Historische Wetenschappen. Aanwinsten Van Anet — Periode
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Neue Cds: Vorgestellt Von Doris Blaich
Freitag, 08.04.2016 SWR2 Treffpunkt Klassik – Neue CDs: Vorgestellt von Doris Blaich Esprit, Leidenschaft und Ernsthaftigkeit „Conversations“ Ensemble Nevermind Quartette von Jean-Baptiste Quentin und Louis-Gabriel Guillemain ALPHA 235 Sprudelnde Energie Robert Schumann: Cellokonzert a-Moll op. 129 Klaviertrio Nr. 1 d-Moll op. 63 Jean-Guihen Queyras, Violoncello Isabelle Faust, Violine Alexander Melnikov, Fortepiano Freiburger Barockorchester Pablo Heras-Casado HMC 902197 Großer Atembogen Johann Sebastian Bach: Lass, Fürstin, lass noch einen Strahl BWV 198 Tilge, Höchster, meine Sünden BWV 1083 Bach Collegium Japan Leitung: Masaaki Suzuki BIS 2181 Unglaubliche Virtuosität Philipp Scharwenka: Werke für Violine und Klaiver Sonate h-Moll op. 110 Sonate e-Moll op. 114 Suite op. 99 für Violine und Klavier Natalia Prischepenko, Violine Oliver Triendl, Klavier TYX Art 16075 Freude und Sorgfalt am Detail Antonín Dvořák: Sinfonien Nr. 7 und 8 Houston Symphony Andrés Orozco-Estrada PENTATONE PTC 5186 578 Signet Treffpunkt Klassik – neue CDs ... mit Doris Blaich, herzlich willkommen! Ein Befreiungschlag! – sagt der Cellist Jean-Guihen Queyras über sein Erlebnis, das Cellokonzert von Robert Schumann zusammen mit einem Orchester zu spielen, das auf historischen Instrumenten musiziert. Plötzlich lösen sich alle Schwerfälligkeiten wie von selbst. Die CD mit Queyras und dem Freiburger Barockorchester erscheint nächste Woche, heute können Sie hier schon mal reinhören. 1 Und ich habe noch vier weitere CDs dabei: Barocke Kammermusik aus Frankreich, die von der Idee einer geistreichen und kultivierten Unterhaltung lebt – eine Art musikalischer Gesprächsknigge also; dann Bachs Trauerode auf die sächsische Kurfürstin Christiane Eberhardine, aufgenommen vom Bach-Collegium Japan und Masaaki Suzuki, Violinsonaten von Philipp Scharwenka, ein Komponist der Romantik, den heute praktisch keiner mehr kennt, der aber eine Entdeckung lohnt. -
July 1918) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1918 Volume 36, Number 07 (July 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 07 (July 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/648 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n£ ETUDE .ivs musical magazine 41.50 . HikY - 1918 A YEAR MUSICAL EMBLEM THE ETUDE Page 1,29 rLY 19 8 __ Material for Summer Holiday Music Classes^ Prepare Now Half of the success of Summer Music classes depends upon the selection of material so interesting that the hot weather is forgottefi and so rapid that FOR NEXT SEASON fine results show at the end of the eight or nine weeks of study Order Teaching Material Early ■ Primers The Standard Graded Why Primers? Because a good drill in Successful First Instruction Books the elements of music is the foundation for Course Abundant Reasons and Convincing Argu¬ . all future musical work. -
CD´S Mit Werken Von Und Mit Xaver, Philipp U. Walter Scharwenka
Scharwenka Stiftung Die Tonträger können nach Voranmeldung Bestandsverzeichnis abgehört bzw. ausgeliehen werden CD´s mit Werken von & mit Xaver, Philipp und Walter Scharwenka Scharwenka Bearbeiter: Stand: 30.09.2019 Verleger Xaver Scharwenka Unterhaltsame Klaviermusik CD 1 „Gärten im Frühling“: Volkmar Schwerdtner/ Hans- Polnische Nationaltänze op.3 Nr.1 bis 5 Georg Schwerdtner Weitere Kompositionen von Carl Czerny, Jean Philippe Ramenau, Walter Eigenverlag Niemann, Hans-Willy Bergen Interpret am Klavier: Hans-Georg Schwerdtner Aufn.-dat. 1957 - 1963 CD 2 „Concertino“: Kompositionen von Albrecht Rosenstengel, Karl-Heinz Köper, Ernst Fischer/ H.-G. Schwerdtner, Julius Jacobsen, Lothar Mikuliez, Fried Walter Interpreten: Sabine Schwerdtner und Hans-Georg Schwerdtner Verleger Xaver Scharwenka Pianowerke 4: Polnische Tänze op. 47 Nr. 1 bis 4, Zwei Klavierstücke op. 65, Hyperion London 1975/ 2003 Six Waltzes op. 28, Variationen über ein Thema von C. H. Nr. 1 bis 13 op.57, LC 7533 CDH 55134 Drei Klavierstücke op. 86, Zwei Erzählungen am Klavier op. 5 Interpret: Seta Tanyel Aufn.-dat. 1975 Diese CD gibt es auch in einer anderen Cover- Version. Verleger Philipp Scharwenka Sonate op. 106; Carillion LC 8233 Außerdem: Robert Fuchs: Sechs Phantasiestücke op. 117, Sonate für Violine und Piano op. 86, Interpreten: Joachim Krist (viola), Michael Krist (piano) Aufn.-dat. 1988 Diese CD ist in zwei verschiedenen Cover- Versionen im Bestand vorhanden Verleger Xaver Scharwenka Polish Dance op.3 No.1; Lyrita SRCD.216 Weiterhin Johann Sebastian Bach: Toccata and Fugue d-moll (BWV 565); Frédéric Chopin: Marche funèbre (from Piano Sonata No.2 b-moll); Enrique Granados: Spanish Dance (No.5 Andaluza); Edvard Grieg: Funeral March; Claude Debussy: La Cathédrale engloutie (Preludes, Book 1 No.10); Aufn.-dat. -
Branding Brussels Musically: Cosmopolitanism and Nationalism in the Interwar Years
BRANDING BRUSSELS MUSICALLY: COSMOPOLITANISM AND NATIONALISM IN THE INTERWAR YEARS Catherine A. Hughes A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2015 Approved by: Annegret Fauser Mark Evan Bonds Valérie Dufour John L. Nádas Chérie Rivers Ndaliko © 2015 Catherine A. Hughes ALL RIGHTS RESERVED ii ABSTRACT Catherine A. Hughes: Branding Brussels Musically: Cosmopolitanism and Nationalism in the Interwar Years (Under the direction of Annegret Fauser) In Belgium, constructions of musical life in Brussels between the World Wars varied widely: some viewed the city as a major musical center, and others framed the city as a peripheral space to its larger neighbors. Both views, however, based the city’s identity on an intense interest in new foreign music, with works by Belgian composers taking a secondary importance. This modern and cosmopolitan concept of cultural achievement offered an alternative to the more traditional model of national identity as being built solely on creations by native artists sharing local traditions. Such a model eluded a country with competing ethnic groups: the Francophone Walloons in the south and the Flemish in the north. Openness to a wide variety of music became a hallmark of the capital’s cultural identity. As a result, the forces of Belgian cultural identity, patriotism, internationalism, interest in foreign culture, and conflicting views of modern music complicated the construction of Belgian cultural identity through music. By focusing on the work of the four central people in the network of organizers, patrons, and performers that sustained the art music culture in the Belgian capital, this dissertation challenges assumptions about construction of musical culture. -
Les Grands Virtuoses / Kurt Blaukopf. — Buchet/Chastel : Corrêa, 1955
Les grands virtuoses / Kurt Blaukopf. — Buchet/Chastel : Correa,ˆ 1955. — 254 p., ill. Souvenirs de the´atreˆ et de coulisses / Laurent Swolfs. — Bruxelles : Wellens & Godenne, 1943. — 177 p. Artesis-KC: MM–DUBTW–BLAUK-grands-1 AMVC: 189.928 EHC: 590073 [C0–104 g] C0 Artesis-KC: MM–BG–SWOLF-souveni-1 Artesis-KC: MM–DUBTW–SWOLF-souveni-1 Correspondance: introduction, chronologie et catalogue des Artesis-KC: LM–BG–SWOLF-swolfs-1 oeuvres / Guillaume Lekeu ; [edit.] Luc Verdebout. — Liege` : EHC: H 109464 [S0–322 e] Mardaga, 1993. — 496 p. — (Collection musique- musicologie ; 1993: 1). — ISBN-10 2–87009–557–0 Traite´ el´ ementaire´ de musique: contenant la theorie´ de toutes Artesis-KC: UM–BG–LEKEU-verdebo-1 les parties de cet art / Franc¸ois-Joseph Fetis.´ — Bruxelles : Artesis-KC: MM–DUBTW–LEKEU-corresp-1 Jamar. — 3 v. in 1 bd, ill. — (Encyclopedie´ populaire ; [ 2]) EHC: 592454 [C0–111 b] Artesis-KC: MM–DUBTW–FETIS-traite-1 C0 EHC: 665151: 1 [C0–302 f] 1–3 Le monde de la musique / K.B. Sandved ; A–M. Bernard. — Convoluut Bruxelles : Sphinx, 1958. — 2406 p., ill. Artesis-KC: MM–DUBTW–SANDV-monde-1 Edgar Tinel: le recit´ de sa vie et l'exeg´ ese` de ses œuvres, de EHC: H 186548 [M-205 a] 1854 a` 1886 / Paul Tinel. — Bruxelles : Imprimerie Lombaerts, 1923. — 304 p. Andre´ Souris et le complexe d'Orphee:´ entre surrealisme´ et UA–CST: GG 90 N–TINE–TINE 23 musique serielle´ / Robert Wangermee.´ — Liege` : Mardaga, Artesis-KC: MM–BG–TINEL-edgar-1 1995. — 432 p., ill. — (Collection musique- musicologie ; Artesis-KC: MM–DUBTW–TINEL-edgar-1 1995: 2). -
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist. -
Formation De L’Empire Fédératif D’Al- Devant Namur, Atteinte À Temps Par Une Armée De Secours Lemagne, Culte De La Revanche En France Avec Des Pous- Française
Actes de la Journée de l’Histoire La région verviétoise au temps de Léopold II 24 novembre 2012 Verviers – Centre Touristique de la Laine et de la Mode Une organisation de la Société verviétoise d’Archéologie et d’Histoire en collaboration avec la Société royale « Les Archives Verviétoises », Histoire et Archéologie spadoises et la Société d’Histoire et d’Archéologie du Plateau de Herve Editeur responsable : Société verviétoise d’Archéologie et d’Histoire. Secrétariat : Guy de Groulart Rue F. Spineux 9, 4130 Esneux. Les articles sont publiés sous la responsabilité de leur(s) auteur(s). Sans mention particulière, les illustrations sont de l’auteur. Toute reproduction intégrale ou partielle, faite par quelque procédé que ce soit, sans le consentement de l’auteur et de l’éditeur ou de ses ayants droits est illicite. Journée de l’Histoire 2012 de la Société verviétoise d’Archéologie et d’Histoire, 1-2 INTRODUCTION Née suite à une idée de la Société d’Histoire et d’Ar- Christine Schils a tenté de démêler l’écheveau après chéologie et du plateau de Herve en 2007, cette jour- avoir consulté les archives et la presse de l’époque. née bisannuelle est alternativement organisée à Herve et à Verviers respectivement par la société précitée et la La vie musicale à Verviers durant cette période est fé- Société verviétoise d’Archéologie et d’Histoire en col- conde. De nombreuses écoles se créent et de nombreux laboration avec d’autres sociétés régionales : la Société musiciens verviétois ont eu une carrière nationale ou royale « Les Archives verviétoises » et Histoire et Ar- internationale importante. -
Vente Publique
( SUCCESSEURS DE LA LIBRAIRIE SIMONSON ) VENTE PUBLIQUE 28 SEPTEMBRE 2019 24 rue Henri Marichal–1050 Bruxelles T. : (32) (0)2 640 22 53–F. : (32) (0)2 706 23 06 [email protected] 28 SEPTEMBRE 2019 MOR-19-catalogue-24-3.indd 1-3 23/08/19 16:08 COUVERTURE I : 209 5 0 6 2 3 2 4 7 5 2 5 7 2 9 7 VENTE PUBLIQUE DU 2820 SEPTEMBREOCTOBRE 2018 2019 MOR-19-catalogue-24-3.indd 4-6 23/08/19 16:08 VENTE PUBLIQUE 28 SEPTEMBRE 2019–13H00 PRÉCISES ! EXPOSITION GÉNÉRALE du samedi 21 septembre au vendredi 27 septembre (dimanche inclus), de 14 à 19h. Le matin sur rendez-vous uniquement. 24 rue Henri Marichal–1050 Bruxelles Bus 95 arrêt Delporte Trams 7, 25 arrêt gare d’Etterbeek T. : (32) (0)479 33 95 38 Enchérissez ou suivez la vente online : www.drouotlive.com www.invaluable.com Clôture réservations téléphone : le 27 septembre à 20 h au plus tard CORRESPONDANCE : 24 rue Henri Marichal–1050 Bruxelles T. : (32) (0)2 640 22 53 [email protected] VENTE PUBLIQUE DU 28 SEPTEMBRE 2019 1 MOR-19-catalogue-24-3.indd 1 23/08/19 16:07 179. • ILLUSTRATIONS visibles sur • LES ORDRES D’ACHAT, communiqués www.book-auction-morel.com par mail, doivent nous parvenir le vendredi 27 septembre à 20h. au plus • ILLUSTRATIES te bekijken op tard. Les réservations de téléphone seront www.book-auction-morel.com clôturées le vendredi 27 septembre à 20h. au plus tard. • ENLÈVEMENT DES LOTS Pendant la vente. • OPDRACHTEN, via mail, dienen ons ten Dimanche 10h30–17h00 laatste op vrijdag 27 september om 20 uur À partir du du mardi 1e octobre toegestuurd. -
Piano Trio Literature
GUIDE TO THE PIANO TRIO, • • ' ., ' - J. ..... .... ., -� �.., ., LITERATURE T he Silve rtrust G uide To t he Pia Tr no io Li terat ure ;..{.. ... BY RAYMOND SILVERTRUST EDITOR OR THE CHAMBER MUSIC JOURNAL -1- Table of Contents Introduction and Preface ··································································································· 3 Trios for Violin, Viola and Piano ······················································································ 6 Trios for 2 Violins and Piano ·························································································· 12 Trios for Violin, Cello and Piano ···················································································· 14 Index······························································································································· 82 -2- A Guide to the Piano Trio Literature By Raymond Silvertrust Introduction and Preface incredible number of excellent pieces, many masterpieces in their First, I would like to apologize to my readers. I have hastily typed own right, awaiting a hearing. Of course, not every rediscovered this entirely myself. And as I have no editor and because I am not work by a little known composer is a masterpiece, but one must a good proof reader, you will find many mistakes, largely because remember that not everything Mozart, or even Beethoven, wrote I have felt, now in my seventh decade, that I am racing against the is a masterpiece. The sad thing is that many marginal chamber clock so to speak. I have wanted to make sure that I would be works get performed simply because they are the work of com- able to complete this guide. When it is done, and if I have time, I posers who became famous by virtue of writing operas or sym- will improve it, add to it and, of course, try to eliminate all of the phonies, while a truly superb piece of chamber music by a com- errors I have left behind. -
5069883-Deb527-5060113445728
MORITZ MOSZKOWSKI: PIANO MUSIC, VOLUME ONE by Martin Eastick ‘After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique’.1 Paderewski’s oft-repeated endorsement of his fellow countryman’s reputation offers an idea of the high esteem in which Moszkowski was once held – certainly at the pinnacle of his achievement during the closing years of the nineteenth century. The more sober artistic climate of the early 21st seems to have less time for music now regarded as the frivolity of a more innocent age. Moszkowski’s piano music had indeed been very popular, but a gradual decline set in after the cultural and social changes brought about by the Great War. Just occasionally, during the past hundred or so years since his death in 1925, the odd Moszkowski bon-bon – perhaps his ‘Étincelles’ (the sixth of his Huit Morceaux Caractéristiques, Op. 36), or the Caprice espagnole, Op. 37 – has provided a recital encore by some enterprising pianist. Moszkowski came from a wealthy Polish-Jewish family which had settled in Breslau (now the Polish city of Wrocław, but then the capital of Silesia in East Prussia) in 1854, the year of his birth. Having displayed a natural talent for music from an early age, and with some basic home tuition, he began his formal musical education in 1865, after his family’s relocation to Dresden. A further family move, to Berlin, in 1869, enabled Moszkowski to continue his musical education – first at Julius Stern’s Conservatorium (which still exists, as part of the Faculty of Music of the Berlin University of the Arts), where he studied piano with the composer- pianist Eduard Franck (1817–93) and composition with the famous theoretician and composer Friedrich Kiel (1821–85). -
Summer 2020 Classics & Jazz
Recommended Jazz v All Recommended! see pages 54 - 55 Naxos Audiobooks Special Low Prices! see pages 46 - 47 50% - 75% Off 100 Titles see pages 18 - 21 v All Recommended! Editor’s Choice see pages 10 - 11 v Recommended New Releases Bundle Deal 3 for $30 see pages 48 - 49 Late Summer 2020 Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Classics & Summer 2020 Jazz Catalog for Summer 2020, with a broad range of of- fers we’re sure will be of great interest to our customers. Catalog Index Monteverdi: Complete Madrigals / Delitiæ Musicæ [15 CDs] In jazz, we are excited to return Concord to these pages The madrigal, written for courts and patrons, was the ultimate secular 4 Classical - Label Features as a sale label, with the opportunity for you to save even song. The genre reached its zenith with the works of Claudio Monteverdi more by taking advantage of a bundle deal. Other offers 8 Classical - Recommendations in successive books that trace his technical and expressive innovations. in jazz include the Acrobat label, new releases, and jazz 10 Classical - Editor’s Choice In them, Monteverdi explored themes such as the vicissitudes and recommendations. In classical music, another label long pleasures of love, as well as the art of war, and the pain of loss. The 18 Classical - Deep Discounts absent from our promotions is Musical Concepts – on sale editions used in these recordings are the most authentic and uncut, and, here and as a bundle deal, too. You can also save up to 12 Classical - New Releases in keeping with 17th-century practice, employ male voices only. -
(Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2013/02
Algemeen (incl. Kunst en varia). Prisma's : cultuurkritiek en maatschappij / Theodor W. Aanwinsten van Anet — Periode 2013/02 Adorno ; [edit.] Mark Wildschut ; [medew.] Mark Lijster. — Amsterdam : Octavo, 2012. — 335 p. — (Octavo publicaties ; [1]Algemeen (incl. Kunst en varia). Aanwinsten van Anet — 6). — ISBN 978–94–90334–07–9 Periode 2013/02otq[1]Algemeen (incl. Kunst en varia). EHC: 769960 Aanwinsten van Anet bmp Sociologie de la traduction : textes fondateurs / Madeleine Algemeen en varia Akrich ; Michel Callon ; Bruno Latour. — Paris : Mines Paris, [2]Algemeen en varia otw100 vragen over innoveren: het 2006. — 303 p. — (Sciences sociales ; 2006: 1). — innovatiezakboekje / [edit.] Bart Huyghe ; Belgie.¨ Ministerie ISBN 978–2–911762–75–8 ; ISBN 2–911762–75–4 van de Vlaamse Gemeenschap. Administratie Wetenschap en Artesis-VT: L 30 M–B 47126 Innovatie ; Instituut voor de Aanmoediging van Innovatie door Wetenschap en Technologie in Vlaanderen. — 2 ed. — Brussel : De bibliotheek van Bagdad : de bloei van de Arabische 2002. — 198 p. wetenschap en de wedergeboorte van de westerse beschaving / KdG–HsD: 658.3 Jim Al-Khalili ; [vert.] Ronald Cohen. — Amsterdam : KdG–IWT: 658.3 Meulenhoff, 2012. — 367 p. : ill. — UA–CST: TEW 338.3 L–B–HUYG 2002 ISBN 978–90–290–8878–7 EHC: 769424 1844. Neuestes Verzeichniss von Stereotypen-Ausgaben im verlage von Karl Tauchnitz in Leipzig. — Leipzig : Tauchnitz, Luisteren naar mensen over onveiligheid: algemeen verslag Carolus, 1844. — 4 p. over onveiligheidgevoelens / Christine Albers ; Michel Teller ; EHC: 770013:1 [medew.] Herman Ponsaers ; [vert.] Herman Jacobs. — Convoluut Brussel : Koning Boudewijnstichting, 2006. — 226 p. — ISBN 90–5130–258–1 ; ISBN 978–90–5130–528–9 Artesis-BLS: BLS 301.174 G–ALBE 2006 Zeesla en de lepels van Alice : een reis door de geest van DB: DB 343.9 ALBE Nederlandse ondernemers en uitvinders / Kader Abdolah.