Prepared by The Scottish Government February 2020

A Culture Strategy for Scotland 2 A CULTURE STRATEGY FOR SCOTLAND

Contents

1. Introduction by Nicola Sturgeon MSP, 04 First Minister of Scotland

2. Foreword by Fiona Hyslop MSP, Cabinet 05 Secretary for Economy, Fair Work and Culture

3. The Vision for Scotland 07

4. Ambition 1: Strengthening culture 11

5. Ambition 2: Transforming through culture 29

6. Ambition 3: Empowering through culture 42

7. Summary of actions 52

8. Links to key documents and other strategies 56

Endnotes 59

Cover image: Young people performing in Chronicles, A National Theatre of Scotland, Project X & Thulani Rachia production at the National Museum of Scotland, 2018. Supported by National Museums Scotland as part of the National Theatre of Scotland’s Futureproof Festival marking Scotland’s Year of Young People in 2018. Credit: Photographer – Pete Dibdin Scotland is a place where culture is valued, Our protected and nurtured. Culture is woven through everyday life, shapes and is shaped by society, Vision and its transformative potential is experienced by everyone. Scotland’s rich cultural heritage and creativity of today is inspired by people and place, enlivens every community and is celebrated around the world.

Strengthening Culture Transforming Empowering Sustaining and nurturing Through Culture Through Culture culture to flourish and to evolve Demonstrating that culture is Celebrating culture as part as a diverse, positive force in central to Scotland’s wellbeing of every community; essential society, across all of Scotland. and cultural, social, economic to our lives and wellbeing. and environmental prosperity.

Aims Aims Aims Develop the conditions and Place culture as a central Continue to celebrate skills for culture to thrive, so consideration across all Scotland’s extraordinary it is cared for, protected and policy areas, including: health cultural contributions produced for the enjoyment and wellbeing, economy, Extend the view of culture and enrichment of all present education, reducing inequality to include the everyday and and future generations and realising a greener and emerging, the established more innovative future  Value, trust and support and more formal creative people – for their Open up the potential of Extend opportunities that unique and vital contribution culture as a transformative enable people to take part in to society and the economy opportunity across society culture throughout their lives Encourage greater openness Recognise each community’s and diverse cultures to reflect own local cultures in a changing Scotland in the generating a distinct sense of 21st century place, identity and confidence Foster international collaboration and build on Scotland’s reputation for cultural excellence

Culture in Scotland Everyone has the right is valued in and of itself to participate freely in the cultural life of the community, Culture is free to be Guiding to enjoy the arts and to share in inspiring and to challenge scientific advancement and its Culture is central to the future benefits (Article 27, Universal Principles wellbeing and prosperity of Declaration of Human Rights) Scotland – cultural, social, Place – community, landscape, economic and environmental language and geography – We celebrate the diversity is important and reflects the and excellence of cultures in creativity of the past and Scotland and the value of open provides inspiration for exchange with the wider world cultural expression today 4 A CULTURE STRATEGY FOR SCOTLAND

Introduction by Nicola Sturgeon MSP, First Minister of Scotland

As First Minister, I see the By investing in and strengthening richness and diversity of culture culture, we are investing in the future cultural, social and economic success in communities across Scotland. of Scotland. Literature is of course one of the great joys of my life – there is That’s why we attach such importance to this culture strategy. The strategy currently an extraordinary wealth has been informed by our national culture of quality writing in Scotland. conversation, and by the many gatherings that took place across the country. I also see the benefit arts festivals bring It considers how we can ensure that to cities, towns and communities across culture continues to provide enjoyment the country; the way in which cultural and enrichment for future generations. events and projects can inspire everyone from the very young to the very old; The strategy is underpinned by and the impact our artists and national actions to support the sector, build companies have when they perform new partnerships and help communities overseas. In all of these ways, and many develop and celebrate their own culture. more, I see how culture inspires, sparks It also challenges the public sector to emotions and creates new connections. think about how culture can make Scotland a country which is fairer, greener, more The value of a strong culture and creative inclusive, more innovative and more sector cannot be overestimated. Through creative. And it makes clear that culture sustaining and nurturing culture, we are is a cross-government priority – one which investing in the future cultural, social and all ministerial portfolios in the Scottish economic success of Scotland. For all Government contribute towards. these reasons, the Scottish Government values culture in and of itself. And we also recognise its wider impact. Culture brings people to live, work and do business here, and shapes our reputation as a warm, welcoming, open, progressive nation. 5 A CULTURE STRATEGY FOR SCOTLAND

Foreword by Fiona Hyslop MSP, Cabinet Secretary for Economy, Fair Work and Culture

How a nation values its This culture strategy builds on the national many cultures and heritages, culture conversation, acknowledging the indisputable place that culture must have its artists, its creative people at the centre of society and government. and its communities gives an We want to harness the power of culture to insight into its wider values. strengthen communities and to transform lives; to improve health and wellbeing; to In Scotland we are deeply and passionately contribute to growing the economy with proud of our culture. We value culture in products, services, jobs and investment and of itself and recognise and celebrate and to bring creative approaches to the creativity of our artists and producers design better communities. across the country. Our culture defines who and what we are: it is the way we talk, I am grateful to the organisations and the way we think and the way we treat one communities, artists, musicians, creative another. It is everywhere in and around us people and everyone who values culture individual and unique but it is sometimes who have taken part in the national culture hard to define or put into words. conversation to help shape this strategy and helped identify the challenges and In my ten years as Culture Secretary I’ve barriers which still need to be broken had the enormous pleasure of experiencing down. I also welcome the Scottish first-hand the sheer transformational power Parliament’s Culture, Tourism, Europe of culture in Scotland. I’ve seen whole and External Affairs Committee’s 2019 communities brought together in celebration inquiry into the future of funding for the connecting them to their past. I’ve witnessed arts in Scotland which took evidence from the expression of deep emotions. I’ve been a broad range of sources and has added moved and astonished at beauty, fulfilment a valuable contribution to the national and joy found in surprising and inspiring culture conversation. ways. Culture is the life force that energises individuals and communities to grow. 6 A CULTURE STRATEGY FOR SCOTLAND

I want this strategy to empower people everywhere to celebrate and recognise culture in its many forms. It sets out the principles we will use to guide future policies and initiatives. It sets out a suite of ambitions to be realised for culture to thrive.

The context of the strategy is a time of unprecedented financial and societal challenges. It has never been more important to develop new, and strengthen existing, partnerships and local and national leadership. We in the Scottish Government want to support the work in communities, organisations and by individuals to boost the benefits of culture’s role for wellbeing.

I want the conversation to continue and for words to become actions. That is why I am establishing a National Partnership for Culture to take a comprehensive view of our cultural landscape and advise my fellow Ministers and I on how we can support culture more effectively. The partnership will seek views from across the culture and other sectors to create better understanding and synergies. And we will continue that cultural conversation as we strive to strengthen, transform and empower. 7 A CULTURE STRATEGY FOR SCOTLAND

The Vision for Scotland

Title: Crawick Multiverse, an artland visitor attraction and events venue in Dumfries and Galloway Credit: Photographer – Kenny Lam. Reproduced courtesy of VisitScotland 8 A CULTURE STRATEGY FOR SCOTLAND

The Vision for Scotland

Scotland is a place where Vision for culture in Scotland culture is valued, protected Culture must be valued first and foremost in and of itself. It is central to who we are and nurtured. Culture is woven and who we seek to be. It is Scotland’s through everyday life, shapes strength, and it is abundant. and is shaped by society, and Across Scotland, the cultural contribution its transformative potential of past generations is everywhere to see, is experienced by everyone. hear and inspire, from our landscape to Scotland’s rich cultural heritage our smallest most rural communities to our largest cities. Cultural activity takes and creativity of today is place across the country every day and is inspired by people and place, expressed in a wide variety of ways from enlivens every community and the established to the informal, emerging and grassroots. is celebrated around the world. Culture should be free to challenge and The national culture conversation inspire, enjoy independence and enable This is the first culture strategy for self-expression. Nurturing culture and Scotland in more than a decade. The enabling it to flourish is an essential and strategy draws on the themes raised powerful part of the fabric of any society. by the many people across Scotland who took part in our national culture We recognise culture’s unique contribution conversation which began in 2017 and to society, and the valuable role of artists, 1 led to a public consultation in 2018 . It designers, creative practitioners, producers sets out a collaborative vision for culture and business and cultural organisations. We and the guiding principles, ambitions and value the specialist skills, knowledge and aims which will enable it to continue to expertise of our world-class heritage sector. flourish, evolve, and help to stimulate its transformational power across society. Shared cultural experiences foster inclusivity, creativity and understanding. A Culture Strategy for Scotland is an Everyone should have the opportunity to overarching strategy and sits in synergy participate in, develop and enjoy culture with existing strategies for Scotland’s which, in turn, helps individuals and historic environment, museums and communities to thrive in Scotland. galleries and libraries. 9 A CULTURE STRATEGY FOR SCOTLAND

Cultural engagement has a significant • Everyone has the right to participate impact on wellbeing and delivers many freely in the cultural life of the benefits. It should be central to how we community, to enjoy the arts and imagine new transformative possibilities to share in scientific advancement for individuals, communities, the economy, and its benefits (Article 27, Universal businesses and society. Declaration of Human Rights)2 • Place - community, landscape, This vision for culture in Scotland is language and geography – is important underpinned by a series of ambitions and and reflects the creativity of the past aims. It sets out the priorities for action and provides inspiration for cultural which will shape how culture is supported expression today in Scotland over the coming years. National outcome for culture Guiding principles The inclusion for the first time of a How a nation values its many cultures dedicated outcome for culture in the and heritages, its artists, creative people National Performance Framework in its and its communities is an insight into its 2018 refresh raises the strategic profile wider values and priorities. The values and of culture across both national and local views expressed by people throughout the government, affirms Scottish Ministers’ development of this strategy consistently commitment to culture and encourages acknowledge the intrinsic value and reach a stronger focus on activity across the of culture, reflected in the principles below: culture sector3 to contribute to the culture outcome and many of the other outcomes Principles where culture has a contribution to make4. • Culture in Scotland is valued in and of itself • Culture is free to be inspiring and A National Outcome for Culture to challenge We are creative and our vibrant and diverse cultures are • Culture is central to the future wellbeing expressed and enjoyed widely and prosperity of Scotland – cultural, social, economic and environmental • We celebrate the diversity and excellence of cultures in Scotland and the value of open exchange with the wider world 10 A CULTURE STRATEGY FOR SCOTLAND

Case study: Centre for Audiences at CCA are incredibly varied. The CCA have over 300 partner Contemporary Arts (CCA), programmes and host 26 festivals annually Glasgow which attract audiences from diverse communities and a variety of backgrounds.

CCA is an arts centre with They open up their space to a wide a core programme of visual spectrum of the population – not only arts and residencies and a to come to the space as an audience, but to take ownership of the space and wide, open source, partner programme their own events for their own programme where spaces are communities. The constant mixture of offered to other groups and different audiences and communities has led to an organic crossover as one group individuals for free. discovers another.

Title: Fish Police, Counterflows at CCA Glasgow, 2016 Credit: Photographer – Pavel De 11 A CULTURE STRATEGY FOR SCOTLAND

Ambition 1: Strengthening culture

Title: The Stove Network: Nithraid River Festival, Dumfries (Salty Coo procession led by Jordan Chisholm and Dylan Coulthard) Credit: Photographer – Kirstin McEwan 12 A CULTURE STRATEGY FOR SCOTLAND

Ambition 1: Strengthening culture

Sustaining and nurturing culture To do this we will: to flourish and to evolve as a • Consider ways to support the cultural diverse, positive force in society, workforce including through a new Arts Alive programme and advocating for across all of Scotland fair work practices and a living wage for the cultural and creative workforce Our aims are to: • Undertake a status review of cultural • Develop the conditions and skills workforce and leadership development for culture to thrive, so it is cared in Scotland, led by Creative Scotland for, protected and produced for the enjoyment and enrichment of all • Continue to work on making the culture present and future generations and heritage sector part of Scotland as a Fair Work Nation by 20255, looking at • Value, trust and support creative people the potential impact of Fair Work criteria – for their unique and vital contribution being part of relevant grant schemes to society and the economy • Work in partnership to increase • Encourage greater openness and diversity in the sector, sharing new diverse cultures to reflect a changing approaches and codes of practice that Scotland in the 21st century ensure skills development and board • Foster international collaboration and membership have diversity at their core, build on Scotland’s reputation for including helping recruitment diversity cultural excellence by introducing appropriate remuneration for board members of national culture and heritage public bodies • Work with our partners to realise the vision and priorities in our Policy Statement for the Creative Industries6 • Support Museums Galleries Scotland to build on their Skills for Success programme7 by developing future approaches to diversify skills and widen access to careers in culture across the sector 13 A CULTURE STRATEGY FOR SCOTLAND

• Continue to work in partnership Scottish Government support for culture with the national culture and heritage The Scottish Government believes in bodies on support for creative people, the intrinsic value of culture and we are Scotland’s international profile committed to supporting it. We recognise including the international touring and the transformative effect that culture can festival appearances by the National have on individuals and communities, and Performing Companies supported by we celebrate Scotland’s cultural excellence the International Touring Fund and including the work of our five National international loans by and from the Performing Companies: National Theatre National Collections of Scotland, Royal Scottish National • Continue to press the UK Government Orchestra, Scottish Ballet, Scottish for the much needed changes to Chamber Orchestra and Scottish Opera. immigration, trade and wider mobility Each of the companies demonstrates issues for our cultural sectors to ensure world-class excellence in, and provides that Scotland can continue to operate access to, their respective art form across effectively as a cultural and creative the length and breadth of the country. leader on the world stage Through international touring and national community participation and engagement • Work with Creative Scotland and programmes, they share their excellence the network of Scottish Government with the widest possible audiences. Public offices outside Scotland to facilitate funding for culture will continue to have an opportunities across the culture important part to play and we will continue sector by working with stakeholders to to set budgets and distribute funding in promote and encourage international support of the aims and ambitions set cultural exchange and collaboration, out in this strategy. showcasing Scotland as a progressive, pioneering and creative nation • Establish a National Partnership for Culture to work with individuals and organisations across culture and other sectors to continue the national culture conversation – identifying opportunities and synergies, advising Ministers and building on this strategy and the Scottish Parliament’s Culture, Tourism, Europe and External Affairs Committee’s 2019 inquiry into the future of funding for the arts in Scotland 14 A CULTURE STRATEGY FOR SCOTLAND

Case Study: Scottish Ballet – Classes are suitable for people with no previous dance experience and Dance for Parkinson’s Scotland develop confidence and creativity, whilst addressing Parkinson’s specific Scottish Ballet is spearheading concerns such as flexibility, gait and social isolation. Every week, around 130 a ground-breaking national participants take part in sessions delivered Dance for Parkinson’s programme, by Scottish Ballet in Glasgow, Dance delivered in partnership with Base in Edinburgh and with local hub partners in Aberdeen, Inverness, Dundee, Dance Base. Established in 2016, Perth, Stirling, Peebles, Kilmarnock and the programme is designed Greenock. Specially trained Scottish Ballet especially for people living and Dance Base artists lead participants to develop movement skills with particular with Parkinson’s, their families focus on fluidity of movement, balance, and carers. coordination, expression, posture and rhythm. Classes are accompanied by live

Title: Dance for Parkinson’s Scotland music and followed by tea, cake and a Credit: Photographer - Hazel Mirsepasi chance to reflect on the session together. 15 A CULTURE STRATEGY FOR SCOTLAND

Our role goes beyond financial support. Maintaining capital investment in the We will support our cultural organisations cultural infrastructure, including digital, and Scotland’s festivals, and promote remains important and can often be the value of culture in shaping a more successful in securing investment from prosperous society for individuals and other sources across the public, private communities across Scotland. and third sectors; but there is increasing pressure on capital and programme Developing the conditions and skills funding due to a challenging funding The culture sector, including export environment and increasing competition. products with strong cultural relevance such as food and drink, is a major driver The Scottish Government and our public of both local economies and the national sector partners support the sector by economy in Scotland. advocating, championing, investing, and brokering relationships within the sector Economic growth is important but and with wider industry. We want to ensure should be balanced by improvements that public sector support is used in a in the environment in which people live strategic way, achieving the best long term as well as the quality of life they derive outcomes, and that creative businesses from the opportunities available to them have the right advice, networks and and the public services to which they have opportunities to realise their full potential. access. Scotland’s Economic Strategy8 sets out the Scottish Government’s Scottish Enterprise published its new aspirations to improve Scotland’s economic strategic framework in 2019 which competitiveness and reduce inequalities sets out its new approach to supporting by encouraging investment and innovation, businesses and helping to build resilience supporting more inclusive growth and in the economy9. This places emphasis on strengthening the international focus stronger partnerships, addressing regional of Scotland’s industries and sectors. opportunities and sets out an ambition to redesign its approach to business support The cultural and wider creative economy as part of a connected public sector is a significant employer, enhances offering. Scottish Enterprise is currently the environment in which we live and considering how this new approach generates ideas and innovation, often can best support the creative economy, testing and suggesting new ways of which includes working closely with their doing business across the country. partners, in particular, Creative Scotland. We will ensure the work of our partners The public funding of culture reflects its is as joined up and aligned as possible value to society and positions culture as to achieve maximum benefit for the an essential part of public life. creative sector. 16 A CULTURE STRATEGY FOR SCOTLAND

We currently have a strong network of support for social enterprise in Scotland Arts Alive facilitated and supported through This pilot will be delivered in Senscot. Social Enterprise Networks partnership with Scottish Book (SENs), both local and thematic, have Trust and will build on the successful been set up across Scotland to ensure existing model where artists receive a social enterprises have the support they fair and transparent payment to bring need to start up, grow and prosper. This cultural experiences to communities includes the Cultural SEN for cultural via schools, nurseries and libraries. and creative social enterprises to make The programme will include creative new connections, work collaboratively residences in schools identified and share good practice. Building on this through the Scottish Index of Multiple success, we are keen to support those Deprivation10. The programme will be creative practitioners and organisations evaluated, with learnings shared and interested in social enterprise to realise consideration of further roll out. their ambitions.

Valuing artists and the wider cultural workforce The Scottish Government recognises the fundamental importance of supporting artists and creative practitioners across Leadership development the sector and of enabling access to Creative Scotland will lead a status culture in a range of educational and review of cultural workforce and community settings. We recognise the leadership development in Scotland, importance of producing excellent work working in collaboration with key and ensuring everyone has an equal Leadership Programme deliverers opportunity to access culture of the including Clore and reporting to the highest quality across Scotland. National Partnership for Culture.

We are supporting a programme of activity The culture sector in Scotland comprises across the country which will build on the a growing, highly flexible and expert model of the Scottish Book Trust’s Live workforce, with a large self-employed Literature programme to include other contingent working alongside sole art forms. traders, small to medium enterprises, charitable organisations and those leading and employed by publicly-funded organisations. Creative businesses, artists and creative practitioners make an important contribution economically, socially and culturally to Scotland. 17 A CULTURE STRATEGY FOR SCOTLAND

Case Study: The Stove Network, The Stove Network works with artists, young people, local people and community Dumfries groups to make public art events and activities in Dumfries – supporting a The Stove is a fully accessible network that creates opportunities and connections for the creative community public arts space for the and integrates with the local economy population of Dumfries and the and wider society. The Stove aims to use wider region. the arts to engage and mobilise people as agents of change for themselves and the society and places they live in.

Title: The Stove Network, Back 2 Back, Dumfries Credit: Photographer – Colin Tennant 18 A CULTURE STRATEGY FOR SCOTLAND

The Fair Work Action Plan13 (February Employment in the creative 2019) commits to mainstreaming fair industries growth sector stood work within Ministerial portfolios across at 87,000 in 2018, accounting for the Scottish Government and working 3.3% of employment in Scotland with sponsorship teams to embed fair and 5.6% of employment in Creative work within all public bodies. Therefore, Industries across Great Britain. the culture and heritage public agencies Employment in this sector increased by Creative Scotland, Historic Environment 13% over the latest year in Scotland11. Scotland, National Galleries of Scotland, National Library of Scotland and National The creative sector includes many small, Museums Scotland all have an important often micro, businesses, freelance artists leadership role to play in promoting and and self-employed creative practitioners. modelling fair working practices within Many creative workers do not therefore their organisations and across the culture have the safety nets of more established sector. As employers, the agencies should businesses. The culture conversation adopt fair working practices to ensure highlighted the financial challenges their staff are treated fairly and are fairly many creative workers face, as well as rewarded. As the providers of public challenges around childcare, professional service they should promote fair work networks, pensions and cash flows. to the organisations they work with and We will consider how people who create support, including through any public can be supported to overcome these funding they award. As well as helping challenges and earn a fair living from to enhance working life and wellbeing for artistic and cultural professional work. those working in the sector, fair work can lead to improvements in service delivery, Fair work increased productivity and efficiencies The Scottish Government’s vision is for within organisations. Scotland to be a leading Fair Work Nation by 2025. We want fair work to be the norm for workers and employers in workplaces Fair Work First across Scotland – in all types and sizes We will require all public bodies of organisation and in all locations. Our and agencies in the sector to approach to fair work is underpinned by 12 adopt the terms of the Fair Work the Fair Work Convention’s Framework , Agreement developed jointly by which defines fair work as work that the Scottish Government and provides workers with an effective voice, the relevant Civil Service Trades opportunity, security, respect and fulfilment Union and to encourage the – in ways that balance the rights and organisations they work with and responsibilities of employers and workers. do business with to do likewise. As the starting point they should commit to Fair Work First14. 19 A CULTURE STRATEGY FOR SCOTLAND

Fair pay is a fundamental aspect of fair Creative Scotland is committed to fair work work and we will continue to promote and through any activities they support, to payment of the real Living Wage to ensuring that artists and those professionals ensure workers in Scotland receive at working in the creative community are paid least the real Living Wage. Through our fairly and appropriately for their time and partnership with The Poverty Alliance effort. To support this, Creative Scotland we will continue to promote Living Wage has published Rates of Pay Guidance on Accreditation for employers and would industry standards, union rates and codes encourage employers across the sector of practice from key lead bodies. to engage with Alliance to consider achieving accreditation. Across all of Creative Scotland’s funding programmes, organisations seeking To strengthen our approach, we have funds are expected to be clear about made a commitment to attaching Fair all costs they allocate in their budgets Work First criteria to as many Scottish relating to the payment of people involved Government grants as we can by the in delivering their work. When working end of this Parliament, and are testing with artists and creative professionals, this new approach in 2019-2020 through applicants are encouraged to reference business support grants awarded by relevant industry standards on rates of Scottish Enterprise. Fair Work First asks remuneration and all organisations seeking employers accessing public funding to regular funding must commit to paying a commit to: investment in skills and training, living wage, according to the Living Wage no inappropriate use of zero-hours Foundation, to all core workers. contracts, action to tackle the gender pay gap, genuine workforce engagement, such Creative Scotland will work with the as trade union recognition, and payment Scottish Government to understand the of the real Living Wage. Learning from potential impacts of fair work criteria that experience, we will work with Creative and to explore how these can be further Scotland and Historic Environment Scotland embedded across each of Creative in 2020-2021 to understand the potential Scotland’s funding programmes. impacts of fair work criteria in their, and our own, culture and heritage grant schemes. Creative industries Creative industries are one of Scotland’s15 In addition, we have committed to exploring growth sectors, which are sectors that a Citizen’s Basic Income (CBI) study and have a distinct competitive advantage are providing funding to support four local and the potential to be internationally authorities – Fife, Edinburgh, Glasgow and successful. The sector is the second North Ayrshire – to begin research into the fastest growing growth sector in Scotland feasibility of a CBI pilot, which will help us after the energy sector - GVA in the sector understand the costs, benefits and savings increased by 11% over the latest year16. of CBI in Scotland. 20 A CULTURE STRATEGY FOR SCOTLAND

Last year we published our Policy Statement These partnerships between universities for the Creative Industries17. This statement and creative businesses in Dundee and sets out our vision and priorities for the Edinburgh show that we have strengths sector. It highlights that creative businesses in research and partnership working in and skills are those of the future – they are the creative industries. With their focus less likely to be replaced by automation and on research and development in the artificial intelligence and the creative sector gaming industry and informatics, these is leading the way in innovation of new clusters will be key in developing these business models. It is adapting more quickly sectors for the future. than other sectors to the transformation through the fourth industrial revolution. In Dundee, the InGame Cluster – Innovation Combining technical and creative skills, the for Games and Media Enterprise – is led sector plays a significant role in unlocking by Abertay University, in partnership with innovation and growth in other sectors. the University of Dundee, the University of St Andrews and local and international In Scotland, we have thriving industry partners. This will push forward sub-sectors of the creative industries new technological innovations and find and this is demonstrated, for example: innovative solutions to some of the with the success of our international challenges faced by games companies. festivals in Edinburgh; the games cluster This includes the management of financial in Dundee; the design, architecture, music, and sustainability risks associated with textiles and film and television sectors in developing original material. Glasgow; the textiles sector in the South of Scotland; the craft, music and textiles In addition to the creative clusters, sector in the High-lands and Islands; and a Creative Industries Policy and Evidence the digital tech businesses sector across Centre (PEC) has been established. Led by the whole of the country. innovation foundation Nesta, PEC involves a UK-wide consortium of universities, Our world leading work in creative sectors including Edinburgh and Glasgow. is recognised internationally – Scotland has three cities in the UNESCO creative cities network: Edinburgh City of Literature; Dundee City of Design; and Glasgow City of Music; and the Outer Hebrides has been designated World Craft City status.

This pioneering work continues; two out of nine projects of the Art and Humanities Research Council’s £80 million Creative Clusters Programme are based in Scotland. 21 A CULTURE STRATEGY FOR SCOTLAND

V&A Dundee is a new design museum Screen for the whole of Scotland and is an exciting We also recognise the importance of addition to the diverse array of cultural maximising the economic potential of experiences that our nation has to offer. the screen sector. That is why we have The Scottish Government has been a strengthened public sector support for strong supporter of V&A contributing film and television with the creation of nearly £38 million towards the construction Screen Scotland, a dedicated screen of the Museum and with a commitment in unit within Creative Scotland. place for recurring annual revenue funding. New funds to support film and television The Scottish Government will promote the production have been rolled out - a £2m use of design, highlighting the importance -a-year Production Growth Fund opened of design to Scotland’s creative economy, in April 2018 and new £3m-a-year wider industry, people’s lives, communities Broadcast Content Fund was launched and the environment. in August 2018. The Production Growth Fund has already generated significant economic benefits - the first £3.7m

Title: V&A, Dundee allocated resulting in an estimated £60m Credit: Photographer – Kenny Lam. spend in the Scottish economy. Since its Reproduced courtesy of VisitScotland. launch, the Broadcast Content Fund has made 26 awards to the value of over £3m, supporting the growth and development of screen sector companies across Scotland.

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The Scottish Government is focused on Support for skills strengthening our screen sector and creating The importance of creativity, throughout the conditions for continued growth across education, in developing skills for learning, production, development, talent and skills. life and work cannot be underestimated. We want Scotland to have an increased Curriculum for Excellence allows space range of studio facilities. Creative Scotland to be creative and innovation in leadership, has completed a tender process to identify curriculum planning, teaching and learning a private operator to refurbish the Pelamis are encouraged and celebrated. Scotland’s building in Edinburgh and operate it as a Creative Learning Plan projects a bold, film studio. Creative Scotland is currently ambitious vision for a more creative nation working with the preferred bidder to which can thrive in a world of constant complete the necessary technical and change and uncertainty. All learners must legal processes and they anticipate be supported to develop their creativity being able to say more in early 2020. skills, which are defined in the plan as curiosity, open mindedness, imagination With the new BBC Scotland Scottish and problem solving so learners are better channel launched in January 2019 equipped to shape their future and fulfil and Channel 4’s Creative Hub opened their potential. in Glasgow in October 2019, screen is a growing sector of our economy that By working with our public sector will bring significant opportunities to partners, our schools, colleges and the wider creative industries too. The universities, training providers, businesses work of MG Alba continues to increase and industries, and the wider sector, we the opportunities for many independent will support and develop creative education Scottish production companies and and work-based learning to ensure benefits the Scottish economy by everyone is able to develop their creative almost £10 million per annum18. potential. This involves equipping with the right skills those who are motivated The Scottish Government supports to realise their aspiration to have a career the public service broadcasting model. in the creative industries. This ambition is However, we believe broadcasting policy now highlighted in the Ministerial Letter of should be devolved to ensure that Guidance to the Scottish Funding Council. decisions can be taken which recognise the requirements of viewers and listeners Skills are key to ensuring that as our in Scotland. BBC spending in Scotland creative industries and our wider economy continues to fall short of achieving the and our labour market change that we proportionate share spent in Wales and have an agile skills system in place that Northern Ireland. If a greater and fairer can respond at pace to employer demand. proportion of the licence fee raised in Skills Development Scotland, our national Scotland was spent in Scotland, it would skills agency, plays a key role in developing benefit the screen sector and also our and delivering skills programmes for the creative economy. creative industries, arts and other sectors. 23 A CULTURE STRATEGY FOR SCOTLAND

The creative industries have a range of Skills Development Scotland is also piloting vocational qualification routes under the with Applied Arts Scotland a new model of Creative and Creative Digital Production apprenticeship delivery with crafts, visual Modern Apprenticeship Frameworks which arts and design practitioners. reflect many of the broad occupational functions in the sector. For example, the Skills Development Scotland has worked Scottish performing arts, theatres and with partners in the South of Scotland venues sector has had access to a Scottish to respond to skills issues identified by Modern Apprenticeship Framework to textiles employers in the region. They support the development of creative and have allocated up to 30 places through cultural skills for more than five years, the Employability Fund to support training with employees able to study and attain being delivered in the Centre of Excellence a qualification at Scottish Credit and in Textiles in Hawick, which is an initiative Qualifications Framework (SCQF) level 6 funded through the South of Scotland in areas as diverse as venue operations Economic Partnership. The Centre of and technical theatre. Scotland’s screen Excellence in Textiles was established and creative digital industries have been in early 2019 to address the key skills drawing on Modern Apprenticeships for needs of the sector, by delivering training many years, and are now working with in hand finishing and machine skills in Skills Development Scotland, providers order to create a pool of skilled talent and local authorities to support up to 500 for textiles employers in the region. young Scots develop in-demand skills and acquire practical industry insight through Title: Frank Quitely, Scottish Comic Book Artist Credit: Photographer – Kenny Lam. Reproduced the new Foundation Apprenticeship in courtesy of VisitScotland. Creative and Digital Media. 24 A CULTURE STRATEGY FOR SCOTLAND

Volunteers Volunteering brings enormous benefits Museums and Galleries and we recognise and value the significant Scotland - Skills for Success contribution that volunteering makes to We will support Museums Galleries the cultural sector in Scotland. Scotland to build on its Skills for Success programme and work with Many cultural organisations and Volunteering Scotland and other community groups across Scotland rely partners to deliver a pilot project on the skills, time and input of volunteers. to recruit and support a targeted They bring new ideas, expertise and the range of volunteers from diverse capacity to improve the scale, quality and backgrounds to achieve a Scottish diversity of creative activity. Volunteering Qualifications Authority (SQA) across the arts, screen and creative industries accredited qualification. Another part also provides individuals with new of the project will work in schools experiences and valuable opportunities in low social-economic areas to to learn skills and build social connections. highlight employment, training and Volunteering is essential in ensuring development opportunities in the Scotland has a rich, vibrant and diverse culture sector through a series of cultural life. This importance places a need workshops which align with the to be clear about the role of a volunteer Curriculum for Excellence and and what constitutes good practice in terms are delivered in partnership with of recruitment, ongoing management and Developing the Young Workforce22 and when it is appropriate to use a volunteer others. Both projects aim to increase as opposed to a paid worker. diversity in the cultural workforce.

Volunteering should always be valued and treated fairly. We expect cultural organisations, local authorities and public bodies to follow the principles of the national volunteering framework19 Promoting and supporting diversity published in April 2019 and, in particular, All levels of cultural and creative ensure volunteering opportunities in the production and delivery including culture and heritage sector reflect the decision-making would be enriched diversity of our population. by greater diversity.

That is why Creative Scotland is working It is clear from the engagement events with partners to establish a best practice and consultation responses that there guide to apprenticeships, internships and is overwhelming support for measures volunteering. This will provide increased to achieve greater diversity of employees clarity on the standards that cultural in cultural organisations and funders organisations should adopt, including including senior teams, boards and alignment with the Volunteer Scotland volunteers, in addition to providing more Charter20 and the Scottish Government’s help for accessing funding and other national outcomes framework for mechanisms of support. volunteering21.

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Remuneration for board Creative Scotland – equalities, members of national culture diversity and inclusion and heritage public bodies Creative Scotland will continue to We are keen that our national support Equalities, Diversity and Inclusion culture and heritage boards have (EDI) across all of its work. This includes diverse membership which is truly embedding EDI across all of its funding representative of the sector. To create programmes and building on existing the conditions for this we will seek to targeted and development activity, introduce appropriate remuneration such as Create: Inclusion and EDI Action for Board members of the culture Plans, ensuring barriers are removed, and heritage national public opportunities are created and that all bodies, recognising the time and Scotland’s diverse cultures are supported expertise they offer in leading those and reflected through creative activity. organisations. In doing so, we will take account of the requirements of charity Realising international ambition law for those bodies which are also Culture is one of Scotland’s greatest registered charities. exports and is critical to how Scotland is viewed internationally. As set out in Scotland’s international framework and supporting policy statement, culture is fundamental to Scotland’s positive international reputation as an open, Achieving these outcomes should in turn creative, welcoming and confident nation. encourage greater diversity in programming, interpretation and presentation, output and Cultural engagement and exchange audience and provide role models across builds trust and strengthens understanding civic life to inspire the next generation of of other nations and traditions. Scotland creatives across a more diverse range has an international reputation for the of backgrounds. high quality of its cultural offer. This includes our cultural venues, traditional Under the 5050 by 2020 initiative23 we and contemporary music and dance, have improved the gender balance of the festivals and the quality of our historic boards of our public bodies so that as and natural environment. It is important at the end of November 2019, 50% of that our cultural sectors maintain their appointees are female. We will work with ability to collaborate, exchange knowledge Creative Scotland, the national collections and access the international talent pool and National Performing Companies to and attract global talent to participate in share models of best practice in order to Scotland’s world renowned festivals. It is achieve the greater diversity needed and equally important that the sector is able to wanted in the broader culture sector. enjoy mobility to take works and services overseas and across borders without barriers that render projects unfeasible. 26 A CULTURE STRATEGY FOR SCOTLAND

Scotland is respected as an outward Creative businesses play a key role in looking and globally aware country with building brands and promoting Scotland a long history of cultural collaboration on the world stage, bringing benefit to not least via the Scottish diaspora who the wider economy through increased have made their homes across the world. business competitiveness and international Our culture is enriched by people from distinctiveness. Total exports from the across the world who choose to live, creative industries growth sector stood work, study or visit Scotland, and by our at £3,720 million in 2017, accounting for increasingly culturally diverse communities. 4.6% of Scotland’s total exports. Exports International culture and the riches it from this sector increased by 28.7% over brings is welcomed in Scotland and it the latest year. is important these international ties are nurtured and valued for the way they Building international networks is one of connect Scotland to the wider world the key factors in increasing export and and foster mutual understanding. international reputation of our creative industries. Scottish Government’s A Immigration policies should support Trading Nation - a plan for growing our culture sector in facilitating and Scotland’s exports24 published in May encouraging cultural collaboration, 2019 highlights the significant role culture knowledge and partnership exchange plays in creating and maintaining twinning and touring, and not act as a barrier to relationships with towns, cities and regions the sector’s success. People should be across the globe. It also includes the welcome to live work, study and travel in commitment to expand the GlobalScot Scotland – our diversity is our strength. network from 600 to a network of 2,000 business people in key markets, as well The Scottish Government has repeatedly as making use of other wider international rejected the UK Government’s immigration networks, including diaspora and alumni. environment and its policy focus on salary, wealth and so-called ‘high-skills’. International reach of culture The current one-size-fits-all approach is Scotland has an international reputation not working for the UK. We believe that it for culture of the very highest standard. is vital for Scotland to have immigration The Scottish Government will continue powers so we can design and tailor policies to work in partnership with the national to suit our needs, and support the vibrancy cultural and heritage bodies to maintain and success of our communities and that international profile. We will support economy. We will continue to influence creative people including, for example, the UK Government in developing a fairer through international touring and festival immigration system, and for Scotland appearances by the National Performing to have an increased role through the Companies supported by the International devolution of policy making powers. Touring Fund and international loans by and from the National Collections. 27 A CULTURE STRATEGY FOR SCOTLAND

The International Touring Fund enables We will work with the culture the five National Performing Companies sector to support the cultural diplomacy to present work which demonstrates their work of each hub, will promote and art form excellence in key international encourage requests from international venues – from continental Europe to North stakeholders for cultural collaboration America and the Far East. This raises and will maximise opportunities through the companies’ profile across the world, ‘Scotland is Now’25 to showcase culture attracting artistic acclaim while helping and creativity in Scotland as an integral the companies to develop further their part of Scotland as a progressive, own excellence. International touring also pioneering and welcoming nation. promotes Scotland as an open, creative nation, valuing cultural exchange as a key part of international engagement, and Creative Scotland support for developing interest amongst other nations international cultural presence in what Scotland has to offer. The Scottish We will support Creative Scotland Government Festivals’ EXPO fund was in its work with the Scottish established to help maintain our festivals’ Government international hubs global competitive edge, increase the to develop a framework to funding available to Scottish artists and ensure that high quality creative practitioners and encourage creative practitioners and their work are collaborations. Each EXPO award places integral to Scotland’s reputation Scottish artists on an international platform, as a vibrant, inclusive and open whether that is through commissions, society. showcasing or talent development.

International hubs The Scottish Government’s network of offices outside of Scotland delivers In addition, the Scottish Government and supports activity by the Scottish wishes to see continuing participation in Government, its agencies and public and EU programmes that support international private sector partners in London and key cultural collaboration, such as Creative international locations. Each office plays Europe, and will consider how domestic a valuable role in enhancing Scotland’s alternatives to EU programmes can international profile and reputation; support the culture sector. supports stakeholders to access trade, export and investment opportunities and We have also supported and encouraged provides a base for developing networks many examples of international cultural and relationships. activity through Gaelic and Scots. This can be seen in MG Alba’s international co- We will work with this network to facilitate productions and in the strong international cultural opportunities; including identifying profile given to Gaelic arts and artists by and building partnerships and supporting bodies such as Fèisean nan Gàidheal, Fèis touring and cultural exchange. Rois, Ceòlas and others. The Association of Scottish Literary Studies continues to promote our wealth of literature at home and around the world. 28 A CULTURE STRATEGY FOR SCOTLAND

The Scottish Government’s National We recognise that there is significant Islands Plan26 published in December potential to develop music tourism and 2019 aims to support the arts, culture want to ensure that all stakeholders in and language of the islands including this sector are able to work collaboratively a commitment to support, develop and to make the most of that potential and promote the creative talents of islanders ensure our music tourism is resilient and ensure that the culture of Scotland’s and continues to be world-class. Islands has a wide audience both nationally and abroad. VisitScotland works closely with individual businesses, public agencies, local Economic impact of festivals authorities and other tourism stakeholders Scotland’s cities, towns and villages to maximise all the benefits Scotland’s host over 200 culture festivals each tourism industry has to offer. Research year, creating places with their own shows that experiencing our history and distinct cultural identities and energy, culture is consistently a key driver for and making them attractive to live in, visitors to Scotland from the rest of the work in and visit. Festivals also benefit UK, Europe and further afield, and for both the national economy and local economies repeat and first time visitors. VisitScotland right across Scotland, from the major is working with the Scottish Government, cities to rural and island communities. Scottish Development International/ Scottish Enterprise and Universities Tourism Scotland to deliver the ‘Scotland is Now’ The Tourism Strategy draft framework27 campaign to show that Scotland is a was launched in October 2019 and the forward-thinking country for people not final strategy document will be founded on only to visit, but to live, work, study and the principle of collaboration. It will provide invest in. This new collaborative effort will a new opportunity to consider how culture harness our national story, our technology and tourism can work together to ensure and our talent for all of Scotland’s benefit that Scotland’s tourism sector can continue and stimulate international growth. Scotland to provide a resilient, world-leading tourism is Now, showcases our world renowned offer that contributes to sustainable and universities, top talent, incredible history inclusive growth, and to the international and landscapes, culture, warm hospitality, reputation of our country. entrepreneurial spirit and high quality of life to the world. Music tourism makes an important contribution to the Scottish economy, attracting overseas visitors as well as locals to enjoy live music at festivals and venues across Scotland, many of which have an international reputation for excellence. The Music Numbers 2019 Report by UK Music28 shows that Scotland had 1.1 million tourists attending live music in Scotland in 2018 – the strongest growth in the UK up 38% on the previous year. The sector also supported 4,300 full- time equivalent jobs. 29 A CULTURE STRATEGY FOR SCOTLAND

Ambition 2: Transforming through culture

Title: Subrina “Brina” Ward performing her Jamaican Reggae versions of songs by Robert Burns at BEMIS Scotland commissioned ‘A Toast tae the International Lassies’ at Celtic Connections 2017 Credit: Photographer – ABCassidy Photography 30 A CULTURE STRATEGY FOR SCOTLAND

Ambition 2: Transforming through culture

Demonstrating that culture is — Support to help Arts Culture central to Scotland’s wellbeing Health and Wellbeing Scotland expand and develop and cultural, social, economic — Work to embed the principles of and environmental prosperity. Article 31 of The United Nations Convention on the Rights of the Our aims are to: Child (UNCRC) across the full range • Place culture as a central consideration of publicly funded cultural activity across all policy areas including: health — Work with Creative Scotland and and wellbeing, economy, education, Education Scotland to help improve reducing inequality and realising a cultural experiences for learners greener and more innovative future of all ages • Open up the potential of culture — Partner with Creative Scotland and as a transformative opportunity Engage Scotland to identify best across society practice and barriers, developing new approaches to supporting To do this we will: schools, teachers and pupils to • Establish a new National Partnership for engage more confidently with Culture to continue our national culture contemporary visual arts and design conversation and advise Scottish — Continuing work with Creative Ministers on matters affecting and Scotland and the National Youth affected by culture in Scotland Arts Advisory Group to secure • Establish a measuring change group ways to ensure that the voices of to inform progress towards realising children and young people continue the national outcome for culture and to be heard and they are involved in the delivery of the culture strategy cultural decision-making • Collaborate to realise the — Ways to ensure that Historic transformational power of culture Environment Scotland’s pioneering in achieving a broad range of policy work on climate change is widely outcomes including the development of: promoted so that we all understand — Cross-government policy compacts how we can manage the effects on embedding culture at the centre of our historic buildings policy-making — Ways to show how heritage and — Partnerships with other government culture can transform public thinking agencies and public bodies to to transition to a net zero society support economic growth and economy in tackling the climate emergency 31 A CULTURE STRATEGY FOR SCOTLAND

• Support activity focused on delivering the new national outcome for culture National Partnership for Culture through the new national partnership The new National Partnership for and measuring change group Culture will support delivery of the collective vision, ambitions, Realising the full potential of culture aims and actions set out in the The guiding principles set out in this culture strategy, help to inform strategy highlight that culture in Scotland and influence policy decisions, is valued in and of itself and is central and continue the national culture to the future wellbeing and prosperity conversation so we can drive the of Scotland – environmental, cultural, transformational potential social and economic. of culture.

The full potential of culture to transform the lives of individuals and communities as well as contribute to the overall wellbeing of the nation is not yet realised. There The partnership is independently chaired is a need to forge better connections and its membership and participation will across government and improve links reflect Scotland’s many different cultures, between culture and areas such as health, languages and communities. It will include education, tourism, energy, community the voices of young people and it will play a development, international relations, and key role in helping unlock opportunities by the economy. Links between national and bringing together partners from across the local government policy and approaches culture sector: artists; creative producers; and links to the private sector are also policy makers and academics; along with critical if culture is to play the positive role other sectors to identify opportunities for that evidence demonstrates it can. collaboration and partnership working.

Being creative and enjoying culture can play a part in transforming opportunities Measuring change group for individuals and society. This strategy The partnership is also tasked with supports the development of a more establishing a measuring change group collective understanding and appreciation to inform progress towards realising the of the value and impact of culture to ensure national outcome for culture and the it is better supported across Scotland. delivery of the culture strategy. It will build upon existing research and consider National Partnership for Culture what further evidence about the impact of In response to consultation feedback we culture is required to better inform local have established the National Partnership and national policy and decision makers for Culture to provide a cross-sector, interdisciplinary voice which can both advise and influence Scottish Ministers on matters affecting culture in Scotland. 32 A CULTURE STRATEGY FOR SCOTLAND

Policy compacts We will also work across the Scottish A National Outcome for Culture Government to create strategic cross- We are creative and our vibrant policy compacts to deliver co-ordinated and diverse cultures are approaches to realising shared expressed and enjoyed widely policy outcomes through culture in key policy areas such as health and wellbeing, community empowerment and regeneration; exploring options for leadership, resource sharing, compatible planning and complementarity policies. As well as the national outcome for culture, we know that culture contributes to each of the other national outcomes Policy compacts set out in the National Performance We will create cross-policy compacts to Framework either directly or indirectly, strengthen dialogue and enable a range presenting opportunities for local and of internal and external stakeholders to national government and the culture sector work together to pursue joint outcomes to strengthen partnership working through and maximise the positive impact of culture to unlock solutions and maximise culture on society. impact through culture. The framework enables effective working across policy Culture and the National and delivery areas and encourages an Performance Framework holistic and joined up approach to The National Performance Framework public service delivery. sets out a vision of national wellbeing for Scotland and charts progress towards this through a range of social, environmental and economic outcomes which are measured by indicators.

The current set of 11 national outcomes reflect our values as a nation and the aspirations we hold for our future. The framework now includes a national outcome for culture for the first time and promotes our commitment to the United Nation’s Sustainable Development Goals29 which are aimed at improving wellbeing across the world. 33 A CULTURE STRATEGY FOR SCOTLAND

A Culture Strategy for Scotland National Performance Framework

Strengthening Culture

Empowering Transforming Through Culture Through Culture 34 A CULTURE STRATEGY FOR SCOTLAND

Culture and the global climate emergency HES is already recognised as a global Climate change is a defining challenge leader when it comes to understanding of our age with major implications for the links between climate change and the ways in which people live. The cultural heritage. We will work to ensure transition to net-zero in Scotland will that its pioneering work on climate change require transformational change across is widely promoted and that the wider society. Culture is integral to our ways culture sector is prepared and ready to of life, connecting people to place and seize the opportunity to play its role in helping them to understand and relate to our transition to net-zero. environmental challenges. Culture thus offers potential for galvanising climate Glasgow will play host to the United action and could play a major role in Nation’s Climate Change Conference, influencing the widespread behavioural known as COP26, in November 2020. change that will be required to meet our As the largest event of this nature ever ambitious targets. to be held in the UK, Scotland welcomes the opportunity to showcase its exceptional Culture and heritage projects are landscape, venues, hospitality and culture often local and place-based, presenting and ensure that COP26 visitors experience a unique opportunity to engage directly the best of Scottish welcome. The Scottish with communities across Scotland. The Government will work with partners to arts, including screen and broadcasting, ensure that the event delivers a lasting can be a significant communication tool legacy for the whole of Scotland. We hope in raising awareness of climate change that COP26 can support global efforts to and the actions that will need to be taken transition to a net-zero world in a way that is across society. Artists and practitioners fair and just. We must leave no one behind. can help communities to visualise and understand the impacts of climate change, can provide leadership through debate and practice and can encourage people to imagine the possibilities and potential of a greener future.

This is the premise behind the Climate Heritage Network, which has been led by Historic Environment Scotland (HES), in partnership with the California Office of Historic Preservation and the International Council on Monuments and Sites (ICOMOS), bringing together culture and heritage professionals and organisations to mobilise action on climate change. 35 A CULTURE STRATEGY FOR SCOTLAND

Culture and health Culture improves places for individuals Arts Culture Health and and communities. It plays a key role in Wellbeing Scotland maintaining good mental health and In addition, we will support the further wellbeing and it has been shown to reduce development of Arts Culture Health levels of social isolation, strengthen social and Wellbeing Scotland to include networks and increase self-confidence and all forms of cultural engagement. resilience. It can support good health and The expanded network will advocate wellbeing for all ages. for cultural approaches to prevent poor individual and population health As part of the Scottish Government’s and promote cultural intervention drive to carry out public health reform with as an effective means of tackling a focus on prevention and early intervention, health inequality and supporting a new public health body, Public Health rehabilitation. It will improve Scotland (PHS), will be established in April collaboration across the sectors and 2020. PHS, developed in partnership with share good practice and opportunities CoSLA, will provide strong public health for joint working. We will also work leadership and be Scotland’s lead national with the network and Creative agency for improving and protecting health Scotland to develop and implement and wellbeing. a joint action plan that will build on recent evaluation findings. It will have a leadership role in research, innovation and the public health workforce, and will adopt a whole system approach to supporting and enabling others to take action together across organisational boundaries and in communities.

We will work with PHS to create opportunities for realising shared health and wellbeing outcomes through culture. 36 A CULTURE STRATEGY FOR SCOTLAND

Case Study: National Museums These free monthly events provide an informal learning experience, giving Scotland – ‘Museum Socials’ participants access to a range of opportunities to engage both with the Since October 2015, National national collections and with wider social activities. The programme is run Museums Scotland’s Learning in collaboration with National Galleries & Programmes’ Community Scotland, The National Library of Scotland, Engagement team have been St Cecilia’s Hall and Edinburgh Zoo, with each venue offering a monthly dementia hosting Museum Socials for Social event. The Museum Socials provide people living with dementia. an informal learning and social opportunity for people living with dementia, their family, friends or support workers.

Title: Investigating objects at a Museums Social in the National Museum of Scotland Credit: Photographer - @ rutharmstrongphotography 37 A CULTURE STRATEGY FOR SCOTLAND

Culture and children and young people Schools and other formal and informal Article 31 of The United Nations education establishments from early years Convention on the Rights of the Child30 to higher and further education are critical (UNCRC) states that children have the to enabling young people across Scotland right to rest and leisure, to engage in play to access and build a lifelong foundation and recreational activities appropriate in culture through to adulthood. Culture to the age of the child and to participate and creativity help young people grow freely in cultural life and the arts. It also confidently as citizens and can play an says that ‘States Parties shall respect and important role in helping children cope promote the right of the child to participate with any stress and adversity they may fully in cultural and artistic life and shall be experiencing in their lives. encourage the provision of appropriate and equal opportunities for cultural, artistic, recreational and leisure activity.’ In Creative learning fulfilment of this duty, we will continue to We will work with Creative Scotland work with partners across the sector and and Education Scotland to help improve beyond to embed the principles of Article cultural experiences for learners of all 31 of the UNCRC across the full range of ages. We will collaborate together, and publicly funded cultural activity. with practitioners, on ways to inspire, empower and support learners to develop important skills for the 21st Century ‘in’ and ‘through’ the arts and creative Title: A group of young people play together learning across the curriculum. as part of the big band at SCO VIBE, a fusion orchestra project for 12-18 year olds. Edinburgh, July 2017. Credit: Photographer - Fraser Band 38 A CULTURE STRATEGY FOR SCOTLAND

Culture is a huge resource through In Scottish schools the growing Gaelic- which many aspects of the Curriculum medium sector has established a strong for Excellence can be delivered and link with the arts and is providing a range creative approaches to teaching can of cultural opportunities. Excellent links also be successful in raising attainment between schools and culture and the arts across non-creative subjects. The Scottish can be seen in the Fèisean movement, Attainment Challenge is seeking to ensure in both the national and local Mods and in that all of Scotland's children and young MG Alba’s Film G. Interest in Scots and its people reach their full potential. Culture culture are growing in our schools with the and the arts have a big part to play in likes of Scots Hoose supporting learning making this a reality. along with other bodies including Scots Radio, who run The Doric Film Festival which is now in its second year and Supporting Expressive continues to have growing interest Arts in the curriculum from young people. We will partner with Creative Scotland and Engage Scotland Whilst acknowledging the autonomy to identify barriers and determine of local authorities to make decisions goals for future models that will in funding for instrumental music tuition, help schools, teachers and pupils we want to help ensure that instrumental to engage more confidently with music tuition remains accessible to all. contemporary art and also with the We worked with the Music Education design element of art and design. Partnership Group and CoSLA to develop The programme will work with guidance31 to support local authorities in schools across Scotland to map a their instrumental music tuition policies national picture of where schools which was published on 25 January 2019. are engaging with, and through, expressive arts with a focus on The guidance: identifying barriers to engagement • highlights the CoSLA Children and with the visual arts and design and Young People Board’s decision that gaining a better understanding of instrumental music tuition should be teacher confidence in engaging with provided free of charge to students and delivering contemporary visual who are entitled to free school meals or arts and design. The programme will those studying for SQA qualifications build on innovative approaches to contemporary visual arts and design • recommends local authorities education and will inform future review their charging policies and approaches to improving support for concessionary schemes to ensure that teachers in particular. pupils in their area are not prevented from learning a musical instrument because of their background, location, disability or financial circumstances • promotes the sharing of good practice and information between local authorities; and 39 A CULTURE STRATEGY FOR SCOTLAND

• places an emphasis on the need to appropriately engage parents and Time to Shine carers when making changes to fee We will work with Creative Scotland and levels, offering examples of good other partners to build on what has been practice and recommending local achieved through Time to Shine, the authorities avoid issuing invoices to National Youth Arts Strategy, and work parents and carers of children receiving with the National Youth Arts Advisory tuition without warning and explanation Group to consider further how to ensure that the voices of children and young We continue to work with partners in people are heard and that they are further and higher education to ensure involved in decision-making. creative education is a key priority and will continue to work with the range of Out of school care can benefit children by national music education organisations, promoting positive social interactions and including Royal Scottish Conservatoire, relationships, and provides opportunities for and stakeholder groups, such as the Music play in safe, supportive environments. Often Education Partnership Group, to promote rooted in local communities, these services excellence in music education and provide offer children creative outlets and provide opportunities for the musicians of the future. opportunities for them to engage in cultural activities through a variety of means. Cultural experiences should be embedded from the very start of children’s formal In August 2019 we published a learning but need not be restricted to draft framework for out of school care formal environments. in Scotland which focuses on positive outcomes for those children who stand We know that the opportunities children to benefit most from these services, and young people have outside of school including children with disabilities and are important for their development and additional support needs, and those from wellbeing. Out of school care services disadvantaged backgrounds. In developing enable many parents to work, but they this framework we have listened to children also offer opportunities for children to and young people’s views, using theatre take part in life-enhancing experiences, as a means of engagement. We are through access to music, arts and drama. continuing to engage through creative Children and young people have freedom art and theatre-based workshops with to choose how they spend their time in out children and young people as part of of school care settings and can explore the consultation process. and enjoy cultural activities in ways which are meaningful and enjoyable for them. There are many examples of young We have maintained free access to the people developing innovative business national collections so they are available models and encouraging innovation. to all regardless of ability to pay. Cultural organisations and local authorities should tailor information for young people – including those not in education, employment or training – to support their creative projects to sustain a living, and inspire creative entrepreneurship. 40 A CULTURE STRATEGY FOR SCOTLAND

Culture and older people Culture and technology In A Fairer Scotland for Older People – Technological innovation continues to A Framework for Action32 published in change the way we live and work. The April 2019, we committed to making sure speed and degree of change in digital that the voices and experience of older emerging technologies is shaping future people would be reflected in the culture jobs and therefore the education, training, strategy. We live in an ageing society and creative thinking and creative skills needed it is fundamentally important that everyone to do them. We also know that creative and is enabled to age actively, maintain good cultural jobs are some of the least likely to health and be engaged. Culture provides become automated in the future. Creative a broad platform to do just that, often and design skills are also an essential bridging the gap between generations, and skillset for digital products and services enabling older people to not only pass on design. This underlines the benefits of their cultural knowledge and skills to future supporting a strong cultural and creative generations, but to also take part in a foundation in education. variety of cultural activities, enriching their life and maintaining social connections.

Title: A design student sketches a 3D character, Abertay University, Dundee Credit: Photograph reproduced courtesy of Abertay University, Dundee. 41 A CULTURE STRATEGY FOR SCOTLAND

Technological change is also Advances in digital technologies and transforming how culture is developed, the use of data and Artificial Intelligence produced, delivered and experienced, such (AI) are happening at pace, presenting as online streaming, digitisation and in online economic and social opportunities. We communities. Technology has the potential recognise the importance of supporting to increase access to culture for a broader the sector to work together to evolve range of audiences, to support new and thinking and to harness the potential interesting forms of cultural and creative opportunities afforded by technological expression, production and activity and innovation and change. However, we also demonstrate what can be achieved through recognise the challenges and concerns creative uses of technology. This is not which must be addressed if we are all to limited to, but might include, opening up benefit from these opportunities. Through access to collections, new ways to provide collaboration, learning and shared practice, interpretation, remote access and sharing the Scottish Government will work with our culture around the world. stakeholders to develop principles and tools that build the skills and capabilities to The growing demand for online cultural address ethical dilemmas and risks in design. content is reflected in new initiatives, including those from the National Theatre These will be clear statements of how of Scotland, Scottish Ballet’s digital Scotland will use digital, data and AI to seasons, and the programme of digitisation improve public services, boost productivity increasing public access to Scotland’s and drive inclusive growth in ways which national collections. protect privacy, enhance security and promote accessibility, inclusion and diversity. These and other actions will create the conditions which enable industry and public services to innovate with confidence, encourage inward investment to Scotland and give our people the reassurance that technological advancement will benefit Scotland socially and economically through the principled and ethical exploitation of digital technologies. 42 A CULTURE STRATEGY FOR SCOTLAND

Ambition 3: Empowering through culture

Title: YDance (Scottish Youth Dance) Project Y Performance Course 2017. Young dancers aged 16–21 performing on the opening night of the Project Y Tour 2017 at Tramway, Glasgow. Credit: Photographer – Paul Watt Photography 43 A CULTURE STRATEGY FOR SCOTLAND

Ambition 3: Empowering through culture

Celebrating culture as part of • Work with Culture Conveners from every community; essential to Scottish local government and culture trusts including through establishing our lives and wellbeing. a joint meeting of arts and culture conveners Our aims are to: • Work with national organisations • Continue to celebrate Scotland’s to help them plan their community extraordinary cultural contributions activities to ensure the widest • Extend the view of culture to include possible reach across Scotland the everyday and emerging, the established and more formal A broad view of culture • Extend opportunities that enable People engage in culture in a huge range people to take part in culture of different ways: formal and informal; throughout their lives historic; traditional; and emerging and it is often through culture that social • Recognise each community’s own local networks and relationships are formed. cultures in generating a distinct sense For many people in Scotland, culture is a of place, identity and confidence self-determined part of everyday life and it is often through local, community-led To do this we will: culture and heritage where the greatest • Work with Creative Scotland to map transformations can occur. local authority support for culture and to explore future models of collaboration Access, participation and equity between national and local bodies Culture can improve the life chances of • Launch a Creative Communities all people, at every stage in life, in Scotland programme in partnership with Inspiring and it is an important element of action to Scotland and with support from reduce poverty and mitigate its impacts. Creative Scotland - a new initiative to However, not everyone is able to benefit support and empower individuals and from it equally and more needs be done communities to further develop their to support equal opportunities to access, own cultural activity participate and develop a career in the cultural and creative sectors. • Work in partnership with culture trusts and local authorities, including in Community Planning Partnerships local networks and CoSLA to realise local outcomes across Scotland 44 A CULTURE STRATEGY FOR SCOTLAND

Living or growing up in poverty can mean Cultural engagement and participation less opportunity to engage in certain types of is currently measured relative to more cultural activity. This can apply to cultural formal and established forms of culture, activities which are free to access but many of which are free and accessible. include hidden costs like requiring clothing, However not everyone participates in these equipment, materials, transport or food. forms of cultural engagement. People engage in cultural activity in many different ways and Scotland’s longstanding work on how that is measured and reported must be cultural engagement and participation reconsidered to better reflect the nature and shows that those who engage in cultural breadth of cultural engagement. activity as children are more likely to participate and attend when they are adults, In the 2018 Scottish Household Survey regardless of parental background, wealth review, we made a number of changes or poverty. It is, therefore, crucial that more to the questions asked including rewording is done to make sure all communities are and reordering some activities and events supported to share and exchange cultural and adding new response categories to experiences with others and that everybody better understand the nature and frequency has opportunities to do so. In some cases, of attendance at cultural events and specific provision may be needed to participation in cultural activities. For support aspirations to increase access example, ‘streaming of a live performance’ and participation and ensure everyone has and ‘viewing cultural content online’ were full access to the cultural life of Scotland included to collect information on newer and an equal opportunity to enjoy and forms of digital cultural engagement. Some contribute to culture, the creative of the changes made may have affected industries and the arts. participation comparisons over time.

If we are to harness Scotland’s creative We support equal opportunities for people talents and support a diverse talent across Scotland to lead a cultural life of pipeline to support the future of the their choice with all aspects of cultural sector, it is important we increase access. engagement – formal and informal – Creative Scotland is undertaking work to available to them regardless of age, socio- understand the impact of public funding economic background, gender, ethnicity, on reducing these inequalities. race, language, disability or sexuality. We know that poverty, ageing, health, inequality, communication and disability Creative Scotland’s can all impact individuals and communities’ analysis of cultural activity ability to access and participate in culture We will work with Creative and tackling this must be a priority for the Scotland to map local authority culture sector in Scotland. support for culture and to explore future models of collaboration between national and local bodies 45 A CULTURE STRATEGY FOR SCOTLAND

Case Study: Fèis model - Fèis Rois are a key partner in a number of national and multinational projects, engaging young people in highlighting Scotland's commitment to traditional arts cultural excellence on an international stage. The organisation provides a clear Fèis Rois is just one organisation which ladder of progression for young people uses the successful fèis model. Founded aspiring to work in the music industry in Ross-Shire in 1986, the work of Fèis in Scotland with many of the teaching Rois has grown significantly and is now artists working for Fèis Rois today having recognised globally. The organisation been participants of the organisation's enables people of all ages to access, diverse offer of programmes when they participate in and enjoy folk music, the were children and young people. Fèis traditional arts and Gaelic language Rois is committed to ensuring access to through a diverse programme of annual opportunity as well as nurturing excellence activities in Ross and Cromarty, across and, as such, the organisation is deeply Scotland and beyond. engaged in work with Care Experienced Young People and those with additional

Title: Fèis Rois at Festival Interceltique de Lorient support needs whilst, at the same time, Credit: Photo reproduced courtesy of Fèis Rois offering professional development, commissioning, and high profile performance opportunities. 46 A CULTURE STRATEGY FOR SCOTLAND

Culture, communities and place Giving people a greater say in shaping Culture in Scotland is diverse and people the cultural life of their communities are proud of their culture and heritage. and community ownership can help Places are culturally distinctive and what protect Scotland’s rich cultural heritage people value about culture in their area and provide inspiration for the cultural is very personal. expression of the future.

The Scottish Government recognises Evidence consistently points to the the importance of place, where people, need for integrated, coordinated actions location and resources combine to create to deliver improvements for communities a sense of identity and purpose, and that rather than a focus which isolates social, place is at the heart of addressing the economic or physical aspects. For example, needs and realising the full potential arts and culture can contribute to many of of communities across Scotland. the often deep-rooted and complex themes that Community Planning Partnerships Places where we live and grow up (CPPs) typically prioritise in their Local shape our opportunities and the daily Outcomes Improvement Plans, such as experiences that make us feel part of around inclusive growth and improving a community. Place-based approaches employment prospects, positive physical enable local communities to influence, and mental health, children’s wellbeing shape, and where there is an appetite, and sustaining fragile communities. deliver long term solutions because it is easier for people and communities to identify with, relate to and feel Realising culture’s role connected with their place. in achieving local outcomes We will support Creative Scotland and The importance of addressing the needs the other national cultural organisations of communities holistically is increasingly to realise the potential that culture has recognised. Considering issues of the to achieve local outcomes. Building on local economy, physical infrastructure and work with local authorities, culture trusts the cultural and social aspects of place and other partners, including in CPPs and together, rather than in isolation, can lead local networks and working with Culture to better multiple outcomes. For example: Conveners from Scottish local authorities, improvements to housing and the physical we will look for opportunities to share environment can reduce crime rates; local knowledge, align resources and feeling connected to your community work in partnership so that the part that can lead to better educational attainment; culture can and does play in delivering and participating in community-led cultural the priorities that are most important for activities can reduce social isolation and local communities is visible and valued. improve health and wellbeing. We will also establish a joint meeting with Arts and Culture Conveners from Scottish local government.

47 A CULTURE STRATEGY FOR SCOTLAND

Places and people underpin culture and A collaborative, place-based approach communities in and across Scotland and can help create the right conditions generate a distinct sense of place, identity for culture to thrive and partnerships and confidence. Adoption of the Place between local government, cultural and Principle33 can help realise our vision of creative organisations, businesses and an inclusive and extended view of culture organisations in Scotland’s most deprived which recognises and celebrates the communities can and do realise a wide value and importance of the emerging, range of outcomes for people including the everyday and grassroots culture improved health and wellbeing, social and creativity. cohesion and reducing inequality.

Culture lies at the heart of successful place-making, drawing on our natural and cultural heritage, to create shared visions for the future. Cultural activities are an important economic driver in their own right, as well as increasing the interest and

Title: Glasgow Mural Trail – The World’s Most appeal of our built environments. By taking Economical Taxi by Rogue-One in Mitchell Street. cultural impacts into account at an early Part of the Glasgow City Centre Mural Trail stage, the planning system can sustain Credit: Photographer – Kenny Lam. Reproduced courtesy of VisitScotland. and enhance our cultural offerings. 48 A CULTURE STRATEGY FOR SCOTLAND

Culture is one of the considerations within Learning from Year 1 of the programme will the new Investing in Communities Fund, provide insight and practical direction into launched in May 2019. The fund aims to different ways of establishing sustainable promote a more responsive, community- arts and cultural opportunities across led approach in our most disadvantaged Scotland, demonstrating the power of arts communities. Fundamental to the fund is and culture to enrich the lives of individuals a focus on place to address the needs and and make positive changes in communities realise the full potential of communities. which is clearly connected to the culture of The fund is flexible and can adapt to the community, including reflection upon existing and emerging community issues its past, present and future. and priorities, encouraging more effective and strategic place-based partnership working and ensuring that communities Creative Communities are directly involved in developing solutions Creative Communities is a new that best meet local circumstances. initiative to support and empower individuals and communities to further Creative Communities develop their own cultural activity. We are also launching Creative The programme will be delivered Communities, a new initiative to support by Inspiring Scotland working with and empower individuals and communities Creative Scotland and will build on to further develop their own cultural activity. the experience of Creative Scotland’s The programme will seek to support activity existing place-based programme. where communities are empowered to take It is about exploring new models of the lead to provide sustainable opportunities community-led and participatory arts for more people from areas with limited activity which will make a positive opportunities and lower levels of cultural contribution to the lives of people engagement. Match-funded by the justice and communities across Scotland. portfolio through the proceeds of crime, the programme will provide support for cultural projects that produce positive outcomes for young people at risk of reoffending.

Opportunities will be of high artistic quality, covering both the artistic output and the process of community engagement, and will allow for new and different creative activities to take place, supporting new models of collaboration across the subsidised, amateur, voluntary and commercial sectors. 49 A CULTURE STRATEGY FOR SCOTLAND

Gaelic and Scots Supporting local access and participation The Scottish Government’s aim is to see Performance venues throughout an increase of people speaking, using Scotland make an important contribution and learning the Gaelic language and to the cultural, social and economic life the promotion of the Gaelic culture is a of Scotland, including our night time key element of this. The special status of economy. They range from our grassroots Gaelic is recognised in law through the music venues which provide a space Gaelic Language (Scotland) Act 200534. where new bands and acts can perform, This Act required Bòrd na Gàidhlig to develop and grow their talent, to the large prepare the National Gaelic Language venues where established artists, including Plan 2018-202335 which contains specific internationally known musicians, actors commitments to support and promote and dancers perform. the Gaelic language. The role of MG Alba is also set out in legislation and it has a We recognise the importance of having critical role in supporting and promoting thriving venues within the performing Gaelic language and culture and the arts sector in Scotland. We are currently culture of Scotland more generally. Both exploring new ways that we can support of these bodies work closely with other Scotland’s performance venues so that authorities and organisations in promoting they can grow and develop and, in particular, Gaelic in Scotland. Gaelic culture is a that grassroots music venues have the celebration in and of itself and provides right skills and experience to support them opportunities for skills development and and the right performance infrastructure expression, for access and participation. that will enable them to contribute to the This strengthens the profile and appeal extensive tourist offer in Scotland. of the language and encourages confident language use. National collections and cultural organisations Though there is currently no legislation National collections housed in national supporting Scots, the Scottish Government museums and galleries, performances has taken steps to support the language by the national companies and the historic in all its forms. We recognise the important assets managed by Historic Environment role that newly formed bodies such as the Scotland are world class. Access to the North East Doric Board have in supporting national collections (National Museums the language and culture. They are close Scotland, National Library of Scotland and to their sector and there are opportunities National Galleries of Scotland) is free to for us to use this knowledge to better all regardless of ability to pay. However, target resource. geographic location can often mean our cultural assets are out of reach to some communities because of transport or other costs. 50 A CULTURE STRATEGY FOR SCOTLAND

The five National Performing Companies Initiatives are already in place to connect work to improve access to artistic and national resources with local communities creative work amongst communities – such as subsidised school visits to across Scotland. They cover a vast historic properties, loans and partnerships geographical spread, working Scotland- between the national collections and wide to engage with communities and tour local museums and galleries, performing far and wide. They provide a full range company tours to venues and community of formal education programmes – at engagement across Scotland. This nursery, primary, secondary, further and strategy emphasises the continuing higher education levels – and outreach importance of all this activity. programmes which give people across Scotland of all ages and socio-economic groups the opportunity to experience and participate in the companies' work. Some of the most innovative recent initiatives have reached people managing mental and physical health conditions.

Title: Oscar Castellino and Jessica Leary in a Pop-Up Opera performance of Be A Sport, Spike! Scottish Opera 2018. Credit: Photographer - Sally Jubb 51 A CULTURE STRATEGY FOR SCOTLAND

Title: Scottish National Gallery of Modern Art One National cultural organisations Credit: Photographer – Kenny Lam. Reproduced The Scottish Government will work in courtesy of VisitScotland partnership with the national cultural organisations – the National Performing Companies and National Collections – to map out their collective engagement across the country. This will contribute to the development of a joined-up approach to strategic cultural planning and ensure equity of access, participation and opportunity for all communities across Scotland. We will also work with the national cultural organisations to review and strengthen their approaches to community engagement, to consider the Place Principle and seek new ways of adding value locally which align with the vision, ambitions and aims of A Culture Strategy for Scotland. 52 A CULTURE STRATEGY FOR SCOTLAND

Summary of actions 53 A CULTURE STRATEGY FOR SCOTLAND

Strengthening culture

Aims Actions

• Develop the conditions and skills for culture • Consider ways to support the cultural workforce to thrive, so it is cared for, protected and including through a new Arts Alive programme and produced for the enjoyment and enrichment advocating for fair work practices and a living wage of all present and future generations for the cultural and creative workforce • Value, trust and support creative people • Undertake a status review of cultural workforce – for their unique and vital contribution to and leadership development in Scotland, led by society and the economy Creative Scotland • Encourage greater openness and diverse • Continue to work on making the culture cultures to reflect a changing Scotland in and heritage sector part of Scotland as a Fair the 21st century Work Nation by 2025, looking at the potential impact of fair work criteria being part of relevant • Foster international collaboration and grant schemes build on Scotland’s reputation for cultural excellence • Work in partnership to increase diversity in the sector, sharing new approaches and codes of practice that ensure skills development and board membership have diversity at their core, including helping recruitment diversity by introducing appropriate remuneration for board members of national culture and heritage public bodies • Work with our partners to realise the vision and priorities in our Policy Statement for the Creative Industries36 • Support Museums Galleries Scotland to build on their Skills for Success programme37 by developing future approaches to diversify skills and widen access to careers in culture across the sector • Continue to work in partnership with the national culture and heritage bodies on support for creative people, Scotland’s international profile including the international touring and festival appearances by the National Performing Companies supported by the International Touring Fund and international loans by and from the National Collections • Continue to press the UK Government for the much needed changes to immigration, trade and wider mobility issues for our cultural sectors to ensure that Scotland can continue to operate effectively as a cultural and creative leader on the world stage • Work with Creative Scotland and the network of Scottish Government offices outside Scotland to facilitate opportunities across the culture sector by working with stakeholders to promote and encourage international cultural exchange and collaboration, showcasing Scotland as a progressive, pioneering and creative nation • Establish a National Partnership for Culture to work with individuals and organisations across culture and other sectors to continue the national culture conversation – identifying opportunities and synergies, advising Ministers and building on this strategy and the Scottish Parliament’s Culture, Tourism, Europe and External Affairs Committee’s 2019 inquiry into the future of funding for the arts in Scotland. 54 A CULTURE STRATEGY FOR SCOTLAND

Transforming through culture

Aims Actions

• Place culture as a central consideration • Establish a new National Partnership for Culture across all policy areas including: health and to continue our national culture conversation and wellbeing, economy, education, reducing advise Scottish Ministers on matters affecting and inequality and realising a greener and more affected by culture in Scotland innovative future • Establish a Measuring Change group to inform • Open up the potential of culture as a progress towards realising the National Outcome transformative opportunity across society for Culture and the delivery of the culture strategy • Collaborate to realise the transformational power of culture in achieving a broad range of policy outcomes including the development of: – Cross-government Policy compacts embedding culture at the centre of policy-making – Partnerships with other government agencies and public bodies to support economic growth – Support to help the Scottish Arts Culture Health and Wellbeing Scotland expand and develop – Work to embed the principles of Article 31 of the United Nations Convention of the Rights of the Child (UNCRC) across the full range of publicly funded cultural activity – Work with Creative Scotland and Education Scotland to help improve cultural experiences for learners of all ages – Partner with Creative Scotland and Engage Scotland to identify best practice and barriers, developing new approaches to supporting schools, teachers and pupils to engage more confidently withcontemporary visual arts and design. – Continuing work with Creative Scotland and the National Youth Arts Advisory Group to secure ways to ensure that the voices of children and young people continue to be heard and they are involved in cultural decision-making – Ways to ensure that Historic Environment Scotland’s pioneering work on climate change is widely promoted so that we all understand how we can manage the effects on our historic buildings – Ways to show how heritage and culture can transform public thinking to transition to a net zero society and economy in tackling the climate emergency • Support activity focused on delivering the new national outcome for culture through the new national partnership and measuring change group 55 A CULTURE STRATEGY FOR SCOTLAND

Empowering through culture

Aims Actions

• Continue to celebrate Scotland’s • Work with Creative Scotland to map local authority extraordinary cultural contributions support for culture and to explore future models of collaboration between national and local bodies • Extend the view of culture to include the everyday and emerging, the established • Launch a Creative Communities programme in and more formal partnership with Inspiring Scotland and with support from Creative Scotland - a new initiative to support • Extend opportunities that enable people to and empower individuals and communities to further take part in culture throughout their lives develop their own cultural activity • Recognise each community’s own local • Work in partnership with culture trusts and local cultures in generating a distinct sense of authorities, including in Community Planning place, identity and confidence Partnerships local networks and CoSLA to realise local outcomes across Scotland • Work with Culture Conveners from Scottish local government and culture trusts including through establishing a joint meeting of arts and culture conveners • Work with national organisations to help them plan their community activities to ensure the widest possible reach across Scotland 56 A CULTURE STRATEGY FOR SCOTLAND

Links to key documents and other strategies 57 A CULTURE STRATEGY FOR SCOTLAND

Links to key documents and other strategies

National culture conversation Our Place in Time Throughout the engagement and Our Place in Time is the first Historic public consultation that has supported Environment Strategy for Scotland, the development of A Culture Strategy for launched in March 2014. It sets out how the Scotland, people have highlighted what historic environment is part of our everyday culture means to them and how they think lives, the value of forging connections culture should be supported in Scotland between people and the places where they going forward. The development of the live and visit, and how this sense of place strategy has generated a wealth of ideas and cultural identity plays a crucial part in and examples of good practice across the the sustainability of communities and in culture sector and beyond and is captured promoting a positive image of Scotland in the documents below: to the world. The priorities and actions in Our Place in Time resonate strongly Engagement Report with the priorities in this culture strategy. https://www.gov.scot/publications/culture- Delivery of Our Place in Time remains a strategy-engagement-report/ priority for this Government and the annual reports produced by Historic Environment A Culture Strategy for Scotland, the lead body for the strategy, Scotland – draft for consultation set out the achievements to date and https://consult.gov.scot/culture-tourism- future plans38. and-major-events/culture-strategy/user_ uploads/sct05186154381.pdf

Consultation responses analysis – full report https://www.gov.scot/publications/culture- strategy-scotland-analysis-responses- public-consultation-full-analysis-report/

Consultation responses analysis – key themes report https://www.gov.scot/publications/culture- strategy-scotland-analysis-responses- public-consultation-key-themes-report/ 58 A CULTURE STRATEGY FOR SCOTLAND

Going Further Public libraries Going Further39 is the national Public libraries continue to be one of the strategy for Scotland’s museums and few local spaces (along with youth clubs) galleries, launched in 2012, with a vision which offer a range of services at the heart of developing an ambitious, dynamic of the community that are free of charge. and sustainable sector. The strategy aspires to maximise the potential of The Scottish Library and Information the wealth and diversity of Scotland’s Council (SLIC) is developing a new strategy collections, strengthen their connections for public libraries in Scotland, building with communities, develop skills, foster on the good work of the last strategy, a culture of collaboration and enterprise, Ambition and Opportunity 2015-202040 enhance sustainability and encourage a along with establishing an advisory group global perspective. The strategy is backed to consider the next steps to help public by the Scottish Government and delivery libraries continue to empower communities. is led by Museums Galleries Scotland, the sector’s national development body. The six aims of Going Further have a strong synergy with the priorities in this culture strategy and a third and final Delivery Plan The Ring of Brodgar in the Heart of Neolithic Orkney for the period 2020-2022 will be launched Credit: Photographer – Kenny Lam. Reproduced in early 2020. courtesy of VisitScotland 59 A CULTURE STRATEGY FOR SCOTLAND

Endnotes

1. https://consult.gov.scot/culture- 12. https://www.fairworkconvention.scot/ tourism-and-major-events/culture- the-fair-work-framework/ strategy/ 13. https://economicactionplan.mygov. 2. http://www.unesco.org/culture/culture- scot/fair-work/ sector-knowledge-management- 14. https://economicactionplan.mygov. tools/10_Info%20Sheet_Right%20 scot/fair-work/fair-work-first/ to%20Culture.pdf 15. Scotland's Economic Strategy 2015 3. The terms ‘culture sector’ or ‘culture and are defined using Standard sectors’ or variations thereof are Industrial Classification (SIC) 2007 used throughout this strategy in the codes. broadest sense to mean anyone who derives a living from paid work 16. https://www2.gov.scot/Topics/ associated with culture, creative Statistics/Browse/Business/ activities, heritage or the arts as well Publications/GrowthSectors/Database as those who volunteer or have any 1 7. https://www.gov.scot/publications/ other professional associations with it. policy-statement-creative-industries/ 4. https://nationalperformance.gov.scot/ 18. http://www.mgalba.com/downloads/ 5. https://economicactionplan.mygov. reports/annual-report-18-19-en. scot/people/fair-work/ pdf?lang=en 6. https://www.gov.scot/publications/ 19. https://www.gov.scot/publications/ policy-statement-creative-industries/ volunteering-national-framework/ 7. https://www. 20. https://www.volunteerscotland.net/ museumsgalleriesscotland.org.uk/ terms-conditions/charter/ projects/skills-for-the-future/ 21. https://www.volunteerscotland. 8. https://www.gov.scot/publications/ net/about-us/news-blog/news/ scotlands-economic-strategy/ volunteering-for-all-our-national- framework/ 9. https://www.scottish-enterprise.com/ media/3109/scottish-enterprise- 22. https://www.dyw.scot/ building-scotlands-future-today.pdf 23. https://onescotland.org/equality- 10. https://www2.gov.scot/Topics/ themes/5050-by-2020/ Statistics/SIMD 24. https://www.gov.scot/publications/ 11. https://www2.gov.scot/Topics/ fairer-scotland-duty-assessment- Statistics/Browse/Business/ trading-nation-plan-grow-scotlands- Publications/GrowthSectors/Briefings exports/ 60 A CULTURE STRATEGY FOR SCOTLAND

25. https://www.visitscotland.org/about- 36. https://www.gov.scot/publications/ us/what-we-do/marketing/scotland-is- policy-statement-creative-industries/ now 37. https://www. 26. https://www.gov.scot/publications/ museumsgalleriesscotland.org.uk/ national-plan-scotlands-islands/ projects/skills-for-the-future/ 2 7. https://scottishtourismalliance.co.uk/ 38. https://www.historicenvironment.scot/ draft-strategy/ about-us/who-we-are/our-place-in- 28. https://www.ukmusic.org/research/ time/ music-by-numbers/ 39. https://www. 29. https://sustainabledevelopment. museumsgalleriesscotland.org.uk/ un.org/?menu=1300 about-us/national-strategy-going- further/ 30. https://www.cypcs.org.uk/rights/ uncrcarticles/article-31 40. https://scottishlibraries.org/ media/1133/ambition-opportunity- 31. https://www.cosla.gov.uk//music- scotlands-national-public-library- instrumental-music-tuition-guidance- strategy.pdf 2019pdf 32. https://www.gov.scot/publications/ fairer-scotland-older-people- framework-action/ 33. https://www.gov.scot/publications/ place-principle-introduction/ 34. http://www.legislation.gov.uk/ asp/2005/7 35. https://www.gaidhlig.scot/wp-content/ uploads/2018/03/BnG-NGLP-18-23-1. pdf Any enquiries regarding this publication should be sent to us at The Scottish Government St Andrew’s House This publication is licensed under the Edinburgh terms of the Open Government Licence EH1 3DG v3.0 except where otherwise stated.

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