/games.html Games to explore where composers were from, find instruments in the orchestra, compose your own song and others. This is a very fun site! Link to Map Game to Find Composers Birth Country https://www.classicsforkids.com/composers/composers_map.php Link to Descriptions and Sounds of Each Instrument https://www.classicsforkids.com/music/instruments_orchestra.php Instruments of the orchestra descriptions and listening sound bites. Music Selections Performed in the Concert (in program order) Haydn, Symphony 104 https://www.youtube.com/watch?v=OitPLIowJ70 Tchaikovsky Symphony 6, mvt 1, https://www.youtube.com/watch?v=GCLcubGgSmk Tchaikovsky Symphony 4, mvt 4 Opening and last mvt., https://www.youtube.com/watch?v=PLHj-eekdNU Strauss, Also sprach Zarathustra, opening excerpt https://www.youtube.com/watch?v=ETveS23djXM Rossini, finale fr. William Tell Overture https://www.youtube.com/watch?v=j3T8-aeOrbg
    [Show full text]
  • Leevi Madetoja (1887–1947) Symphony No
    Leevi Madetoja (1887–1947) Symphony No. 2 / Kullervo / Elegy 1. Kullervo, Symphonic Poem, Op. 15 14:13 Symphony No. 2, Op. 35 2. I. Allegro moderato – 13:23 LEEVI MADETOJA II. Andante 13:36 SYMPHONY NO. 2 III. Allegro non troppo – 9:39 KULLERVO IV. Andantino 4:53 ELEGY 3. Elegy, Op. 4/1 (First movement from the Symphonic Suite, Op. 4) 5:53 –2– Leevi Madetoja To be an orchestral composer in Finland as a contemporary of Sibelius and nevertheless create an independent composer profile was no mean feat, but Leevi Madetoja managed it. Though even he was not LEEVI MADETOJA completely immune to the influence of SYMPHONY NO. 2 his great colleague, he did find a voice for KULLERVO ELEGY himself where the elegiac nature of the landscape and folk songs of his native province of Ostrobothnia merged with a French elegance. Madetoja’s three symphonies did not follow the trail blazed by Sibelius, and another mark of his independence as a composer is that his principal works include two operas, Pohjalaisia (The Ostrobothnians, 1924) and Juha (1935), a genre that Sibelius never embraced. Madetoja emerged as a composer while still a student at the Helsinki Music Institute, when Robert Kajanus conducted his first orchestral work, elegy (1909) for strings, in January 1910. The work was favourably received and was given four further performances in Helsinki that spring. It is a melodically charming and harmonically nuanced miniature that betrays the influence of Tchaikovsky in its achingly tender tones. Later, Madetoja incorporated Elegia into his four-movement Sinfoninen sarja (Symphonic Suite, 1910), but even so it is better known as a separate number.
    [Show full text]
  • MTO 0.7: Alphonce, Dissonance and Schumann's Reckless Counterpoint
    Volume 0, Number 7, March 1994 Copyright © 1994 Society for Music Theory Bo H. Alphonce KEYWORDS: Schumann, piano music, counterpoint, dissonance, rhythmic shift ABSTRACT: Work in progress about linearity in early romantic music. The essay discusses non-traditional dissonance treatment in some contrapuntal passages from Schumann’s Kreisleriana, opus 16, and his Grande Sonate F minor, opus 14, in particular some that involve a wedge-shaped linear motion or a rhythmic shift of one line relative to the harmonic progression. [1] The present paper is the first result of a planned project on linearity and other features of person- and period-style in early romantic music.(1) It is limited to Schumann's piano music from the eighteen-thirties and refers to score excerpts drawn exclusively from opus 14 and 16, the Grande Sonate in F minor and the Kreisleriana—the Finale of the former and the first two pieces of the latter. It deals with dissonance in foreground terms only and without reference to expressive connotations. Also, Eusebius, Florestan, E.T.A. Hoffmann, and Herr Kapellmeister Kreisler are kept gently off stage. [2] Schumann favours friction dissonances, especially the minor ninth and the major seventh, and he likes them raw: with little preparation and scant resolution. The sforzato clash of C and D in measures 131 and 261 of the Finale of the G minor Sonata, opus 22, offers a brilliant example, a peculiarly compressed dominant arrival just before the return of the main theme in G minor. The minor ninth often occurs exposed at the beginning of a phrase as in the second piece of the Davidsbuendler, opus 6: the opening chord is a V with an appoggiatura 6; as 6 goes to 5, the minor ninth enters together with the fundamental in, respectively, high and low peak registers.
    [Show full text]
  • My Musical Lineage Since the 1600S
    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
    [Show full text]
  • AP Music Theory: Unit 2
    AP Music Theory: Unit 2 From Simple Studies, https://simplestudies.edublogs.org & @simplestudiesinc on Instagram Music Fundamentals II: Minor Scales and Key Signatures, Melody, Timbre, and Texture Minor Scales ● Natural Minor ○ No accidentals are changed from the relative minor’s key signature ○ Scale Pattern: W H W W H W W (W=whole note; H=half note) ○ Solfege: Do Re Mi Fa Sol La Ti Do ○ Scale Degrees: 1 2 b3 4 5 b6 b7 8 ● Harmonic Minor ○ The seventh scale degree is raised (it becomes the leading tone) ○ Scale Pattern: W H W W H m3 H ○ Solfege: Do Re Mi Fa Sol La Ti Do ○ Scale Degrees: 1 2 b3 4 5 b6 7 8 ● Melodic Minor ○ Ascending: the sixth and seventh degrees are raised ○ Descending: it becomes natural minor (meaning that the sixth and seventh degrees are no longer raised) ○ Scale Pattern (Ascending): W H W W W W H ○ Solfege (Ascending): Do Re Mi Fa Sol La Ti Do ○ Solfege (Descending): Do Te Le Sol Fa Mi Re Do ○ Scale Degrees (Ascending): 1 2 b3 4 5 6 7 8 ● Minor Pentatonic Scale ○ 5-note minor scale (made of the 5 diatonic pitches) ○ Scale Pattern: m3 W W m3 W ○ Solfege: Do Mi Fa Sol Te Do ○ Scale Degrees 1 b3 4 5 b7 8 Key Relationships ● Parallel Keys ○ Keys that share a tonic ○ One major and one minor ■ Example: d minor and D major are parallel keys because they share the same tonic (D) ● Relative Keys ○ Keys that share a key signature (but have different tonics) ■ Example: a minor and C major are relative keys (since they both don’t have any sharps or flats) ● Closely Related Keys ○ Keys that differ from each other by at most
    [Show full text]
  • 03 May 2021.Pdf
    3 May 2021 12:01 AM Francesco Geminiani (1687-1762) Concerto grosso in D minor, Op 7 No 2 La Petite Bande, Sigiswald Kuijken (conductor) DEWDR 12:10 AM Heitor Villa-Lobos (1887-1959) Prelude for guitar no.1 in E minor Norbert Kraft (guitar) CACBC 12:15 AM Sergey Rachmaninov (1873-1943) 2 Songs: When Night Descends in silence; Oh stop thy singing maiden fair Fredrik Zetterstrom (baritone), Tobias Ringborg (violin), Anders Kilstrom (piano) SESR 12:24 AM Jean Sibelius (1865-1957) Serenade no 2 in G minor for violin & orchestra, Op 69b Judy Kang (violin), Orchestre Symphonique de Laval CACBC 12:33 AM Franz Liszt (1811-1886) Polonaise No.2 in E major from (S.223) Ferruccio Busoni (piano) SESR 12:43 AM Giovanni Gabrieli (1557-1612) Exaudi me, for 12 part triple chorus, continuo and 4 trombones Danish National Radio Chorus, Copenhagen Cornetts & Sackbutts, Lars Baunkilde (violone), Soren Christian Vestergaard (organ), Bo Holten (conductor) DKDR 12:50 AM Joseph Haydn (1732-1809) Symphony no 104 in D major "London" (H.1.104) Tamas Vasary (conductor), Hungarian Radio Symphony Orchestra HUMR 01:15 AM Erich Wolfgang Korngold (1897-1957) Piano Quintet in E major, Op 15 Daniel Bard (violin), Tim Crawford (violin), Mark Holloway (viola), Chiara Enderle (cello), Paolo Giacometti (piano) CHSRF 01:47 AM Barbara Strozzi (1619-1677) "Hor che Apollo" - Serenade for Soprano, 2 violins & continuo Susanne Ryden (soprano), Musica Fiorita, Daniela Dolci (director) DEWDR 02:01 AM Maurice Ravel (1875-1937) Ma mère l'oye (suite) WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:18 AM Francis Poulenc (1899-1963) Concerto for Two Pianos in D minor, FP 61 Lucas Jussen (piano), Arthur Jussen (piano), WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:38 AM Ludwig van Beethoven (1770-1827) Symphony No.
    [Show full text]
  • Concert Program
    Chapel Hill Philharmonia Donald L. Oehler, Music Director 7:30 p.m. Sunday, May 3, 2015 Hill Hall – University of North Carolina at Chapel Hill Fanfare for Jerry Hulka Garth Molyneux Chapel Hill Philharmonia Horns Overture from Egmont, Op. 84 Ludwig van Beethoven Piano Concerto No. 1 in E Minor, Op. 11 Frédéric Chopin Allegro maestoso Jane Zhao, piano Intermission Symphony No. 6 in B minor, Op. 74 Pyotr Ilyich Tchaikovsky Pathétique Adagio – Allegro non troppo Allegro con grazia Allegro molto vivace Finale: Adagio lamentoso – Andante Please join us for a reception in the rotunda after the concert Kindly remember to turn off mobile devices Pathétique The Romantic era idealized heroes. The works on tonight’s Chapel Hill Philharmonia program comprise three dis- tinct takes on heroism—the martyrdom of a leader to the cause of freedom, the creativity of an artist in the face of an incurable illness, and the passionate suffering of an individual descending into silence. Fanfare for Jerry Hulka Jaroslav Hulka, M.D., passed away on November 24, 2014, at age 84. A founding member of the CHP and long time principal French horn player, Jerry also served the orchestra as a board member and president. He is survived by his wife Barbara Sorenson Hulka, a UNC-Chapel Hill professor emerita and former CHP concertmaster. The couple met as undergraduates when both were section princi- pals in the Harvard/Radcliffe Orchestra. The Hulkas have donated generously to the CHP and to classical music programs at UNC- Chapel Hill and throughout the Triangle. In his “day job” Jerry was a well-respected academic and obstetrics/gynecology specialist, recognized as a wise physician, mentor, and innovator.
    [Show full text]
  • A Senior Recital
    Senior Recitals Recitals 4-7-2008 A Senior Recital Audrey Hansen University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/music_senior_recitals Part of the Music Performance Commons Repository Citation Hansen, A. (2008). A Senior Recital. 1-1. Available at: https://digitalscholarship.unlv.edu/music_senior_recitals/1 This Music Program is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Music Program in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Music Program has been accepted for inclusion in Senior Recitals by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. illi1YThe University Of Nevada Las Ve gas Co ll e~e of Fine Arts Ocparlmenl o f Music Pre:senls A Senior Recital Audrey Hansen, ptano ~Program~ ._a Conternplazione: Una Fantasia Piccola, Johann Nepomuk Hummel 1 Op. 107, No.3 (1778-1837) Deux Preludes Claude Achille Debussy Book 1, No.8: La fi/le aux cf7 eueux de /in (1862-1918) Book 2, No. 5: Bruyeres Ballades, Op. 10 Johannes Brahms No. 1 in D minor -Andante (1833-1897) No. 2 in D maj or -Andante No. 3 in B minor -Intermezzo No. 4 in B major - Andante con moto Papillons, Op.
    [Show full text]
  • Puccini's Version of the Duet and Final Scene of "Turandot" Author(S): Janet Maguire Source: the Musical Quarterly, Vol
    Puccini's Version of the Duet and Final Scene of "Turandot" Author(s): Janet Maguire Source: The Musical Quarterly, Vol. 74, No. 3 (1990), pp. 319-359 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/741936 Accessed: 23-06-2017 16:45 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to The Musical Quarterly This content downloaded from 198.199.32.254 on Fri, 23 Jun 2017 16:45:10 UTC All use subject to http://about.jstor.org/terms Puccini's Version of the Duet and Final Scene of Turandot JANET MAGUIRE ALTHOUGH it has been said that Puccini did not finish Turandot because he could not, I have always been convinced that he had the music for the duet and final scene clearly in mind and that he would have had his Turandot Finale ready for the publisher by the end of the year, 1924, had he survived his throat operation. The key to the completion of the opera lies in a relatively few pages of musical ideas sketched out in brief, schematic form.
    [Show full text]
  • String Orchestra of Brooklyn Repertoire Updated February 28, 2011
    String Orchestra of Brooklyn Repertoire Updated February 28, 2011 Anton Arensky Variations on a Theme by Tchaikovsky Johann Sebastian Bach Art of the Fugue, selections Piano Concerto No. 1 in d minor, BWV 1052 Piano Concerto No. 5 in f minor, BWV 1056 Erbarme Dich from St. Matthew's Passion Brandenburg Concerto No. 3 Samuel Barber Dover Beach for Baritone and Strings Adagio for Strings Bela Bartok Divertimento for Strings Roumanian Folk Dances Ludwig van Beethoven Egmont Overture* Grosse Fuge (arr. Furtwängler) Violin Concerto, Op. 61* Johannes Brahms Variations on a Theme by Haydn* Kenji Bunch Nocturne Tony Conrad Eleven Across John Corigliano Voyage for String Orchestra Claude Debussy Sacred and Profane Dances Antonin Dvorak Symphony No. 8* Josh Feltman Triptych Osvaldo Golijov Muertes des Angel Antonio Carlos Gomes Sonata for Strings Judd Greenstein Four on the Floor Edvard Grieg Holberg Suite Nathan Hall Last Rose Georg Frederic Handel Concerto Grosso Op. 6, No. 3 in D Major Ian Hartsough Stick Figures Bernard Herrmann Suite from Psycho Paul Hindemith Acht Stücke, Op. 43/3 Trauermusik for viola and strings Leos Janacek Suite for Strings Gabriel Lubell Quomodo sedet sola Gustav Mahler Adagietto from Symphony No. 5 Matt McBane 2 x 4 for String Octet Felix Mendelssohn Octet for Strings String Symphony No. 10 Symphony No. 1* Alex Mincek Ebb and Flow Wolfgang Amadeus Mozart Adagio and Fugue, k546 Requiem Mass, k626* Serenata Notturna, k239 Sinfonia Concertante, k364* sull'aria from Le Nozze di Figaro* Symphony No. 40, k550* Arvo Pärt Fratres, version for String Orchestra and Percussion Krzysztof Penderecki Ciaconna (“Polish Requiem”) Josh Penman Lovesongs to God, second movement Tristan Perich I am not without my eyes open Duane Pitre Suspended in Dreams Claudio Santoro Mini Concerto for String Orchestra Franz Schubert Death and the Maiden, second movement (arr.
    [Show full text]
  • Johann Nepomuk Hummel's Transcriptions
    JOHANN NEPOMUK HUMMEL´S TRANSCRIPTIONS OF BEETHOVEN´S SYMPHONY NO. 2, OP. 36: A COMPARISON OF THE SOLO PIANO AND THE PIANO QUARTET VERSIONS Aram Kim, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2012 APPROVED: Pamela Mia Paul, Major Professor Clay Couturiaux, Minor Professor Gustavo Romero, Committee Member Steven Harlos, Chair, Division of Keyboard Studies John Murphy, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Kim, Aram. Johann Nepomuk Hummel’s Transcriptions of Beethoven´s Symphony No. 2, Op. 36: A Comparison of the Solo Piano and the Piano Quartet Versions. Doctor of Musical Arts (Performance), August 2012, 30 pp., 2 figures, 13 musical examples, references, 19 titles. Johann Nepomuk Hummel was a noted Austrian composer and piano virtuoso who not only wrote substantially for the instrument, but also transcribed a series of important orchestral pieces. Among them are two transcriptions of Beethoven’s Symphony No. 2 in D Major, Op. 36- the first a version for piano solo and the second a work for piano quartet, with flute substituting for the traditional viola part. This study will examine Hummel’s treatment of the symphony in both transcriptions, looking at a variety of pianistic devices in the solo piano version and his particular instrumentation choices in the quartet version. Each of these transcriptions can serve a particular purpose for performers. The solo piano version is an obvious virtuoso vehicle, whereas the quartet version can be a refreshing program alternative in a piano quartet concert.
    [Show full text]