National Library of Scotland Gaelic Language Plan 2019-2024
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Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
Enton QX Use 21/5/09 15:52 Page 1
FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 1 BibliographY 1955-2009 AleXander Fenton CBE , MA , BA , DL itt, Hon DL itt ( ABD ), FRSE , FRSGS , FSA , FSAS cot, HRSA Professor Emeritus of Scottish EthnologY Presented bY his colleagues at the European Ethnological Research Centre on the Occasion of his 80 th BirthdaY 26 June 2009 FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 2 AleXander Fenton on the occasion of his graduation from the UniVersitY of Cambridge in 1953 . FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 3 BibliographY 1955-2009 AleXander Fenton CBE , MA , BA , DL itt, Hon DL itt ( ABD ), FRSE , FRSGS , FSA , FSAS cot, HRSA Professor Emeritus of Scottish EthnologY ForeWord bY Margaret A MackaY European Ethnological Research Centre Celtic and Scottish Studies UniVersitY of Edinburgh 27 George Square Edinburgh EH8 9LD FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 4 Printed in Great Britain The right of The European Ethnological in 2009 bY Research Centre to be identified as the The European Ethnological compiler of this book has been asserted Research Centre, bY it in accordance With the CopYright, UniVersitY of Edinburgh Designs and Patents Act 1988 . CopYright © European Ethnological The coVer illustration shoWs Pitglassie Research Centre 2009 Croft, Auchterless, AleXander Fenton’s childhood home. Painted bY MaY Beale, Images: as credited © 2009 c1950 . No reproduction permitted Without Printed and bound in Great Britain bY Written permission to The European Athenaeum Press Ltd, Gateshead, Ethnological Research Centre in the TYne & Wear. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Dialectal Diversity in Contemporary Gaelic: Perceptions, Discourses and Responses Wilson Mcleod
Dialectal diversity in contemporary Gaelic: perceptions, discourses and responses Wilson McLeod 1 Introduction This essay will address some aspects of language change in contemporary Gaelic and their relationship to the simultaneous workings of language shift and language revitalisation. I focus in particular on the issue of how dialects and dialectal diversity in Gaelic are perceived, depicted and discussed in contemporary discourse. Compared to many minoritised languages, notably Irish, dialectal diversity has generally not been a matter of significant controversy in relation to Gaelic in Scotland. In part this is because Gaelic has, or at least is depicted as having, relatively little dialectal variation, in part because the language did undergo a degree of grammatical and orthographic standardisation in the late eighteenth and early nineteenth centuries, with the Gaelic of the Bible serving to provide a supra-dialectal high register (e.g. Meek 1990). In recent decades, as Gaelic has achieved greater institutionalisation in Scotland, notably in the education system, issues of dialectal diversity have not been prioritised or problematised to any significant extent by policy-makers. Nevertheless, in recent years there has been some evidence of increasing concern about the issue of diversity within Gaelic, particularly as language shift has diminished the range of spoken dialects and institutionalisation in broadcasting and education has brought about a degree of levelling and convergence in the language. In this process, some commentators perceive Gaelic as losing its distinctiveness, its richness and especially its flavour or blas. These responses reflect varying ideological perspectives, sometimes implicating issues of perceived authenticity and ownership, issues which become heightened as Gaelic is acquired by increasing numbers of non-traditional speakers with no real link to any dialect area. -
The Norse Influence on Celtic Scotland Published by James Maclehose and Sons, Glasgow
i^ttiin •••7 * tuwn 1 1 ,1 vir tiiTiv^Vv5*^M òlo^l^!^^ '^- - /f^K$ , yt A"-^^^^- /^AO. "-'no.-' iiuUcotettt>tnc -DOcholiiunc THE NORSE INFLUENCE ON CELTIC SCOTLAND PUBLISHED BY JAMES MACLEHOSE AND SONS, GLASGOW, inblishcre to the anibersitg. MACMILLAN AND CO., LTD., LONDON. New York, • • The Macmillan Co. Toronto, • - • The Mactnillan Co. of Canada. London, • . - Simpkin, Hamilton and Co. Cambridse, • Bowes and Bowes. Edinburgh, • • Douglas and Foults. Sydney, • • Angus and Robertson. THE NORSE INFLUENCE ON CELTIC SCOTLAND BY GEORGE HENDERSON M.A. (Edin.), B.Litt. (Jesus Coll., Oxon.), Ph.D. (Vienna) KELLY-MACCALLUM LECTURER IN CELTIC, UNIVERSITY OF GLASGOW EXAMINER IN SCOTTISH GADHELIC, UNIVERSITY OF LONDON GLASGOW JAMES MACLEHOSE AND SONS PUBLISHERS TO THE UNIVERSITY I9IO Is buaine focal no toic an t-saoghail. A word is 7nore lasting than the world's wealth. ' ' Gadhelic Proverb. Lochlannaich is ànnuinn iad. Norsemen and heroes they. ' Book of the Dean of Lismore. Lochlannaich thi'eun Toiseach bhiir sgéil Sliochd solta ofrettmh Mhamiis. Of Norsemen bold Of doughty mould Your line of oldfrom Magnus. '' AIairi inghean Alasdair Ruaidh. PREFACE Since ever dwellers on the Continent were first able to navigate the ocean, the isles of Great Britain and Ireland must have been objects which excited their supreme interest. To this we owe in part the com- ing of our own early ancestors to these isles. But while we have histories which inform us of the several historic invasions, they all seem to me to belittle far too much the influence of the Norse Invasions in particular. This error I would fain correct, so far as regards Celtic Scotland. -
Scotland [ˈskɑtlənd] (Help·Info) (Gaelic: Alba) Is a Country In
SCOTLAND The national flag of Scotland, known as the Saltire or St. Andrew's Cross, dates (at least in legend) from the 9th century, and is thus the oldest national flag still in use. St Andrew's Day, 30 November, is the national day, although Burns' Night tends to be more widely observed. Tartan Day is a recent innovation from Canada. Scotland is a country in northwest Europe that occupies the northern third of the island of Great Britain. It is part of the United Kingdom, and shares a land border to the south with England. It is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the southwest. In addition to the mainland, Scotland consists of over 790 islands including the Northern Isles and the Hebrides. Scotland contains the most mountainous terrain in Great Britain. Located at the western end of the Grampian Mountains, at an altitude of 1344 m, Ben Nevis is the highest mountain in Scotland and Great Britain. The longest river in Scotland is River Tay, which is 193 km long and the largest lake is Loch Lomond (71.1 km2). However, the most famous lake is Loch Ness, a large, deep, freshwater loch in the Scottish Highlands extending for approximately 37 km southwest of Inverness. Loch Ness is best known for the alleged sightings of the legendary Loch Ness Monster, also known as "Nessie". One of the most iconic images of Nessie is known as the 'Surgeon's Photograph', which many formerly considered to be good evidence of the monster. -
A Culture Strategy for Scotland 2 a CULTURE STRATEGY for SCOTLAND
Prepared by The Scottish Government February 2020 A Culture Strategy for Scotland 2 A CULTURE STRATEGY FOR SCOTLAND Contents 1. Introduction by Nicola Sturgeon MSP, 04 First Minister of Scotland 2. Foreword by Fiona Hyslop MSP, Cabinet 05 Secretary for Economy, Fair Work and Culture 3. The Vision for Scotland 07 4. Ambition 1: Strengthening culture 11 5. Ambition 2: Transforming through culture 29 6. Ambition 3: Empowering through culture 42 7. Summary of actions 52 8. Links to key documents and other strategies 56 Endnotes 59 Cover image: Young people performing in Chronicles, A National Theatre of Scotland, Project X & Thulani Rachia production at the National Museum of Scotland, 2018. Supported by National Museums Scotland as part of the National Theatre of Scotland’s Futureproof Festival marking Scotland’s Year of Young People in 2018. Credit: Photographer – Pete Dibdin Scotland is a place where culture is valued, Our protected and nurtured. Culture is woven through everyday life, shapes and is shaped by society, Vision and its transformative potential is experienced by everyone. Scotland’s rich cultural heritage and creativity of today is inspired by people and place, enlivens every community and is celebrated around the world. Strengthening Culture Transforming Empowering Sustaining and nurturing Through Culture Through Culture culture to flourish and to evolve Demonstrating that culture is Celebrating culture as part as a diverse, positive force in central to Scotland’s wellbeing of every community; essential society, across all -
The Kilmichael Glassary Bell-Shrine | 201
Proc Soc Antiq Scot 142 (2012), 201–244 THE KILMICHAEL GLASSARY BELL-SHRINE | 201 The Kilmichael Glassary Bell-shrine David H Caldwell*, Susy Kirk†, Gilbert Márkus‡, Jim Tate§ and Sharon Webb ǁ ABSTRACT The Kilmichael Glassary Bell-shrine is one of the treasures of National Museums Scotland. This paper reassesses the circumstances of its discovery, its context and importance, and its role as a relic of a saint, not Moluag, as previously suggested, but possibly Columba. The wider use of handbells in the early medieval church is also considered. The bell-shrine was found in 1814, on the farm of Torbhlaren, in the parish of Kilmichael Glassary, in mainland Argyll, probably near to where it was venerated. The bell inside it dates to the 7th–9th century, the shrine to the first half of the 12th century. The latter bears evidence in its design of a mixed artistic heritage, including local, Irish and Scandinavian influence. Alternative hypotheses, that it represents the artistic output of the Kingdom of the Isles or Dunkeld, in the kingdom of the Scots, are presented. Details are provided of a technological examination of bell and shrine and a list of other early Scottish handbells is included. INTRODUCTION DISCOVERY AND PROVENANCE The Kilmichael Glassary Bell-shrine [KGBS] is S Webb a medieval reliquary in the form of a small copper alloy box which contains an iron handbell (illus The circumstances surrounding the place 1). Associated with them is a copper alloy chain where bell, shrine, cross and chain were and cross. This group of artefacts was found in found in the early 1800s are confusing and 1814, on the land of John MacNeill of Oakfield, there are conflicting opinions as to who made in the parish of Kilmichael Glassary in Argyll, this extraordinary discovery. -
SCOTLAND's COASTS and WATERS 2020 Orkney and Shetland
SCOTLAND’S COASTS AND WATERS 2020 Orkney and Shetland search Seastack at Yesnaby, Orkney search Breckon Sands, Yell, Shetland search Ness of Ork, Shapinsay, Orkney search Braewick, Shetland An island holiday is a very special experience. The distinctive Formed by ancient hills sitting on the submerged continental shelf, coastlines and culture of Scotland's northern isles, Orkney and Shetland boasts over 100 islands, 15 of which are inhabited. Shetland Shetland, make a trip to remember. has an incredibly long coastline of over 2700km, equating to 15% of the entire UK coastline, including some of the highest sea cliffs in The Orkney Islands are an archipelago of around 70 islands (20 of Britain, hundreds of pristine, sandy beaches, sea stacks and caves. which are inhabited) lying a mere 10 miles north of the Scottish mainland. The number of islands, countless cliffs and endless white The unique scenery is due to the diverse geology (all of Shetland is a sandy beaches make for a dramatic shoreline sculpted by the seas UNESCO accredited Geopark), with some rocks over 370 million years over thousands of years. You’re never far from a cliff walk in Orkney. old, the beautiful landscape also including trout lochs, salt marshes, The magnificent red sandstone cliffs on Hoy, the striking natural arch sand dunes, exposed ancient sea floors and the best cross-section of known as the Vat of Kirbister on Stronsay, or the cliff walks at Yesnaby a volcano in Britain. and Marwick Head on West Mainland are just some examples Shetland's wildlife is rich and varied, with 12% of Britain's otters Thanks to its coast, cliffs, wetlands and moorlands, the Orkney around its shores, significant common and grey seal populations, Islands invite waterfowl, waders, raptors and seabirds, including some of the UK's largest seabird colonies (including puffins and the much loved puffin, to make their homes here. -
Place-Names of Inverness and Surrounding Area Ainmean-Àite Ann an Sgìre Prìomh Bhaile Na Gàidhealtachd
Place-Names of Inverness and Surrounding Area Ainmean-àite ann an sgìre prìomh bhaile na Gàidhealtachd Roddy Maclean Place-Names of Inverness and Surrounding Area Ainmean-àite ann an sgìre prìomh bhaile na Gàidhealtachd Roddy Maclean Author: Roddy Maclean Photography: all images ©Roddy Maclean except cover photo ©Lorne Gill/NatureScot; p3 & p4 ©Somhairle MacDonald; p21 ©Calum Maclean. Maps: all maps reproduced with the permission of the National Library of Scotland https://maps.nls.uk/ except back cover and inside back cover © Ashworth Maps and Interpretation Ltd 2021. Contains Ordnance Survey data © Crown copyright and database right 2021. Design and Layout: Big Apple Graphics Ltd. Print: J Thomson Colour Printers Ltd. © Roddy Maclean 2021. All rights reserved Gu Aonghas Seumas Moireasdan, le gràdh is gean The place-names highlighted in this book can be viewed on an interactive online map - https://tinyurl.com/ybp6fjco Many thanks to Audrey and Tom Daines for creating it. This book is free but we encourage you to give a donation to the conservation charity Trees for Life towards the development of Gaelic interpretation at their new Dundreggan Rewilding Centre. Please visit the JustGiving page: www.justgiving.com/trees-for-life ISBN 978-1-78391-957-4 Published by NatureScot www.nature.scot Tel: 01738 444177 Cover photograph: The mouth of the River Ness – which [email protected] gives the city its name – as seen from the air. Beyond are www.nature.scot Muirtown Basin, Craig Phadrig and the lands of the Aird. Central Inverness from the air, looking towards the Beauly Firth. Above the Ness Islands, looking south down the Great Glen. -
Historical Architecture in Edinburgh
THE HISTORY AND CULTURE OF SCOTLAND Scotland is a country with no shortage of historical attractions. Some places may seem like just a place to take a scenic picture, but you’d be surprised by the rich history that occured on those grounds. Scotland’s history is so unique and often tragic that pulls you in and makes you want to learn more. As a history major I loved being in a place that allowed me to become immersed in its historical traditions. Everywhere I went throughout Scotland had their own personal story to tell. From replica landmarks to traditional dancing there is plenty to see and do in Scotland in order to learn more about the unique culture and history of this country. Historical architecture in Edinburgh In a city as old as Edinburgh it can be easy to become engulfed in all of the historic buildings and monuments. After being here for two months, I have become accustomed to the Old World aesthetic, but one monument struck me as odd. I spontaneously decided to walk up Calton Hill, a popular tourist attraction in Scotland, as a break from my schoolwork. My flatmate told me it was a beautiful place to visit, though I didn’t know much about it before I went. What I found at the top of the hill shocked me. There was a replica of the Parthenon standing tall at the top of the hill. Never in my wildest imagination would I have thought to have seen the presence of Greek architecture in Scotland. The National Monument of Scotland was created as a memorial to the fallen soldiers of the Napoleonic Wars. -
Location and Destination in Alasdair Mac Mhaigshstir Alasdair's 'The
Riach, A. (2019) Location and destination in Alasdair mac Mhaigshstir Alasdair’s ‘The Birlinn of Clanranald’. In: Szuba, M. and Wolfreys, J. (eds.) The Poetics of Space and Place in Scottish Literature. Series: Geocriticism and spatial literary studies. Palgrave Macmillan: Cham, pp. 17-30. ISBN 9783030126445. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/188312/ Deposited on: 13 June 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Location and Destination in Alasdair mac Mhaigshstir Alasdair’s ‘The Birlinn of Clanranald’ Alan Riach FROM THE POETICS OF SPACE AND PLACE IN SCOTTISH LITERATURE, MONIKA SZUBA AND JULIEN WOLFREYS, EDS., (CHAM, SWITZERLAND: PALGRAVE MACMILLAN, 2019), PP.17-30 ‘THE BIRLINN OF CLANRANALD’ is a poem which describes a working ship, a birlinn or galley, its component parts, mast, sail, tiller, rudder, oars and the cabes (or oar-clasps, wooden pommels secured to the gunwale) they rest in, the ropes that connect sail to cleats or belaying pins, and so on, and the sixteen crewmen, each with their appointed role and place; and it describes their mutual working together, rowing, and then sailing out to sea, from the Hebrides in the west of Scotland, from South Uist to the Sound of Islay, then over to Carrickfergus in Ireland. The last third of the poem is an astonishing, terrifying, exhilarating description of the men and the ship in a terrible storm that blows up, threatening to destroy them, and which they pass through, only just making it to safe harbour, mooring and shelter.