sign in sign up
<<
Home , Albert Paley, Beselich, Brian Clarke, Caithness Glass, Cameo glass, Corning Museum of Glass

The Corning Museum of NewGlass Review 18

The Corning, 1997 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie inner- the 1996 calendar year. halb des Kalenderjahres 1996 entworfen und gefertigt wurden.

For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei:

The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352

All rights reserved, 1997 Alle Rechte vorbehalten, 1997 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-87290-140-8 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt

Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 12 Some of the Best in Recent Glass 32 Bibliography/Bibliographie 40 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 71 Jury Statements

How little cutting and polishing! How much self-esteem! Wiewenig Schliff und Poliertes! Wieviel Eigendunkel! Fewer and fewer entries are about the traditionally admired aspects Weniger und weniger Einsendungen haben mit den traditionell be- of glass - transparency, reflection, refraction, and usefulness as a con­ wunderten Aspekten von Glas zu tun - Transparenz, Widerspiegelung tainer for weather and liquids - and more and more are about the Brechung und der Benutzbarkeit als Behaltnis fur Flussigkeiten - und makers themselves. Although this is not surprising in light of the con­ mehr und mehr mit den Machern selbst. Auch wenn das im Licht der temporary art scene and the Movement, it is a powerful zeitgenossischen Kunstszene und der Studioglasbewegung nicht uber- change in direction for the . And glass is still the unifying raschend ist, ist es eine gewaltige Richtungsanderung fur die Geschich- medium that brings us all together: factory, designer, studio, and artist. te des Glases. Und Glas ist noch immer das gemeinsame Medium, das The goal of the glassmaker from ancient times to our own century uns alle zusammen bringt: die Hutte, den Designer, das Studio und den was to produce a brilliant, transparent material that would equal the Kunstler. colorless perfection of the finest rock crystal or the rich color of precious Das Ziel der Glasmacher von alters her bis in unser Jahrhundert war . It was a common purpose, just as in the represen­ es, ein brillantes transparentes Material zu erzeugen, das in der farblo- tation of things as they appeared was a common purpose. History is sen Perfektion dem besten Bergkristall oder dem Farbreichtum kostba- dotted with milestones in both pursuits, and both have been achieved rer Edelsteine gleicht. Das war das erklarte Ziel, ahnlich wie in der Ma- and, to some degree, made redundant. lerei, die Widergabe der Dinge so wie sie erscheinen. Die Geschichte The dark side of common purpose is mindless obedience, as we saw ist mit Meilensteinen beider Zielsetzungen ubersat, und beide sind er- so horrifyingly in World War II. People were ciphers to be dealt with in reicht und, bis zu einem gewissen Grad, uberflussig geworden. large numbers. The reaction, at least in the West, was profound and, in Die dunkle Seite einer verallgemeinerten Zielsetzung ist gedankenlo- historical terms, immediate: individuality was nurtured on an unprece­ ser Gehorsam wie man ihn in so erschreckender Weise im Zweiten dented scale. Providing a college at government expense to Weltkrieg sah. Die Menschen waren Nummern mit denen man in groBer every returning U.S. veteran was one aspect; another was the growth of Zahl umging. Die Reaktion, wenigstens im Westen, war grundlich und, art departments in virtually all schools, colleges, and universities. The in historischen Dimensionen gesehen, prompt: Individualist wurde in ei­ teachers were often artists rather than professional teachers, and the nem noch nie dagewesenen AusmaB gepflegt. Die Ermoglichung einer emphasis was on creativity and originality. Within some of these art de­ Hochschulausbildung auf Staatskosten fur jeden zuruckkehrenden US partments (many in the U.S.), glassmaking was included. Two genera­ Veteranen war ein Aspekt; ein anderer war das Entstehen von Kunstab- tions later, the triumph of the individual is certainly at hand - and the teilungen an praktisch alien Schulen, Kollegs und Universitaten. Die traditional common purpose is struggling in the background. Less than Lehrer waren oft eher Kunstler als professionell Lehrende, und die Be- 10 percent of the work chosen for this Review is intended to serve a tonung lag auf Kreativitat und Originalitat. Zu einigen dieser Kunstabtei- utilitarian function, and the ultimate triumph of glass as pure and brilliant lungen (vielen in den USA) gehorte das Glasmachen. Zwei Generatio- as rock crystal - the culmination of a 3,000-year struggle - is evident in nen spater liegt der Triumph des Individuellen sicherlich auf der Hand - only three pieces: by Christopher Hughes, Maie Mikof-Liivik, and Bar­ und der traditionelle Gemeinsinn kampft im Hintergrund. Weniger als bara Nanning. 10 Prozent der Arbeiten, die fur diese Review ausgewahlt wurden, ha­ The creative individual is evident everywhere, in self-portraits and pri­ ben die Absicht, eine Gebrauchsfunktion zu erfullen, und der hochste vate fantasies, in political statements and parodies, and in bizarre color Triumph von Glas, so rein und brillant wie Bergkristall zu sein - der combinations, shapes, and textures. The producer, not the consumer, is Hohepunkt eines 3000jahrigen Bemuhens - wird nur bei drei Arbeiten both subject and object. These glassmakers obviously believe in the im­ sichtbar: der von Christopher Hughes, Maie Mikof-Liivik und Barbara portance of their message, their taste, their techniques, their invention, Nanning. their temerity - and rightly so. Singly and in combination, it is remark­ Das kreative Individuum ist uberall anzutreffen, in Selbstportrats und able: a diverse and splendid offering. privaten Phantasien, in politischen Statements und Parodien und in Very few factories are represented. No Venini, , , bizarren Farbkombinationen, Formen und Texturen. Der Produzent, Steuben, Lobmeyr, , Riedel, Schott, Kosta Boda, , Hoya, nicht der Konsument, ist sowohl Subjekt als auch Objekt. Diese Glas­ Iwata, and Eisch - names that so recently dominated the glass world on macher glauben offensichtlich an die Wichtigkeit ihrer Botschaft, ihres its climb toward art. These and many others share a common, competi­ Geschmacks, ihrer Technik, ihrer Erfindungsgabe, ihrer Verwegenheit - tive purpose: to profitably produce functional vessels of high quality. und richtig so. Einzeln und in Kombination sind sie bemerkenswert: ein What a weight! The concerns implicit in a commercial enterprise depen­ vielfaltiges und grofBartiges Angebot. dent on volume, market share, and return on investment define an awful Wenig Hutten sind vertreten. Weder Venini, Orrefors, Baccarat, Steu­ esthetic hurdle. The pieces pictured on the following pages are largely ben Lobmeyr, Moser, Riedl, Schott, Kosta Boda, Daum, Hoya, noch one of a kind, reflective of the taste of a single individual, and, for the Iwata oder Eisch - Namen, die noch jiingst die Glaswelt bei ihrem Auf- most part, not intended for use - use-less. stieg zur Kunst dominierten. Diese und viele andere teilen ein gemein- The gap between common purpose and individual expression grows sames und konkurrierendes Ansinnen: profitabel GefaBe auf hohem Ni­ as the technology of mass production improves. Caught in the middle veau zu produzieren. Was eine Aufgabe! Die Interessen implizieren in are the handshops, increasingly dependent on innovative design to einem kommerziellen Unternehmen, das von der Masse, dem Marktan- justify the price differential with the machine-made counterpart. This teil und der Kapitalanlage abhangt, furchtbare asthetische Hurden. Die year, the year of "Chihuly over " (a nice example of self-esteem), Arbeiten, die auf den folgenden Seiten zu sehen sind, sind zu einem there was an impressive union of glass artist, studio glassmakers, and groBen Teil Unikate und spiegeln den Geschmack eines Individuums handshop factory workers. , a truly astonishing creative wider und sind in fast alien Fallen nicht Zweckbestimmt - zwecklos. force, persuaded factories in , Ireland, and Mexico to have their Die Lucke zwischen einer aufs allgemeine gerichteten Ausdrucks- most experienced glassworkers join his glass team from the weise und einer individuellen nimmt in dem MaB zu, in dem sich die area in the making of units that he designed on location according to Massenproduktion verbessert. Mittendrin gefangen sind die Geschen- the skills and culture of the respective factories. The units were assem­ keladen, die zunehmend von innovativem Design abhangig sind, um bled into huge, brilliantly colored grapelike clusters and suspended from das Preisgefalle zwischen Huttenarbeiten und ihrem Gegenpart zu tripods at various locations around Venice - with, I am told, spectacular rechtfertigen. In diesem Jahr, dem Jahr von „Chihuly over Venice" (ei- effect. This enterprise and its accompanying promotion, books, and nem netten Beispiel von Eigendunkel), gab es eine beeindruckende Zu- films brought factory workers into the art world and simultaneously sammenarbeit von Glaskunstlern, Studioarbeitern und Huttenarbeitern changed the scale of . Chihuly established a common purpose, fur Geschenkeladen. Dale Chihuly, eine wahrhaft erstaunliche kreative limited and not profitable but hugely exciting: a major moment in the Kraft, hat Hutten in Finnland, Irland und Mexiko uberzeugen konnen, history of glass. Ironically, the great clusters of glass forms were named ihre erfahrensten Glasblaser zur Zusammenarbeit mit seinem Team aus "Chandeliers," but they gave off no light save what they reflected - Seattle abzustellen, um Stucke zu fertigen, die er vor Ort mit Beruck- moons, not suns; art, not utility. sichtigung der technischen Fahigkeiten und Kultur der jeweiligen Hutten The union of talent represented by Chihuly's enterprise leans heavily entworfen hat. Die einzelnen Stucke wurden zu riesigen in brillanten on the art of photography: his exist in the round, but most of Farben leuchtenden traubenahnlichen Gebilden zusammengestellt und them are known largely as flat pictures, as are the objects presented in an verschiedenen Ortlichkeiten in Vendig auf DreifuBen installiert, mit, the New Glass Review. Each year, the works submitted to the Review so habe ich mir sagen lassen, einem spektakularen Effekt. Dieses Un- become better, and many are stunning images in their own right, the ternehmen und seine begleitende Promotion, Bucher und Filme, haben work of glass artists becoming picture makers. In several instances, it Huttenarbeiter in die Glaswelt gefuhrt und gleichzeitig den MafBstab der takes a real effort to pull the piece out of its dramatic lighting, monu­ Glaswelt geandert. Chihuly hat eine allgemeine Ausdrucksweise eta- mental sight level, and center-stage importance in order to grasp what it bliert, die begrenzt ist und nicht profitabel aber ungeheuer aufregend: really is. I often fail (in the of Yumi Oguchi, for example), and sim­ ein bedeutender Meilenstein in der Geschichte des Glases. Ironischer- ply cannot put it on the kitchen table of my imagination. An exception is weise wurde die riesige traubenformige Anhaufung von Glas ..Chande- Jaromir Rybak's Aquatic Inhabitant: a benign predator, shiny and rough, lier" (Kronleuchter) getauft, aber sie geben kein Licht ab, reflektieren clear and opaque, picture and object as provocative in my house as in a was sie aufgenommen haben - Monde, keine Sonnen; Kunst, nicht Ge- museum. brauch. The self-esteem in which these glassmakers hold their work is evi­ Der ZusammenschluB der Talente, wie er in Chihulys Unternehmung dent in its presentation. Like super stars glowing in their own light, the vorgefuhrt wird, stutzt sich entscheidend auf die Kunst der Fotografie: objects appear sanctified. (The reverse of this is the catalog photograph seine Glasarbeiten sind dreidimensional, und trotzdem sind sie zum that intends to convey as much information with as little commentary as groBten Teil nur als zweidimensionale Bilder bekannt, ahnlich wie die possible.) There is a delightful democracy in this phenomenon: the artist Objekte in der Alew Glass Review. Jedes Jahr werden die Arbeiten, die as final authority putting forth what he or she values, as opposed to the zur New Glass Review eingereicht werden, besser, und viele sind her- common values of a marketplace. vorragende Bilder in und fur sich, Arbeiten von Glasmachern, die Bild- On the other hand, we are minuscule. Millions who use glass daily kunstler werden. Verschiedentlich erfordert es eine wirkliche Anstren- have never heard of any of us, and probably never will. The functions gung, die Arbeiten aus einer dramatischen Beleuchtung, einer Monu- glass serves increase steadily without us, as do the pounds per capita mentalansicht und einer in den Mittelpunkt gestellten Absicht zu be- worldwide. Even at the art end, it is worth remembering that the most freien, um einen Eindruck dessen zu erheischen, was sie wirklich sind. highly valued glass objects ever sold at auction were functional objects Oft mifBlingt es mir (beispielsweise im Fall von Yumi Oguchi), und ich made at least a century ago. kann die Arbeit einfach nicht auf den Kuchentisch meiner Imagination plazieren. Eine Ausnahme ist Jaromir Rybaks Aquatic Inhabitant: ein Thomas S. Buechner (TSB) wohlwollendes Raubtier, leuchtend und rauh, durchsichtig und opak, Founding Director Bild und Objekt, bei mir zuhause ebenso provokativ wie in einem Mu­ The Corning Museum of Glass seum. Der Eigendunkel mit dem diese Glasmacher ihre Arbeit sehen, wird durch deren Presentation offensichtlich. Wie Superstars, die in ihrem ei- genen Licht gluhen, haben die Objekte den Anschein von etwas Heili- gem. (Das Gegenteil davon ist die Abbildung im Katalog, die versucht, moglichst viel Information mit moglichst wenig Kommentar zu vermit- teln.) In diesem Phanomen liegt eine wunderbare Demokratie: der Kunstler als letztliche Autoritat stellt heraus was er oder sie fur wert er- achtet, im Gegensatz zu den allgemeinen Werten des Marktes. Auf der anderen Seite sind wir klein. Millionen, die taglich Glas benut- zen, haben noch nie von irgendjemand von uns gehort und werden es wahrscheinlich auch nicht. Die Zwecke, denen Glas dient, nehmen standig zu, ohne uns, so wie weltweit die Pfunde. Selbst am Kunstende lohnt es sich, sich daran zu erinnern, daB die am hochsten taxierten Glasobjekte, die jemals auf einer Auktion verkauft wurden, funktionale Gegenstande sind, die vor mindestens hundert Jahren gefertigt wurden.

Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glass

oinciding with the jury sessions for this New Glass Review, the ur gleichen Zeit wie die Jurysitzung fur diese New Glass Review CNew Yorker magazine of January 27 ran a review by Garry Wills of Zbrachte das New Yorker Magazin am 27. Januar eine Rezension a new translation of Homer's great epic the Odyssey. Wills lavished von Garry Wills uber eine neue Ubersetzung von Homers groBem Epos high praise indeed on this work, drawing attention, in the process, to its der Odyssee. Wills bedachte diese Arbeit tatsachlich mit einem groBen "political correctness"(!) in terms of a modern reader's assessment of Lob, wobei er die Aufmerksamkeit auf deren ..political correctness"(!) im Homer's presentation of female characters. Sinn der Einschatzung durch den modernen Leser von Homers Darstel- As is to be expected, each new translation of the Odyssey (and there lung weiblicher Charaktere lenkt. have been many) brings forth a variety of amendments, fresh insights, Wie zu erwarten, bringt jede neue Ubersetzung der Odyssee (und es and updated turns of phrase. I raise the subject here because Homer hat viele gegeben) eine Vielzahl von Neuerungen, von neuen Einblicken has often been cited in terms of glass history - notably for his occasion­ und aktualisierten Redewendungen. Ich erwahne das Thema hier, weil al mention of a substance called "kyanos," long assumed to have been Homer oft in der Glasgeschichtsschreibung zitiert worden ist - beson- an early type of glass, albeit in the form of a paste or enamel. ders fur die gelegentliche Erwahnung einer Substanz namens „kyanos", Fickle world that it is, Homer's character Alcinous isn't much in the von der man lange annahm, sie sei eine fruhe Form von Glas gewesen, news these days, in spite of his having been the "mighty" and "divinely wenn auch in Form einer Paste oder eines Emails. inspired" king of Phaeacia, husband to the "wise" Arete, and father of Unbestandig wie die Welt ist, ist von Homers Charakter Alcinous Nausicaa of the "white arms" and long limbs, whose name (unfortunate heutzutage nicht viel die Rede, obwohl er der „machtige" und „gottlich as it sounds to the modern ear) was romantically linked (as our journal­ inspirierte" Konig von Phaeacia, Gatte der „weisen" Arete, und Vater ese would have it) with that of Odysseus himself. von Nausicaa mit den „weiBen Armen" und langen GliedmaBen, dessen In the midst of Homer's story, we read about the magnificent palace Name (unglucksverheiBend wie er fur das moderne Ohr klingt) romanti- of Alcinous with its great bronze threshold, its radiant "high-roofed" scherweise mit dem von Odysseus selbst verknupft wurde (so wie es halls, and walls that are topped by a frieze of dark blue "kyanos." For Al­ unser Zeitungsstil heute benennen wurde). cinous, then, as for the "wise" Arete and the "peerless" (read "drop-dead In der Mitte der Entwicklung dieses berauschenden Plots lesen wir gorgeous") Nausicaa, glass was not the crystal-clear, thin-walled sub­ von Alcinous groBartigem Palast mit seinen groBen bronzenen Tur- stance, fashioned into hollow or billowing forms, that it would later be­ schwellen, seinen strahlenden „hochaufragenden" Hallen und Wanden, come in its most popular incarnation. die von einem Fries aus dunkelblauem „kyanos" bekranzt sind. Fur Alci­ Rather, for the sainted family of Alcinous and for others like them, nous also ist ebenso wie fur die „weise" Arete und die „unvergleichliche" glass was a richly colored, even dark and mysterious substance. And it (heute: „affenturbogeile") Nausicaa Glas nicht die kristallklare, dunn- was integral to a greater or decorative scheme that was intended, ab­ wandige Substanz, angepaBt an hohle oder aufgeblahte Formen, zu stract though it may have been, to communicate a sense of status, of der sie spater in ihrer popularsten Inkarnation wurde. authority - and of character, perhaps - to all newcomers. It had, in part, Vielmehr war fur die selige Familie des Alcinous und andere wie sie, what might be described as a "narrative" purpose. Glas eine farbenreiche, sogar dunkle und geheimnisvolle Substanz. Es So, too, as it happens, do a great many of the present New Glass war in ein groBeres oder dekoratives Schema integriert, das dazu da Review offerings. They reveal some kind of narrative or allegorical in­ war, obgleich vielleicht etwas abstrakt, ein Gefuhl von Status, von Auto- tent on the part of the artist. This intent may be fugitive or nonspecific in ritat - und von Charakter moglicherweise - den Neuankommlingen zu nature, but a narrative or metaphorical quality is - to my mind, at least - vermitteln. Es hatte zum Teil etwas, das man als „narrativen" Zweck um- a distinguishing feature of some of the best of the current work viewed schreiben konnte. by this year's panel of jurors. It should also be said that some very fine Wie es sich gerade trifft, tun das auch sehr viele der Angebote der work did not, necessarily, fall within this description, as will be evident in gegenwartigen New Glass Review. Sie enthullen auf Seiten des Kunst- the reproductions. lers eine Art narrativer oder allegorischer Absicht. Diese Absicht kann Certainly, though, a number of the present works employed opaque fluchtig oder ihrer Natur nach unspezifisch sein, dennoch ist ein Gefuhl and intensely pigmented glass in a way that would have caused no fur das Narrative oder fur eine metaphorische Basis oder einen solchen heartache to Alcinous, Arete, and Nausicaa. That said, the likes of Alci­ Verlauf - meiner Meinung nach wenigstens - ein wahrnehmbares Cha- nous, paradigm of tolerance as I suspect he was, would have had no rakteristikum einiger der besten gegenwartigen Arbeiten, die das Komi- "truck" (as Homer would not have said) with the way in which some of tee der Juroren in diesem Jahr gesehen hat. Man sollte aber auch sa- the submissions aspired to a sculptural scale and a sculptural concep­ gen, daB einige sehr gute Arbeiten nicht unbedingt unter diese Be- tion of form. Not that big Al would have been opposed to "sculptural" or schreibung fallen, wie die Abbildungen deutlich machen. "conceptual" work per se. But I am sure that he would have wished (as Sicherlich aber haben eine ganze Anzahl von heutigen Arbeiten opa- we do) that it be handled as well as "sculptural" and "conceptual" work kes, „trubsinniges" und intensiv pigmentiertes Glas auf eine bestimmte beyond the realms of glass practice - or in as convincing a manner as Art verwendet, die Alcinous, Arete und Nausicaa keinen Kummer ge- the best installation work that doesn't involve glass at all. macht hatte. Das dahin gestellt, hatten solche wie Alcinous, obwohl ich Nonetheless, I was particularly partial to the conceptual and formal vermute, daB er, gleichwohl ein Paradigma an Toleranz, keinen Bock sophistication of the larger-scale submissions from James Carpenter (so hatte sich Homer nicht ausgedruckt), auf solche Beitrage gehabt, (Dichroic Light Field), and Ann Troutner {Shelter), Josef die nach einem skulpturalen Format und einer skulpturalen Konzeption Marek (Cylinder in Prism), Ivana Sramkova-Solcova (Childhood), Wil- der Form streben. Nicht, daB der groBe Al per se gegen „skulpturale" lem Volkersz (After the Storm), Nani Croze ( Bosoms; you don't oder „konzeptionelle" Arbeiten gewesen ware. Aber ich bin sicher, daB get more "sculptural" than this), Laurentiu Anghelache ( of er gewunscht hatte (so wie wir), daB sie genausogut gemacht seien wie Dew), and Takeshi Fukunishi (Core-ll). die „skulpturalen" und „konzeptuellen" Arbeiten jenseits des Einzugsge- In respect of smaller-scale work, I admired the wit of Donna Zalusky's bietes von Glas - oder auf so uberzeugende Weise wie die besten In- Contemporary Artifact and Kathleen Mulcahy's Rapture, the succinct stallationsarbeiten, die Glas uberhaupt nicht berucksichtigen. symbolism of Jane Bruce's Red Powersticks with Velvet Cover, the tight Nichtsdestotrotz hatte ich eine besondere Vorliebe fur den konzeptu- composition of Mary Shaffer's Wall Flow '96, the star-burst energy of ellen und formalen Anspruch der groBformatigen Beitrage von James Czeslaw Zuber's untitled big fragment, and the unfolding pageant of Carpenter (Dichroic Light Field), Paul Marioni und Ann Troutner (Shel­ Minako Shirakura's As a Life Circles Around. . . . ter), Josef Marek (Cylinder in Prism), Ivana Sramkova-Solcova (Child­ For sheer elegance of statement, I would draw attention to the work hood), Willem Volkersz (After the Storm), Nani Croze (Bottle Bosoms, of Alessandro Diaz de Santillana, Sylvie Vandenhoucke, Paul Stankard, man kann nichts skulpturaleres haben), Laurentiu Anghelache (Embroi­ Nick Mount, and Carlo Moretti. The last three of these artists demon­ dery of Dew) und Takeshi Fukunishi (Core-ll). strated that fresh and convincing variations can be discerned within fa­ Mit Blick auf kleinformatigere Arbeiten bewundere ich den Witz von miliar themes. Donna Zalusky's Contemporary Artifact und Kathleen Mulcahys Rap­ And it remains for me to record, before closing, my delight in the ture, den lakonischen Symbolismus von Jane Bruces Red Powersticks sumptuously biomorphic forms of John Leighton, in the crisp with Velvet Cover, die kompakte Komposition von Mary Shaffers Wall of Etienne Leperlier and of Ben Edols and Kathy Elliott, in the elusive Flow '96 und die sternesprengende Energie von Czeslaw Zubers Frag­ and poignant imagery of Masayo Odahashi, in the open-structure ment ohne Titel und die sich entfaltende Auffuhrung von Minako Shira- mayhem of Hank Murta Adams, and in the sharp eye and judgment of kuras As a Life Circles Around. . . John Drury and Susan Stinsmuehlen-Amend. My support of other works Wegen der puren Eleganz ihrer Aussage mochte ich die Aufmerk- is indicated by my initials, which are recorded with the entries for which samkeit auf die Arbeiten von Alessandro Diaz de Santillana, Sylvie Van­ I voted. denhoucke, Paul Stankard, Nick Mount und Carlo Moretti lenken. Die The selection sessions, which began with an eerie sensation that drei letztgenannten Kunstler beweisen, daB frische und uberzeugende every second or third entry featured either a bear (of the cuddly toy Variationen bei vertrauten Themen zu finden sind. kind) or a mesh of (of the tiny and brightly colored kind), became, Bevor ich schlieBe, bleibt meine Begeisterung uber die kostbar bio- for this juror, a fully rewarding experience. But there were moments, as morphen Formen von John Leighton festzuhalten, uber den klaren there must always be, when the uniform facial expressions of the panel Klassizismus von Etienne Leperlier und Ben Edols und Kathy Elliott, die may well have recalled Homer's description of Odysseus's revenge on fluchtigen und schwer zu begreifenden Bilder von Masayo Odahashi, the no-good gentlemen callers who pressed their cause with the faithful das offen strukturierte Chaos von Hank Murta Adams und die scharfe Penelope during the interminable absense of her husband: Beobachtung und Beurteilung von John Drury und Susan Stinsmuehlen- Horror swept through the suitors, Amend. Mein Votum fur andere Arbeiten ist durch meine Initialen ge- faces blanching white. . . . kennzeichnet, die bei alien Beitragen, fur die ich gestimmt habe, ver- The equivalent sensation at Corning was, I hasten to advise, of a mo­ merkt sind. mentary nature only. Die Auswahlsitzung, die mit der unheimlichen Sensation begann, daB jede zweite Oder dritte Einsendung entweder einen Baren (von der Art Geoffrey Edwards (GE) knuddliger Spielzeuge) oder ein Gewirk aus Perlen (die von der winzi- Curator of International and Glass gen, farbig leuchtenden Art) zeigte, wurde, fur diesen Juroren, zu einer National Gallery of Victoria uberaus lohnenden Erfahrung. Aber es gab Momente, wie es sie immer Melbourne, geben muB, in denen der ubereinstimmende Gesichtsausdruck des Ko- mitees sehr wohl an Homers Beschreibung von Odysseus' Rache an den nichtsnutzigen Herrenbesuchern hatte erinnern konnen, die die ge- treue Penelope wahrend der endlosen Abwesenheit ihres Gatten unter Druck gesetzt hatten: Grausen ergriff die Freier, Gesichter wurden totenblaB . . . Ein ahnlicher Eindruck war in Corning, es freut mich, das berichten zu konnen, nur von momentaner Natur.

Geoffrey Edwards (GE) Kurator fur Internationale Skulptur und Glas National Gallery of Victoria Melbourne, Australia

his commentary is being written late, as it is every year. Although ieser Kommentar wird spat geschrieben, so wie jedes Jahr. Obwohl Tthe jury statements seldom inspire any feedback (thus reinforcing Ddie Jury Statements selten zu einem Feedback anregen (wodurch the strong suspicion that they are left unread), I still find this task one of die Vermutung untermauert wird, daB sie ungelesen bleiben), ist diese the year's most nerve-racking. Is there anything useful that one can Verpflichtung noch immer eine der nervenaufreibendsten des Jahres. briefly say about such an extensive and jumbled assortment? In recent Gibt es irgendetwas nutzliches, was man in Kurze uber solch ein um- Reviews, my approach has been to pick out a number of works and to fassendes und durcheinander gewurfeltes Sortiment sagen kann? In try to explain, in just a few words, why I found them worth selecting. den letzten Reviews bin ich folgendermaBen verfahren; ich habe eine Here are this year's choices: bestimmte Zahl von Arbeiten herausgepickt und versucht, in wenigen Karl R. Berg has built his reputation on fastidiously crafted geometric Worten zu erklaren warum ich fand, daB sie es verdient hatten ausge- of cut and polished optical glass. Diamond is the first work I wahlt zu werden. Hier ist die diesjahrige Auswahl: have seen of his that seems to incorporate any element of its maker. In­ Karl R. Berg hat sich seinen Namen mit anspruchsvoll gemachten stead of a prism of the most sanitary and distant kind, I read Diamond geometrischen Skulpturen aus geschliffenem und poliertem optischen as Berg's acknowledgment of and comment on the historical context of Glas gemacht. Diamond ist die erste Arbeit von ihm, die ich gesehen his craft and esthetic - specifically, the inability of much optical glass habe, die einen Aspekt ihres Machers miteinschlieBt. An Stelle eines sculpture to be of any more relevance than as a giant glass jewel. Prismas der hochst hygienischen und distanzierten Art lese ich Dia­ Cristiano Bianchin is one of a small group of individuals who provide mond als Bergs Wertschatzung und Kommentar zum historischen Kon- the hope of renewal for quality design in the Muranese glass . text seines Handwerks und dessen Asthetik - insbesondere zur Un- His Nests and his earlier glass vessels embody that elusive, fahigkeit vieler optischer Glasskulpturen noch irgendetwas anderes zu balanced combination of elegance and eccentricity that characterized sein als ein riesiges Glasjuwel. Carlo Scarpa's work for Venini & C. during the late 1940s and 1950s. Christiano Bianchin ist einer aus einer kleinen Gruppe einzelner, der Christian Sieger's designs for Ritzenhoff pilsner glasses continue the die Hoffnung auf die Erneuerung von Qualitatsdesign in der Muraneser initiated with the firm's "" series. A diverse group Glasindustrie nahrt. Seine Nests und seine fruheren MosaikglasgefaBe of artists and designers are asked for decoration ideas that can be verkorpern die schwer zu fassende, ausgewogene Kombination von applied to machine-made vessels. Ritzenhoff's success proves again Eleganz und Exzentrik, die Carlo Scarpas Arbeit fur Venini & C. in den that mass-produced glass does not have to be visual punishment for spaten 40er und 50er Jahren charakterisiert. the consumer seeking relatively inexpensive and truly functional table­ Christian Siegers Entwurfe fur Ritzenhoff Pilsglaser setzen die Inno- ware. vationen fort, die mit der „Milchglas" Serie der Firma begrundet wurde. Akihiro Isogai's carved vessel does indeed conjure up the image of its Eine breit gefacherte Gruppe von Kunstlern und Designern wird um De- title: Spring (Fountain). Squat and hugging the ground, it has a rim korationsideen gebeten, die man auf die maschinell erstellten GefaBe carved to a thin, scalloped edge. The narrow, cellular ribs vary in texture applizieren kann. Ritzenhoffs Erfolg beweist erneut, daB Glas aus der and translucency as they progress from top to bottom. The vessel is un­ Massenproduktion keine visuelle Bestrafung fur den Verbraucher sein complicated, and it has an interesting, inviting texture. It also accom­ muB, der nach relativ preiswertem und wirklich funktionalem Ge- plishes the nearly impossible - that is, presenting a beautiful new inter­ brauchsgeschirr sucht. pretation of the most basic form of all: the bowl. I also voted for Mas­ Akihiro Isogais geschnittenes GefaB beschwort tatsachlich eine Vor- simo Lunardon's Purusha for its sensual appeal. The egg shapes bring stellung seines Titels herauf: Spring (Fountain). Gedrungen wirkend, hat to mind tulip bulbs, blossoms, and a Dutch tulip . The colors are es einen Rand, der zu einer dunnen, bogenformig verzierten Kante ge- quiet, and the glass is finished with a matte surface that gives it the look schnitten ist. Die schmalen, zellenformigen Rippen variieren in Textur and presumed feeling of old silk. und Durchsichtigkeit im Verlauf von oben nach unten. Das GefaB ist un- Although I believed myself to be free from the grasp of incredibly deli­ kompliziert und hat eine interessant, einladende Textur. Daruber hinaus cate, "just-begging-to-be-crushed" pate de verre, I find that I am not. erreicht es das fast Unmogliche - namlich eine wunderschone neue In­ The deep, skinny shape of Sylvie Vandenhoucke's vessel hovers above terpretation der grundsatzlichsten Form uberhaupt zu prasentieren: der an impossibly narrow base of fine, bristling spines. It is perfect. There is Schale. Ich habe auch fur Massimo Lunardons Purusha wegen seiner something compelling about a creation that defies all reason or practi­ sinnlichen Wirkung gestimmt. Die Eierformen erinnern an Tulpenzwie- cality, and that coexists with us purely to delight. This one does it beln, Bluten und eine hollandische Tulpenvase. Die Farben sind ruhig quietly. It is not Vandenhoucke's only success. Her other two entries und das Glas hat seinen letzten Schliff durch eine matte Oberflache er- were just as exquisite. halten, die ihm das Aussehen und mutmaBliche Gefuhl von alter Seide Paul Marioni has used variations of the jaguar mask in previous sam­ gibt. plings of Latin American and pre-Columbian motifs. His objects are al­ Obwohl ich geglaubt habe, mich selbst nicht in der Gewalt eines un- ways interesting as gringo interpretations and as respectful homage. In glaublich delikaten pate de verre zu befinden, das danach „schreit, zer- this example, the molten quality of form and the fiery jolt of color pro­ druckt zu werden", merke ich, daB ich doch nicht frei davon bin. Die vided by the material enable the artist to come closer to recapturing the tiefe dunne Form von Silvie Vandenhouckes GefaB schwebt uber einem spirit of the original source. unglaublich schmalen Unterteil aus feinen abstehenden Nadeln. Es ist As she has done in the past, Barbara Idzikowska introduces this year perfekt. Es gibt etwas unwiderstehliches in einer Kreation, die sich jegli- an unexpected and satisfying combination of technique and imagery. A cher Vernunft und Praktikabilitat widersetzt, und die neben uns existiert, painting of a goddess, floating in a cloud bed of three-dimensional rein zur Freude. Dieses hier tut das leise. Es ist nicht Vandenhouckes glass, tweaks Rococo trompe I'oeil's airy lavishness and alludes to a einziger Erfolg. Ihre anderen beiden Einsendungen waren ebenso aus- dozen other historic models. The pairing of painted sheet glass and gezeichnet. flameworking brings to mind new possibilities that will no doubt appear Paul Marioni hat schon fruher Variationen der Jaguarmaske von la- in future issues of the Review. teinamerikanischen und prakolumbianischen Motiven verwendet. Seine Father in Uniform, 1945 by Dick Weiss and Walt Lieberman combines Objekte sind immer als Gringointerpretationen und respektvolle Hom- the best qualities of both artists' painting styles. Weiss renders stark, mage interessant. In diesem Beispiel ermoglichen die geschmolzene anxious near-caricatures of himself, friends, and family in impasto. Qualitat der Form und die gluhende Wirkung der Farbe des Materials es Lieberman builds up his smoky portraits with layer over layer of fired dem Kunstler, noch mehr den Geist der ursprunglichen Quelle einzufan- enamels until the color is dense, glowing, and deeply rich. Together, gen. Weiss's character study and Lieberman's disciplined proficiency at ex­ Wie schon in der Vergangenheit stellt Barbara Idzikowska dieses ploiting the enamel effects form a work of insight and sensitivity that sur­ Jahr eine unerwartete und zufriedenstellende Kombination aus Technik passes their solo efforts. und Fantasie vor. Ein Gemalde einer Gottin, die in einem Wolkenbett The imagination of Jaromir Rybak is a bit overwhelming. Are his aus dreidimensionalem Glas schwebt, ironisiert die luftige GroBzugig- sometimes terrifying, sometimes ridiculous creatures born in his night­ keit von Rokoko Trompe I'Oeils und spielt auf ein Dutzend weiterer hi- mares? Do his stylized landscapes have more in common with Satur­ storischer Vorbilder an. Die Kombination von bemaltem Flachglas und day morning children's cartoons or with Chinese jade carvings? Where Lampenarbeit fuhrt neue Moglichkeiten vor, die zweifellos in zukunftigen did the sixties, tie-dyed T-shirt palette come from? Who is this guy? Of Ausgaben der Review auftauchen werden. course, everyone knows that Rybak is an artist who lives in Prague and Father in Uniform, 1945 yon Dick Weiss und Walt Lieberman kombi- usually works in cast glass. The longer I look at his sculpture, the less I niert die besten Eigenschaften des Malstils beider Kunstler. Weiss legt understand it and the more I like it. It is often extreme and unpredict­ krasse angstliche Beinahekarrikaturen von sich, Freunden und der Fa- able. When it misses, it misses in a big way, but when it is right, it is milie in Impasto vor. Lieberman baut seine dunstigen Portrats Schicht nicely unsettling. um Schicht aus gebranntem Email auf bis die Farbe dicht, gluhend und The Sami/ra/'figure by Loren Stump is pure decoration. I voted for it sehr satt ist. Gemeinsam fuhren Weiss' Charakterstudie und Lieber- because it is worth recognizing for its excellence of craftsmanship. mans disziplinierte Fertigkeit, die Effekte von Email auszunutzen, zu ei­ Stump is part of the growing new generation of flameworkers in the ner verstandnisvollen und empfindungsreichen Arbeit, die ihre jeweils who have seized upon the technique and are casting einzelnen Bemuhungen ubertrifft. about for something to do with it. Beads and intricate murrine are usu­ Die Fantasie von Jaromir Rybak ist ein biBchen uberwaltigend. Wur- ally the result. Some of the work is extraordinary. However, most of the den seine manchmal furchterregenden, manchmal komischen Geschop- flameworkers lack formal art training, and it shows. While art school in fe in seinen Alptraumen geboren? Haben seine stilisierten Landschaften no way guarantees the production of art, the members of this group - mehr mit Zeichentrickfilmen fur Kinder samstagsmorgens im Fernsehen like almost everyone else who makes things - would benefit greatly zu tun oder mit chinesischen Jadeschnitzereien? Woher stammt die ge- from basic drawing, life drawing, and design classes. The results might batikte 60er Jahre T-shirt Palette? Wer ist dieser Typ? Selbstverstandlich then begin to approach the quality of flameworked miniatures from weif3 jeder, daf3 Rybak ein Kunstler ist, der in Prag lebt und fur gewohn- centuries past. lich mit gegossenem Glas arbeitet. Je langer ich seine Skulptur betrach- When the Bottle Bosoms slides by Nani Croze came up on the pro­ te desto weniger verstehe ich sie und umso mehr gefallt sie mir. Sie ist jection screen, the panel shouted in unison, "In!" Are they indigenous haufig extrem und unvorhersehbar. Wenn sie fehlschlagt, dann auf gan- making good use of recycled ? To be honest, we did zer Linie, wenn sie gelingt, dann ist es schon und verwirrend. not know a thing about them. I do believe that I can speak for my co­ Die Samurai F\gur von Loren Stump ist reine Dekoration. Ich habe fur jurors in saying that these works are beautiful in their huge simplicity, sie gestimmt weil sie es wert ist, daf3 man ihre exzellente Handwerks- their lack of pretension, and - if they really are structures in which to kunst wahrnimmt. Stump gehort zu der wachsenden neuen Generation bathe - their resourceful utility. von Lampenarbeitern in den Vereinigten Staaten, die die Technik aufge- Of all the works I admired in this year's Review (and there are more nommen haben und nach Moglichkeiten suchen, etwas damit anzufan- than I have cited here), the one that I would most like to stand in front of gen. Perlen oder komplizierte Murrine sind fur gewohnlich das Ergeb- is Embroidery of Dew by Laurentiu Anghelache. The piece is temporary; nis. Manche der Arbeiten sind auBergewohnlich. Trotzdem entbehren such a tenuous web could never withstand the elements. In that vulner­ die meisten Lampenarbeiter eine formale Kunstausbildung, und das ability lies part of the appeal of all glass. Placing the torn basket weave sieht man. Wahrend Kunstschulen in keiner Weise den AusstoB von in nature reamplifies its metaphors, and while the references are multi­ Kunst garantieren, wurden Mitglieder dieser Gruppe - wie fast jeder, ple and obvious, they are eternally meaningful to the viewer. der etwas macht - einen groBen Nutzen aus Kursen in Basistechniken One final note: As in every New Glass Review, there were selections des Zeichnens, Naturstudien und Design Ziehen. Die Ergebnisse konn- made by one or more members of the jury that were vigorously contest­ ten sich dann der Qualitat annahern, die in vergangenen Jahrhunderten ed by one or more of the others. Such an occurrence is more the norm mit Lampenarbeit erreicht wurde. than the exception, and strong personal commitment - as opposed to Als die Bottle-Blossoms-Dias von Nani Croze auf die Leinwand proji- subordination to consensus - is encouraged. That is why the initials of ziert wurden, rief das Komitee einstimmig „ja". Handelt es sich um eine each juror are placed alongside the pieces he or she supported. Never­ eingeborene Architektur, die sich recycelte Flaschen zunutze macht? theless, this year I feel compelled to speak up due to the inclusion of Um ehrlich zu sein, wir wuBten nichts uber sie. Ich glaube, daB ich fur two particular pieces: one that is blatantly "derivative" of another artist's meine Mitjuroren sprechen kann, wenn ich sage, daB diese Arbeiten in work, and a second that is inappropriate to a competition that seriously ihrer ungeheueren Einfachheit wunderschon sind, in ihrem Mangel an attempts to seek out not only what is new, but also what is good. You AnmaBung und - wenn es sich wirklich um Strukturen handelt, in denen may think me an elitist (and you may be correct), yet I still believe that man wirklich schwelgen kann - ihrer einfallsreichen Benutzbarkeit. work so lacking in ambition should not be encouraged, even in the gift- Von all den Arbeiten, die ich in der diesjahrigen Review bewundere ware market for which it was created. (und es gibt mehr als die, die ich hier zitiert habe), ist die, vor der ich am liebsten stehen wurde, Embroidery of Dew von Laurentiu Anghe- Susanne K. Frantz (SKF) lache. Die Arbeit ist temporar, solch ein zartes Gespinst kann den Ele- Curator of 20th-century Glass menten niemals Stand halten. In dieser Verletzlichkeit liegt ein Teil der The Corning Museum of Glass Wirkung samtlichen Glases. Indem das zerrissene Korbgeflecht in die Natur gesetzt wird, werden seine Metaphern erhoht und dadurch, da3 die Bezuge vielfaltig und offensichtlich sind, haben sie fur den Betrach- ter eine unendliche Bedeutung Eine letzte Bemerkung: Wie in jeder New Glass Review gab es Ent- scheidungen von einem oder mehreren Mitgliedern der Jury, die von ei- nem oder mehreren der anderen entschieden abgelehnt wurden. Solch ein Vorkommen ist eher die Norm als die Ausnahme, ein starkes per- sonliches Engagement - nicht eine Unterordnung unter den Konsens - ist gefragt. Das ist der Grund, warum die Initialen jedes Jurors unter den Arbeiten stehen, die er oder sie unterstutzt hat. Nichtsdestotrotz fuhle ich mich in diesem Jahr genotigt bezuglich der Aufnahme von zwei bestimmten Arbeiten kein Blatt vor den Mund zu nehmen: eines ist der offensichtliche „Abkommling" der Arbeit eines anderen Kunstlers und eine zweite, die in einem Wettbewerb unangebracht ist, der ernst- haft versucht, nicht nur herauszusteilen was neu sondern auch was gut ist. Sie konnen mich fur elitar halten (und vielleicht hatten Sie recht), trotzdem glaube ich, daf3 Arbeiten, die so sehr jeden Ehrgeizes entbeh- ren, nicht unterstutzt werden sollten, noch nicht einmal von dem Ge- schenkemarkt, fur den sie gemacht sind.

Susanne K. Frantz (SSKF) Kuratorin fur Glas des 20. Jahrhunderts The Corning Museum of Glass

y general observations from viewing the entries for New Glass Re­ eine generellen Beobachtungen beim Betrachten der Einsendun- Mview 18: Mgen fur die New Glass Review 18: I would like to see a more rigorous collaboration among designers, Ich wurde gern eine rigorosere Zusammenarbeit von Designern, artists, and manufacturers. Schools need to make a strong commitment Kunstlern und Herstellern sehen. Schulen bedurfen einer starken Bin- to craft design and art. dung an das Design von Kunsthandwerk und an Kunst. Among the entries, I would like to have seen more use of glass in ar­ Unter den Einsendungen hatte ich gern mehr die Verwendung von chitecture, , and furniture. Flat glass was seldom used in Glas in Architektur, bei der Inneneinrichtung und bei Mobeln gesehen. a three-dimensional manner. Domestic glass and industrial glass were Flachglas wurde selten dreidimensional benutzt. Haushaltsglas und in- weak - few designs for goblets, cups, or were submitted for dustrielles Glas waren schwach - wenige Entwurfe fur Kelche, Tassen consideration. Besides the excellent sculpture of Michael Scheiner, oder Geschirr waren vorgelegt worden. Auf3er der exzellenten Skulptur there was very little work larger than tabletop scale. von Michael Scheiner gab es wenig Arbeiten, die man nicht auf den I noticed only a small amount of neon, , and pate de verre. Tisch hatte stellen konnen. In general, the work took advantage of too few of the models availa­ Ich habe nur eine kleine Anzahl von Neon, Perlenarbeiten und pate ble from the vast history of glass. de verre bemerkt. While some people I selected (such as Osamu Noda) have been rep­ Im allgemeinen zogen die Arbeiten Nutzen aus allzu wenigen Model- resented with similar objects in past issues of New Glass Review, I len, die aus der ungeheuren Geschichte von Glas verfugbar sind. thought the work was of excellent quality and should be included in this Obwohl einige Leute, die ich ausgewahlt habe (wie Osamu Noda), issue. mit ahnlichen Objekten in vergangenen Ausgaben der New Glass Re­ I chose some pieces because of my personal interest in the decora­ view vertreten waren, dachte ich, dafB die Arbeit von auRerordentlicher tive. I chose others because they illustrated a formal use of glass that I Qualitat ist und in diese Nummer aufgenommen werden sollte. believe should be represented. Ich habe einige Arbeiten auf Grund meines personlichen Interesses The entries that I found interesting were submitted by: Roland "Rick" am Dekorativen ausgesucht. Ich habe andere gewahlt weil sie den for- Ayotte, Horst Bartels, An Cantor, Jennifer Conway, Rex Cravat, Nani malen Umgang mit Glas illustrieren, der, so denke ich, reprasentiert Croze, Lark Dalton and Corrie Haight, John Drury, Jan Fisar, Takeshi sein sollte. Fukunishi, Page Hazlegrove, Christopher Hughes, Ada Isensee, Tlws Die Einsendungen, die ich interessant fand, stammten von: Roland Johnson, Jenny Kipp, Shima Koike, Keiko Kumazawa, Erik Meaker, „Rick" Ayotte, Horst Bartels, An Cantor, Jennifer Conway, Rex Cravat, Nancy Monk, Roger Nachman, Makiko Nakagami, Jo Nuttall, Robert Nani Croze, Lark Dalton und Corrie Haight, John Drury, Jan Fisar, Palusky, Gordon Park, Minna Porkola, Auli Rautiainen, Michael Schei­ Takeshi Fukunishi, Page Hazlegrove, Christopher Hughes, Ada Isen­ ner, Loren Stump, Layla Walter, Dick Weiss and Walt Lieberman, see, Tlws Johnson, Jenny Kipp, Shima Koike, Keiko Kumazawa, Erik Harumi Yukutake, and Donna Zalusky. Meaker, Nancy Monk, Roger Nachman, Makiko Nakagami, Jo Nuttall, In the end, I was very happy to be included in the process, and to be Robert Palusky, Gordon Park, Minna Porkola, Auli Rautiainen, Michael exposed to so much creativity. Scheiner, Loren Stump, Layla Walter, Dick Weiss und Walt Lieberman, Harumi Yukutake und Donna Zalusky. Kiki Smith (KS) Letztlich war ich sehr froh, daf3 ich in dieses Verfahren eingeschlos- Artist sen und so viel Kreativitat ausgesetzt war. New York, New York Kiki Smith (KS) Kunstlerin New York, New York Note SchluBbemerkung

n 1996, more than 6,000 copies of the New Glass Review 18 prospec­ 1996 sind mehr als 6000 Einladungen fur die New Glass Review 18 tus were mailed. Each entrant could submit a maximum of three versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einreichen. slides. A total of 826 individuals and companies representing 40 coun­ Insgesamt schickten 826 Einzelpersonen und Firmen aus 40 Landern tries submitted 2,235 slides. The 100 objects illustrated in this Review 2235 Dias. Die 100 Arbeiten, die in dieser Rew'ewabgebildet sind, were selected by four jurors, whose initials follow the descriptions of the wurden von vier Juroren ausgewahlt, deren Initialen den ausgesuchten objects they chose. Objekten beigefugt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass Review eingereichten Dias werden in der Library of The Corning Museum of Glass, where they may be viewed by Rakow-Bibliothek des Corning Museums of Glass gesammelt, wo sie the public. Copies of slides published in any of the past Reviews may der Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in be purchased by special order from the Museum's Sales Department. den vergangenen Reviews erschienen sind, konnen durch Sonder- Copies of New Glass Review 3 (1982), 73(1992), 75(1994), 76(1995), bestellung bei der Verkaufsabteilung des Museums erworben werden. and 77 (1996) are still available from the Sales Department, which can Ausgaben der New Glass Review 3 (1982), 13 (1992), 15 (1994) und also supply all back issues of the Review in black-and-white microfiche. 76(1995) sind noch lieferbar. Alle alten Ausgaben der Review konnen The Corning Museum of Glass would like to thank all of the artists auch auf SchwarzweiG-Mikrofiche geliefert werden. and designers who submitted their slides to New Glass Review lor con­ Das Corning Museum of Glass mochte sich bei alien Kunstlern und sideration. Special thanks are due to those who made this publication Designern bedanken, die ihre Dias zum Wettbewerb eingereicht haben. possible: Louise Bush, Charlene Holland, Ernestine Kyles, Barbara Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht haben: Lou­ Miller, Richard Price, Joan Romano, Jacolyn Saunders, and Violet Wil­ ise Bush, Charlene Holland, Ernestine Kyles, Barbara Miller, Richard son. Price, Joan Romano, Jacolyn Saunders und Violet Wilson.

Visiting Jurors for the New Glass Review Competitions*

1977: Paul Smith, director, Museum of Contemporary Crafts of the 1988: , artist, professor of ceramics, , American Crafts Council, New York, New York. Alfred, New York; Jean-Luc Olivie, curator, Centre du Verre, Musee des Arts Decoratifs, Paris, . 1978: Paul Smith, director, Museum of Contemporary Crafts of the American Crafts Council, New York, New York. 1989: , artist, Freeland, ; Timo Sarpa- neva, artist, littala Glassworks, Nuutajarvi, Finland. 1979: James Carpenter, artist, New York, New York; Paul Smith, di­ rector, Museum of Contemporary Crafts of the American Crafts Council, 1990: , artist, Seattle, Washington; Michael W. Monroe, New York, New York. curator in charge, of the National Museum of American 1980: Dan Dailey, artist, head of the Glass Department, Massachusetts Art, , Washington, D.C. College of Art, , Massachusetts; J. Stewart Johnson, curator, 1991: Bruce Chao, artist, head of the Glass Department, Department of Architecture and Design, The Museum of , School of Design, Providence, Rhode Island; Janet Kardon, director, New York, New York. Museum, New York, New York. 1981: Andrew Magdanz, artist, assistant professor, Rochester Institute 1992: Douglas Heller, director, Heller Gallery, New York, New York; of Technology, Rochester, New York; William S. Lieberman, chairman, Elmerina and Paul Parkman, collectors, craft historians, Kensington, Department of Twentieth-Century Art, The Metropolitan Museum of Art, Maryland. New York, New York. 1993: Erwin and Gretel Eisch, artists, Frauenau, Germany; Paul J. 1982: Dale Chihuly, artist in residence, Rhode Island School of Design, Smith, director emeritus, American Craft Museum, New York, New York. Providence, Rhode Island; Henry Geldzahler, curator, commissioner of cultural affairs of the city of New York, New York. 1994: , artist, , ; Yoriko Mizuta, associate curator, Hokkaido , Sapporo, 1983: Robert Kehlmann, artist, critic, and editor of The Glass Art So­ Japan. ciety Journal, Berkeley, California; Clement Greenberg, critic, New York, New York. 1995: Donald Kuspit, critic, professor of art history and philosophy, State University of New York, Stony Brook, New York. 1984: Susan Stinsmuehlen, artist, Austin, Texas; Ronald D. Abram- son, collector, Washington, D.C. 1996: Arthur C. Danto, art critic and Johnsonian Professor Emeritus of 1985: Thomas Patti, artist, Plainfield, Massachusetts; David Revere Philosophy at Columbia University, New York, New York; , McFadden, curator, Cooper-Hewitt Museum, New York, New York; artist, , the . Helmut Ricke, curator, Kunstmuseum Dusseldorf, Germany. 1997: Kiki Smith, artist, New York, New York; Geoffrey Edwards, cu­ 1986: Bertil Vallien, artist, Kosta Boda Glassworks, Afors, ; rator of international sculpture and glass, National Gallery of Victoria, Abram Lerner, founding director, Hirshhorn Museum and Sculpture Melbourne, Australia. Garden, Smithsonian Institution, Washington, D.C. * Jurors are listed according to the years in which the competitions were held and the results of those competitions were published. In each case, the glass select­ 1987: Stanislav Libensky, artist, former professor, Academy of Applied ed by the jurors was made one year earlier. Arts, Prague, ; Lloyd E. Herman, independent curator, * Die Juroren sind nach den Jahren aufgefuhrt, in denen der Wettbewerb statt- founding director of the Renwick Gallery of the National Museum of fand und die Ergebnisse veroffentlicht wurden. In jedem Fall wurde das von den American Art, Smithsonian Institution, Washington, D.C. Juroren ausgewahlte Glas ein Jahr fruher gefertigt. Countries Represented/Vertretene Lander

Australia Great Britain U.S.A. Baskett, Jonathan Clegg, Tessa Adams, Hank Murta Bruce, Jane Conway, Jennifer Aebersold, Dave Edols, Benjamin, and Kathy Elliott (25) Dickinson, Anna Ayotte, Roland "Rick" Mount, Nick Hobson, Diana Boothe, Anna Johnson, Tlws Calderon, Mark Belgium Pennell, Ronald Cantor, An Vandenhoucke, Sylvie Carpenter, James Cravat, Rex Canada Bianchin, Cristiano Dailey, Dan Rankin, Susan Diaz de Santillana, Alessandro Dalton, Lark, and Corrie Haight (21) Lunardon, Massimo Drury, John Czech Republic Moretti, Carlo Gardner, Ann Bachorik, Vladimir Hazlegrove, Page Marek, Josef Japan Hughes, Christopher Rybak, Jaromir Arai, Mariko Jasen, June Slechta, Jaroslav Fukunishi, Takeshi Kipp, Jenny Sramkova-Solcova, Ivana Isogai, Akihiro Kirkpatrick, Joey, and Flora C. Mace (42) Kaneko, Mamoru Leighton, John Koike, Shima Manfredini, Elizabeth Meaker, Erik Kubo, Yuko Marioni, Paul Waltersson, Lotta Kumazawa, Keiko Milliron, Donna Matsuura, Akane Monk, Nancy Estonia Nagao, Rie Mulcahy, Kathleen Mikof-Liivik, Maie Nakada, Reiko Nachman, Roger A. Nakagami, Makiko Palusky, Robert Finland Noda, Osamu Park, Gordon Mahlberg, Rurik Odahashi, Masayo Parramore, Roger Porkola, Minna Oguchi, Yumi Paust, Karen Rautiainen, Auli Shirakura, Minako Scheiner, Michael Yukutake, Harumi Shaffer, Mary France Sheehan, Maura Leperlier, Etienne Kenya Stankard, Paul J. Zuber, Czeslaw Croze, Nani Stinsmuehlen-Amend, Susan Stump, Loren Germany The Netherlands Troutner, Ann, and Paul Marioni (91) Bartels, Horst Nanning, Barbara Volkersz, Willem Berg, Karl R. Weiss, Dick, and Walt Lieberman (97) Fisar, Jan New Zealand Zalusky, Donna Gausling, Georg Michael Nuttall, Jo Hiuseuhofen, Matthias Walter, Layla Huth, Ursula Isensee, Ada Poland Kustner, Gabriele Idzikowska, Barbara Merker, Ursula Sieger, Christian Rumania von Stockhausen, Hans Gottfried Anghelache, Laurentiu Hank Murta Adams 4. Mariko Arai Elliott Brown Gallery 309-18 Takayashiki Artists and Objects* 619 North 35th Street, #101 Toyama-shi Seattle, Washington 98103 Toyama-ken 939, Japan Map Important Things Are Kiinstler und Objekte* Cast glass, steel, patinated Blown and cast glass, pate de copper verre, enamel, oil paint * Descriptive information has been provided by the entrants. Gegossenes Glas, Stahl, Geblasenes und gegossenes patiniertes Kupfer Glas, Pate de verre, Email, * Die Objektbeschreibungen sind von den Teilnehmerinnen und Teil- H. 1.22 m, W. 2.43 m, D. 40 cm Olfarbe nehmern geliefert worden. GE, SKF H. 25 cm, W. 28 cm, D. 18 cm TSB, GE, SKF Dave Aebersold 605 Kingsley Street 5. Roland "Rick" Ayotte Normal, 61761 15 Coleridge Road Blue Boy 2 Nashua, New Hampshire Glass, mixed media 03062-2426 Glas, Mixed Media Anticipation (A Yellow Flower H. 1.22 m, W. 7.6 cm, D. 7 cm Spider Waits for a Housefly on TSB, SKF, KS a Marsh Marigold) Flameworked and encased Laurentiu Anghelache glass Lascar Catargiu Flammenbearbeitetes Glas und Ana Ipatescu nr. 14, sector 1 uberfangenes Glas Bucharest, Rumania Diam. 8.9 cm TSB, KS Embroidery of Dew Flameworked glass; assembled Flammenbearbeitetes Glas; verklebt H. 1.95 m, W. 1.35 m, D. 1.35 m GE, SKF, KS

1 6. Vladimir Bachorik 9. Karl R. Berg VE Smeckacm 7 Kohlwies 15 110 00 Prague, Czech Republic D-94110 Wegscheid, Germany The Reflection Diamond Cast glass Cut and polished optical glass, Geaossenes Glas enameled aluminum base H. 29 cm, W. 39 cm, D. 12 cm Geschliffenes und poliertes TSB, GE, SKF Glas, emaillierter Sockel 7. Horst Bartels H. 31.3 cm, W. 27 cm, D. 23 cm Rastal GmbH & Co. KG TSB, SKF, KS Lindenstrafte 18 D-56194 Hohr-Grenzhausen, 10. Cristiano Bianchin Germany via Lavraneri n° 1/5 Stoppered Bottle, Duo Arro­ Sacca-Fisola gance 30133 Venice, Italy Flameworked glass Nests Flammenbearbeitetes Glas Blown and carved glass, hemp H. 30 cm, W. 13 cm stoppers TSB, SKF, KS Geblasenes und geschnittenes Glas, Hanfpfropfen 8. Jonathan Baskett Largest/GroBtes: H. 14 cm, 16 Lutwyche Street W. 30 cm, Diam. 14 cm ACT 2615 Higgins, Australia TSB, GE, SKF Production Blown glass; enameled Geblasenes Glas; emailliert Each/Je: H. 35 cm, Diam. 10 cm TSB, GE, SKF 11. Anna Boothe H. 20.25 cm, W. 33 cm, P.O. 158 D. 11.5 cm 1124 Old Gravel Pike TSB, GE, KS Zieglersville, Pennsylvania 19492-0158 14. An Cantor Neo-Flower Bowl 384 North Washington Drive Pate de verre Sarasota, Florida 34236 Pate de verre llluminata (right profile) H. 20 cm, Diam. 20.5 cm Stained and leaded glass TSB, GE, SKF, KS Farbiges- und bleigeTaRtes Glas H. 43.2 cm, W. 33.0 cm, 12. Jane Bruce D. 24.2 cm School of Art TSB, KS G.P.O. 804 ACT 2601 Canberra, Australia 15. James Carpenter Red Powerstick with Velvet James Carpenter Design Cover Associates Blown and wheel-, 145 Hudson Street screen-printed velvet New York, New York 10013 Geblasenes und radgeschliffe- Dichroic Light Field nes Glas; bedruckter Samt Background: laminated glass in H. 6.5 cm, W. 57 cm, D. 9 cm anodized aluminum frames; GE, SKF, KS fins: laminated dichroic glass Hintergrund: laminiertes Glas in 13. Mark Calderon anodisierten Aluminiumrahmen; 924 26th Avenue Seiten: laminiertes, Dichroicglas Seattle, Washington 98122 H. 14.02 m, W. 30.48 m, D. 60.9 cm Rosella TSB, GE, SKF Kiln-cast glass Ofengegossenes Glas 11 16. Tessa Clegg H. 26.3 cm, W. 33.8 cm, 13B Stock Orchard Crescent D. 20.4 cm N7 9SL, England TSB, KS Play Box II 19. Nani Croze Cast glass Gegossenes Glas Nairobi, Kenya H. 10 cm, Diam. 42 cm Bottle Bosoms (showers) SKF Glass bottles, concrete Glasflaschen, Beton 17. Jennifer Conway Each/Je: H. 2.00 m, W. 1.50 m 31 Oxford Road TSB, GE, SKF, KS Mistley, Manningtree Essex C011 1BW, England 20. Dan Dailey Figure of Christ (window detail) Leo Kaplan Modern Engraved 965 Madison Avenue Graviertes Floatglas New York, New York 10021 Detail: H. 17.24 m, W. 6.99 m, Golden Wart Hogs, Circus Vase D. 6 mm Blown and hot-worked glass, TSB, SKF, KS patinated and gold-plated bronze 18. Rex Cravat Geblasenes und heifB bearbei- P.O. Box 294 tetes Glas, patiniert und vergol- Taylors Falls, Minnesota 55084 dete Bronze H. 40.6 cm, Diam. 35.5 cm Sentinel GE, SKF Flameworked ®; fumed with gold and silver, sand­ blasted Flammenbearbeitetes Pyrex®; mit Gold und Silber bedampft, sandgestrahlt

18

- :

«*>

19 20 21. Lark Dalton and blasted, etched, electroformed, Corrie Haight patinated Geschliffenes Glas; poliert, Route 2, Box 3196 sandgestrahlt, geatzt, galvano- Lopez Island, plastisch bearbeitet, patiniert Washington 98261 H. 48 cm, Diam. 18 cm Bowl TSB Assembled and coiled glass beads 24. John Drury Verklebte und gewickelte Glas- 88 East Third Street, #10 perlen New York, New York 10003- H. 26.7 cm, Diam. 40.64 cm 9281 SKF, KS Untitled Blown glass in three pieces, 22. Alessandro Diaz de foam insulation Santillana In drei Teilen geblasenes Glas, Elliott Brown Gallery Schaumisolieruna 619 North 35th Street, #101 H. 72 cm, Diam. 32 cm Seattle, Washington 98103 GE, SKF, KS Silver Sky Blown and silvered glass, 25. Benjamin Edols and Geblasenes und versilbertes Kathy Elliott Glas, Eisen Manly, Australia H. 3.00 m, Diam. 30 cm GE, SKF Flat Ruby Bottle Blown and cut glass 23. Anna Dickinson Geblasenes und geschliffenes Glas 85 Bushey Hill Road H. 55 cm, W. 35 cm, D. 15 cm London SE5 8QQ, England TSB, GE Tall Black Vase Cut glass; polished, sand­

8^— 26. Jan Fisar Sandgegossenes Glas, Blatt- Glasgalerie Hittfeld gold KirchstraRe 1 H. 76.2 cm, W. 73.7 cm, D-21218 Seevetal D. 7.6 cm (near Hamburg), Germany TSB, GE Mimicry, Movement of the 29. Georg Michael Gausling Material Slumped opaque glass block; Klosterhof 7 cut, polished D-33428 Marienfeld, Germany Abgesenkter Opakglasblock; Das Loch (The Hole) geschliffen, poliert Fused glass, wood backing H. 43 cm, W. 43 cm, D. 17 cm Verschmolzenes Glas, holzerne TSB, KS Halterung H. 70 cm, W. 50 cm, D. 6 mm 27. Takeshi Fukunishi GE, SKF Toyama, Japan 30. Page Hazlegrove Core II Hot-worked and kiln-formed 17 Babcock Place glass Dedham, Massachusetts 02026 Heif3 bearbeitetes und ofenge- Bottled Flight formtes Glas Blown ana lost wax cast glass, H. 35 cm, Diam. 48 cm fabric, metal caps TSB, GE, KS Geblasenes und cire perdu Glas, Gewebe, Metallkappen 28. Ann Gardner H. 83.8 cm, Diam. 10.2 cm 4136 Meridian Avenue North GE, SKF, KS Seattle, Washington 98103 Positioning Sand-cast glass, gold leaf 31. Matthias Hiuseuhofen 34. Ursula Huth TeichstraRe 27 Marktplatz 5a D-31141 Hildesheim, Germany D-71093 Weil im Schonbuch, Tenero Germany Blown glass, metal Les Hommes Gleus I Geblasenes Glas, Metall Blown and etched glass H. 28 cm, Diam. 36 cm Geblasenes und geatztes Glas SKF, KS H. 59 cm, W. 67 cm TSB, SKF, KS 32. Diana Hobson 7 Crescent 35. Barbara Idzikowska London E9 7DH, England Koreanska 49/5 Through Fire 52-121 Wroc+aw, Poland Cast and abraded glass, cast Amongst the Clouds1s (detail)[ bronze Painted sheet glass,s, flame- Gegossenes und aeschliffenes worked glass Glas, gegossene Bronze Bemaltes Flachglas, flammen- H. 1.30 m, Diam. 1.86 m bearbeitetes Glas SKF H. 76.1 cm, W. 1.16 m, D. 51.4 cm 33. Christopher Hughes TSB, GE, SKF, KS Iris Arc Crystal 31 114 East Haley Street Santa Barbara, California 93101 Chesapeake Bay Blue Crab Cut and assembled glass Geschliffenes und verklebtes Bleiglas H. 5 cm, W. 8 cm, D. 4.5 cm TSB, KS 36. Ada Isensee 39. Tlws Johnson Eduard HillerstraRe 22 59 Station Road D-73630 Buoch, Germany Winslow, Buckingham MK18 An Owl Landing 3DZ, England Stained, etched, painted, and Wave sandblasted glass Kiln-formed and -cast glass Farbiges, geatztes, bemaltes Ofengeformtes und -geqosse- und sandgestrahltes Glas nes ulas H. 60 cm, W. 50 cm, D. 0.5 cm H. 54 cm, W. 29 cm, D. 9 cm TSB, SKF, KS TSB, KS 37. Akihiro Isogai 40. Mamoru Kaneko 1232-7 Tamashima 1369 Osone, Touei Coop #504 Kurashiki, Okayama 713, Japan Yashio-shi, Saitama 340, Japan Spring (Fountain) Tripod Candle Lamp Blown glass; carved, enameled, Pate de verre sandblasted Pate de verre Geblasenes Glas; geschnitten, H. 32 cm, W. 17 cm, D. 14 cm emailliert, sandgestrahlt TSB, KS H. 11.4 cm, Diam. 22.2 cm TSB, SKF 38. June Jasen New York, New York Portrait Fused glass in metal; lustered Mit Metall verschmolzenes Glas; verlustert H. 38 cm, W. 18 cm, D. 15 cm TSB 41. Jenny Kipp Each/Je: H. 15 cm, W. 10.5 cm, 39 Clifton Avenue D. 13 cm Marblehead, Massachusetts TSB, KS 01945 44. Yuko Kubo Ball Blown glass, acrylic and oil Toyama, Japan paint, hair A Tiny Case Opens into Infinity Geblasenes Glas, Akryll- und Pate de verre Olfarbe, Haar Pate de verre H. 45.7 cm, Diam. 35.5 cm H. 5 cm, W. 17 cm, D. 20 cm SKF, KS TSB, KS

42. Joey Kirkpatrick and 45. Keiko Kumazawa Flora C. Mace Hokkaido, Japan 823 Yale Avenue North The Flow of Nature (Arimine) Seattle, Washington 98109 Cast and slumped glass, wood Steering Shallow Waters Gegossenes und abgesenktes Blown glass, steam-bent wood Glas, Holz Geblasenes Glas, dampfge- H. 25 cm, W. 1.05 m, D. 75 cm krummtes Holz TSB, KS H. 88 cm, W. 61 cm, D. 29 cm TSB, SKF 43. Shima Koike 1-15-14 Shinden Ichikawa, Chiba 272, Japan Family Cast glass, oil paint.. Gegossenes Glas, Olfarbe 46. Gabriele Kiistner 49. Massimo Lunardon GotmarstraBe 1 Via Mottarello 6, Molvena D-37073 Gottingen, Germany 36060 Vicenza, Italy Plate Purusha Fused and slumped mosaic Flameworked Pyrex® glass; cut Flammenbearbeitetes Pyrex® Verschmolzenes und abge- H. 30 cm, Diam. 22 cm senktes Mosaikglas; geschliffen TSB, SKF H. 4 cm, Diam. 36.5 cm GE, KS 50. Rurik Mahlberg Helsinki, Finland 47. John Leighton Kallo-Skull 1533 East 31st Street Mold-blown glass; painted Oakland, California 94602 Formgeblasenes Glas; bemalt Untitled HP-l-05, Czech H. 22 cm, W. 28 cm, D. 18 cm Harvest Series SKF Blown glass; assembled while hot Geblasenes Glas; in heifBen Zu- stand verklebt H. 32 cm, W. 62 cm, D. 30 cm GE 48. Etienne Leperlier 26, rue Frangois Decorchemont 27190 Conches, France Triade III Pate de verre Pate de verre H. 45.5 cm, W. 24 cm, D. 18 cm GE

-

49 50 51. Elizabeth Manfredini 54. Akane Matsuura 19333 Palatine Avenue North 5076-4 Minamihotaka Seattle, Washington 98133 Toyoshina-machi Dairy Queen Minamiazumi-gun, Nagano Peyote-stitched glass beads Pref. 399-82, Japan Peyote-geheftete Glasperlen Friends H. 25 cm, W. 23 cm, D. 10 cm Blown Graal glass TSB Geblasenes Graalglas H. 18 cm, Diam. 20 cm 52. Josef Marek TSB, KS Dolni Podluzi 213 407 55 Dolni Podluzi, Czech 55. Erik Meaker Republic Toftegards Alle 28 (3TV) Cylinder in Prism 2500 Copenhagen, Denmark Cut and assembled sheet glass Fruit Plate Geschliffene und verklebte Cast glass Glasscheiben Gegossenes Glas H. 2.00 m, W. 2.00 m, D. 20 cm H. 6 cm, W. 30 cm, D. 30 cm GE, SKF, KS KS 53. Paul Marioni William Traver Gallery 110 Union Street Seattle, Washington 98101 Jaguar Mask Blown and painted glass Geblasenes und bemaltes Glas H. 34 cm, W. 24 cm, D. 16 cm TSB, SKF, KS

5®

.MiiiliMHffl

iif, .^081 Ursula Merker Pate de verre, flammenbearbei­ Haus Kynast tetes Glas Gstaigkircherl 22 H. 15.2 cm, Diam. 10.1 cm D-93309 Kelheim, Germany TSB, GE Rot-Grun 59 Nancy Monk Sandblasted and wheel-cut 444 South Euclid, #9 Sandgestrahltes und radgra- Pasadena, California 91101 viertes Glas South Wall Each/Je: H. 10 cm, Diam. 7.7cm Glass, aluminum TSB, KS Glas, Aluminium Diam. 16.5 cm, D. 5 cm Maie Mikof-Liivik SKF, KS Kentmanni 20A-25 EE-0001 Tallinn, Estonia 60. Carlo Moretti Hungry Young Birds -Venice, Italy Flameworked and gilded glass Monolite 50 Flammenbearbeitetes una ver- Heated and squared glass aoldetes Glas blocks; ground, polished, fused Taller/Hochster: H. 8 cm, Erhitzte und recntwinklige Glas- W. 9 cm, D. 12 cm blocke; geschliffen, poliert, ver- TSB, SKF schmolzen H. 44.5 cm, W. 22.5 cm, Donna Milliron D. 10 cm Shingle Springs, California GE, SKF, KS Rose Bowl #2 Pate de verre, flameworked glass 61. Nick Mount Overall/Gesamt: H. 69 cm, 2 The Parkway W. 56 cm, D. 5 cm SA 5068 Leabrook, Australia TSB, KS Three Black Murrinis Rie Nagao Blown glass Geblasenes Glas 2-1-5, Ishiodai Tallest/Hochstes: H. 53 cm Kasugai-city, Aichi 487, Japan GE Sound of the Earth II Blown, cut, and sandblasted 62. Kathleen Mulcahy glass; wood 260 Whittengale Road Geblasenes, geschliffenes und Oakdale, Pennsylvania 15071 sandgestrahltes Glas; Holz H. 10 cm, W. 42 cm, D. 37 cm Rapture: Perfume Bottle, GE, SKF Persuasion Series Blown glass, gold-filled etched Reiko Nakada inscription Geblasenes Glas, goldgefullte, Aichi, Japan geatzte Aufschrift Woods Scene Series II H. 66 cm, Diam. 35 cm Pate de verre GE Pate de verre H. 26 cm, W. 55 cm, D. 38 cm 63. Roger A. Nachman SKF, KS 310-A Northwest 40th Street Seattle, Washington 98107 Three Wanna-Bees and a Honeycomb Fused, kiln-formed, kiln-cast, and etched glass Verschmolzenes, ofengeform- tes, ofengegossenes und geatztes Glas

64

24 66. Makiko Nakagami 69. Jo Nuttall 301 Asahi-machi Skyhights 124 Taylors Road, Mount Albert 2-18-20 Asahi-machi Auckland 3, New Zealand Kanazawa-shi, Ishikawa-ken Water Vessels 920, Japan Cast lead and neodymium Dream of Meteorite glass Pate de verre Gegossenes Blei- und Neo- Pate de verre dymiumglas H. 14 cm, Diam. 40 cm Each/Je: H. 40 cm, W. 7 cm, SKF, KS D. 5 cm TSB, GE, SKF, KS 67. Barbara Nanning W. G. Plein 21-22 70. Masayo Odahashi 1054 RA Amsterdam, The Suzukiso 5, Inabasaki 11, Netherlands laayacho Metamorphosis Bloom Kariya, Aichi 448, Japan Blown glass; sandblasted, Harvest carved Blown and enameled glass Geblasenes Glas; sandge- Geblasenes und emailliertes strahlt, geschnitten Glas H. 12 cm, W. 11 cm, D. 12 cm H. 20 cm, Diam. 12 cm TSB, SKF, KS GE 68. Osamu Noda 4-1-13, Honson, Niijimamura Tokyo 100-04, Japan Niijima Comport Coiled hot glass Gewickeltes heifBes Glas H. 17 cm, W. 38 cm, D. 28 cm TSB, SKF, KS 71. Yumi Oguchi gelegtes Glasmosaik Toyama, Japan H. 12 cm, W. 26 cm, D. 26 cm TSB, KS Tea II Pate de verre 74. Roger Parramore Pate de verre H. 22 cm, Diam. 15 cm 159 Dogwood Lane TSB, SKF, KS Waynesville, North Carolina 28786 72. Robert Palusky Liqueur Glasses Habatat Gallery Flameworked glass 608 Banyan Trail Flammenbearbeitetes Glas Boca Raton, Florida 33431 Taller/Hochstes: H. 25.4 cm, W. 6.5 cm Family Values: Staying Alive TSB, SKF Cast, laminated, blown, and reverse-painted glass 75. Karen Paust Gegossenes, laminiertes, ge- blasenes und ruckseitig bemal- York, Pennsylvania tes Glas Autumn Garden H. 68 cm, W. 40 cm, D. 35 cm Peyote-stitched glass beads, TSB, SKF, KS copper wire, nylon, mono­ filament 73. Gordon Park Peyote-geheftete Glasperlen, 6817 Ivanwood Drive Kupferdraht, Nylon, Faden Chattanooga, H. 8 cm, Diam. 62 cm 37343 TSB, GE, SKF, KS Fabric Series I, #13 Fused glass threads, applied Verschmolzene Glasfaden, auf-

72 76. Ronald Pennell 79. Auli Rautiainen 2, Lower Bibbletts, Hoarwithy Hyvinkaa, Finland Hereford HR2 6QF, England Pacifier Meeting Blown, sandblasted, and etched Cased and wheel-; assembled glass Geblasenes, sandgestrahltes Uberfangenes und radgravier- und geatztes Glas; verklebt tes Glas H. 20 cm, W. 25 cm H. 18 cm, Diam. 17 cm TSB, SKF, KS TSB, KS 80. Jaromir Rybak 77. Minna Porkola Svazna 11 Sillankuja 4 140 00 Prague 4, Nusle, Czech 62200 Kauhava, Finland Republic Square Aquatic Inhabitant Sheet glass, metal Cast, cut, and polished glass; Glasscneiben, Metall gold, silver H. 40 cm, W. 32 cm, D. 32 cm Gegossenes, geschliffenes und SKF, KS poliertes Glas; Gold, Silber H. 42 cm, W. 90 cm, D. 23 cm 78. Susan Rankin TSB, SKF, KS P.O. Box 81, Jack Lake Road Apsley, KOL 1AO, Canada Sugar Maple, Fall Series Blown and hot-worked glass Geblasenes und heif3 bearbei- tetes Glas H. 32.5 cm, Diam. 20 cm TSB, GE 76 81. Michael Scheiner 82. Mary Shaffer 84. Minako Shirakura 10 Clinton Street 10001 Pratt Place 1110-9, Honmachida, Central Falls, Rhode Island Silver Spring, Maryland Machida-shi 02863 20910 Tokyo 194, Japan Natural Progression Wall Flow '96 As a Life Circles Around. . . Blown glass tubes, , Slumped glass, bronze Blown and kiln-formed glass; copper wire; assembled, Abgesenktes Glas, Bronze assembled suspended OK 38 cm, W. 81 cm, Geblasenes und ofengeform- Geblasene Glasrohren, Fiber- D. 31 cm tes Glas; verklebt glas, Kupferdraht; verklebt, GE Each/Je: H. 47 cm, aufgehangt Diam. 20 cm H. 7.01 m, W. 13.72 m, 83. Maura Sheehan GE, KS D. 6.70 m Cristina Rose Gallery TSB, GE, SKF, KS 395 West Broadway 85. Christian Sieger I New York, New York 10012 Schlof3 Harkotten Ocean Floor D-48336 Sassenberg, Laminated windshield glass, Germany latex caulking Ritzenhoff, Weizen Beer Laminierte Windschutzschei- Glass Collection ben, Latexabschichtung Machine-blown glass, decal L. 9.14 m, W. 12.19 m Maschinell geblasenes Glas, GE, SKF, KS Abziehbild H. 23 cm, Diam. 8.5 cm GE, SKF

9 o

1 W

' -A

84

28 86. Jaroslav Slechta 88. Paul J. Stankard bemalt Zdar nad Sazavou, Czech 8 Old Landing Road H. 32.5 cm, Diam. 15 cm Republic Mantua, New Jersey 08051 TSB, GE, SKF Ruins of Forgetfulness Sunflower Botanical Cube 90. Loren Stump Kiln-cast glass (detail) Ofengegossenes Glas Flameworked and encased 4510 Careback Avenue Elk Grove, California 95758 H. 58 cm, W. 34 cm, D. 16 cm lass TSB, GE, KS Plammenbearbeitetes und Samurai uberfangenes Glas Flameworked and fused glass 87. Ivana Sramkova-Solcova H. 10.1 cm, W. 7.6 cm, Flammenbearbeitetes una Benesovska 20 D. 6.4 cm verschmolzenes Glas 101 00 Prague 10, Czech TSB, GE H. 18 cm, W. 15 cm, D. 15 cm Republic TSB, GE, SKF, KS 89. Susan Stinsmuehlen- Childhood Cast glass in two parts Amend In zwei Teilen gegossenes 291 Avenida Del Recreo Glas Ojai, California 93023 Taller/Hochstes: H. 1.70 m, Dumb Vase, German "Signa­ Diam. 20.6 cm ture" GE, SKF Blown glass; engraved, painted Geblasenes Glas; graviert,

r iSii'X . i;: i life 91. Ann Troutner and 94. Hans Gottfried von Stock- Paul Marioni hausen 4136 Meridian Avenue North Eduard-Hillerstraf3e 22 Seattle, Washington 98103 D-73630 Buoch, Germany Shelter (one of two panels/eine The Open Tomb von zwei Tafeln) Stained, etched, and leaded Cast glass glass Gegossenes Glas Farbiges, geatztes und bleige- H. f.50 m, W. 4.50 m, D. 5 cm faGtes Glas GE, SKF, KS H. 40 cm, W. 30 cm, D. 0.5 cm TSB, SKF 92. Sylvie Vandenhoucke Dendermondestraat 6 95. Layla Walter 2018 Antwerp, Belgium Coromandel, New Zealand Untitled 1996 Glass Kete (Basket) Pate de verre, patinated metal Cast glass, plaited muka (flax Pate de verre, patiniertes Metall fiber) H. 15.5 cm, Diam. 8.5 cm Gegossenes Glas, geflochtene TSB, GE, SKF, KS Muka (Flachsfaser) H. 13 cm, W. 9 cm, D. 3 cm 93. Willem Volkersz KS 12299 Portnell Road Bozeman, Montana 59718 After the Storm Flameworked glass, neon, post­ cards, mixed media Flammenbearbeitetes Glas, Neon, Postkarten, Mixed Media H. 2.18 m, W. 2.34 m, D. 30 cm TSB, GE, SKF

r i K9 wefi §Ri T^mBkJSrn

.ms£kigWS ~: '*:tk JM* F

9i sfilawaxiEB V r* ... IiiMiM ^ mz 96. Lotta Waltersson HeifB bearbeitete Glasteile; mit Lokkegade 19 Epoxitharz verklebt 3760 Gudhjem, Bornholm, H. 67.5 cm, W. 1.35 m, D. 70 cm Denmark TSB, SKF, KS Solar Serpent 99. Donna Zalusky Blown and engraved glass Geblasenes und graviertes 3142 19th Street Northwest Glas Washington, D.C. 20010 H. 15 cm, Diam. 12.5 cm Contemporary Artifact I TSB, KS Flameworkea glass Flammenbearbeitete Glas- 97. Dick Weiss and perlen Walt Lieberman H. 3.8 cm, Diam. 1.9 cm 811 North 36th Street GE, KS Seattle, Washington 98103 Father in Uniform, 1945 "lOO.Czeslaw Zuber Fired enamels on white sheet 16, allee des Arts glass 94230 Cachan, France Email, auf weiRe Glasscheiben Untitled gebrannt Optical and colored flat glass; H. 60 cm, W. 45 cm sawed, fractured, cut, polished, TSB, SKF, KS glued, sandblasted, painted Optisches- und farbiges Flach- 98. Harumi Yukutake glas; gesagt, gebrocnen, ge- 58-63 Otsuka, Hachioji schliffen, poliert, geklebt, sand- Tokyo 192-03, Japan gestrahlt, bemalt H. 76 cm, W. 56 cm, D. 5.5 cm Untitled TSB, GE Hot-worked glass sections; assembled with epoxy resin Michael Scheiner, United States Natural Progression, 1996 Blown glass tubes; assembled, suspended Geblasene Glasrohren; verklebt, aufgehangt OH. 7.01 m, W. 13.72 m, D. 6.70 m

Some of the Best in Recent Glass

his section was initiated in 1996 as an addendum to New Glass Re­ ieser Teil wurde 1996 als Zusatz zur New Glass Review eingerich- Tview. It is an attempt to focus on exceptional work that may or may Dtet. Er ist ein Versuch, das Augenmerk auf auBerordentliche Arbei- not have been submitted to the annual competition. ten zu lenken, die beim jahrlichen Wettbewerb teilgenommen haben As it happens, one of the most interesting large-scale installations of Oder auch nicht. the past year was selected by the jury (unanimously) for inclusion in Wie es so geht, wurde eine der interessantesten, groBformatigen In- New Glass Review 18. Michael Scheiner's Natural Progression was stallationen des vergangenen Jahres von der Jury (einstimmig) fur die commissioned for an office building in Manhattan. The mass of translu­ New Glass Review 18 gewahlt. Michael Scheiners Natural Progres­ cent blue-green and brownish tubing is far from a benign piece of office sion ist eine Auftragsarbeit fur ein Burogebaude in Manhattan. Die decoration. Like a claw, an arterial system, or a clutch of communication Masse der halb durchsichtigen blau-grunen und braunlichen Rohren ist cables similar to those crowding its surroundings, the sculpture extends weit von einer freundlichen Burodekorationsarbeit entfernt. Wie eine from a single narrow point, skimming just above the floor. It widens and Klaue, ein System von Arterien oder ein Gespinst von Kommunikations- branches up through a second floor, where the "arms" reach expansive­ kabeln, ahnlich denen, die massenhaft in seiner Umgebung verlegt ly out over the heads of employees hunched over computers. Adding to sind, dehnt sich die Skulptur von einem einzigen schmalen Punkt aus, the confrontational experience are low ceilings, masses of people gleitet etwas uber den Boden. Sie erweitert und verzweigt sich uber ein Michael Scheiner, United States Natural Progression (detail), 1996 Blown glass tubes; assembled, suspended Geblasene Glasrohren; verklebt, aufgehangt OH. 7.01 m, W. 13.72 m, D. 6.70 m

crowded into work cubicles, and a fairly high volume of noise. The site zweites Stockwerk, wo die „Arme" weit uber die Kopfe der Angestellten is a beehive (or perhaps an anthill analogy would be more appropriate), hinausgreifen, die uber die Computer gebeugt sind. Diese Erfahrung and Scheiner's sculpture is an integral part of the congestion. While von Konfrontation wird durch niedrige Decken gesteigert, durch zahl- Natural Progression would complement, and in some ways benefit from, lose Menschen, die in Arbeitskuben gepfercht sind und einen ziemlich a more serene setting, its engagement and "dialogue" with the present hohen Gerauschpegel. Der Ort ist ein Bienenstock (oder vielleicht ware environment are at a level seldom achieved by public art. The risk-tak­ die Analogie mit einem Ameisenhaufen treffender), und Scheiners ing patron, who was interested in Scheiner as a sculptor rather than as Skulptur ein wesentlicher Bestandteil des Gedranges. Wahrend Natural a glass artist, must be applauded. Progression eine ruhigere Umgebung erganzen und in gewisser Weise Surely Diana Hobson's "Language of Light" show at the Butler Gal­ von ihr profitieren wurde, ist ihr Engagement und der „Dialog" in der jet- lery, Kilkenny Castle, Ireland, was one of the year's most beautifully and zigen Umgebung von einem bei offentlicher Kunst selten erreichten Ni­ carefully conceived exhibitions. The work, made between 1994 and veau. Dem risikofreudigen Schirmherren, der an Scheiner als Bildhauer 1996, established Hobson's movement away from the precious pate de mehr als an dem Glaskunstler interessiert war, mu3 man Beifall zollen. verre vessels with which she is identified. Now, solid colorless glass ele­ Sicherlich war Diana Hobsons Language of Light, die in der Butler ments are paired with real tree branches or bronze cast from charred Gallery in Kilkenny Castle in Irland gezeigt wurde, eine der schonsten Diana Hobson, Great Britain Serpent, 1996 Cast glass, cast bronze Gegossenes Glas, gegossene Bronze H. 63 cm, W. 31 cm

Diana Hobson, Great Britain Through Fire, 1996 Cast glass, cast bronze und sorgfaltig vorbereiteten Ausstellungen des Jahres. Die Arbeit, ent- Gegossenes Glas, gegossene Bronze standen zwischen 1994 und 1996, ist der Ausgangspunkt fur Hobsons H. 1.30 m, Diam. 1.86 m Entwicklung weg von den kostbaren pate de verre GefaBen mit denen man sie identifiziert. Jetzt sind massive, farblose Glaselemente mit ech- ten Zweigen gepaart oder mit Bronzegussen von verkohltem Holz und Wacholderreisig. Bei den starksten Arbeiten wie Through Fire (ebenfalls wood and juniper sticks. In the strongest pieces, such as Through Fire in die New Glass Review 78aufgenommen) sind die Formen grundle- (also included in New Glass Review 18), the shapes are basic and un­ gend und unverziert, aufBer manchmal durch den Abrieb an der Ober- derrated except for some surface abrasion. The new work is an impor­ flache. Die neue Arbeit ist eine wichtige Richtung fur Hobson; sie tant direction for Hobson; it seems grounded where the earlier pieces scheint geerdet wahrend die fruheren Stucke verganglich, stark und si- were transitory, strong, and sure where the others hesitated. cher wo die anderen zogerlich waren. In 1996, a retrospective at Mary's College of California traced 1996 skizzierte eine Retrospektive am Saint Mary's College of Cali­ the career of Robert Kehlmann. A key figure in the development of fornia die Karriere von Robert Kehlmann. Eine Schlusselfigur in der contemporary American "stained" glass, Kehlmann emerged in the early Entwicklung der zeitgenossischen Glas„malerei" in Amerika, trat Kehl­ 1970s from the California circle, making autonomous panels that were mann in den fruhen 70er Jahren aus dem kalifornischen Kreis auf und meant to hang on the wall rather than to act as windows. Like the Ger­ schuf autonome Scheiben, die eher dafur gedacht waren, an die Wand man artists who reinvented after World War II and gehangt zu werden denn als Fenster zu fungieren. Ahnlich wie die deut- who were a profound influence on him, Kehlmann has always consid­ schen Kunstler, die das architektonische Glas nach dem Zweiten Welt- ered the glass primarily as a canvas and the lead as a drawing line. In krieg wiederbelebt haben und einen groRen EinfluR auf ihn hatten, hat the 1980s, he began to block almost all light transmission by backing Kehlmann das Glas immer zuerst als Leinwand gesehen und das Blei Robert Kehlmann, United States als Zeichenlinie. In den 80er Jahren begann er die Lichtdurchlassigkeit Piano, 1994 fast vollstandig zu blockieren, indem er Kohle- und Acrylzeichnungen Glass mosaic, charcoal on board hinter das Glas setzte, zeitweilig verzichtete er auf samtliches Blei. Die Glasmosaik, mit Holzkohlezeichnung Mixedmediaarbeiten wurden durch flache sandgestrahlte Areale be- H. 40.5 cm, W. 71 cm stimmt, durch die ganz leichten Schatten, die dabei geworfen wurden Photo: Richard Sargent und ihre subtilen Farbveranderungen. In den letzten Jahren hat sich Kehlmann durch Experimente mit Glasmosaik, das uber den Zeichnun- gen liegt, wieder mehr einer dreidimensionalen Textur zugewandt. Pi­ ano ist solch eine Arbeit. Die gebrochene Oberflache zwingt den Be- the glass with drawings of charcoal and acrylic, and eventually he aban­ trachter, sich vor und zuruck zu bewegen, wahrend er auf das Glas und doned all leading. The mixed-media works were defined by flat areas of durch es hindurch sieht. Die Mosaikflachen stof3en nicht glatt aneinan- sandblasting, the very slight shadows that they cast, and their subtle der; dadurch fugen sich kurze lineare Schatten der Komposition hinzu. color changes. In recent years, Kehlmann has returned to more three- An manchen Stellen haben die farbigen Glasstucke fast dieselbe Form dimensional texture by experimenting with glass mosaic laid over the wie die Kohlezeichnungen uber denen sie liegen. Durch seine Abstrak- drawings. Piano is one such piece. The broken surface forces the tionen hat Kehlmann mehr als die letzten zwanzig Jahre damit ver- viewer to shift back and forth between looking at the glass and looking bracht, zu analysieren und zu einer Ausdrucksweise mit personlich through the glass. The tesserae do not butt smoothly against one an­ kunstlerischer und spiritueller Aussage zu kommen. Innerhalb dieses other; therefore, short linear shadows are added to the mix. In some Prozesses hat er auGerdem stillschweigend mehr als nur ein paar der areas, colored pieces of glass roughly approximate the charcoal shapes einschrankenden Vorurteile zerstort, die dieses Medium umgeben. that they overlie. Through his abstractions, Kehlmann has spent the Die „Perlenleute" hatten lange ihre eigenen Konferenzen und Publi- past 20-odd years analyzing and coming to terms with private artistic kationen, ahnlich wie die Lampenarbeiter, sie waren entweder vollig and spiritual issues. In the process, he has also quietly demolished ausgeschlossen Oder blieben am Rand des Studioglases. Ethnografi- more than a few of the restrictive preconceptions surrounding his me­ sche- und Volkskunstler blieben ebenfalls an der Peripherie. In den letz­ dia. ten funf Jahren sind mehr Kunstler, die Glasperlen machen oder mit The "bead people" have long had their own conferences and publica­ vorgefertigten Arbeiten, in das Rampenlicht der Kunstwelt getreten. Ein- tions, yet like the flameworkers, they were either excluded entirely from flusse, die die Perle destigmatisieren (wenigstens in den Vereinigten or kept on the fringes of studio glass. Ethnographic and folk artists were Staaten) sind von den Skulpturen von Joyce Scott, Sherry Markovitz also peripheral. In the past five years, more artists making and/or work­ und Liza Lou ausgegangen. Die Installation von Lou im of ing with pre-manufactured glass beads have come to the attention of Art, eine mit Objekten gefullte Kuche in OriginalgroRe, bei der jede the art world. Forces in destigmatizing the bead (at least in the United Oberflache mit Perlen bedeckt war, war ein weiterer Hohepunkt des States) have been the sculptures of Joyce Scott, Sherry Markovitz, and Jahres. Andere Kunstler haben sich auf eine mehr traditionelle Verwen- Liza Lou. The New Museum of Art's installation of Lou's full-scale, ob­ dung von Perlenarbeit im Bereich Mode- oder Korperschmuck konzen- ject-filled kitchen, blanketed with glass beads on every surface, was triert. Auch wenn sie vor einigen Jahren gefertigt wurden, verdienen another high point of the year. Other artists have concentrated on more zwei Kragen von Natascha Wolters, einer Kunstlerin, die in Berlin lebt, traditional uses of beadwork for costume and body adornment. Al- die Aufmerksamkeit eines breiteren Publikums. Above/Oben: Natacha Wolters, Germany Beaded Collar: L'Automne (detail), 1989 Glass beads, silk thread; knitted Glasperlen, Seidenfaden; gestrickt Photo: Christof Wolters

Left/Links: Natacha Wolters, Germany Two Beaded Collars: L'Automne and L'Ete, 1989 Glass beads, silk thread; knitted Glasperlen, Seidenfaden; gestrickt Each/je: Diam. 28 cm (exterior) Photo: Christof Wolters Above/Oben: Yoichi Ohira, Italy Pastello Collection, 1996 Blown glass with murrine and cane decoration Geblasenes Glas mit Murrine- und Rohrdekoration Tallest/hochstes: H. 19.5 cm, Diam. 15.7 cm Blown by Livio Serena

Left/Links: Yoichi Ohira, Italy Mosaic vase, Pastello, 1996 Blown glass with murrine decoration Geblasenes Glas mit Mi/rr/nedekoration H. 13.7 cm, Diam. 11.7 cm Blown by Livio Serena

L'Automne und L'Ete stellen asymetrische Vignetten der Jahreszeiten dar, die von Aquarellen und Zeichnungen der Kunstlerin transferiert wurden. Die illusionistischen Stilleben und Landschaften sind flachen gemusterten Borduren gegenuber gestellt. Zusatzlich zu dem Einfalls- reichtum ihres Designs, das gleichzeitig den Stil historischer Perlenar- beiten und zeitgenossische Grafik aufgreift, sind die Kragen eine Tour de Force an Handwerkskunst. Jeder besteht aus annahernd 38 000 though they were made several years ago, two collars by Natacha Wol- winzigen antiken Glasperlen, die auf einem Seidenfaden verstrickt wur­ ters, an artist living in Berlin, deserve to be brought to wider attention. den, und es hat Monate gedauert sie zu vollenden. Eine Technik, die L'Automne and L'Ete depict asymmetrical seasonal vignettes trans­ von Wolters entwickelt wurde, laBt die Perlenstickerei auf beiden Seiten ferred from the artist's original watercolors and drawings. The illusion- sichtbar sein und gestattet es, sich den Konturen des Korpers anzupas- istic still lifes and landscapes are set against flat, patterned borders. In sen. Indem sie sich an ihre eigenen raffinierten und genauen astheti- addition to the inventiveness of their designs, which straddle historic schen Standards halten, beleben Wolters und ihre Kollegen ein ignorier- beadwork styles and contemporary graphics, the collars are tours de tes Material und Kunsthandwerk. , Italy Phoemina, 1996 Blown glass with filigree decoration; carved Geblasenes Glas mit Filigrandekoration; geschnitten H. 60 cm Photo courtesy of Marina Barovier Gallery

force of craftsmanship. Each is composed of approximately 38,000 an­ Es ist unmoglich die jungsten Entwicklungen im Glas zu kommentie- tique glass seed beads knitted on silk thread and took months to com­ ren, ohne die ehrgeizige Ausstellung „Venetia Aperto Vetro" 1996 zu er- plete. A technique developed by Wolters left the beading displayed on wahnen. Es ist kein Geheimnis, daB die Ausstellung mit Problemen be- both sides and allowed it to be contoured to the body. By applying their laden war; das krasseste war der Mangel eines wahrnehmbaren The- own sophisticated and exacting esthetic standards, Wolters and her col­ mas oder Standpunktes. Unerklarbare Versaumnisse bei der Liste der leagues are reviving an overlooked material and craft. Eingeladenen und die ungleichmaRige Qualitat in der Kategorie der It is impossible to comment on recent developments in glass without „Ehrengaste" bewahrten die Ausstellung sogar davor, ein bedeutender mentioning the ambitious 1996 "Venezia Aperto Vetro" exhibition. It is internationaler Uberblick zu sein, der auf dem gemeinsamen Medium no secret that the show was fraught with problems; the most glaring Glas basiert. Dennoch gestattete das anscheinend willkurliche der Aus- was the lack of a discernible theme or point of view. Inexplicable omis­ wahl die Aufnahme einiger erfrischender und unerwarteter Arbeiten, sions from the list of invitees and the uneven quality of the "guests of auf3erdem war eine spezielle Abteilung mit Studentenarbeiten beson- honor" category prevented the show from being even a meaningful in­ ders inspiriert. Alles in allem war die Ausstellung eine Anstrengung, die ternational survey based on the common medium of glass. Still, the es verdient gelobt zu werden, wenn auch nur wegen der Tapferkeit der seeming randomness of choices allowed for the inclusion of some re­ Organisatoren angesichts der angstlichen und lautstarken Elemente der freshing and unexpected work, and the addition of a special section of Muraneser Glasgemeinschaft - einer Gemeinschaft, die sehr einer Infu­ student work was particularly inspired. All in all, the exhibition was an sion aus der Welt des Design bedarf. Man hort aus Venedig, daf3, so- effort to be commended, if only for the bravery of the organizers in the bald die Ausstellung als populares Zugpferd fur Besucher aus der gan- face of a fearful and vociferous element of the Muranese glass commu­ zen Welt gesehen wurde, der groRte lokale Widerstand dahin schmolz. nity - a community very much in need of an infusion from the world of Die Zurschaustellung auslandischer Arbeiten, die in amerikanischen design. The word from Venice is that once the exhibition was seen as a Galerien selten oder nie zu sehen sind, war fur die Amerikaner, die zu popular draw for visitors from around the world, most local resistance der Ausstellung stromten, ebenso entscheidend wie fur die Muraneser. melted away. Exposure to foreign work seldom if ever seen in U.S. gal­ Von den wenigen Kunstlern, die bei „Aperto" Italien vertraten, warf leries was as crucial for the Americans who flocked to the show as for besonders einer ein helles Licht auf das Muraneser Glasschaffen der the Muranese. letzten Jahre. Yoichi Ohira, der aus Japan stammt, begann in den Of the few artists representing Italy in the "Aperto," one in particular fruhen 70er Jahren in Venedig zu studieren und zu arbeiten. Im Lauf has been a bright spot in Muranese glassmaking in recent years. Yoichi der letzten zehn Jahre hat er als ein Designer Beruhmtheit erlangt, der Lino Tagliapietra, Italy Window, Window, Madras, 1996 Blown glass with filigree decoration; carved Geblasenes Glas mit Filigrandekoration; geschnitten Tallest/hochstes: H. 1.20 m Photo courtesy of Marina Barovier Gallery

Ohira, who is from Japan, began studying and working in Venice during sehr im Geist von Murano arbeitet aber ihm die frische Sicht eines the early 1970s. Over the past decade, he has gained prominence as a AuBenseiters hinzufugt. Die MosaikglasgefaBe seiner Pastello Serie designer working very much in the Muranese spirit, but bringing to it the stutzen sich ahnlich wie die fruhen Marquiscarpas von Richard Mar­ fresh point of view of an outsider. The mosaic glass vessels in his "Pas- quis auf eine bis zu den Romern zuruckreichende Tradition von opaken tello" series, like the earlier "Marquiscarpas" of Richard Marquis, build GefaBen in brillanten Farben, die aus zusammengesetzten Rohren und on a tradition, extending back to the Roman period, of opaque, brilliantly Murrinestucken komponiert sind. Wahrend die Arbeiten von Marquis colored vessels composed of packed cane and murrine slices. Where durch ihre Gestalt und das Format ausgefallen sind, stehen bei Ohira the Marquis pieces are outrageous in their shapes and scale, for Ohira, die ungewohnlichen Farbkombinationen und Musterungen im Zentrum unusual color combinations and patterning are the center of attention. der Aufmerksamkeit. Wir hoffen, daB die Pastello-Objekte nur ein erster We hope that the "Pastello" objects are just the first taste of what Ohira Geschmack dessen sind was Ohira mit dieser Technik kreieren wird. will create with the technique. Jahrelang wurde die geheime Befurchtung gehegt, daB Lino Taglia­ For many years, a secret fear was harbored that Lino Tagliapietra pietra (ebenfalls bei „Aperto" vertreten) einer der herausragenden Glas- (also included in the "Aperto") was one of those glassblowers extraordi- blaser ist, die perfekt die Konzepte anderer realisieren konnen, der aber naires who could perfectly realize the concepts of others, but who was im Nachteil ist, wenn es darum geht, eigene Entwurfe umzusetzen. In at a disadvantage when it came to giving birth to original designs. In the den letzten funf Jahren hat sich diese Wahrnehmung geandert. Ahnlich past five years, this perception has changed. Like Ohira, Tagliapietra wie Ohira hat sich Tagliapietra als einer der sensitivsten Interpreten des has emerged as one of the most sensitive interpreters of the essence of Geistes des venezianischen Glases entpuppt. Seine neuen Arbeiten, . His new pieces shown this past summer at the Marina die im vergangenen Sommer in der Marina Barovier Galerie gezeigt Barovier Gallery - softly colored vessels with narrow openings and wurden - GefaBe mit engen Offnungen und Sockeln in sanfter Farbge- bases, covered with filigree decoration (Tagliapietra's specialty) and bung, die von einem filigranen Dekor (Tagliapietras Spezialitat) uberzo- finished with carved surfaces - abolished any doubt about his artistic gen sind und ihre Vollendung in einer gravierten Oberflache finden - abilities and demonstrated that he is unequivocally deserving of the rev­ heben jeden Zweifel an seiner kunstlerischen Fahigkeit auf und bewei- erence in which he is held. sen, daB erfraglos die Ehrerbietung verdient, die ihm entgegenge- bracht wird.

Susanne K. Frantz Susanne K. Frantz Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS

Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Corning Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der Museum of Glass since the bibliography for New Glass Review 17. New Glass Review 17 der Rakow-Bibliothek des Corning Museums of Glass hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, Zeitgenossisches Glas (nach 1945) and Flachglas (nach 1945), einschlieRlich architekturbezogenes Glas, Technology (after 1945) Glasmosaik, Glasmalerei und Farbglas Films and Videotapes Technologie (nach 1945) Filme und Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive coverage of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass (UrbanGlass, Brooklyn, New York) Glass Art Magazine Glass (Urban Glass, Brooklyn, New York) Glass Art Society Journal Glass Art Magazine Neues Glas/New Glass (Germany) Glass Art Society Journal La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass (Bundesrepublik Deutschland) Stained Glass Quarterly La Revue de la Ceramique et du Verre (Frankreich) Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben Entries beginning with a cardinal or ordinal number, expressed either as wurde. a numeral or spelled out, will be found after the alphabetical entries, ar­ ranged numerically. Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl oder als Wort ausgedruckt sind, werden nach den alphabetischen Ein- Exhibition catalogs, formerly listed under the name of the city in which tragen zahlenmaRig geordnet. each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die 1. Under the name of the author (person or organization). Ausstellung stattgefunden hat, gefuhrt wurden, finden sich jetzt nach 2. Under the name of the city in which the exhibition was held (when the folgendem Schema geordnet: author's name is not provided). 3. Under the title (when neither the author's name nor the city name is 1. Unter dem Namen des Autors (der Person oder Organisation) provided). 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GLAS (nach 1945)

1 Anonymous 5 "Album: John Torreano" 10 "Art and Orrefors: Adventure in Glass" "Acht jonge glaskunstenaars genomineerd 2e Arts Magazine, v. 59, no. 5, Jan. 1985, pp. 44- Interiors, v. 116, Feb. 1957, p. 12, ill. Bernadine de Neeve-prijs" 45, ill. Touring exhibition in the U.S., 1957. Glasbulletin (Vereniging van Vrienden van Sculpture with glass jewels. Modern Glas), v. 9, no. 3, 1995, p. 35. 11 "Art Crimes" Eight glass artists nominated for prize: Bicker Art & Antiques, v. 19, no. 3, March 1996, 6 "The Amses Cosma Way" Caarten, Carlgren, Cho, Gherardi, Pfeifer, p. 16, ill. Interior Design, v. 67, no. 7, June 1996, p. 74, ill. Popadic, Price, Visser. Theft of Jon Kuhn piece. Pate de verre sconces by New York firm.

2 "Acquisitions: Concetta Mason" 12 "Art in Glass: Dani Katsir" American Craft, v. 56, no. 2, April/May 1996, 7 "An Analysis of the Last Three Years of Michigan Glass Guild Newsletter, April 1996, p. 27, ill. Caithness Paperweight History" p. 8, ill. Chattanooga museum acquires 1995 piece by The Caithness Report, v. 19, no. 3, Sept. Judaica in fused glass by Detroit artist. Mason. 1996, pp. 3-5. 13 "Art Topographie '95" Glaswelt, v. 49, no. 1, Jan. 1996, p. 3, ill. 8 "Architekten-Glas" 3 "Les Acteurs de la Foire de Strasbourg" Installation in vineyard by Ursula Merker. Verre & Creation, no. 4, April 1996, p. 2, ill. ArtAurea, no. 1, Feb./March 1996, p. 69, ill. Exhibit at The Hague, showing designs for English summary. 14 "Artist Profile: Mayauel Ward" glass by architects. Glass by Zembok, Negreanu, Balgavy, and Influences Newsletter (The European Influ­ others at Strasbourg art fair. ence, Austin, TX), no. 29, Sept. 1996, p. 2, ill. 9 "Area Glass Artist Receives International California paperweight maker. 4 "After Miami Raffle, CERF Gets Richer" Recognition" American Style, v. 2, no. 3, Summer 1996, Victoria Views (Fostoria, OH), v. 3, no. 2, 15 "Artists Travel from Afar to Participate in p. 12, ill. Summer 1995, p. 8, ill. CGCA" Craft Emergency Relief Fund raffles work by Herb Babcock commissioned to do a glass The Journal, a Newsletter for Friends of Dan Dailey. sculpture for city of Hsincho, Taiwan. Wheaton Cultural Alliance, v. 19, no. 1, Winter 1996, p. 4, ill. 30 "Celebrations of Glass in , 45 "Currents in Collecting: For the Animals" Scott Chaseling, Katrina Hude, Paul Larned, Novy Bor" Collector Editions, Feb. 1996, p. 22, ill. Harumi Yukutake. New Glass Re view (Czech), v. 50, nos. 11-12, Animal sculptures designed by Neil Cohen for 1995, pp. 6-8, ill. In English and German. Hoya Crystal, Japan. 16 "L'Association de deux grands artistes Small symposium, Sept. 1995. pour une grande cause, 'Elton's Angel"' 46 "Dale Chihuly: Installations 1964-1996" Revue des Industries d'Art Offrir, no. 333, May 31 "Chain Gang" BMA Today (The Baltimore Museum of Art), 1996, p. 43, ill. American Craft, v. 56, no. 4, Aug./Sept. 1996, no. 47, Feb. 1996, cover and pp. 6-7, ill. and Lalique and Elton John present glass cherub pp. 46-47, ill. no. 48, March 1996, p. 6, ill. to benefit AIDS foundation. 100 artists contribute to making an 85-ft. Exhibition description. chain; includes a silver and glass link by Julie 17 "Auge um Auge" Mihalisin. 47 "Dale Chihuly: 'Seaforms'" Art, das Kunstmagazin, no. 6, June 1996, Antiques and The Arts Weekly, v. 24, no. 24, p. 10, ill. 32 "Chihuly Glass at BMA" June 14, 1996, p. 92-C, ill. Exhibition of the work of Raimund Kummer in­ Antiques and The Arts Weekly, v. 24, no. 6, cludes 84 glass eyes. Feb. 9, 1996, p. 40, ill. 48 "Daniel Crichton Wins the 1994 Bronf­ Baltimore exhibit of Chihuly's installations, man Award" 18 "Beadsmith Art Seymour" 1964-1996. Fusion (Ontario Clay and Glass Association), Arizona Society of Glass Bead Makers, no. 5, v. 19, no. 1, Winter 1995, p. 13. July/Aug. 1996, pp. 2-3, ill. 33 "Commissions: Dale Chihuly - Cobalt Blue Chandelier with Putti" 19 "Beadworks: 'National Contemporary Art 49 "Dick Huss, Glass Blower Extraordi­ Sculpture, v. 15, no. 3, March 1996, p. 12, ill. naire" Glass Bead Show' at G.A.S." Microsoft Corp. commissions chandelier for its FFI (Fine Furniture International), v. 1, no. 4, The Bead Release (Shingle Springs, CA), v. 3, Redmond, Washington, building. no. 3, July 1996, p. 6. Sept./Oct. 1996, p. 12, ill. Vessels by the Minnesotan. Review of Cambridge, Massachusetts, exhibit. 34 "Commissions: Damian Priour" Sculpture, v. 15, no. 7, Sept. 1996, p. 18, ill. 50 "Dimensions in Glass" 20 "Bernardine de Neeve-prijs en -tentoon- Project in an Austin, Texas, convention center. stelling" Glass Craftsman, no. 7, April/May 1996, pp. 50-53, ill. Glas en Keramiek, no. 5, Dec. 1995, p. 9, ill. 35 "Commissions: Judy Pfaff" Awards to Jens Pfeifer, Anna Carlgren, Simsa Five Massachusetts artists in Cambridge Art Sculpture, v. 15, no. 2, Feb. 1996, p. 26, ill. Association exhibit. Cho, Lisa Gherardi, Jelena Popadic, Arnout Suspended sculpture with glass in Pennsylva­ Visser. nia convention center. 51 "Electric Sign Design Competition '96" Signs of the Times, v. 218, no. 10, Sept. 1996, 21 "Biennali di Murano 1895/1972 Ca' Pe- 36 "Commissions: Robert Kehlmann" pp. 98-137, ill. saro-Venezia, 11 giugno-15 ottobre 95" American Craft, v. 56, no. 1, Feb./March 1996, Neon signs. Alte Vitrie, v. 7, no. 3, 1995, pp. 27-28, ill. p. 20, ill. 1995 Biennale, Murano. Installation in New York lobby. 52 "Elton John and Lalique Join Forces to 22 "The Birth of UrbanGlass Editions" 37 " aus Glas" Fight AIDS" Glass (UrbanGlass), no. 62, Spring 1996, ArtAurea, no. 1, Feb./March 1996, p. 82, ill. Tableware Today, v. 1, no. 2, June/July 1996, p. 60. Israeli designer Ron Arad, working for Fiam p. 12, ill. Eva Zeisel designs a tabletop line and unique Italia. Marie-Claude Lalique designs angel figurine. objects for UrbanGlass. 38 "Corning Museum Opens New Hot 53 "Evenement. Sars-Poteries: Les Acquisi­ 23 "Le Bon Choix pour la table" tions 95" Maison & Jardin, no. 420, Feb. 1996, pp. 122- Glass Studio" American Glass Review, v. 116, no. 4, March/ Verre & Creation, no. 4, April 1996, p. 5, ill. 126, ill. April 1996, p. 11. English summary. Glassware by Lalique, Saint-Louis, Baccarat, 20 works acquired by Musee-Atelier du Verre littala, and other firms. 39 "Craftnotes: Glass Artist Wins Sculpture of Sars-Poteries by Rybak, Groot, Ito, Negre- anu, etc. 24 "Borowski Show" Award" Influences Newsletter (The European Influ­ Craftlink, v. 10, no. 1, June 1996, p. 12. Jennifer Farley of Brisbane, Australia. 54 "Exhibiting Exquisite Enterprise" ence, Austin, TX), no. 28, May 1996, p. 5, ill. Kahch (All Glass Manufacturers' Federa­ tion, New ), v. 2, no. 1, March 1993, 25 "Boston G.A.S." 40 "Crisal, Atlantis Hand Made Crystal" Tableware International, v. 26, no. 5, June pp. 24-25, ill. Glass (UrbanGlass), no. 64, Fall 1996, p. 58. Calcutta glass artist Sreela Mukherjee. Highlights of the conference. 1996, p. 45, ill. Portuguese firm. 55 "Exhibition '96" 26 "Breaking Barriers" Scottish Glass Society Newsletter, no. 55, Antiques and The Arts Weekly, v. 24, no. 25, 41 "Crystal Crossing" Summer 1996, pp. 6-8, ill. June 21, 1996, p. 82, ill. Glass, Monthly Journal of the European Glass Review of the Society's show. Exhibit at American Craft Museum: Dale Industry, v. 73, no. 8, Aug. 1996, p. 298. Chihuly, Joyce Scott, Ginny Ruffner, Sherry Luciano Vistosi's glass to be built in Markovitz. Venice. 56 "Expositions: Guggisberg-Baldwin" La Revue de la Ceramique et du Verre, no. 86, 27 "Brennpunkt fur Schmuckkunst" 42 "Crystal Lights Ablaze" Jan./Feb. 1996, p. 60, ill. ArtAurea, no. 3, Sept./Oct./Nov. 1996, p. 74, ill. Glass International, v. 19, no. 2, June 1996, "Battuti e Incisi" exhibit recently shown at Mar- Melbourne, Australia, art gallery includes p. 17, ill. tigny, Nonfoux, and Geneva. glass. Chandelier and lighting firm in Cairo, Egypt. 57 "Faberge Finds Fame" 28 "A Brilliant Outlook" 43 "Crystalex Co. Ltd. - Tradition and Pres­ Beauty , v. 80, no. 3, March 1996, Tableware International, v. 26, no. 1, Feb. ent" p. 63, ill. 1996, pp. 157-158, ill. New Glass Review (Czech), Part 4: v. 50, nos. Exhibition of Faberge objects, and introduc­ , Scotland, finds new life. 11-12, 1995, pp. 13-20, ill. Part 5: v. 51, no. 1, tion of a new Saint Louis flacon by the 1996, pp. 25-28, ill. In English and German. Faberge company. 29 "Caithness as a Family of People" The Caithness Report, v. 19, no. 2, May 1996, 44 "Crystalex Presents Artists-Designers" 58 "Fashion at Baccarat - A Celebration of pp. 1-3+, ill. New Glass Review (Czech), v. 51, nos. 7/8, Women" Colin Terris and other designers, engravers, 1996, pp. 29-32, ill. In English and German. Offrir Life, no. 84, June 1994, p. 20, ill. and glassmakers at Caithness. Includes Paul 22 designers with illustrations of their prod­ Baccarat jewelry by designers Catherine Noll, Ysart history. ucts. Evelyne Julienne, Thomas Bastide. 59 "A Feast of Lights" 13th annual exhibition of the Art Glass Asso­ pp. 144-147, ill. In Italian and English. American Craft, v. 56, no. 1, Feb./March 1996, ciation of Southern California. Arad's new line of shelving units made of pp. 52-55, ill. . Menorahs in a variety of media; glass ones by 75 "The Glass Equation: Fire + Sand + , Ginny Ruffner, Mark Abild- Light = Glass Art" 90 "International Museum of Modern Glass" gaard, . Stained Glass Quarterly, v. 90, no. 4, Winter Artists in Stained Glass Flat Glass Journal, 1995, pp. 286-287, ill. Fall 1996, p. 12. 60 "Featured Artist: The Lustrous Surfaces Work from the Art Glass Association of South­ Tacoma, Washington, museum hires architect of Brock Craig"-- ern California exhibition. and director, both Canadians. Common Ground: Glass, Fall 1996, p. 21, ill. 76 "Glass from North Carolina" 91 "International Museum of Modern Glass" 61 "Fremont Street Experience" Glass Art, v. 11, no. 3, March/April 1996, pp. Glass Art, v. 11, no. 6, Sept./Oct. 1996, p. 57. Architecture, v. 85, no. 4, April 1996, pp. 88- 26-27, ill. Plans for a Tacoma, Washington, contempo­ 89, ill. Exhibit at the Glasmuseum in Ebeltoft, Den­ rary glass museum. Renovated Las Vegas neon area. mark. 92 "International Museum of Modern Glass, 62 "Fulvio Bianconi 1915-1996" 77 "Glass in Southeast Area Museums" Tacoma, Wash." Vetri: Italian Glass News, v. 2, no. 3, July 1, The Glass Art Society Journal, 1995, pp. 49- Antiques and The Arts Weekly, v. 24, no. 28, 1996, p. 19. 50, ill. July 12, 1996, p. 67. Obituary. Panel discussion with Martha Drexler Lynn, moderator. 93 "International Window: IGA Seeks Glass 63 "Futuristisch" Art Organizations Worldwide. Part II" ArtAurea, no. 3, Sept./Oct./Nov. 1996, p. 80, ill. 78 "Glass Publications and Organizations" GAS News (Glass Art Society), Winter 1996, Glass by Horst Bartels. Orton Firing Line (Orton Firing Institute, p. 4. Westerville, OH), Spring/Summer 1994, p. 3. Partial list of glass art organizations world­ 64 "Gallery" Six contemporary glass periodicals. wide. American Craft, v. 56, no. 4, Aug./Sept. 1996, pp. 70-75, ill. 79 "Glass Studio Stepanek, Novy Bor" 94 "Ivan Chalupka in Memoriam" Objects by Robert Levin, Cappy Thompson, New Glass Revie w (Czech), v. 50, no. 10, New Glass Review (Czech), v. 51, no. 9, , and David Jones from vari­ 1995, pp. 5-6, ill. In English and German. 1996, pp. 18-21, ill. In German and English. ous exhibits. Replicas of historical glassware. Glass engraver at Moser.

65 "Gallery: Joel Philip Myers" 80 "Glass: Wesselmann, Dine - and Trink- 95 "Jaroslav Svoboda: Glass Artist" American Craft, v. 56, no. 2, April/May 1996, ley" New Glass Review (Czech), v. 50, no. 8, p. 80, ill. ARTnews, v. 95, no. 5, May 1996, pp. 91-92, ill. 1995, pp. 13-23, ill. In German and English. Manhattan collectors of contemporary glass. 66 "Ginny Ruffner - Tabula rasa: After the 96 "The Kaatskill Kaleidoscope" Healing" 81 "Glimmande" The Brewster Society News Scope, v. 11, no. 2, The Glass Club Bulletin, no. 178, Summer Form, v. 91 (705), no. 3, 1996, p. 8, ill. Summer 1996, p. 2, ill. 1996, pp. 26-27, ill. Ulrika Hydman-Vallien vase. 38-ft.-high kaleidoscope constructed in Mt. Pleasant, NY. 67 "Give Him a Diamond" 82 "Goode Designs" American Style, v. 3, no. 1 (6), Fall 1996, Goode's Magazine, v. 1, no. 1, 1995, pp. 8-14, 97 "Kjell Engman" p. 13, ill. ill. Glaswelt, v. 49, no. 7, July 1996, p. 3, ill. Fused glass baseball stadiums by glass artist New glass designs by the London store. Engman glass sculpture for Berlin exhibit, Michael Dupille. Sept. 1996. 83 "Harmony's Realm of Light: Lucartha 68 "Glas, das was auszusagen hat" Kohler's Glass Sculpture" 98 "Kosta Glass" Glaswelt, v. 48, no. 4, April 1995, pp. 38-39, ill. Glass Art, v. 2, no. 2, Jan./Feb. 1996, pp. 38- The Studio (London), v. 149, Jan. 1955, pp. Exhibitions "Leben mit Glas" and "Exempla" 45, ill. 24-25, ill. held at craft fair in Munich (, Jochem Poensgen, Libensky/Brychtova, and 84 "Henry Halem: Casting About for a 99 "Kunst hat nichts mit Geschmack zu tun" others). Voice" Art, das Kunstmagazin, no. 3, March 1996, The Voice: (American pp. 54-65, ill. 69 "Glas zwischen Kunst und Design" Craft Association), v. 4, no. 1, Jan. 1995, p. 5, Installations with glass and neon by Joseph ArtAurea, no. 3, Sept./Oct./Nov. 1996, p. 96, ill. ill. Kosuth. Philip Baldwin/Monica Guggisberg. 85 "History of the Glass Art Society: 1971 - 100 "Large Crystal Sculpture at Bergstrom- 70 "Glaskunst" 1995. Chronology" Mahler" ArtAurea, no. 1, Feb./March 1996, p. 16, ill. The Glass Art Society Journal, 1995, pp. 101- Antiques and The Arts Weekly, v. 24, no. 41, Klaus Moje exhibit at the Museum fur Kunst 112, ill. Oct. 11, 1996, p. 60-D, ill. und Gewerbe, Hamburg. exhibit. 86 "Hoya Joins the Rush to Madison Ave­ 71 "Die Glasplastik von Willi Pistor und sei- nue" 101 "Licht und Ausstellungen: Maurizio nen Schulerinnen/Schulern" Tableware International, v. 26, no. 3, April Nannucci, Installationen 1992-1994" Glaswelt, v. 49, no. 6, June 1996, p. 8, ill. 1996, pp. 34-36, ill. Jahrbuch fur Licht und Architektur, 1994, Architectural glass competition; glass by Willi Hoya Crystal products. pp. 204-205, ill. In German and English. Pistor and students. Neon installation by Nannucci in Kassel. 87 "HWC (Handle with Care)" 72 "Glass Artist Creates City's Gift to Pope" Minimo Tableware and News (Pavia, Italy), 102 "Lichthaus" Niche, Winter 1996, p. 18, ill. no. 4, Dec. 1995, pp. 28-31, ill. In Italian and Art, das Kunstmagazin, no. 5, May 1996, Glass artist Lucinda Shaw, Baltimore, English. p. 13, ill. Maryland. Egizia e Sottsass Associates produce glass­ Neon installation by Georg Herold in Esslinger ware line with silkscreened decoration. exhibit. 73 "Glass Artists' Conference a First" New Zealand Society of Artists in Glass 88 "In Context: Sally Prasch" 103 "Malerisches Glas" Newsletter, Feb. 1996, p. 2. Glass (UrbanGlass), no. 62, Spring 1996, ArtAurea, no. 3, Sept./Nov. 1996, p. 26, ill. pp. 42-45, ill. Exhibit of the work of Jack Ink and Tina - 74 "The Glass Equation: Fire + Sand + nert in . Light = Glass Art" 89 "An Infinite Range of Combinations. Ron Glass Art, v. 2, no. 2, Jan./Feb. 1996, pp. 34- Arad for Fiam Italia" 104 "Maria van Kesteren" 35, ill. Ottagono, v. 31, no. 118, March/May 1996, Glas en Keramiek, no. 5, Dec. 1995, p. 11, ill. In Dutch. Ann Wahlstrom design for Kosta Boda, "Cir­ 134 "Portfolio: Mark Adrian Parsons" Recent exhibits. cus Princess." American Craft, v. 56, no. 6, Dec. 1996/Jan. 1997, p. 55, ill. 105 "Mario Merz, un artista tra neon e na- 120 "Notizie. Forli: Presenze qualificate Kiln-cast glass. tura" sotto il segno del vetro e della ceramica Babi- Neon, no. 64, Nov./Dec. 1995, pp. 22-24, ill. lonia '96" 135 "Portfolio: Martin Rosol" Installations with neon by Merz. CeramicAntica, v. 6, no. 1 (56), Jan. 1996, American Craft, v. 56, no. 4, Aug./Sept. 1996, p. 61, ill. p. 61, ill. 106 "Martin Zendron" Contemporary Venetian glass at Forli fair. Collector, no. 1, 1996, p. 7, ill. 136 "Portfolio: Robert A. Mickelsen" Swarovski designer. 121 "An Oak Tree" American Craft, v. 56, no. 2, April/May 1996, Art Review, v. 47, Dec. 1995/Jan. 1996, p. 67, ill. 107 "The Mind of a Crystal Glass Blower" p. 10, ill. Kahch (All India Glass Manufacturers' Federa­ Michael Craig-Martin's work of conceptual art, 137 "Premiere: Glasobjekte zwischen Kunst tion, ), v. 2, no. 4, Dec. 1993, pp. 7- a glass piece, 1973. und Design" 9, ill. Glas + Rahmen, v. 47, no. 19, Oct. 1, 1996, Sreela Mukherjee. 122 "Observations: Ben Cunningham" p. 1050, ill. Metalsmith, v. 16, no. 3, Summer 1996, GLASTEC fair includes art glass for the first 108 "Mosaic Glass by Klaus Moje at Ameri­ pp. 34-35, ill. time. can Craft Museum" Metal and glass jewelry. Antiques and The Arts Weekly, v. 24, no. 19, 138 "Profile: George Bucquet's Balancing May 10, 1996, p. 47, ill. 123 "Ohio Tiger Goes to London" Act" Glass Shards, Fall 1996, p. 1, ill. The Voice (American Craft Association), v. 5, 109 "The Most Tasteful Tree" by Mark Matthews acquired by the no. 3, May/June 1996, p. 5+, ill. Starlight (For the Christopher Radko Collec­ Victoria & Albert Museum. tor), Autumn 1994, p. 3, ill. 139 "Profile: Mark Peiser - In the Service of Use of fruits and vegetable ornaments on 124 "On the Cover" Beauty" Christmas trees in the past, and Radko ones The Crafts Report, v. 22, no. 242, June 1996, The Voice (American Craft Association), v. 4, today. cover and p. 2, ill. no. 4, July/Aug. 1995, pp. 5-7, ill. Lampworked piece by Robert Mickelsen. 110 "Moving across the Courtyard" 140 "Profile: Objects of Power" The Glass Cone, no. 42, Autumn 1996, p. 7, ill. Glass Craftsman, no. 138, Oct./Nov. 1996, 125 "On the Homefront" Simon Moore and Ben Dunington, glass- pp. 43-45, ill. Crafts (U.K.), no. 139, March/April 1996, p. 14, makers in London. Cast glass and leaded glass by Keith Bramer. ill. Cocktail glasses by Adrienne McStay in Aber­ 111 "Museo Ateliers di Sars-Poteries" deen exhibit. 141 "Projects: Glass Memorial Honors Fall­ Alte Vitrie, v. 7, no. 3, 1995, p. 26, ill. en Journalists" Glass by Marketa Silena, Ivana Houserova; U.S. Glass, v. 31, no. 7, July 1996, p. 13, ill. Muranese glass and jewelry. 126 "Open-Air Glass" Dichroic glass and steel memorial, Arlington, Finland Folio, v. 1, no. 4, June/July/Aug. 1996, VA. p. 8, ill. 112 "Museums" Dale Chihuly, , and their teams Glass (UrbanGlass), no. 64, Fall 1996, p. 58. 142 "Public Commissions: 'Bridge from Art create pieces at Nuutajarvi; some of them will Reopened Smalands Museum (now Sweden's to Community'" be displayed at the Long House Foundation Art Glass Association of Southern California Museum of Glass) and Tacoma's planned in­ on Long Island. ternational glass museum. Newsletter, May 1996, p. 1. Larry Gruda's commissions. 127 "Panel Discussion: Original G.A.S." 113 "Neue Generation" The Glass Art Society Journal, 1995, pp. 18- ArtAurea, no. 3, Sept./Oct./Nov. 1996, p. 81, ill. 143 "Quebec Artists Show Their Work in 20, ill. Desk and gift sets by Firma Schroder. New York" , moderator. Glass Gazette, Fall 1995, p. 17, ill. 114 "Neuer Design-Vertrieb" Luc Taillon, Ronald Labelle, Jean-Marie Gi- ArtAurea, no. 1, Feb./March 1996, p. 26, ill. 128 "Paperweight Festival" guere. Work by Stiletto Studio and other firms. Antiques and The Arts Weekly, v. 24, no. 1, Jan. 5, 1996, p. 58, ill. 144 "Rebirth for Murano Glass" Work by Rick Ayotte, Chris Buzzini, Randall 115 "Neues in den Heimatwerken" Gifts and Decorative Accessories, v. 97, no. 8, Grubb, Paul Stankard, and others. Heimatwerk, no. 4, 1996, pp. 27-30, ill. Aug. 1996, pp. 52-53+, ill. New production items by Eka Haberling and Murano companies. Glasi Hergiswil. 129 "Pate de verre by Daum" Gazette and Glass Trade Review, v. 145 "Sars-Poteries. Universite d'ete: Place 116 "New German Glass Museum Opens" 94, no. 1108, Oct. 1969, p. 823, ill. aux maitres" Glass Focus, v. 11, Dec. 1996/Jan. 1997, 1960s limited-edition sculptures designed by Verre & Creation, no. 5, July 1996, pp. 4-5, ill. p. 1+. Legendre, Demarchi, and others. Summer workshops and featured artists at Glasmuseum Ernsting, a private museum of Sars-Poteries Musee-Atelier. contemporary glass. 130 "A Place for Art and Family" Country Living, v. 19, no. 3, March 1996, 146 "The Seattle Gathering" 117 "New Paperweight Artists at The Euro­ pp. 104-111, ill. The Bead Release (Shingle Springs, CA), v. 3, pean Influence" Home of Pia Sjolin-Hart and Tom Hart in­ no. 3, July 1996, pp. 3-4. Influences Newsletter (The European Influ­ cludes their glass pieces. Gathering IV conference, August 1996. ence, Austin, TX), no. 29, Sept. 1996, p. 4, ill. Work and biographies of Chris Heilman, David 131 "Portfolio: Chris Tedesco" 147 "Shortform: Galia Amsel" Salazar, John Deacons, Eric Hansen, Stuart American Craft, v. 56, no. 5, Oct./Nov. 1996, Crafts (U.K.), no. 142, Sept./Oct. 1996, p. 16, ill. Abelman. p. 90, ill. Cast glass clocks by Amsel.

118 "New Venetian Glass with Encased 132 "Portfolio: Karen LaMonte" 148 "Shortform: Happy Birthday to Yew" Figures" American Craft, v. 56, no. 1, Feb./March 1996, Crafts (U.K.), no. 140, May/June 1996, p. 12, ill. Antique & Collectors Reproduction News, v. 5, p. 56, ill. Pauline Solven piece in exhibit at a Glouces­ no. 3, March 1996, pp. 34-36, ill. tershire gallery. Old (1948-1960) and new aquarium blocks. 133 "Portfolio: Kim Koga" American Craft, v. 56, no. 6, Dec. 1996/Jan. 149 "Shortform: New Glass Gallery" 119 "Noterat: 'Cirkusprinsessan'" 1997, p. 54, ill. Crafts (U.K.), no. 139, March/April 1996, Form, v. 91 (705), no. 3, 1996, p. 10, ill. Bottle series and neon work. p. 14, ill. New gallery in London will exhibit Czech glass 164 "Szene: Experimentierfeld" 179 "Vetro e natura" and other contemporary glass. Art (Germany), no. 7, July 1996, p. 10, ill. Magazine Premier for Tableware, no. 46, Jan. Neon installation by Gunther Forg. 1996, pp. 16-17, ill. 150 "Slavnosti skla v novoborskem Crysta- Glass by . lexu" 165 "Szk+o 95" Pro VasStuI, v. 3, no. 3, 1995, pp. 11-12, ill. Szkio i Ceramika, no. 6, 1995, pp. 15-18, ill. 180 "Vetro News" Crystalex of Novy Bor; designs by Eva Svest- Glass by Ma+gorzata Dajewska and other Alte Vitrie, v. 7, no. 2, 1995, p. 31, ill. kova and Jaroslav Vymazal. Polish tableware designers. Recent visitors, conferences, and other activi­ ties at the Altare glass museum. 151 "Southeast Area Glass Schools" 166 "Timo Sarpaneva" The Glass Art Society Journal, 1995, pp. 45- Art Aurea, no. 1, Feb./March 1996, p. 84, ill. 181 "Vetro News: Artisti al Museo del Vetro" 48, ill. Brief review of his career. Alte Vitrie, v. 7, no. 1, July 1995, p. 29, ill. Panel discussion with Gene Koss, moderator. Piece by Silvio Vigliaturo. 167 "Tony Cragg" 152 "Special Feature: Animated Work by Weltkunst, v. 66, no. 14, July 15, 1996, 182 "Victoria and Albert Acquires Two Anitra Blayton" pp. 1637-1638, ill. Works by Ohio Artist" Art Now Gallery Guide, v. 15, no. 6, Feb. Review of Salzburg exhibit with glass and Antiques and The Arts Weekly, v. 24, no. 24, 1996, p. 31-SW, ill. metal bottle tree, "Spyrogyrea." June 14, 1996, p. 4. Texas artist uses glass in installation "Monu­ Graal marbles by Mark Matthews acquired by ment to a Common Audience." 168 "Turn Back Time . . . with Historical the London museum. Photos from the Wegner Factory Album" 153 "Lo spettacolo continua . .." Starlight (For the Christopher Radko Collec­ 183 "Virginia Gabaldo's Glass 'Assem­ Magazine, Premier for Tableware (Milan), tor), Autumn 1993, pp. 4-5, ill. blages'" no. 43, April 1995, pp. 67-75, ill. Photos of making Christmas ornaments in Airbrush Action (Lakewood, NJ), v. 10, no. 4, New designs from many European firms. Coburg, 1950s. Nov./Dec. 1994, pp. 11-17, ill.

154 "Les Splendeurs du verre de Murano 169 "Ulla Darni - Fire Forms: Glass and 184 "V6's Eye-Opening Display: Review of (premiere partie)" Metal" V6's Too Hot 2 Handle" Revue des Industries d'Art Offrir, no. 329, The Glass Club Bulletin, no. 177, Winter British Columbia Glass Arts Association Dec. 1995/Jan. 1996, pp. 98-104, ill. 1995, pp. 26-27, ill. Newsletter, v. 7, no. 6, April 1995, pp. 4-5. Alfredo Barbini, Angelo Orsoni. Reverse-painted glass shades by Darni. Vancouver exhibition.

155 "Stankard & Stankard at Wheaton" 170 "Unique Steuben" 185 "Well-Chosen Works" Antiques and The Arts Weekly, v. 24, no. 37, Maine Antique Digest, v. 24, no. 6, June 1996, Ontario Craft, v. 21, no. 2, May/June 1996, Sept. 13, 1996, p. 24, ill. p. 7-A, ill. p. 7, ill. Paul Stankard's paperweights and his daugh­ Sculpture, designed by David Dowler and Perfume bottle by Ian Forbes. made for a Red Cross benefit, is first Steuben ter's in exhibit. work to incorporate color in 64 years. 186 "Who Defines Art? Who Do We Make 156 "Step-by-Step Guide to the Swarovski Our Art For?" 171 "Up Close and Personal" Jeweler's Collection & Signature" The Glass Art Society Journal, 1995, pp. 98- American Style, v. 2, no. 3, Summer 1996, Swarovski Collector, no. 1, 1996, pp. 8-9, ill. 100. p. 12, ill. Panel discussion with Jane Kessler, moderator. New hot-glass studios at The Corning Mu­ 157 "Stockholms eget glasrike" seum of Glass and at the Institute of Industrial 187 "Willem Heesen: 'Ik weet van toeten Skona Hem & Allt i Hemmet, no. 11, 1995, Technology in Newark, OH. pp. 125-128, ill. noch blazen'" Glashelder, no. 5, Jan. 1996, pp. 8-11, ill. Kerstin Friberg engraves glass at Velamsunds 172 "UrbanGlass Honors Its Own" glassworks. Niche, v. 8, no. 2, Spring 1996, p. 30, ill. UrbanGlass awards to Ginny Ruffner, Pink- 188 "Wohnen mit Glas" 158 "Stolen Art Alert: " water Glass, Bertil Vallien, , Heimatwerk, v. 60, no. 4, 1995, p. 36, ill. IFAR Reports, v. 16, no. 12, Dec. 1995, p. 20, ill. and others. Zurich exhibit, "Living with Glass." Karla Trinkley piece. 173 "Venezia: Lino Tagliapietra. 50 anni di 189 " Celebrating Their Birth­ 159 "Stolen Art Alert: French, 20th Century" vetro" days" IFAR Reports, v. 16, no. 12, Dec. 1995, p. 18, ill. CeramicAntica, v. 6, no. 4 (59), April 1996, New Glass Review (Czech), v. 51, no. 6, Work by Fievet, Leloup, Antoine and Etienne pp. 6-12, ill. 1996, pp. 14-15, ill. In English and German. Leperlier, Negreanu. Marie Gluckaufova, Vera Libenska. 174 "Verre a la liegeoise" 160 "Studio Glass at The Metropolitan" Verre & Creation, no. 4, April 1996, p. 3, ill. 190 "Young Artists" Antiques and The Arts Weekly, v. 24, no. 35, English summary. The Glass Art Society Journal, 1995, pp. 73- Aug. 30, 1996, p. 44, ill. European glass triennial at Liege and Luxem­ 76, ill. bourg. Panel discussion with Ruth King, moderator. 161 "Studio Glass Donations; Acquisitions" Wagga Wagga City Art Gallery Annual Report 175 "Verrerie d'art et diffuseur" 191 "Zehn Jahre Studioglas" (Jan. 1-June 30, 1994 and July 1, 1994-June Vie des Arts, v. 40, no. 163, Summer 1996, Art Aurea, no. 3, Sept./Nov. 1996, p. 10, ill. 30, 1995), Wagga Wagga, WA: the gallery, p. 9, ill. Exhibit at Ebeltoft Glasmuseum "The First Ten 1995, pp. 8 and 14-17, ill. Sculpture by Quebec artist Constance Letel- Years of 50 Artists." Glass by Judi Elliott, Pamela Stadus, Kathy lier which also diffuses scents into the air. Elliott, Ben Edols, Gerry King, Stephen Skil- 192 "Zuruckhaltend elegant" litzi, and others. 176 "Vetri d'arte: I vetri di Sandro Cherchi" Art Aurea, no. 3, Sept./Oct./Nov. 1996, p. 80, ill. Alte Vitrie, v. 7, no. 1, July 1995, p. 31, ill. Oil and vinegar bottle by Valentin Eisch. 162 "Swarovski Crystal Worlds Opens" Designer with Studio Casarini. Glass (UrbanGlass), no. 62, Spring 1996, 193 "10 Jahre Glasstudio Biland" p. 60, ill. 177 "Vetri d'arte: Massimo Cai" CCS-Bulletin (Crafts Council Schweiz/Suisse/ Paul Seide neon installations. Alte Vitrie, v. 7, no. 2, 1995, p. 30, ill. Svizzera), v. 10, no. 4, Dec. 1995, pp. 8-9, ill. Sculptures by Cai. Ten years of Marcel and Andi Biland's glass 163 "Szene" studio. Art (Germany), no. 12, 1995, pp. 10-13, ill. 178 "Vetro & arte" Glass pig by Milan Kunc, stained glass win­ Magazine Premier for Tableware, no. 46, Jan. 194 "14 femmes a la Verrerie de Nonfoux" dow by Karl Otto Gotz, installation by Judy 1996, pp. 19-21, ill. CCS-Bulletin (Crafts Council Schweiz/Suisse/ Pfaff in Philadelphia, neon by Sarkis in Bonn Work by Livio Seguso, Gae Aulenti, and Dale Svizzera), v. 10, no. 4, Dec. 1995, p. 10, ill. installation. Chihuly piece made at Nuutajarvi. Review of Swiss exhibit of work by 14 women. 195 "15 Jahre Galerie beim Roten Turm" 209 "Les Belles Oeuvres du verre aujour- 222 Backer, Noelle ArtAurea, no. 3, Sept./Nov. 1996, p. 22, ill. d'hui" "Looking Back to Move Ahead" Frank van den Ham and Heiner Dusterhaus at La Revue de la Ceramique et du Verre, no. The Crafts Report, v. 22, no. 246, Oct. 1996, a Sommerhausen gallery. 86, Jan./Feb. 1996, pp. 56-57, ill. pp. 10-11, ill. Exhibition at the Musee de Sevres. Pieces by American Craft Museum celebrates 40th anni­ 196 "21 British Glass Artists of the 20th David Taylor and Vincent van Ginneke versary. Century" illustrated. Glashelder, no. 5, Jan. 1996, p. 5, ill. In Dutch. 223 "News and Trends: New Documentary Schalkwijk exhibit announcement. 210 "Expositions: Serge Mansau, le faiseur Reveals the Art and Mystery of Making Glass" de pluie" The Crafts Report, v. 22, no. 243, July 1996, 197 "25 Years of New Glassworks in Svetla La Revue de la Ceramique et du Verre, no. 87, p. 4+, ill. nad Sazavou" March/April 1996, p. 58, ill. "Alchemy in Light," a film on glassmaking New Glass Review (Czech), v. 51, no. 2, 1996, made at Nourot Studios. pp. 13-15, ill. In German and English. 211 "Marcoville: Le Ferrailleur du verre" La Revue de la Ceramique et du Verre, no. 85, 224 Baer, Shirley Nov./Dec. 1995, pp. 21-23, ill. 198 "135 Years of the Josefodol Glass­ "Milton Bond, Folk Artist" works" The Decorator, Journal of the Historical So­ 212 "Pascale Riberolles, souffleuse de New Glass Review (Czech), v. 51, no. 1, ciety of Early American Decoration (Charles­ verre" 1996, pp. 21-24, ill. In English and German. ton, SC), v. 49, no. 2, Spring/Summer 1995, La Revue de la Ceramique et du Verre, no. 90, cover and pp. 7-9, ill. Sept./Oct. 1996, p. 50, ill. 199 "1996 AIA Religious Art Award: Michael Reverse paintings on glass. Berkowicz/Bonnie Srolovitz" Faith and Forum, v. 29, Spring/Summer 1996, 213 Andrighetti, Joanne "Artist Profile: Nona Barakso Lindsay - Follow­ 225 Bajcurova, Katarina p. 15, ill. Bien venue sur les asternides!.. . Yan Zorit- Woven fiber-optic Hanukkah menorah. ing Her True Calling" British Columbia Glass Arts Association chak Newsletter, v. 8, no. 4, July/Aug. 1996, p. 2, ill. Nancy: Espace 54, 1995, [10] pp., ill. In 200 "1996 Niche Award Winners" French and English. Glass Art, v. 11, no. 4, May/June 1996, pp. 22- Zoritchak's planet sculptures. 23, ill. 214 Anstead, Michael Work by Stephan Cox, Robert Mickelsen, "Reviewing Glass: Captivating Shows from 226 "Les Sculptures de verre de Eva Fisero- Christian Thirion, Ann Miller. Tudor and Bolt" British Columbia Glass Arts Association va" Newsletter, special edition, Fall 1995, p. 3. La Revue de la Ceramique et du Verre, no. 87, 201 Adlerova, Alena Morna Tudor, Gary Bolt. March/April 1996, pp. 24-27, ill. "Britske studiove sklo" Atelier, no. 25, Dec. 5, 1996, p. 4, ill. English 215 Antonelli, Paola summary. 227 Baker, Kenneth "Achille Castiglioni" Prague exhibition of British studio glass. "Reviews: Mona Hatoum" I.D. (International Design), v. 43, no. 1, Jan./ ARTnews, v. 95, no. 11, Dec. 1996, pp. 126- Feb. 1996, p. 53, ill. 127, ill. 202 "Eliska Rozatova - Obrazy" Arco and other lamps. Atelier, no. 23, Nov. 7, 1996, p. 12, ill. installation with numerous light Paintings by the Czech glass artist. bulbs. 216 Arango Design Foundation Refuse: Good Everyday Design from Reused 228 Baldinger, Scott 203 Allan, Lois and Recycled Materials Contemporary Art in the Northwest "Eva Zeisel" Miami, FL: the foundation, 1996, 79 pp., ill. I.D. (International Design), v. 43, no. 1, Jan./ Roseville East, NSW, Australia: Craftsman Tableware made from recycled glass and wine House, 1995, 231 pp., ill. Feb. 1996, p. 87, ill. bottles, p. 17; room divider made from used 89-year-old Zeisel's innovative designs of the Includes glass by Chihuly, Sherry Markovitz, fluorescent bulbs, p. 24. William Morris, Norie Sato. past and new glass being made at Urban- Glass, New York. 217 Gli artisti di Venini: Per una storia del 204 Alpers, Svetlana vetro d'arte veneziano (Text: Alessandro Bet- "Rebecca Horn: Chorus of the Locusts I and tagno, Rosa Barovier Mentasti, Susanne K. 229 Barcelona. Fundacio Centre del Vidre II, 1991" Frantz, Anna Venini) de Barcelona Artforum, v. 34, no. 10, Summer 1996, pp. 88- Milano: Electa, 1996, 234 pp., ill. Transparencies: El teatre dels signes (Primera 89, ill. Catalog for the exhibition of Venini glass at mostra interdisciplinaria. Text: Ignasi the Fondazione Cini, Venice. Reviewed by Domenech) 205 Amelar, Sarah Howard J. Lockwood in Vetri: Italian Glass Barcelona: the center, 1995, 132 pp., ill. In "Dutch Design at MoMA" News, v. 2, no. 3, July 1, 1996, p. 20. Catalan, Spanish, and English. Architecture, v. 85, no. 8, Aug. 1996, pp. 52- Exhibition of glass and stained glass by young Spanish artists. 53, ill. 218 Aspen. Susan Duval Gallery Exhibition of 1990s Dutch design includes a William Morris (Text: Susan Duval) chandelier of clustered light bulbs. Aspen, CO: the gallery, 1996, [24] pp., ill. 230 Bardibukk Glass: Nemzetkozi Uveg Szimpozionok Bardudvarnok-Bardibukk, 206 American Craft Museum 219 Attias, Laurie Magyaroszag 1991-1995 = International Glass Breaking Barriers: Recent American Craft "Dutch Treat" Symposiums Bardudvarnok-Bardibukk, Hun­ (Curator and text: Matthew Kangas) Metropolis, v. 15, no. 8, April 1996, pp. 60- gary 1991-1995 (Endre Gaal, compiler) New York: the museum, 1995, 63 pp., ill. 61+, ill. [S.I.]: Uveg Studio Kiadvanyai = International Glass by Dale Chihuly, Sherry Markovitz, Lighting by Dutch designers in cafe at New Experimental Glass, 1996; (Budapest: Guten­ Ginny Ruffner, Joyce Scott. York's Museum of Modern Art. berg Press), 71 pp., ill. In Hungarian and English. 207 Anderson, Avery H. 220 Audiello, Massimo Catalog covers the first five symposiums in "Berkshire Center for Contemporary Glass" "Spotlight: Kiki Smith" Bardibukk from 1991 to 1995. Common Ground: Glass, Winter 1995, pp. 10- Flash Art, v. 28, no. 185, Nov./Dec. 1995, 11, ill. p. 125, ill. 231 Barovier, Marina and Dorigato, Attilia Glassmakers Edward and Judy Merritt estab­ New York exhibit. II Bestiario di Murano: Sculture in Vetro dal lish studio and gallery. 1928 al 1965 221 Augustijn, Piet Venezia: Canal & Stamperia Editrice, 1996, 208 Andreani, Carole "Sabine Lintzen brengt ode aan vruchtbaar- 135 pp., ill. "Beaute et creativite du verre contemporain" heid" Exhibition of Venetian glass animals, made La Revue de la Ceramique et du Verre, no. Glasbulletin (Vereniging van Vrienden van 1920s-1960s. Reviewed by Howard J. Lock- 89, July/Aug. 1996, p. 62, ill. Modern Glas), v. 9, no. 3, 1995, pp. 22-25, ill. wood in Vetri: Italian Glass News, v. 2, no. 4, Exhibition at Sevres. Vessels by Sabine Lintzen. Oct. 1996, p. 16+. 232 Barovier Mentasti, Rosa "Glass from the Rietveld [Academy]" exhibi­ 261 Robert Palusky: Reflections of an A ffair "Alfredo Barbini" tion. (Text: Karen Chambers and Robert Palusky) Glass (UrbanGlass), no. 62, Spring 1996, Boca Raton, FL: the galleries, 1995, [15] pp., ill. pp. 20-27, ill. 247 Bester, Jean-Claude "Murano: L'Ame du verre" 262 Bochiriska, Beata J. 233 "Cristiano Bianchin alia Galerie DM La Revue de la Ceramique et du Verre, no. 90, "Przedmiot - zadanie na zycie" Sarver di Parigi" Sept./Oct. 1996, pp. 12-16, ill. Szkio i Ceramika, v. 47, no. 2, 1996, cover CeramicAntica, v. 6, no. 5 (60), May 1996, Especially 1950s glass, and murrine glass, and pp. 19-22, ill. pp. 6-13, ill. p. 16. Vases and drinking glasses by Wies4aw Paris exhibit of Bianchin's vessels. Krysiak. 248 Bierman, M. Lindsay 234 "Guggisberg and Baldwin" "Glass on Display at New York's Czech Cen­ 263 Bodonyi, Emoke Glass (UrbanGlass), no. 64, Fall 1996, pp. 42- ter" "'Formai vilagom zarvanyokon es kozeteken 47, ill. Architecture, v. 85, no. 5, May 1996, pp. 40- alakult'" 41, ill. Uj Muveszet, v. 7, no. 4, April 1996, pp. 47- 235 Bateman, Nita The Czech Center's interior, and work by Cig- 50+, ill. "Christopher Radko" ler, Karel, Libensky/Brychtova, Zamecmkova. Interview with Maria Lugossy. Collectors' Showcase, v. 16, no. 8, Dec. 1996, 249 Biot. Galerie Internationale du Verre pp. 58-60, ill. 264 "Kortars uvegmuveszeti kiallitas az Verriales 96: Triptyque Disney character Christmas ornaments. Iparmuveszeti Muzeumban" Biot: the gallery, 1996, 64 pp., ill. Uj Muveszet, v. 7, no. 3, March 1996, pp. 34- International exhibit with 30 glass artists. 236 Bayer Corporation 37+, ill. In Hungarian and English. Bayer Collection of Contemporary Art (Text: Review of an exhibition of contemporary glass 250 Birch, Randy Uta F. Miksche. Deirdre Summerbell, ed.) in Hungary, held at the Museum of Arts and "Seattle Glass Artist Scott Darlington Comes Sewickly, PA: White Oak Publishing, 1995, Crafts in Budapest. 120 pp., ill. to Calgary" Glass Gazette, Summer 1996, p. 14, ill. corporate collection includes glass 265 Bony, Anne by Dale Chihuly, Dan Graham, Kathleen Les Annees 80 Mulcahy. 251 Biron, Normand "Kimio Tsuchiya: La Nature du silence des Paris: Editions du Regard, 1995, 695 pp., ill. gestes" Architecture, lighting, glass by Memphis, furni­ 237 Beckman, Ulf ture by Danny Lane, etc. "Designhantverk och industrikonst" Vie des Arts, no. 161, Winter 1995, pp. 60-62, Form, no. 1, 1996, pp. 48-51+, ill. English ill. 266 Borgward, Monica summary. Sculptures by Tsuchiya include glass. "Glas kostbar!" Glass by Pan Toivanen, industrial designer. 252 Bisschop, Andre ArtAurea, no. 3, Sept./Nov. 1996, pp. 47-50, ill. "Tegenstellingen sieren Richard Meitner" Interview with Isgard Moje-Wohlgemuth and 238 "Kant och tankt" overview of her work. Form, no. 1, 1996, p. 14, ill. Glas en Keramiek, no. 5, Dec. 1995, pp. 25- Gunnel Sahlin, Ann Wahlstrom. 30, ill. 267 Borrmann, Gottfried 253 Blakelock, Virginia L. and Betts, Gary L. "Alles fliefBt: Izabel Lams Lebensphilosophie" 239 Benefield, Scott "Natacha Wolters: Queen of Beads" Kunsthandwerk & Design, no. 6, Nov./Dec. "New Orleans Overview" Shuttle, Spindle & Dyepot, v. 27, no. 2 (106), 1996, pp. 34-37, ill. The Glass Art Society Journal, 1995, pp. 69- Spring 1996, pp. 33-36, ill. Glass by designer Izabel Lam. 72, ill. Beadwork by German artist. 240 Benesh, Carolyn L. E. 268 Boswell, Thorn 254 Blauensteiner, Charlotte The Kaleidoscope Book: A Spectrum of Spec­ "Remembrance of Things Past: Roberta and "Staatspreis fur gestaltendes Handwerk in David Williamson" tacular Scopes to Make Osterreich" New York: Sterling Publishing, 1995, 128 pp., ill. Ornament, v. 19, no. 3, Spring 1996, pp. 42- Kunsthandwerk & Design, no. 6, Nov./Dec. 47, ill. 1996, pp. 42-43, ill. Jewelry with enameling and glass. 269 Bourassa, Paul Vases by Paul Wieser for J. & L. Lobmeyr. "Arts decoratifs et design au Musee du Que­ bec: Necessite et liberie" 241 Berkum, Ans van 255 Blonston, Gary "Golven van energie: Barbara Nanning" Canadian Society of Decorative Arts Bulletin, William Morris: Artifacts/Glass v. 14, nos. 1 and 2, Winter/Spring 1996, pp. 3- Glas en Keramiek, no. 5, Dec. 1995, pp. 13- New York, London and Paris: Abbeville Press, 16, ill. 5+, ill. 1996, 135 pp., ill. Glass by Frangois Houde. 242 Bernadac, Marie-Laure 256 Boca Raton. Habatat Galleries 270 Bramsch, Joan Louise Bourgeois The Art of Painted Glass "Neon Is Back, and That's a Good Sign" Paris and New York: Flammarion, 1996, Boca Raton, FL, Aspen, CO, and Pontiac, Ml: Antique Trader Weekly, v. 40, no. 25, June 19, 191 pp., ill. the galleries, 1995, 24 pp., ill. 1996, pp. 82-85, ill. Work by 19 artists, shown in and 243 Bernard, Elodie Florida. "Czeslaw Zuber" 271 Bray, Charles La Revue de la Ceramique et du Verre, no. 90, 257 Carlson/Weinberg [William Carlson and "Fourth Triennial Exhibition of European Glass Sept./Oct. 1996, pp. 36-39, ill. Stephen Weinberg] Sculpture" Boca Raton, FL: the galleries, 1990, [20] pp., ill. Glass Technology, v. 37, no. 3, June 1996, 244 "Gilles Chabrier" 1990 Florida exhibit. pp. 82-83, ill. La Revue de la Ceramique et du Verre, no. 87, Review of the Liege and Luxembourg exhibi­ March/April 1996, pp. 40-41, ill. 258 Chihuly, Libensky, Brychtova (Text: Ron tion. Glowen, Dale Chihuly, Stanislav Libensky, 245 Bernstein, William and Jaroslava Brychtova) 272 "Obituary: Sybren Valkema" "Shack People and Grunge Studios" Boca Raton, FL: the galleries, 1994, 32 pp., ill. Glass Technology, v. 37, no. 3, June 1996, p. 83. The Glass Art Society Journal, 1995, pp. 42- 44, ill. 259 Klaus Moje, Pavel Hlava 273 Bree, Cecily Penland over the last 25 years. Boca Raton, FL: the galleries, 1996, 20 pp., ill. "Metamorphosis for Contemporary Craft" Craft Arts International, no. 37, 1996, pp. 95- 246 Besten, Liesbeth den 260 Michael Pavlik: New Work '94 (Text: 96, ill. "Amsterdam Glass" Ron Glowen) New craft gallery area in the Museum and Art Neues Glas, no. 4, 1996, pp. 30-39, ill. In Ger­ Boca Raton, FL: the galleries, 1994, [15] pp., ill. Gallery of the Northern Territory, Darwin, Aus­ man and English. 1994 Florida exhibit. tralia. 274 Bremen. Wilhelm Wagenfeld Stiftung 285 Caldwell, John p. 48, ill. Wilhelm Wagenfeld: Gestern, heute, morgen This Is About Who We Are: The Collected New York exhibit. Lebenskultur im Alltag (Text: Beate Manske Writings of John Caldwell (Thea Westreich, ed.) and others) San Francisco: San Francisco Museum of 300 "Studio Glass Collection Showcased at Bremen: H. M. Hauschild, 1995, 174 pp., ill. Modern Art, 1996, 284 pp., ill. New York's Metropolitan Museum of Art" Includes Bruce Nauman and others. Neues Glas, no. 1, 1996, pp. 38-45, ill. In 275 Bremser, Sarah E. English and German. "Dale Chihuly dans la chaleur de Nuutajarvi" 286 Campbell, Marjorie La Revue de la Ceramique et du Verre, no. 86, "Northlands Creative Glass Conference and 301 "UrbanGlass: A Hot Time in the City" Jan./Feb. 1996, pp. 30-35, ill. Workshop at Lybster, Caithness" American Style, v. 3, no. 1 (6), Fall 1996, Chihuly "Courtyards" exhibit in Hawaii, 1992, Scottish Glass Society Newsletter, no. 56, pp. 37-41, ill. and his 1995 work at Nuutajarvi. Winter 1996, pp. 13-15, ill. Bertil Vallien and others at September 1996 302 "The White House Collection" 276 Brennan, Anne conference. Neues Glas, no. 1, 1996, pp. 46-49, ill. In "Reviews: Klaus Moje" English and German. Glass (UrbanGlass), no. 62, Spring 1996, 287 Carlson, Bob pp. 46-47, ill. "Artist Profile: A Conversation with Dick Weiss" 303 Chaney, Lisa Canberra, Australia, exhibit. GAS News (Glass Art Society), Oct. 1992, "Reviews: A Question of Craft" p. 6, ill. Crafts (U.K.), no. 139, March/April 1996, 277 Brinkmann, Jens-Uwe p. 55, ill. "Exhibitions: Ausglass" 288 Carther, Warren Work by Clifford Rainey, David Reekie in Neues Glas, no. 2, 1996, p. 50. In German. "Conference Report: 'For an Object with a Colchester exhibit. Exhibit of Australian glass in Gottingen and Soul'" Rheinbach. Glass Gazette, Fall 1996, p. 21. 304 Chapman, Peter The Glass Art Association of Canada confer­ "Finland under Glass" ence, . Bon Appetit, v. 41, no. 4, April 1996, p. 48, ill. 278 Brown, Elizabeth A. Visiting the Finnish Glass Museum in Riihi- Kiki Smith: Sojourn in Santa Barbara (Text: 289 Casady, Dorothea maki. Elizabeth A. Brown) "Contemporary American Glass Beadmakers" Seattle, WA, and London: University of The Bead Society Newsletter (Los Angeles), Washington Press, 1995, 40 pp., ill. 305 Charleroi. Musee du Verre v. 20, no. 4, Aug./Sept./Oct. 1996, pp. 8-9, ill. Bijoux: Le Verre pret-a-porter Review of a Robert Liu lecture. [Charleroi]: Echevinat de la Culture, de la 279 Brussels. Vlaams Instituut voor het Zelf- Jeunesse et de la Communication, 1995, 34 standig Ondernemen (VIZO) 290 Casselman, Carol-Ann plates, ill. Vormgeving in Vlaanderen 1980-1995 "Review: V6 - Vancouver Glass" Contemporary glass jewelry by 37 European Brussel: VIZO, Dienst Kunstambacht = Flan­ Fusion (Ontario Clay and Glass Association), designers. ders Institute for Small and Medium Enterpris­ v. 20, no. 3, Summer 1996, p. 8+, ill. es, Crafts Department, 1995, 219 pp., ill. 306 . Marx-Saunders Gallery English summary, pp. 190-217. 291 Cebulski, Frank Paul Stankard: Flowers from a Flame (Text: Triennial exhibit on design in Flanders, 1980- "Reviews: Lee Roy Champagne" James Yood) 1995. Herman Blondeel, Koen Vanderstukken, Artweek, v. 27, no. 9, Sept. 1996, p. 20, ill. Chicago: the gallery, 1995, [11] pp., ill. Jan-Willem Van Zijst, Miloslava Svobodova, San Francisco exhibit of neon and mixed- Paperweights. and others. media sculpture. 307 Chihuly Baskets (Text: Linda Norden 280 Bundesinnung der Glaser Osterreichs, 292 Celinder, Mary Ann and Murray Morgan) ed. "Teaching Kids: Pate de verre" Seattle, WA: Portland Press, 1994, 164 pp., ill. Glas aus Osterreich = Verre d'autriche = Common Ground: Glass, Summer 1996, Catalog for a circulating exhibition. Glass from pp. 15-16, ill. Wien: the association, 1951, 60 pp., ill. 308 Chihuly Over Venice, Part 1: Nuutajarvi, Illustrates post-war in Aus­ 293 Chambers, Karen S. Finland, June 1995 tria: cut glass, glass furniture and flat glass, "Barry Sautner: Carved in Glass" Seattle, WA: Portland Press, 1995, portfolio of Christmas ornaments, jewelry, chandeliers, Glass Craftsman, no. 138, Oct./Nov. 1996, 28 leaves, ill. stained glass, etc. pp. 14-17+, ill. Photographs of Chihuly's chandeliers and other sculpture in the Finnish landscape. 281 Bytovaia Posuda i Khudozhestvennye 294 "Diana Hobson: Speaking Clearly" Izdeliia iz Stekla (B. L. Pozin, ed.) Neues Glas, no. 4, 1996, pp. 14-19, ill. In Ger­ 309 Chihuly Seaforms (Text: Sylvia Earle) Moskva: Biuro Proektno-Konstruktorskoe i man and English. Seattle, WA: Portland Press, 1995, 110 pp., ill. Tekhnicheskoi Pomoshchi Gosudarstvennogo Instituta Stekla, 1985, 544 pp., ill. 295 "James Watkins: Perpetual Change and 310 Chirico, Mariateresa Compilation of glass products (household and Permutation" "Museo Barovier & Toso" art glass) from most USSR factories and Neues Glas, no. 3, 1996, pp. 20-27, ill. In Ger­ Alte Vitrie, v. 7, no. 3, 1995, pp. 29-30, ill. artist-designers prior to the collapse. Lists man and English. Murano museum. factories, marks, etc. 296 "Linda MacNeil: A Detailed Look" 311 "Sabino Ventura: La suggestione del 282 Byrd, Cathy Metalsmith, v. 16, no. 3, Summer 1996, fuoco" "Art at the Centennial Olympic Games: Glass- pp. 24-33, ill. Alte Vitrie, v. 7, no. 1, July 1995, pp. 15-16, ill. beadgame" MacNeil's glass and metal jewelry and sculp­ Work by Ventura, formerly a commercial artist. Art , v. 20, no. 6, Nov./Dec. 1996, ture. pp. 26-27. 312 Cibot, Elisabeth Performance/installation with glass beads by 297 "A Lucid Moment" "Une Saison en verre: La Biennale de Venise" Regina Frank. Art and Antiques, v. 19, no. 7, Summer 1996, La Revue de la Ceramique et du Verre, no. pp. 32-36, ill. 85, Nov./Dec. 1995, pp. 16-20, ill. 283 Byrd, Joan Falconer Collecting studio glass and the present market. "The North Carolina Glass Community" 313 Claus, Jurgen The Glass Art Society Journal, 1995, pp. 26- 298 "Reviews: Form - Light - Glass: Con­ "The Solar Crystal': An Energy Autarchic Sun 30, ill. temporary Glass from the Czech Republic" Sculpture" Glass (UrbanGlass), no. 64, Fall 1996, p. 50, ill. Leonardo, v. 29, no. 1, 1996, pp. 67-68, ill. 284 "Richard Ritter: Thinking in the Lan­ American Craft Museum exhibit. guage of Glass" 314 Clifford Rainey: Sculpture and Drawings American Craft, v. 56, no. 4, Aug./Sept. 1996, 299 "Reviews: Laura Donefer" 1967-1987 pp. 48-51, ill. Glass (UrbanGlass), no. 62, Spring 1996, [Belfast]: Arts Council of Northern Ireland, 1987, 32 pp., ill. Coral Gables, FL: the gallery, 1996, [4] pp., ill. 343 Denison, Paul 1987 exhibition in Belfast and Dublin. Sculpture by the Panama artist. "Reviews: Finnish Post War Glass (1945-1996)" Design History Society Newsletter, no. 71, 315 Coad, Emma Dent 331 Courroy, Marie-Paule Oct. 1996, p. 5. "Lighting Design in Spain" "Artist Profile: Gilles Desaulniers" Exhibition held at and Manches­ Metropolis, v. 15, no. 8, April 1996, pp. 43-47, ill. Glass Gazette, Fall 1996, pp. 3-6, ill. In ter, England. French and English. 316 Coatts, Margot 344 Dermansky, Ann "Shortform: Scottish Gallery Anniversary" 332 Cramer, Ned "Artisans: Gorgeous . Through a Crafts (U.K.), no. 140, May/June 1996, p. 14, ill. "Borek Sipek Debuts in " Glass, Brightly" Exhibit includes work by Colin Reid. Architecture, v. 85, no. 8, Aug. 1996, pp. 48- Elle Decor, v. 7, no. 5, Oct./Nov. 1996, p. 82, ill. 49, ill. Dorothy Hafner vessels. 317 Cockaerts, Anne Exhibit at Denver Art Museum. "Recensies: De nieuwe grenzen van de 345 Deutsche Glasfachschulen beim Bun- Europese glaskunst. Oostenrijk, Finland, en 333 "On the Boards: Chihuly Bridge, Taco- deskanzler: (Hessen); llmenau Zweden" ma, Washington" (Thuringen); Lauscha (Thuringen); Rheinbach Kwintessens, v. 5, no. 2, April/May/June 1996, Architecture, v. 85, no. 5, May 1996, pp. 68- (Nordrhein-Westfalen); Weisswasser (Sach- pp. 41-42. 69, ill. sen); Zwiesel (Bayern) Review of Ghent exhibition. Pedestrian bridge linking Washington State [S.I.: Bundeskanzleramt, 1993], 100 pp., ill. History Museum and new International Mu­ Work from the various German glass schools. 318 "Recensies: De triennale in Luik, vol seum of Modern Glass. glas" 346 Dietz, Matthias Kwintessens, v. 5, no. 2, April/May/June 1996, "Schenk dir doch dies" 334 Crestou, Nicole pp. 40-41, ill. Glaswelt, v. 49, no. 4, April 1996, pp. 26-27, ill. "Daphne Corregan au Musee d'Art Contempo- Review of Liege glass exposition. rain de Dunkerque" of Venice. La Revue de la Ceramique et du Verre, no. 319 "Recensies: Sybren Valkema overle- 85, Nov./Dec. 1995, pp. 38-39, ill. 347 Dinsmore, Claire den" Ceramic and glass artist. "The Visual Articulations of Donald Friedlich" Kwintessens, v. 5, no. 2, April/May/June 1996, Metalsmith, v. 16, no. 1, Winter 1996, pp. 22- p. 41, ill. 29, ill. 335 Cusick, Dawn Jewelry of metal, slate, glass. The Craft Book 320 Coe, James D. New York: Sterling, 1995, 128 pp., ill. "'Sing through Your Fingers': The Glass Art of Lampworked glass , p. 41. 348 Dixon, John Morris Brian Higer" "News: Remembrance in Downtown Boston" Glass Collector's Digest, v. 9, no. 5, Feb./ Progressive Architecture, Dec. 1995, p. 25, ill. March 1996, pp. 66-70, ill. 336 Czeslaw Zuber (Text: Peter Schmitt) Stanley Saitowitz's steel and glass New Eng­ Sinzheim/Baden-Baden, Germany: Galerie B; land Holocaust Memorial. 321 Coffeng, Yvon Valkenswaard, the Netherlands: Galerie Broft, 1996, [15] pp., ill. In German and English. "Glas van de keramist Chris J. Lanooy" 349 Dompierre, Louise Glas en Keramiek, no. 1, April 1996, pp. 18- Jerry Pethick: Still Veils, Re-visioning the Real 20, ill. 337 Daley, William []: The Power Plant — Contemporary Glass by Lanooy. "Keynote Address: Education" Art at Harbourfront, 1992, 40 pp., ill. The Glass Art Society Journal, 1995, pp. 13- Mixed-media sculpture with glass. 322 Coleman, Katharine 16, ill. "Review: Guild Exhibition 1995" At 25th annual conference of G.A.S., Penland, 350 Dorigato, Attilia The Guild of Glass Engravers Newsletter, NC. "Venezia apre le porte al vetro contemporaneo" Spring 1996, pp. 8-10, ill. CeramicAntica, v. 6, no. 9 (64), Oct. 1996, 338 Darts, Jo pp. 6-12, ill. 323 Constellations: An Alternative Galaxy. "Nona's Celebration of Living" "Venezia Aperto Vetro" exhibition. Glass by Michael Glancy (Text: Miklos von British Columbia Glass Arts Association Bartha, Dan Klein, Dale Chihuly and Erik Gott- Newsletter, v. 8, no. 5, Oct. 1996, p. 6, ill. 351 Douglas, Mary schalk) Nona Baraksi Lindsay. "Rural Esthetics in the North Carolina Glass Basel: Edition von Bartha, [1995], 200 pp., ill. Community" 339 Darty, Linda The Glass Art Society Journal, 1995, pp. 34- 324 Copeland, Beverly M. "Celebrating Penland's Legacy" 41, ill. "Interview: Jon Kuhn" The Glass Art Society Journal, 1995, pp. 31- Glass Focus, v. 9, Oct./Nov. 1995, p. 1+. 33, ill. 352 Dreisbach, Fritz "Thirty Years before the Glory Hole" 325 "Interview: Keke Cribbs" 340 Davis, Mike The Glass Art Society Journal, 1995, pp. 62- Glass Focus, v. 10, June/July 1996, p. 15+. "The National Glass Centre" 63, ill. Stained Glass, the Magazine of the British 326 "Interview: Ruth King" Society of Master Glass Painters, no. 2, 1996, 353 Dreisbach, Fritz and Peiser, Mark Glass Focus, v. 10, Oct./Nov. 1996, p. 1+. pp. 16-17. "Welcoming Remarks" New glass center at Sunderland, due to open The Glass Art Society Journal, 1995, p. 8, ill. 327 "Interview: Stephen Powell" in 1998. At 25th annual conference of G.A.S., Penland, Glass Focus, v. 10, Feb./March 1996, p. 1+. NC. 341 Davis, Paul R. 328 "Spotlight on . . . Emilio Santini" "Great Ball of Fire" 354 Drobnig, Clemens Glass Focus, v. 9, Dec. 1995/Jan. 1996, p. 12. Signs of the Times, v. 218, no. 4, March 1996, "Glass Project Pohl at the Hochschule fur Bil- pp. 156-161, ill. dende Kunste Hamburg" 329 Copenhagen. Kunstindustrimuseet Times Square New Year's Eve ball: Surface Neues Glas, no. 3, 1996, pp. 32-37, ill. In Ger­ Mutsuo Inoue: En Mindeudstilling (Britt Friis contains 180 lamps and 12,000 man and English. and Finn Lynggaard, ed.) rhinestones. Kobenhavn: the museum, 1996, 44 pp., ill. In 355 Drutt English, Helen W. and Dormer, Japanese, Danish, English. 342 Delia Giovanna, Ettore Peter Exhibition of Japanese glass artist who lived "A Tokio son tornate le libellule" Jewelry of Our Time: Art, Ornament and Ob­ and worked in Denmark. CIGA Hotels Magazine (Venice), v. 20, no. session 101, July 28, 1992, pp. 68-77, ill. In Italian and New York: Rizzoli International Publications, 330 Coral Gables. Elite English. 1995, 352 pp., ill. Isabel De Obaldia: Recent Works (Jose Marti- "Dragonflies Return to Tokyo": Vittorio Con- Includes jewelry by Judy Onofrio, Joyce Scott, nez-Canas) stantini's lampworked glass insects. Wendy Ramshaw. 356 Dugan, Melanie Booklet celebrating 40 years of the Hadamar 383 Flinchpaugh, Jennifer "Artist Profile: Laura Donefer, 'Come On Baby, glass school (1949-1989). "Top Fifty Products" Light My Fire'" Signs of the Times, v. 218, no. 8, July 1996, Glass Gazette, Fall 1995, pp. 3-7, ill. 370 Evans, Chuck pp. 110-123, ill. Jewelry: Contemporary Design and Technique Includes neon signs, neon clocks. 357 Dumoulin, Sophie Worcester, MA: Davis Publications, 1983, "Cristallerie de Haute Bretagne: Artisanat, 267 pp., ill. 384 Foote, Timothy creation et technologie" "Tools As Art" Table & Cadeau, v. 36, nos. 366-367, Dec. 371 Evropsko uporabno steklo = European Smithsonian, v. 27, no. 1, April 1996, pp. 112- 1995/Jan. 1996, pp. 73-77+, ill. English sum­ Glass in Use. Kozjanski Park [and] Suomen 115, ill. mary. Lasimuseo, [Riihimaki] (Joze Rataj, Radovan Hans Frabel's "Hammer and Nails," part of Tableware, giftware by Cristallerie de Haute Jenko, ed. Text: Franci Zidar and others. Exhi­ Hechinger Collection. Bretagne. bition: Kaisa Koivisto) Podsreda, Slovenija: Kozjanski Park, 1996, 385 Frankel, David 358 "Portrait: Yoichi Ohira, un Japonais a 80 pp., ill. In Slovene and English. "Reviews: Dale Chihuly" Venise" Exhibit (also shown in Riihimaki, La Granja, Artforum, v. 35, no. 3, Nov. 1996, pp. 96-97, ill. Table & Cadeau, v. 36, no. 368, Feb. 1996, and other sites) of work by 90 designers from New York exhibit. pp. 36-37+, ill. English summary. 11 countries, held in Podsreda Castle, Slove­ nia. 359 "Venise, Murano: Le Verre, le feu et 386 Frantz, Susanne K. I'eau" "Commission Marks 50 Years of Distinguished 372 Fabel, Karel Glassmaking" Table & Cadeau, v. 36, no. 368, Feb. 1996, "Mnichovsky veletrh remesel 1996, aneb IHM" pp. 30-35, ill. English summary. The Corning Museum of Glass Newsletter, Umeni aRemesIa, v. 38, no. 3, 1996, pp. 36- Winter 1996, p. 6, ill. General article on Venice and glassmaking 40, ill. English summary. there. Lino Tagliapietra is awarded 1996 Rakow Participation in the International Commission. Fair in Munich; several glass entries by young 360 Dunham, Bandhu Scott Czech exhibitors. "Interview: Bob Carlson" 387 "Should Making Art Be a Career? Part Attitude Problem (Bandhu Scott Dunham, ed. II" 373 Farmington Hills. Habatat Galleries The Palette (Pikes Peak Arts Council, Color­ Prescott, AZ), no. 18, Oct. 1994, pp. 7-10, ill. David R. Huchthausen ado), Jan. 1996, pp. 4-5. Part 3: Feb./March Farmington Hills, Ml: the qalleries, 1993, 1996, pp. 4-6. Part 4: April/May 1996, pp. 4-5. 361 Dyett, Linda 16 pp., ill. Reprinted from Glass Art Society News, Win­ "Multifaceted Glass" 1993 exhibition. House Beautiful, April 1996, p. 44+, ill. ter 1994. Studio glass exhibition at The Metropolitan 374 Howard Ben Tre: Basins 388 "Some of the Best in Recent Glass" Museum of Art. Farmington Hills, Ml: the galleries, 1992, New Glass Review, no. 17, 1996, pp. 32-39, ill. [21] pp., ill. Also in Neues Glas, no. 2, 1996, pp. 100-107, 362 Ebony, David 1992 Michigan exhibit. "Review: Chryssa at Castelli" ill. In German and English. Art in America, v. 84, no. 10, Oct. 1996, Work by Holler, Frijns, Groot, lezumi, Meitner, 375 Fero, Shane and Mickelson, Robert pp. 117-118, ill. Adams, Kopecky, Schaechter, and others "Flameworking: A Worldwide Overview" illustrated. Neon panels. The Glass Art Society Journal, 1995, pp. 64- 66, ill. 363 Edgerley, Susan 389 Fraser, Doris "Exhibition Review: 'Commit' - Brad Cop- 376 Ferrulli, Helen J. "Artist Profile: Shirley Elford" ping's Solo Exhibition" Glass Gazette, Summer 1996, pp. 3-4, ill. "Laid Bare by Light: Arlon Bayliss" Glass Gazette, Spring 1996, p. 15, ill. Arts Indiana (Indianapolis, IN), v. 16, no. 9, Mixed-media sculpture in Montreal show. Dec. 1994, pp. 26-28, ill. 390 Frick, Gunilla British artist Bayliss's work at Anderson Uni­ "Radical Change or Stagnation? Swedish 364 Egan, Melanie versity in Indiana. Post-War Decorative Art" "The Craft Studio at Harbourfront Centre: A Scandinavian Journal of Design History, v. 6, Vital Part of Canadian Studio Glass" 377 Figee, Thea 1996, pp. 43-53, ill. Glass Gazette, Fall 1996, pp. 12-13, ill. Includes Kosta glass (designs by Elis Bergh) Toronto studio. "L'arte vetraria di Vincent van Ginneke" Alte Vitrie, v. 7, no. 2, 1995, p. 20, ill. English and references to influence of Orrefors on Steuben Glass. 365 Eisch, Erwin summary. "The Glass Artist's Survival" 391 Frisbie, Barb The Glass Art Society Journal, 1995, pp. 52- 378 Firth, Mike "January Meeting: Leonard Marty" 55, ill. "Hot Glass around Texas" Common Ground: Glass, Fall 1996, pp. 5-6. Glass Collectors Club of Toledo, Feb. 1996, pp. 1-2. 366 Englander, Lisa 379 Fischer, John Supervisor of studio glass program at The To­ "SOFA 1995: Objects of Art, or Not?" ledo Museum of Art. The Crafts Report, v. 22, no. 237, Jan. 1996, "Bringing Old Neon Signs Back to Life" p. 21+, ill. Signs of the Times, v. 218, no. 6, May 1996, pp. 22-25, ill. 392 Galli, Maurice P. and Giambelli, Nina 367 Enke, Dieter The Art of Jewelry Design: Principles of De­ "" 380 "MONA Finally Finds Permanent Home" sign, Rings and Earrings Glashelder, no. 5, Jan. 1996, pp. 14-15, ill. In Signs of the Times, v. 218, no. 4, April 1996, Atglen, PA: Schiffer Publishing, 1994, 224 pp., Dutch. p. 30, ill. ill. The Museum of Neon Art, Los Angeles. 368 Erwin-Stein-Schule, Staatliche Glas- 393 Galli, Maurice P.; Riviere, Dominique; fachschule Hadamar 381 Fischer, Katalin and Li, Fanfan Erwin-Stein-Schule, Staatliche Glasfach- "Glas perlen" Designing Jewelry: , Bracelets, schule Hadamar Kunsthandwerk & Design, no. 6, 1995, pp. 17- Necklaces & Accessories Hadamar: the school, 1989, 30 pp., ill. 19, ill. Atglen, PA: Schiffer Publishing, 1994, 175 pp., Description of the school; illustrations of stu­ Beads and glass jewelry by Helga Seimel. ill. dent work. 382 Fleck, Robert 394 Ganz, Michael 369 40 Jahre Erwin-Stein-Schule, Staatliche "Glaskunst aus Bohmen zwang das Unterneh- "Bevor die Glaskugel den Christbaum Glasfachschule Hadamar: Festschrift men in die Knie" schmuckt" (W. Messner and others, ed.) Art (Germany), no. 4, April 1996, p. 127, ill. Heimatwerk, v. 60, no. 4, 1995, pp. 26-29, ill. Beselich: Kissel Verlag, 1989, 36 pp., ill. Change of ownership at Daum firm. Christmas ornaments blown by Hans Maurer. 395 Gehr, Christa 408 Goodman, Ben Jan./Feb. 1996, pp. 16-17, ill. "Ein Einzelganger findet seinen Weg" "La Biennale canadienne du verre 1996" Prix Lalique to Marianne Dupont. Glaswelt, v. 49, no. 8, Aug. 1996, pp. 22-23, ill. Fusion (Ontario Clay and Glass Association), Fused glass and stained glass by Ernst v. 20, no. 4, Autumn 1996, p. 5. 421 "Creativite, Salon des artisans d'Art" Czaloun, Salzburg. Conference and exhibits, Montreal. Le Courrier des Metiers d'Art, no. 155, Sept. 1996, p. 16, ill. 396 "Qualitat und Design vom Feinsten" 409 "Highlights on Glass: La Biennale Ca­ Paris fair included "Verre . . . I'interieur" by Glaswelt, v. 48, no. 3, March 1995, pp. 50-52, nadienne du Verre, 1996" Didier Le Hen. ill. Ontario Craft, v. 21, no. 4, Sept./Oct. 1996, p. 11. Glass furniture (tables, vitrines, consoles) by Montreal conference, May 1996. 422 "Dix nouveaux artistes chez Capazza" the firm Buchholzer First Glas GmbH. Le Courrier des Metiers d'Art, no. 151, April 410 Goteborg. Rohsska Museet 1996, p. 13, ill. 397 Geissler, Marie Brita Flander: Formgivare = Muotoilija = De­ Glass by Alain and Marisa Begou and glass "National Art Glass Collection" signer. Torsten och Wanja Soderbergs Nor- assemblages by Pierre Druesnes in Nangay Craft Arts International, no. 37, 1996, p. 110, ill. diska Designpris 1996 exhibit. Illustrations from the publication by the Wagga Goteborg, Sweden: the museum, 1996, Finnish, English. Wagga City Art Gallery, Australia. 104 pp., ill. In Swedish, 423 "Ducatez, maitre verrier, matiere, lu- Exhibition of work by recipient of the Soder- miere" berg Design Prize, 1996. 398 Gensler [architectural design firm] Le Courrier des Metiers d'Art, no. 155, Sept. Party and Imagination 1996, pp. 3-5, ill. 411 Grandval, Virginie [S.I. Washington, DC: Gensler, 1996?], 34 pp., Geneva exhibit of works by Jacques Antoine "La Transparence des fontaines" ill. Ducatez. La Revue de la Ceramique et du Verre, no. 89, Includes glass by , Susie July/Aug. 1996, pp. 52-53, ill. Krasnican, Carol Cohen. Glass fountains by Rene Lalique, Max In- 424 "Eclairs sur Ob'Art" grand, Michele Blondel, Jutta Cuny, and Le Courrier des Metiers d'Art, no. 149, Jan./ 399 Giberson, Dudley others. Feb. 1996, pp. 8-9, ill. "Ancient Glassmaking: Its Efficiency and Ob'Art salon; lamp by Laurent Beyne, and Economy" 412 Gray, Katherine sculpture by Philippe Merloz. Ornament, v. 19, no. 4, Summer 1996, pp. 76- "Canadian Glass Artists in the U.S.A." 79, ill. Glass Gazette, Fall 1995, pp. 11-13, ill. 425 "Les Fleches d'Astuguevieille" Author makes core-formed beads. Le Courrier des Metiers d'Art, no. 153, June 413 "Reviews: Susan Holland" 1996, p. 7, ill. 400 Gibney, Siobhan Glass (UrbanGlass), no. 62, Spring 1996, Christian Astuguevieille in Paris exhibit. "Lectures: Recent Work in Sweden and Ire­ pp. 48-49, ill. land by Deidre Rogers" Providence, Rhode Island, exhibit. 426 "Herve Dupont: Verrier, ceramiste, bro- The Glass Society of Ireland Newsletter, no. 11, deur" April 1996, pp. 7-8. 414 Greco, JoAnn Le Courrier des Metiers d'Art, no. 156, Oct. Irish artist Rogers tells of her studies at Orre- "A Bridge between Two Worlds" 1996, p. 12, ill. fors school and assisting Chihuly with his American Style, v. 3, no. 1 (6), Fall 1996, Glass by Dupont in Paris exhibit. chandelier project at Waterford. pp. 32-36, ill. Philadelphia collector displays pieces by Har­ 427 "Metamorphose de I'eau: Le Verre se- 401 Gibory, Eric vey Littleton, Pinkwater Glass, Ginny Ruffner, lon Serge Mansau" "Emballage: Cristal, le flacon et I'ivresse" Dale Chihuly. Le Courrier des Metiers d'Art, no. 152, May Table & Cadeau, v. 36, nos. 366-367, Dec. 1996, pp. 3-6, ill. 1995/Jan. 1996, pp. 180-181, ill. 415 Greenbaum, Toni Swarovski and Baccarat flacons. Messengers of : American Studio 428 "Salviati: Renaitre a Venise" Jewelry, 1940-1960 (Martin Eidelberg, ed.) Le Courrier des Metiers d'Art, no. 151, April 402 Gilbert, Anne Paris and New York: Flammarion; Montreal: 1996, p. 12, ill. 40's and 50's Designs and Memorabilia: Iden­ Montreal Museum of Decorative Arts, 1996, tification and Price Guide 167 pp., ill. 429 "Les Silences du verre tcheque" New York: Avon Books, 1993, 322 pp., ill. Includes glass and enamels by Elsa Freund, Le Courrier des Metiers d'Art, no. 152, May Glass, pp. 153-190. Frances Higgins, Earl Pardon. 1996, pp. 8-9, ill. Glass by Marketa Silena, Ivana Houserova in 403 60's and 70's Designs and Memorabilia: 416 Greene, Freda Sars-Poteries exhibit. Identification and Price Guide "Hearts of Gold" Tableware International, v. 26, no. 1, Feb. 1996, New York: Avon Books, 1994, 328 pp., ill. 430 "Venezia Aperto Vetro" Glass, pp. 117-154. pp. 79-81, ill. Annieglass designs by owner/designer Ann Le Courrier des Metiers d'Art, no. 155, Sept. Morhauser. 1996, pp. 14-15, ill. 404 Girard, Sylvie International exposition, Venice. Work by "Expositions: Mark Parsons" Chihuly, Rybak, and Glancy illustrated. 417 Grenon, Ariane La Revue de la Ceramique et du Verre, no. 85, "Les Arts de la table" Nov./Dec. 1995, p. 62, ill. Le Courrier des Metiers d'Art, no. 154, 431 Grimaldi, Lennie July/Aug. 1996, p. 23, ill. Only in Bridgeport: An Illustrated History of 405 Glas, Maximilian Macon exhibit includes glass. the Park City (2nd ed.) "High Tension: Lechner's Existential Glass Bridgeport, CT: Harbor Publishing, 1993, Works" 418 "Batimat a vingt ans" 274 pp., ill. Neues Glas, no. 4, 1996, pp. 8-13, ill. In Ger­ Le Courrier des Metiers d'Art, no. 149, Includes reverse paintings on glass by Milton man and English. Jan./Feb. 1996, pp. 17-18, ill. Bond, p. 215 and title page. Florian Lechner. Glass table by Jeanne Hoesch, stained glass panels by Bruno de Piry. 432 Grubb, Randall 406 Gleizes, Serge "The Creation of a Feeling in Glass" '"Art Strasbourg'" 419 "Le Big Bang et Zoritchak: Un Recit ori- Glass Collector's Digest, v. 9, no. 6, April/May L'Oeil, no. 478, Jan./Feb. 1996, pp. 12-13, ill. ginel" 1996, pp. 31-35, ill. Art fair included glass. Sculpture by Serge Le Courrier des Metiers d'Art, no. 153, June Paperweights by author. Mansau illustrated. 1996, pp. 6-7, ill. Work from Zoritchak's Paris exhibit. 433 The Guild 407 Glowen, Ron Contemporary Crafts: The Sourcebook of "Reviews: Pike Powers" 420 "Le Comite Colbert et les jeunes crea­ Craft Artists, Gallery Edition 2 Artweek, v. 27, no. 4, April 1996, p. 25, ill. teurs" Madison, Wl: The Guild; Kraus-Sikes, 1995, Seattle exhibit. Le Courrier des Metiers d'Art, no. 149, 141 pp., ill. 434 Gustafson, Paula 446 Handler, Audrey Torsten Ahlstrand and Bjom Ranelid) "Best of the Show" "Tribute to David Jacobs" Stockholm, Sweden: Galleri Erik Hoglund, British Columbia Glass Arts Association The Glass Art Society Journal, 1995, p. 12. [1994?], 32 pp., ill. In Swedish and English. Newsletter, special edition, Fall 1995, p. 5. Review of Glass Arts VII exhibition, Burnaby, 447 Hannover. Kunstverein Hannover 460 Holg, Garrett B.C. Raimund Kummer: Corpus Vitreum 1987- "Living with Art" 1996: Mehr Licht, Saal der toten Blicke, Bys- ARTnews, v. 95, no. 9, Oct. 1996, pp. 101- 435 Gypsotheca: Vetri di Cristiano Bianchin sodomein (Text: Herbert Molderings) 102+, ill. (Text: Luca Massimo Barbero, Manlio Brusan- Hannover: the museum, 1996, 106 pp., ill. In Chicago collectors of Chicago-made art and , Rosa Barovier Mentasti, Attilia Dorigato, German and English. glass. Giovanni Sarpellon) Exhibitions with glass. Possagno: Fondazione Canova; Murano: de 461 "Reviews: Kiki Kogelnik" Majo Vetreria, 1995, 61 pp., ill. English, Ger­ 448 Hatakeyama, Kozo ARTnews, v. 95, no. 11, Dec. 1996, pp. 125- man, French summaries. "A Journey to Venetian Glass" 126, ill. Glass by Bianchin displayed with Canova Glass (Tokyo), no. 39, June 1996, pp. 18-32, Chicago exhibit. sculptures. ill. In Japanese. Group visit to Venice, Murano. 462 Holkers, Marta 436 Hackett, Regina "Skora Skonheter: De yppersta i Finsk design" "Looking Beyond Seattle's Glass" 449 Heitzler, Claudia Antik & Auktion, nos. 7/8, July/Aug. 1996, Art& Antiques, v. 19, no. 8, Sept. 1996, "Tischkultur: Hand in Hand" pp. 74-78, ill. p. 100 +, ill. ArtAurea, no. 2, May/June/July 1996, pp. 29- littala designs by Aalto, Franck, Wirkkala, Glass and other media in Seattle area, includ­ 40, ill. In German and English. Sarpaneva. ing galleries. Tableware: Anna Gili, Guggisberg/Baldwin, Scharff, Anne Nilsson, Philippe Starck, Rich­ 463 Holmer, Gunnel 437 The Hague. Galerie Rob van den Doel ard Meier, , Kaj Franck. "Goran Warff - utflykter i glasets mysterier" Galerie Rob van den Doel, Internationaal I Varend och Sunnerbo, v. 35, no. 2, 1994, Glascentrum 450 Henderson, Priscilla pp. 18-19, ill. The Hague and Prague: the gallery, 1996, "Latitudes" [40] pp., ill. Craft Arts International, no. 37, 1996, pp. 94- 464 "Lars Hellsten - glas i flera dimen- Calendar and description of 1996 exhibitions, 95, ill. sioner" in The Hague and Prague. Australian kiln-formed and blown glass in I Varend och Sunnerbo, v. 35, no. 2, 1994, Canberra exhibit by Craft ACT p. 17, ill. 438 Hajdamach, Charles R. Orrefors glass artist. "Tessa Clegg" 451 Henkin, Stephen La Revue de la Ceramique et du Verre, no. 87, "Forged in the Fire: Norway's Spirited Hade- March/April 1996, pp. 28-29, ill. land Glassverk" 465 Holmwood, Jeff Paris exhibit. The World and I, v. 11, no. 12, Dec. 1996, pp. "Studio Profile: Darren Petersen 'Abacus 100-105, ill. Glass'" Glass Gazette, Fall 1995, pp. 7-8, ill. 439 Halama, Frantisek [Company] Frantisek Halama, Zelezny Brod. . . Czecho­ 452 Hickey, Gloria "Exhibition Review: La Biennale canadienne 466 Honolulu. Honolulu Academy of Arts Zelezny Brod: the company, [n.d.], [48] leaves, du verre" Reuse/Refuse ill. Glass Gazette, Fall 1996, pp. 15-18, ill. In Honolulu: the academy, 1994, 32 pp., ill. Catalog of cut glass. French and English. Exhibition of work by artists concerned with At Marche Bonsecours, Montreal, May 1996. the environment; includes installation with 440 Frantisek Halama: Umelecke Sklo water bottles by Mags Harries. Zelezny Brod: the company, [n.d.], [20] leaves, 453 Making and Metaphor: A Discussion of ill. Meaning in Contemporary Craft 467 Hood, Kenneth Color photographs of mold-blown figurines, Hull: Canadian Museum of Civilization; Insti­ Australian Decorative Arts Survey 1995: The vases, perfume bottles. tute for Contemporary Canadian Craft, 1994, Object All Sublime (Artists' Commentaries: (Canadian Centre for Folk Culture Studies, Sophie Ullin) 441 Halasi, Rita Mercury Series ; 66), 177 pp., ill. French North Caulfield, Australia: Malakoff Fine Art "Under the Spell of Glass: Maria Lugossy" summary. Press, 1995, 16 pp., ill. Neues Glas, no. 1, 1996, pp. 26-33, ill. In Papers from a symposium. Exhibition with glass by Stephen Procter, English and German. Benjamin Edols and Kathy Elliott. 454 "Reviews: La Biennale Canadienne du 442 Hald, Arthur Verre" 468 Hopper, Shari "The Secret of Orrefors" Glass (UrbanGlass), no. 64, Fall 1996, p. 52, ill. "Beadmaking in Japan" Craft Horizons, v. 14, Nov. 1954, pp. 22-27, ill. Montreal exhibit. The Bead Release (Shingle Springs, CA), v. 3, Edvard Hald, Sven Palmquist, Nils Landberg, no. 1, Jan. 1996, pp. 2-3. Ingeborg Lundin, Edvin Ohrstrom. 455 Hilts, Robert Author visits Niijima, Nagahama, and other "Renato Foti: History and Structure Interwoven" sites. 443 Halkovova, Ludmila Glass Gazette, Summer 1996, pp. 18-19. "Light for the Music Palace" 469 Houten, Rineke van New Glass Re view (Czech), v. 50, no. 10, 456 Hishult. Konsthallen i Hishult "De Wortels van de moderne Tsjechische 1995, pp. 2-4, ill. In English and German. Hans Frode: Neon och glas Glaskunst. Deel 1" Period-style lighting for Prague's Liechtenstein Hishult, Sweden: the gallery, 1996, 16 pp., ill. Glas en Keramiek, no. 1, April 1996, pp. 21- Palace, now a music academy. 26, ill. 457 Hobson, Diana Glass of the Czech Republic. 444 Halkovova, Ludmila and others Language of Light "Caesar Crystal, Josefodol [and Other Bohe­ Kilkenny Castle, Ireland: Butler Gallery, 1996, 470 Howard Ben Tre: Recent Sculpture mian Glass Companies]" [40] pp., ill. Richmond, VA: Marsh Art Gallery, University New Glass Review (Czech), v. 51, no. 10, Hobson's exhibition in Ireland. of Richmond; Cleveland, OH: Cleveland Cen­ 1996, pp. 2-31, ill. ter for Contemporary Art, 1995, 47 pp., ill. Overview of many new glass studios and 458 Hoggard, Liz Exhibition held in Richmond and Cleveland. firms in the Czech Republic, including Jaro- "Shortform: Magnetic Poles" slav Svoboda Studio, Beranek, Hana. Crafts (U.K.), no. 140, May/June 1996, p. 11, ill. 471 Howell, George New Polish decorative arts movement; glass "Reviews: Martha Jackson-Jarvis" 445 Hallinan, Michael piece by Malgorzata Dajewska. Art Papers, v. 20, no. 6, Nov./Dec. 1996, "Glass: Seattle's Glass Menagerie" p. 46, ill. ARTnews, v. 94, no. 5, May 1995, p. 104, ill. 459 Hoglund, Erik Mixed-media work by Jackson-Jarvis in Cor­ . Erik Hoglund: Glas = Glass Works (Text: Jan coran Gallery exhibit includes glass. 472 Huisman, Geertje Architectural glass, mosaics, Swedish glass­ Brief article on new designs by Ulrica Hyd- "Fleur van den Berg: Fragiel als de beginnende ware, etc. man-Vallien. liefde" Glasbulletin (Vereniging van Vrienden van 484 Jacquinot, Jean 497 Joppien, Rudiger Modern Glas), v. 9, no. 3, 1995, p. 19, ill. "Tables rondes et tours de table a Macon" "Klaus Moje: On a Retrospective at the Lampworked sculptures by Fleur van den Berg. La Revue de la Ceramique et du Verre, no. 90, Museum fur Kunst und Gewerbe, Hamburg" Sept./Oct. 1996, pp. 56-57, ill. Neues Glas, no. 1, 1996, pp. 34-37, ill. In 473 Huisman, Geertje and Woudenberg, Tables of diverse materials by European English and German. Bert designers at Macon exhibit. "No Matter How Ugly It Is, in Glass It Will Be 498 Joy as. Vidrio para vesf/'r (Fundacion Beautiful?" 485 Jantunen, Paivi Centro Nacional del Vidrio, ed. Text: Eliseo de Glasbulletin (Vereniging van Vrienden van "'Finland Suites': A Finno-American Glass Pablos, Paloma Pastor, and Fernando Rey) Modern Glas), v. 9, no. 3, 1995, pp. 10-17, ill. Collaboration" San lldefonso, Segovia: Real Fabrica de In Dutch. Scandinavian Review, v. 84, no. 1, Cristales de La Granja, [1995], 47 pp., ill. Recent work shown by Arno Arts, Sonja Spring/Summer 1996, pp. 74-75, ill. Contemporary glass jewelry by 40 artists. Oudendijk, Klaas Gubbels, Richard Meitner, Dale Chihuly, Oiva Toikka, and teams of Finns and others. and Americans create forms at Nuutajarvi. 499 Kalina, Richard "In Another Light" 474 Hummer, Tracy 486 Japan Glass Artcrafts Association Art in America, v. 84, no. 6, June 1996, "Reviews: Tony Oursler" Glass '96 in Japan pp. 68-73, ill. Sculpture, v. 15, no. 7, Sept. 1996, pp. 63-64, ill. Ibaraki, Japan: the association, 1996, 140, Dan Flavin's recent exhibits. New York exhibit with fiberglass spheres and [14] pp., ill. In Japanese and English. video projection. 500 Kangas, Matthew 487 Jens Gussek: Glass Works "Danny Perkins Grunge Glass" 475 Huntington. Huntington Museum of Art Halle, Germany: Galerie Marktschlosschen; American Craft, v. 56, no. 1, Feb./March 1996, Glass Art 3: The Belkin Collection (Co-cura­ Paris: Clara Scremini Gallery, 1996, 34 pp., ill. pp. 48-51, ill. tors: Louise Polan and Eason Eige. Essay: In English and German. James Yood) 501 "Reviews: Anna Skibska" Huntington, WV: the museum, 1996, 50 pp., ill. 488 Jirackova, Blanka Glass (UrbanGlass), no. 64, Fall 1996, p. 51, ill. Work by 24 international glass artists. "Expanded Glass" Seattle exhibit. New Glass Review (Czech), v. 50, no. 9, 476 Huther, Christian 1995, pp. 4-6, ill. In English and German. 502 "Reviews: Bertil Vallien" "Izabel Lam" Yokohama, Japan, exhibition of glass by nine Sculpture, v. 15, no. 2, Feb. 1996, p. 59, ill. Weltkunst, v. 66, no. 22, Nov. 15, 1996, artists, including Libensky/Brychtova, Pavel Seattle exhibit. p. 2975, ill. Hlava, Bohumil Elias. Darmstadt exhibit of designer Lam's metal 503 "Reviews: Charles Parriott" Sculpture, v. 15, no. 3, March 1996, pp. 60-61, and glass objects. 489 Jirasek, Ivana ill. "RFC Glass Prize 1995" Seattle exhibit. 477 llse-Neuman, Ursula Craft Arts International, no. 36, 1996, pp. 106- "Exhibitions: American Craft Museum" 107, ill. 504 "Reviews: Ginny Ruffner" Neues Glas, no. 2, 1996, pp. 47-48. In Deborah Cocks's award-winning panel and Sculpture, v. 15, no. 3, March 1996, p. 60, ill. English. work by Peter Tysoe, Judith Candy, Giles Seattle exhibit. "Form, Light, Glass" exhibit of Czech artists Bettison. Marian Karel, Libensky/Brychtova, Cigler, 505 "Reviews: Hank Murta Adams" Kopecky, Zamecnikova. 490 Joensuu, Elina Sculpture, v. 15, no. 7, Sept. 1996, pp. 67-68, ill. "Classic Makers: Timo Sarpaneva" 478 "Klaus Moje Glass: A Retrospective at Form-Function-Finland, no. 3, 1995, pp. 18- 506 "Reviews: Mary Shaffer" 19, ill. American Craft Museum" Sculpture, v. 15, no. 5, May/June 1996, p. 70, ill. The Glass Club Bulletin, no. 178, Summer 1996, pp. 28-30, ill. 491 Johnson, Pamela 507 "Reviews: Richard Marquis" "Net Profits" Sculpture, v. 15, no. 3, March 1996, pp. 59-60, 479 "The White House Collection of Ameri­ Crafts (U.K.), no. 141, July/Aug. 1996, pp. 62- ill. can Crafts" 63, ill. Seattle exhibit. The Glass Club Bulletin, no. 177, Winter 1995, Craft organizations and firms, such as pp. 31-34, ill. , on the Internet in Great 508 "Reviews: Stanislav Libensky, Jaroslava Britain. See "Addendum," no. 178, Summer 1996, Brychtova" p. 21. Sculpture, v. 15, no. 2, Feb. 1996, p. 59, ill. 492 "Reviews: Blowing Hot and Cold" Seattle exhibit. 480 International Design Yearbook 11 (Ales- Crafts (U.K.), no. 140, May/June 1996, p. 54, ill. sandro Mendini, ed.) Oxford exhibit with work by Bob Crooks, 509 "Reviews: Toots Zynsky" New York: Abbeville Press, 1996, 240 pp., ill. Stuart Hearn, Catherine Hough, Annette Glass (UrbanGlass), no. 62, Spring 1996, Lighting, tableware, glass furniture, mosaics, Meech, Fleur Tookey. p. 51, ill. etc. Seattle exhibit. 493 "Reviews, Exhibitions: Recycling - 481 Irving, Joan Forms for the Next Century" 510 "Reviews: William Morris" "Your Voice: Joan Irving" Crafts (U.K.), no. 141, July/Aug. 1996, p. 48, ill. Sculpture, v. 15, no. 3, March 1996, p. 60, ill. The Voice (American Craft Association), v. 4, Includes chandelier of recycled bottles by So­ Seattle exhibit. no. 5, Sept./Oct. 1995, pp. 2-3. phie Chandler. Glass artist recommends that craftspeople 511 Kapelke, Steven register their work. 494 Jonson, Lotta "Focus: Christopher Ries" "Enkelt men bra" American Craft, v. 56, no. 6, Dec. 1996/Jan. 482 Israelson, Leslie Rowe Form, v. 91, no. 2 (704), 1996, p. 18, ill. 1997, pp. 66-67, ill. "Canadians Attend Czech Symposium" Drinking glasses and vases from Reijmyre Glass Gazette, Spring 1996, pp. 6-7, ill. and Kosta Boda firms. 512 The Kaplan Family Second annual symposium in Teplice, Octo­ "Jim Donofrio: From Realism to Fantasy" ber 1995. 495 "Noterat: Erotiskt glas" Annual Bulletin of the Paperweight Collectors' Form, v. 91 (705), no. 3, 1996, p. 12, ill. Association, 1995, pp. 44-45, ill. 483 Jackson, Lesley Lars Hellsten glass in Stockholm exhibit. "Contemporary" Architecture and Interiors of 513 Kapran, Alexandre the 1950s 496 "Ormar for ever" "A Case for Flameworking" London: Phaidon, 1994, 240 pp., ill. Form, v. 91, no. 2 (704), 1996, p. 12, ill. Glass Gazette, Summer 1996, p. 8. 514 Kaufman-Weisbord, Laura man and English. 540 Kunert, Jan "Contemporary Grecian Urns" Glass galleries and art fairs in Europe. Work "Sila vodyj' Stained Glass Quarterly, v. 91, no. 2, Summer by Martinuzzi, Negreanu, Zuber, Rybak, and Umeni a Remesla, no. 4, 1995, pp. 65-67, ill. 1996, pp. 114-115, ill. Raymond illustrated. English summary. Author, a Canadian artist, creates enameled Water-jet abrasion used on variety of materials. panels and urns. 528 "Hot and Cold: 4th Triennale 'Sculp­ tures contemporains en cristal et en verre'" 541 Kurata, Kimihiro 515 Kehoe, Beverly Neues Glas, no. 2, 1996, pp. 42-45, ill. In Ger­ Hisatoshi Iwata: Glass Art = Iwata Hisatoshi "Light under Glass" man and English. no Garasu Geijutsu Schott Information, no. 76, Jan. 1996, pp. 20- Exhibition in Liege and Luxembourg, one of Tokyo: Kyuryudo Art Publishing, 1996, 216 pp., 21, ill. the last European survey shows. Jan-Willem ill. In Japanese and English. Light artist Bill Parker uses "Duran" borosili- van Zijst, Keith Cummings, Vesa Varrela work cate glass from Schott. illustrated. 542 Kwon Byung-rin "The Art of Glass Sculpture" 516 Keogh, Peter and Fineberg, Robin 529 "Serge Mansau" Seoul, the Monthly Magazine of Korea "Greetings from Santa Fe" Neues Glas, no. 1, 1996, pp. 18-25, ill. In Illustrated, no. 50, July 1995, pp. 46-50, ill. Glass Gazette, Fall 1995, pp. 9-10, ill. English and German. Korean artist Eun-Kyu Lee. Authors' studio. 530 "Venezia Aperto Vetro" 543 Laansma, Klaas 517 Kerkvliet, Brian Neues Glas, no. 3, 1996, pp. 12-19, ill. In Ger­ "In Memoriam: Sybren Valkema (1916-1996)" "The Society of Glass Beadmakers: Under the man and English. Glas en Keramiek, no. 1, April 1996, pp. 16- Magnifying Glass" The Venetian exhibition, "Aperto Vetro." 17, ill. In Dutch. Glass Art, v. 11, no. 5, July/Aug. 1996, pp. 14- 23, ill. 531 "Venice" 544 LaJeunesse, Monique History of the society and early exhibitions. Neues Glas, no. 4, 1996, pp. 20-29, ill. In Ger­ "Little River Hotglass Studio and Gallery" Also in The Bead Release (Shingle Springs, man and English. Glass Gazette, Fall 1995, pp. 10-11, ill. CA), v. 3, no. 3, July 1996, pp. 1-3. Review of "Venezia Aperto Vetro" exhibition. Michael Trimpol and author relocate to Ver­ . 518 Kertess, Klaus 532 Knottenbelt, Robert "Kiki Smith: Elaborating a Language of the "Exhibition Review: Geri Hermans' 'Worship­ 545 Lamarova, Milena Body" ping the Stone'" BohuslavSimice (Art Centrum, ed.) Elle Decor, v. 7, no. 1, Feb./March 1996, Ausglass Magazine, Christmas edition, 1995, Prague: Art Centrum, 1965?, [20] pp., ill. In pp. 52-53+, ill. pp. 12-13, ill. French, German, and English. Melbourne exhibit. Sculptural and architectural glass by Czech 519 Kindermann, Angelika glass artist, Simice. "Hinter der Leinwand offnet sich der Raum" 533 Koch, Andre and others Art, das Kunstmagazin, no. 6, June 1996, 546 Lambert, Elizabeth Struck by Lighting: An Art-historical Introduc­ pp. 94-95, ill. "Shopping in Venice: Exploring Italian Design tion to Electrical Lighting Design for the Do­ Retrospective exhibit in of the work with John Stefanidis" mestic Interior of Lucio Fontana; includes glass. Architectural Digest, v. 53, no. 9, Sept. 1996, Rotterdam: Uitgeverij De Hef, 1994, 168 pp., ill. p. 74+, ill. Catalog for a lighting exhibit in Rotterdam. 520 The (Staff: Marga- Glass tumblers by Marie Brandolini, vase by reta Arteus and Thomas Jonsson) Lino Tagliapietra, and visiting Marina Baro- , Sweden: Turism i Grasriket, [n.d.], 534 Koivisto, Kaisa vier's gallery. 30 pp., ill. "Beautiful Glass for Everyone" Tourist booklet of Swedish glass factories in Scandinavian Journal of Design History, v. 6, 547 Lambrecht, Luk the Vaxjo area; 15 glass houses. 1996, pp. 78-89, ill. "Reviews: Mario Merz" Finnish postwar glassmaking and designs by Flash Art, v. 29, no. 187, March/April 1996, 521 Klein, Dan Kaj Franck, Saara Hopea, Goran Hongell, p. 120, ill. "Lino Tagliapietra" Nanny Still, Timo Sarpaneva. Installation in Antwerp gallery. Neues Glas, no. 2, 1996, pp. 26-33, ill. In Ger­ man and English. 535 "Reviews: Oiva Toikka" 548 Langhamer, Antonin Glass (UrbanGlass), no. 62, Spring 1996, "Czech Melted Glass Sculpture" 522 "Students Exhibit Glass at Himley Hall" pp. 50-51, ill. New Glass Review (Czech), v. 50, no. 10, Neues Glas, no. 3, 1996, pp. 38-43, ill. In Ger­ Helsinki exhibit. 1995, pp. 11-15, ill. In English and German. man and English. Exhibition at Jablonec nad Nisou museum; Work by students at British colleges. 536 Koplos, Janet work by Libensky/Brychtova, Elias, Kostka, "Review: 'Labor of Love' at the New Museum" Cigler, Handl, Vachtova, etc. 523 Kleinschmidt, Janice Art in America, v. 84, no. 10, Oct. 1996, "The Cutting Edge" pp. 119-120, ill. 549 "Jitka Forejtova - Sklo" Desert Style (Palm Desert, CA), Feb. 18, Liza Lou's full-size beaded kitchen in New Atelier, no. 23, Nov. 7, 1996, p. 12, ill. 1996, p. 1-D, ill. York exhibit. Review of exhibit at Jablonec. Christopher Ries exhibit in Palm Desert. 537 Korach, Alice 550 LaPlantz, David, ed. 524 Klepsch, Kristian, Jr. "A Window to the Past: Beads by Bruce St. JewelryZMetalwork 1991 Survey: , Die Liebe: Der ursprungliche Intuitionismus John Maher" Concepts, Communication [Bodenkirchen: the artist, 1995], [12] pp., ill. Bead & Button, no. 15, Oct. 1996, pp. 26-28, ill. Bayside, CA: Shereen LaPlantz, 1991, Engraved glass by Klepsch. 156 pp., ill. 538 Korea Contemporary Glass Artist Asso­ Enameling; jewelry with glass by Julie Mihali- 525 Klotz, Uta M. ciation sin. "The Ernsting Foundation" 1st Korea Contemporary Glass Artist Associa­ Neues Glas, no. 4, 1996, pp. 40-45, ill. In Ger­ tion Exhibition 551 Jewelry/Metalwork #3: Ideas, Images, man and English. [S.I.: the association, 1995], [24] pp., ill. In Imagemakers, 1993 New private museum of contemporary glass Korean. Bayside, CA: Shereen LaPlantz, 1993, at Coesfeld-Lette, Germany. Work by 15 Korean artists. 248 pp., ill. Enameling; jewelry with glass by Julie Mihali- 526 "Exhibitions: Yan Zoritchak" 539 Kuban-Scheel, Karin sin. Neues Glas, no. 2, 1996, p. 48. In German. "Fusing - Eine neue gestalterische Perspek- Exhibit at Palais de la Decouverte, Paris. tive" 552 LaPlantz, David and LaPlantz, She­ Glaswelt, v. 49, no. 8, Aug. 1996, p. 42+, ill. reen, ed. 527 "Fiat Lux" Detlef Tanz demonstrates fusing and pate de Jewelry/Metalwork #2: A Way of Communi­ Neues Glas, no. 2, 1996, pp. 34-40, ill. In Ger­ verre at seminar. cating Bayside, CA: Shereen LaPlantz, 1992, 565 Bertil Vallien (2nd ed.) 578 Los Angeles, del Mano Gallery 224 pp., ill. Stockholm: Carlsson Bokforlag, 1994, Artists of the White House Enameling. 232 pp., ill. Los Angeles, CA: the gallery, 1996, 91 pp., ill. Corresponds with the exhibition "The White 553 Lamer, Edwina 566 Little Rock. Arkansas Arts Center Deco­ House Collection" shown at Los Angeles "A Blow for Independence" rative Arts Museum, The Pike-Fletcher-Terry Museum of Art. Blomdahl, Carlson, Crafts (UK), no. 138, Jan./Feb. 1996, pp. 18- House Myers, Schwarz, Simpson. 21, ill. National Objects Invitational [1989] (Text: Neil Wilkin, glass technician, has developed Townsend Wolfe) 579 Lovelace, Joyce his own work. Little Rock, AR: the center, 1989, 50 pp., ill. "Baltimore Market: Staying Power" Includes glass by Andrew Magdanz, Joyce American Craft, v. 56, no. 1, Feb./March 1996, 554 Lawrence, Lee Adair Scott, Janusz Walentynowicz, Brent Kee p. 64, ill. "Chihuly Breezes into Baltimore" Young. ACC Craft Fair; Josh Simpson. American Style, v. 2, no. 3, Summer 1996, p. 15+, ill. 567 National Objects Invitational [1993] 580 "Grassroots Conference" Exhibition and talk at the Baltimore Museum (Text: Alan DuBois) American Craft, v. 56, no. 5, Oct./Nov. 1996, of Art. Little Rock, AR: the center, 1993, 49 pp., ill. p. 8+, ill. Includes glass by Michael Scheiner. Bill Boysen's hot-glass studio on wheels at 555 Layton, Peter Louisville, Kentucky, craft conference. Glass Art 568 National Objects Invitational [1995] London: A. & C. Black; Seattle, WA: University (Text: Alan DuBois) 581 Ludwig, Reinhold of Washington Press, 1996, 216 pp., ill. Little Rock, AR: the center, 1995, 47 pp., ill. "Das Informel im Schmuck" Contemporary glass: historical background, Includes glass by Ginny Ruffner, beadwork by ArtAurea, no. 3, Sept./Nov. 1996, pp. 56-59, ill. studio movement history by country, tech­ Jane Burch Cochran. Bjom Weckstrom, Finnish jewelry designer, nique, and artists. has also designed glass sculpture. 569 Objects & Drawings 2: Working in Other 556 Leffingwell, Edward Dimensions (Essay: Tony Hepburn; catalog: 582 MacAlpine, Daniel "Review: Larry Bell" Alan DuBois) "Totemic Images in Modern Craft Art" Art in America, v. 84, no. 10, Oct. 1996, Little Rock, AR: the center, 1994, 64 pp., ill. American Style, v. 2, no. 3, Summer 1996, p. 126, ill. Includes drawings and glass by Dale Chihuly pp. 34-39, ill. Glass enclosures in Los Angeles exhibit. and Marvin Lipofsky. Includes glass artists Cynthia Daiboch-Eng- land, Meg Branzetti, Vicky Kokolski, Robert Mickelsen. 557 Leipzig. Museum fur Kunsthandwerk, 570 Little Rock. Arkansas Art Center, Foun­ Grassimuseum dation Collection 583 MacCash, Douglas ICH RAUM: Ausstellung der Klasse Large Drawings and Objects (Text: Townsend "New Orleans: Boom Time on the Bayou" Malerei/Glas, Prof. Christine Triebsch, der Wolfe and Ruth Pasquine) ARTnews, v. 95, no. 10, Nov. 1996, p. 61, ill. Hochschule fur Kunst und Design Halle, Burg Little Rock, AR: the center, 1996, 128 pp., ill. Includes the contemporary glass scene. Giebichenstein Includes glass sculpture by Hank Murta Leipzig: the museum, 1996, 75 pp., ill. Adams, pp. 76-77. Work by Christine Triebsch and her students 584 Mackey, Jan at the school, Hochschule fur Kunst und De­ "Giselle Courtney" 571 Littleton, Harvey sign Halle, Burg Giebichenstein. Craft Arts International, no. 36, 1996, pp. 58- "Lifetime Achievement Award Presentation to 62, ill. " 558 Leister, Chae Denise Lampworked glass jewelry by the Australian The Glass Art Society Journal, 1995, pp. 9-10, "Glassworks: A Survey of Calgary-Area Glass artist. ill. Art" Glass Gazette, Fall 1995, p. 18, ill. 585 Madrid. Galeria Quorum Edmonton exhibition. 572 Lockwood, Howard J. Javier Gomez "The Figurines of Fulvio Bianconi" Madrid: the gallery, 1996, [10] pp., ill. In Span­ 559 Levin, Robert Vetri: Italian Glass News, v. 2, no. 4, Oct. 1, ish. "Honorary Life Member Award Presentation to 1996, pp. 8-11, ill. Jack Schmidt" 586 Maga, Anna The Glass Art Society Journal, 1995, p. 11, ill. 573 "A Piece on Glass: Focusing on 20th "'Europejskie Szk+o Uzytkowe'" Century Designers. Fulvio Bianconi 1915- Szk+o i Ceramika, v. 46, no. 5, 1995, pp. 35- 560 Levison, Carol and Raskin, Lois 1996" 36, ill. "Eva Zeisel, a Designing Woman" The Echoes Report, v. 5, no. 2, Fall 1996, Functional European glass in exhibit at The Echoes Report, v. 2, no. 1, 1993, pp. 6- pp. 18-19, ill. Finnish Glass Museum, Riihimaki. 7+, ill. 574 "The Sommerso Glass of " 587 Maloney, Alicia 561 Lewin, Susan Grant Vetri: Italian Glass News, v. 2, no. 2, April 1, "Simon Pearce, Glass Maker and Entrepre­ One of a Kind: American Art Jewelry Today 1996, cover and pp. 15-16, ill. neur" New York: Harry N. Abrams, 1994, 224 pp., ill. Poli's glass for Seguso in the 1950s. Glass Collector's Digest, v. 10, no. 1, June/July Includes glass beads, buttons, enamel and 1996, pp. 66-71, ill. cloissone by Joyce Scott, , 575 "Venini: The Post-War Years" Linda MacNeil, and others. The Echoes Report, v. 4, no. 2, Fall 1995, 588 Margetts, Martina pp. 38-39+, ill. "Emma Woffenden" 562 Liberec. Severoceske Muzeum Glass (UrbanGlass), no. 62, Spring 1996, Jaroslav Brychta (Text: Oldrich Palata) 576 Logan, Kristina pp. 36-41, ill. Liberci v Roce, Czech Republic: the museum, "The 1996 G.A.S. Conference in Boston: 1995, [24] pp., ill. German and English sum­ Report" 589 Margolin, Victor maries. The Bead Release (Shingle Springs, CA), v. 3, "Eventi e servizi: La tecnologia forza il confine Glass by the father of Jaroslava Brychtova. no. 3, July 1996, p. 6. tra naturale e artificiale" Beadmaking and at the confer­ Stileindustria, v. 1, no. 4, Dec. 1995, pp. 74- 563 Lindquist, Gunnar ence. 82, ill. In Italian and English. "Bertil Vallien" Exhibit "Mutant Materials in Contemporary Craft Arts International, no. 36, 1996, pp. 41- 577 London. Crafts Council Design" at The Museum of Modern Art. 48, ill. [Directory of British Glass Artists] London: the council, [1985], [27] leaves in a 590 Marks, Ben 564 "Bertil Vallien: Glass Art Innovator, folder, ill. "Reviews: Jay Musler" Metaphysical Explorer" Directory compiled at the time of the confer­ Glass (UrbanGlass), no. 62, Spring 1996, Neues Glas, no. 2, 1996, pp. 18-25, ill. In Ger­ ence, April 1986, to promote contemporary p. 50, ill. man and English. British glass artists. San Francisco exhibit. 591 Martel, Jean-Paul 605 Mendel, Anna The Bead Release (Shingle Springs, CA), v. 2, "The Glass Workshop at the Universite du "U.S. Glass Collectors Visit Montreal" no. 1, Feb. 1995, p. 1. Quebec a Trois-Rivieres" Glass Gazette, Spring 1996, p. 13. 1995 exhibitions at Asheville, North Carolina. Glass Gazette, Fall 1996, pp. 7-9, ill. In The Metropolitan Contemporary Glass Group French and English. of New York visits galleries, studios, collec­ 618 Milne, Victoria tions. "Conversation: Francine M. Pilloff with Victoria 592 Marylhurst. The Art Gym, Marylhurst Milne" College 606 Menz, Christopher Glass (UrbanGlass), no. 62, Spring 1996, Judy Hill: Sculpture 1987-1996 "Events and Reviews: Australian Decorative pp. 12-13+, ill. Marylhurst, OR: the gallery, 1996, [19] pp., ill. Arts: 1940s-1990s" New president of the Art Alliance for Contem­ Craft Arts International, no. 37, 1996, p. 93, ill. porary Glass. 593 Maskova, Ivana Piece by Vicki Torr in exhibit. " in Studio Glass Gallery in 619 Minetti, Fabio London" 607 Meriaux, Louis "Silvia Levenson" New Glass Re view (Czech), v. 50, nos. 11-12, "Sybren Valkema, un pionnier du verre libre" Alte Vitrie, v. 7, no. 3, 1995, pp. 2-3, ill. 1995, pp. 27-29, ill. In English and German. Verre & Creation, no. 4, April 1996, p. 4, ill. English summary. Work by J. Svoboda, J. Ryba at new gallery. English summary. Argentinian artist now living in Milan. Obituary. 594 Mason, Geoffrey "Portfolio: Geoffrey Mason" 608 Merker, Gemot 620 Minneapolis. 6 Artists, 6 Exhibitions: Larry Bell, Chryssa, Craft Arts International, no. 36, 1996, p. 85, ill. "Das alles ist Gravur: Eingegraben, ausge- Vessels by Australian artist. kratzt, hingehaucht und tiefgefrast" Will Insley, Robert Irwin, Robert Smithson, Glaswelt, v. 48, no. 3, March 1995, pp. 42-44, ill. Robert Whitman 595 Massara, Gian Giorgio Exhibit of diamond-engraved glass at Berg- Minneapolis, MN: the center, 1968, [8] leaves "Vetri d'arte: Adriano Tuninetto - spazi e alchi- bau- und Industriemuseums Theuern; Anne in a folder, ill. mie di vetro e colore" Wenzel, Alison Kinnaird, Hubert Borger. Neon by Larry Bell, Chryssa (not illustrated.) Alte Vitrie, v. 7, no. 1, July 1995, p. 32, ill. 609 Bemaltes Glas: Aus Atelier und Werk- 621 Mitsching, Uwe 596 Matuska, Josef statt = Painted Glass: Artisans in Studios and "Glass as Canvas" "160 Years of the Glassworks in Zlatno" Workshops Neues Glas, no. 3, 1996, pp. 44-48, ill. In Ger­ New Glass Review (Czech), v. 51, nos. 7/8, Kummersbruck: Bergbau- und Industriemu- man and English. 1996, pp. 2-5, ill. In English and German. seum Ostbayern Schloss Theuern, 1996, Exhibition "Bemaltes Glas" (Painted glass) at 128 pp., ill. In German and English. Kummersbruck museum. 597 McCauley, Mark Catalog for exhibit of painted glass by many "Continuing on the Cutting Edge" artists, firms. 622 Miyagi. Kyohei Fujita Museum of Glass FFI (Fine Furniture International), v. 1, no. 4, Kyohei Fujita Museum of Glass: Selected Sept./Oct. 1996, pp. 52-54, ill. 610 Mermell, Dean Works from the Collection (Atsushi Takeda, German glass table designer Ronald Schmitt "Reviews: Larry Bell/Cork Marcheschi" ed.) joins Design Institute America. Glass (UrbanGlass), no. 64, Fall 1996, pp. 48- Miyagi, Japan: the museum, 1996, 76 pp., ill. 49, ill. In Japanese and English. 598 McEvilley, Thomas San Francisco exhibit. "Reviews: Luis Camnitzer" 623 Moglia, Michel Artforum, v. 34, no. 5, Jan. 1996, p. 84, ill. 611 Michaelson, Maureen "Olivier Juteau: Un Aventurier du verre qui "El Muro del Silencio" (Wall of Silence, 1994- "Art96: Shelley Wilson" transmet son experience" 1995), engraved glass. Art Review, v. 47, Dec. 1995/Jan. 1996, La Revue de la Ceramique et du Verre, no. 87, p. 32, ill. March/April 1996, pp. 30-32, ill. 599 McGrain, Peter Layered glass panels printed with photographs. Glass Cracks 624 Moller, Peter [S.I.]: Peter McGrain, 1995, (Green Tiger 612 Mickelsen, Robert A. "New Ways to Glass" Press), 91 pp., ill. "At the Lamp: Einar De La Torre Speaks Out" Neues Glas, no. 3, 1996, pp. 28-31, ill. In Ger­ "Humor for the glass art enthusiast": cartoons. Glass Line, v. 9, no. 5, Feb./March 1996, man and English. pp. 1-7. The glassmaking course at the School of Art 600 McGregor, Lani and Design, Burg Giebichenstein, Halle. "An Interview with Lani McGregor: Timothy C. 613 "At the Lamp 2: A Conversation with Ely and the Glass Palimpsest" Elsie Burton" 625 Montgomery, Eric The Bullseye Bulletin, Fall 1996, pp. 4-5, ill. Common Ground: Glass, Summer 1996, "Craig's Arresting, Subtle Work" Kiln-formed glass "books" by Timothy Ely. pp. 11-14, ill. British Columbia Glass Arts Association Widow of John Burton, "father of modern Newsletter, v. 8, no. 5, Oct. 1996, p. 7, ill. artistic lampworking" and author. 601 "The Language of Glass" Brock Craig exhibit, North Vancouver. The Bullseye Bulletin, Fall 1996, pp. 1-2, ill. Descriptions of casting, , and pate de 614 "Einar De La Torre Speaks Out" verre terms. Common Ground: Glass, Winter 1995, pp. 13- 626 Montreal. Galerie Elena Lee Verre d'Art 17, ill. Selection Galerie Elena Lee: 20 ans = 20 602 McKig, Jean Conversation with artists whose mixed-media Years. Cadeaux corporatifs = Corporate Gifts "Master of Glass Creates Spectacles" pieces were vandalized. (Text: Elena Lee) Desert Style (Palm Desert, CA), Feb. 18, Montreal: the gallery, 1996, 17 pp., ill. 1996, p. 10-D, ill. 615 Mid Atlantic Arts Foundation Work by Claire Maunsell, Brad Copping, and Jean-Claude Novaro exhibit, Palm Desert. Painting, Works on Paper, Sculpture, Photo­ others. graphy, Crafts: Regional Visual Arts Fellow­ 603 McPherson, Anne ships 1994 & 1995 627 Moore, Wil "Craft and Ceremony" Baltimore, MD: the foundation, 1995, 111 pp., ill. "Excellence in : The Work of Wil Ontario Craft, v. 21, no. 1, Spring 1996, Includes work by Eve Andree Laramee and Moore" pp. 12-15, ill. David Lewin. The Firing Line (Orton Firing Institute, Wester- Etched and sandblasted baptistry window, and ville, OH), v. 2, no.1, Jan./Feb. 1991, pp. 7-8, ill. and carved glass font, by Sarah Hall. 616 Miller, Bonnie J. Author describes his techniques. Why Not? The Art of Ginny Ruffner 604 Meltzer, Hal Seattle, WA: Press; 628 Morando, Simona "On Age and Authenticity" Tacoma, WA: , 1996, "Una conchiglia di vetro alle soglie della me- Vetri: Italian Glass News, v. 2, no. 1, Jan. 1, 112 pp., ill. moria" 1996, p. 8. Alte Vitrie, v. 7, no. 1, July 1995, pp. 4-5, ill. Observing color and clarity of Italian glass, 617 Milliron, Donna Work by Rosanna La Spesa, inspired by fossil 1940S-1980. "Beads Included in G.A.S. Conference" sea shells. 629 Morrison, Rosalyn J. 643 Neenah. Bergstrom-Mahler Museum 656 1995 Ohio Designer Craftsmen Buyers "Galerie Elena Lee Verre d'Art: A Vision" Movement, Light, Color, and Form: Contem­ Guide. January 1996 Glass Gazette, Fall 1996, pp. 18-19, ill. In porary Glass from The Bergstrom-Mahler Mu­ Columbus, OH: ODC Enterprises, 1996, French and English. seum Collection 64 pp., ill. Montreal glass gallery. Neenah, Wl: the museum, [1996], [6] pp., ill. 657 Oldknow, Tina 630 "Harnessing the Power of V6" 644 New Glass Review 17 Pilchuck: A Glass School (With ... an inter­ Ontario Craft, v. 21, no. 2, May/June 1996, Corning, NY: The Corning Museum of Glass, view with Dale Chihuly by Patterson Sims) pp. 12-13, ill. 1996, 72 pp., ill. In German and English. Seattle: University of Washington Press; Canadian glass artists Joanne Andrighetti, Includes jury statements by Thomas Buech- Pilchuck, 1996, 293 pp., ill. Gary Bolt, Jeff Burnette, Lisa Samphire, ner, Arthur Danto, Susanne Frantz, Toots Zyn- Naoko Takenouchi, Morna Tudor. sky; "Some of the Best of Recent Glass," by 658 Oliver, Christine Susanne Frantz, pp. 32-39. "A World of Crystal" 631 Moss, Kathlyn Figurines & Collectibles, Fall 1995, pp. 60-62, "Circles of Light: Beaded Peyote Stitch Ves­ 645 New York. American Craft Museum ill. sels" Jewelry: Selections from the Permanent Glass building and animal collectibles. Bead & Button, no. 15, Oct. 1996, pp. 17-22, ill. Collection (Text: Ursula llse-Neuman) Beaded vessels and sculptures by artists New York: the museum, 1995, 9 pp., ill. 659 Olivie, Jean-Luc Wendy Ellsworth, Marcie Stone, and Linda Includes piece by Elsa Freund and beaded "Acquisitions, Centre du Verre" Fifield. work by Joyce Scott. Revue du Louvre, no. 1, Feb. 1996, p. 102, ill. Sydney Cash sculpture. 632 Mual, Makiri 646 New York. Art et Industrie "Enfant terrible Misha Ignis: Glaskunst en Ver- Terence Main (Text: Rick Kaufmann) 660 "De I'anagramme de rever et de ses lichting" New York: the gallery, 1996, 80 pp., ill. origines" Glas en Keramiek, no. 5, Dec. 1995, pp. 37- Exhibit with bronze and glass sculptures. Traverses (Centre Georges Pompidou, Paris), 40, ill. no. 46, March 1989, pp. 22-32, ill. 647 New York. Heller Gallery General article on glass, illustrated with work 633 "Felicitas Engels: Je ontkomt niet aan je William Carlson (Text: Cynthia Nadelman) by Mieke Groot, Erwin Eisch, Isabelle Monod, handschrift" New York: the gallery, 1988, 12 pp., ill. Jean-Pierre Umbdenstock. Glas en Keramiek, no. 1, April 1996, pp. 32- 1988 exhibit. 36, ill. 661 Orr, Kristen Frantzen 648 New York. The New Museum of Con­ "Josh Simpson Exhibit" 634 "Jan Fisar" temporary Art Arizona Society of Glass Bead Makers, no. 5, Glas en Keramiek, no. 5, Dec. 1995, pp. 22- A Labor of Love (Organized by Marcia Tucker) July/Aug. 1996, pp. 5-6. 23, ill. In Dutch. New York: the museum, 1996, 95 pp., ill. Mesa, Arizona, exhibit. Exhibit includes full-size beaded kitchen by 635 Muller, Anja Liza Lou, glass by Josiah McElheny, Robin 662 Pacheco, Patrick, ed. "Susan Hammond laat glazen bloem op rot- Winters. "The Top 100 Collectors in America" sen van Cornwall leven" Art & Antiques, v. 19, no. 3, March 1996, Glasbulletin (Vereniging van Vrienden van 649 New York. Sperone Westwater pp. 47-51+, ill. Modern Glas), v. 9, no. 3, 1995, pp. 28-29+, ill. Mario Merz: Selected Works 1967-1982 (Text: Craft collectors George and Dorothy Saxe, by Susan Hammond. Mario Merz) p. 95. New York: the gallery, 1995, 72 pp., ill. 636 Murray, Maureen Sculpture includes glass and neon. 663 Palma de Mallorca. Institut Balear de All about Beads: A Guide to Beads and Bead Disseny Making 650 Newman, Mark A. El vidre bufat a Mallorca London: B. T. Batsford, 1995, 160 pp., ill. "Photons: Terminal Harmony" Palma de Mallorca: the institute, [1996?], 3 Lighting Design and Application, v. 26, no. 8, vols., ill. 637 Muzylowski, Shelly Aug. 1996, p. 24, ill. Tableware and other glass produced in Mallor- "Summer in Valhalla" Multimedia (light, sound, color) corridor in can glassworks. British Columbia Glass Arts Association Miami International Airport by Christopher Newsletter, v. 8, no. 5, Oct. 1996, p. 4, ill. Janney. 664 Paris. Clara Scremini Gallery Author's Pilchuck experience. Antonio Cagianelli: "Tentations" 1995 (Text: 651 Neylon, John Pierre Restany, Jean Dethier and Ruth Eaton) 638 Nadelman, Cynthia "Gerry King and Graduates" Paris: the gallery, 1995, 23 pp., ill. "Glass: With a Brooklyn Accent" Craft Arts International, no. 37, 1996, pp. 100- ARTnews, v. 95, no. 1, Jan. 1996, p. 66, ill. 101, ill. 665 Barbara Nanning: Metamorphose (Text: UrbanGlass, formerly New York Experimental Chantal Bizot and Liesbeth Crommelin) Glass Workshop. 652 Nick, Didier Paris: the gallery, 1996, [14] pp., ill. In French "Nicole Cipres, ou le verre de toutes les trans­ and English. 639 Nakane, Kazuko gressions" Glass sculptures by Nanning. "Reviews: Richard Craig Meitner" La Revue de la Ceramique et du Verre, no. 86, Artweek, v. 27, no. 10, Oct. 1996, pp. 26-27, ill. Jan./Feb. 1996, p. 58, ill. 666 Paris. Galerie I'Eclat du Verre Seattle exhibit. Czeslaw Zuber: L'Eclat du verre 1996 (Text: 653 Niilonen, Kerttu Elodie Bernard) 640 Nancy. Espace 54 Finskt glas Paris: the gallery, 1996, [13] pp., ill. Bienvenue sur les asteroides!. . . : Yan Zorit- Stockholm: Wahlstrom & Widstrand, 1966, chak (Text: Katarina Bajcurova) 111 pp., ill. In Swedish. 667 Parkman, Elmerina and Parkman, Paul Nancy: the gallery, 1996, [12] pp., ill. In Finnish glass. "Report from La Serenissima" French and English. Glass Focus, v. 11, Dec. 1996/Jan. 1997, 654 Nucera Mantelli, Monica p. 1+. 641 Nasatir, Judith, ed. "Vetri d'arte: Silvio Vigliaturo 'gioco luci in Authors' review of "Venezia Aperto Vetro," "Personal Languages" vetro'" Venice. Interior Design, v. 67, no. 7, June 1996, p. 17, ill. Alte Vitrie, v. 7, no. 1, July 1995, p. 31. Borek Sipek exhibition at the Denver Museum 668 Pavel Hlava (Text: Sylva Petrova) of Art. 655 Ohio Designer Craftsmen [Prague: the artist], 1995, 96 pp., ill. In National Lifestyle Crafts Buyers' Resource English. 642 Naves, Mario Directory (July 1996) "The life and work of glass artist Pavel Hlava "Art: Christopher Wilmarth" Columbus, OH: ODC Enterprises, 1996, on the occasion of his 70th birthday." The New Criterion, v. 14, no. 6, Feb. 1996, 64 pp., ill. pp. 49-51. Includes fused glass, marbles, kaleidoscopes, 669 Peacock, Robert and Jenkins, Annibel Exhibition at New York gallery. jewelry, etc. Paradise Garden: A Trip through Howard Finster's Visionary World 684 Pinholster, Ginger 697 Ramljak, Suzanne San Francisco: Chronicle Books, 1996, "Gallery Profile: RASberry's Art Glass Gallery" "Conversation: John Perreault with Suzanne 120 pp., ill. The Crafts Report, v. 22, no. 237, Jan. 1996, Ramljak" Glass, bottles, and found objects. p. 20, ill. Glass (UrbanGlass), no. 64, Fall 1996, pp. 12- 13, ill. 670 Pearson, Ian 685 Pirsig, Ted "Artistic Connections of the British Society of "A Guided Tour of German Neon" 698 "Interview: Anything but Clay Feet" Scientific Glassblowers" Signs of the Times, v. 218, no. 4, April 1996, American Ceramics, v. 12, no. 2, 1996, Glass Line, v. 9, no. 6, April/May 1996, p. 1+, ill. pp. 226-230, ill. pp. 10-11. Artistic competitions held at BSSG symposi­ Discussion by Agnes Gund, president of Mu­ ums. 686 Pittsburgh. Pittsburgh Center for the seum of Modern Art, includes the position of Arts ceramics and glass in museums. 671 "Review: Scottish Glass Society Annual Regional Focus: A Series of Juried Exhibits Exhibition" Sponsored by the Artists' Groups of Pitts­ 699 Ramsey, Blake British Society of Scientific Glassblowers burgh "The Bullseye Connection" Journal, v. 34, no. 3, July 1996, pp. 123-124. Pittsburgh: the center, 1996, [31] pp., ill. Glass Craftsman, no. 7, Feb./March 1996, Includes glass artist Kathleen Mulcahy. pp. 51-53, ill. 672 Peiser, Mark The Portland, Oregon, company. "Reflections" 687 Poutasuo, Tuula The Glass Art Society Journal, 1995, pp. 58- 700 Rankin, Sue "Classic Makers: Oiva Toikka" 61, ill. "White Dog Studio" Form-Function-Finland, no. 3, 1995, pp. 24- Glass Gazette, Fall 1995, p. 15, ill. 25, ill. 673 Perreault, John Brad Copping, John Robinson, and author "Jane Bruce: The Search for a Place" own co-op studio. Glass (UrbanGlass), no. 64, Fall 1996, pp. 28- 688 Prague. Manes [Exhibition Hall] 35, ill. Vaclav Cigler(Text: Milena Lamarova and 701 Rappaport, Nina Vaclav Cigler) "Dorothy Hafner: Poesie in Glas" 674 "Smart Glass" [Prague: the artist, 1993], 76 pp., ill. In Czech ArtAurea, no. 2, May/June/July 1996, pp. 41- The Glass Art Society Journal, 1995, pp. 94- and English. 44, ill. In German and English. 97, ill. 1993 exhibit of Cigler's projects, glass, and drawings. 702 Rathanova, Tereza 675 Perrott, Jeff "Caesar Crystal Design" "Critical Reviews: Infernal Inception, Sculp­ 689 Procykova, Jana New Glass Review (Czech), v. 50, no. 10, tural Glassworks" "Contemporary Glass with Religious Themes" 1995, pp. 20-21, ill. In English and German. artsMEDIA (Boston, MA), June 1996, p. 14, ill. New Glass Review (Czech), v. 51, no. 4, Exhibit at the Mills Gallery, Boston Center for 1996, pp. 14-25, ill. In German and English. 703 "Games with Sheet Glass" the Arts. Engraved glasses, lampworked figures, rosa­ New Glass Re view (Czech), v. 50, nos. 11-12, ries, sandblasted panels, stained glass, mo­ 1995, pp. 30-31, ill. In English and German. 676 Perszyk, Peter saic. Exhibition of works from the second sheet "The Electric Sign: Spectacular Rides Again" glass symposium, Teplice; work by Irena Signs of the Times, v. 218, no. 4, March 1996, 690 "Glass in Troja '95" Havrdova and Milan Handl. pp. 84-88, ill. New Glass Review (Czech), v. 50, nos. 11-12, Neon billboards. 1995, pp. 22-23, ill. In English and German. 704 "Glass Is Collective Work" Sculptures made of glass rods by eight young New Glass Review (Czech), v. 51, nos. 7/8, 677 Petr : Sklo = Glass (Text: Anton in artists from the Faculty of Applied Arts, 1996, pp. 6-7, ill. In English and German. Hartmann) Prague. Moser glassworks artist Old rich Lipa. [S.I.: the artist?, 1996], [26] pp., ill. In Czech and English. 691 "Jiff Vosmik and His Glass" 705 "A Jubilee of Pavel Panek" New Glass Review (Czech), v. 51, no. 9, New Glass Re view (Czech), v. 50, nos. 11-12, 678 Petrova, Sylva 1996, pp. 13-15, ill. In German and English. 1995, pp. 32-33, ill. In English and German. "Evropske uzitkove sklo" Exhibition at Regional Museum, Teplice. Atelier, no. 6, March 14, 1996, p. 6, ill. English 692 "Women Artists from Jihlava" summary. New Glass Re view (Czech), v. 50, no. 8, 706 "Ornela" Traveling exhibition "European Glass in Use," 1995, pp. 25-28, ill. In German and English. New Glass Review (Czech), v. 51, no. 6, an international show of post-World War II Jana Valkova and Dana Novakova, designers 1996, pp. 24-25, ill. In English and German. glass design. at Jihlavske Sklarny Bohemia. Glass costume jewelry and technical products company. 679 "Gizela Sabokova" 693 Radeschi, Loretta La Revue de la Ceramique et du Verre, no. 85, 707 "Princ Glassworks: Glass Beauty from "The Many .Benefits of Craft" Nov./Dec. 1995, pp. 32-37, ill. the Highlands" The Crafts Report, v. 22, no. 243, July 1996, New Glass Review (Czech), v. 51, no. 6, pp. 12-13+, Itl. 680 Pickett, Christina 1996, pp. 21-22, ill. In English and German. Craft shows as fundraisers for human ser­ "Japanese Sandcast Workshop in Toronto" Hut Princ glassworks of the Bohemian-Mora­ vices organizations. Glass Gazette, Spring 1996, pp. 8-9, ill. vian highlands. Rury Iwata instructs workshop. 694 "Paul Stankard" 708 Redhead, David 681 Piene, Otto Glass Craftsman, no. 7, April/May 1996, "Thomas Sandell" "The Sun - The Sun - The Sun" pp. 6-11, ill. I.D. (International Design), v. 43, no. 1, Leonardo, v. 29, no. 1, 1996, pp. 68-69, ill. Jan./Feb. 1996, p. 74, ill. Light sculptures by the author. 695 Radko, Christopher Designs include glass and metal hanging Christopher Radko: The First Decade, 1986- light. 682 Pina, Leslie 1995 Designed & Signed: '50s & '60s Glass, Ce­ Dobbs Ferry, NY: the author; STARAD, 1995, 709 Reid, Calvin ramics & Enamel Wares by Georges Briard, 208 pp., ill. "Review of Exhibitions: Bill Scanga and Roy Sascha B[rastoff], [Marc] Bellaire, Higgins . . . Christmas ornaments. Kortick at TZ'Art" Atglen, PA: Schiffer Publishing, 1996, 224 pp., Art in America, v. 84, no. 2, Feb. 1996, pp. 93- ill. 696 Raggi, Franco 94, ill. "Progettare con il vetro. Designing with Glass" 683 Popular '50s and '60s Glass: Color Stileindustria, no. 7, Sept. 1996, pp. 40-41, ill. 710 Reid, Stuart Along the River In Italian and English. "Daniel Crichton: Guru of Glass" Atglen, PA: Schiffer Publishing, 1995, 176 pp., Author and invited designers work at Barovier Fusion (Ontario Clay and Glass Association), ill. & Toso to develop a new collection. v. 19, no. 2, Spring 1995, pp. 2-3+, ill. 711 "In Review: Michael Trimpol" 724 Rowe-lsraelson, Leslie 736 "Serge Mansau, le Parfum du verre" Fusion (Ontario Clay and Glass Association), "Twins in Czech Republic, Part 1" Verre (L'lnstitut du Verre, Versailles), v. 2, v. 19, no. 1, Winter 1995, p. 7+, ill. British Columbia Glass Arts Association no. 1, Jan./Feb. 1996, pp. 38-42, ill. 1994 Toronto exhibit. Newsletter, v. 8, no. 1, Jan./Feb. 1996, p. 4, ill. Perfume flacons and other glass by Mansau. Melanie and Leslie Rowe-lsraelson attend 712 Reizstoffe: 75 Jah re Danner-Stiftung. glass symposium in Teplice, 1995. 737 "Yan Zoritchak, I'etoile du verre" Positionen zum zeitgenossischen Kunsthand- Verre (L'lnstitut du Verre, Versailles), v. 2, werk = Positions of Contemporary Arts and 725 Saarbrucken. Stadtgalerie Saarbrucken no. 3, May/June 1996, pp. 54-58, ill. Crafts (Project: Herbert Ruth and Almut Arrays, Notion of Nothing, Falling Light Andreae) Saarbrucken: the gallery, 1994, 67 pp., ill. 738 Scaletti, Fabio Stuttgart: Arnoldsche, 1995, 224 pp., ill. In Mixed-media sculpture by Jerry Pethick. "Colori ovvero arte, azione e passione della German and English. luce al neon" Includes glass by Jorg Zimmermann, Sandra 726 Sabokova, Gizela Neon (Milan), no. 68, Sept./Oct. 1996, pp. 24- de Clerck, Gudrun Scheffold, Anja Nelke. Gizela Sabokova (Text: Sylva Petrova) 25, ill. [Praha]: Gizela Sabokova and Karel Neon by Maurizio Nannucci. 713 Restrepo, Federico Bartomcek; Jablonec nad Nisou: Museum of "Le Livre d'Heures": Des flacons et des reves Glass, 1995, [18] pp., ill. In Czech and 739 Schaak, Kurt J. Milan: Editions Milan, 1995, 134 pp., ill. In English. "Schaak's Glass and " French and English. Catalog of the artist's work. Common Ground: Glass, Summer 1996, Perfume bottle designs by the author. pp. 18-19, ill. 727 Samphire, Lisa Wisconsin gallery. 714 Rhebergen, Robi "Glass Art Association of Canada" "Lisa Gherardi, la mort omnipresente" British Columbia Glass Arts Association 740 Scherer, Alice La Revue de la Ceramique et du Verre, no. 90, Newsletter, special edition, Fall 1995, p. 4. "Kate Boyan: Metaphorical Tales" Sept./Oct. 1996, p. 51, ill. Ornament, v. 19, no. 4, Summer 1996, pp. 52- 728 San Francisco Art Institute, Walter/Mc- 57, ill. 715 "Rencontre: La Galerie Carla Koch a Bean Gallery Beadwork. Amsterdam. Encourager la creation" Joyce J. Scott: Images Concealed La Revue de la Ceramique et du Verre, no. 90, San Francisco: the institute, 1995, 28 pp., ill. 741 Schiess, Christian Sept./Oct. 1996, pp. 48-49, ill. Exhibition at the institute. "An Interview with Wayne Strattman" Mieke Groot, Isgard Moje-Wohlgemuth at Am­ Signs of the Times, v. 218, no. 4, April 1996, sterdam gallery. pp. 232-235, ill. 729 San Francisco. Jewish Museum San Francisco 716 "Susan Hammond" 742 Schmid, Ed Light Interpretations: A Hanukah Menorah In­ La Revue de la Ceramique et du Verre, no. 89, Limited Edition News (Bellingham, WA), two vitational: A Catalogue of the Exhibition . . . July/Aug. 1996, pp. 50-51, ill. newsletters: no. 8, Spring 1996 - no. 9, San Francisco: the museum, 1995, 188 pp., ill. Autumn/Winter 1996. Includes many glass menorahs. 717 Richards, Kristen "News: Sipek in America" 743 Schmidt, Jack Interiors, v. 155, no. 6, June 1996, p. 14, ill. 730 San lldefonso. Fundacion Centro Na- "To Penland on a Triumph: The Ride of a Life­ cional del Vidrio Borek Sipek exhibition at the Denver Art Mu­ time" Vidrio de Uso Domestico en la Sociedad Eu- seum. The Glass Art Society Journal, 1995, pp. 56- ropea Contemporanea (Text: Eliseo de Pablos 57, ill. and others) 718 Ricke, Helmut San lldefonso, Segovia: Real Fabrica de Cris- "Die Murrinen der Manufaktur Venini" 744 Schmitt, Eva tales de la Granja, 1995, 151 pp., ill. English Weltkunst, v. 66, no. 21, Nov. 1, 1996, "Exhibitions: Dana Vachtova, Franz X. Holler" text, pp. 125-151. pp. 2642-2645, ill. Neues Glas, no. 2, 1996, pp. 48-49. In Ger­ "European Glass in Use," or household glass­ 1930s-1960s Venini murrine glass. man. ware since World War II. Exhibit in Weiden, Germany. 719 Riehl, Pierre "Glass at the Art School of Strasbourg" 731 Sars-Poteries. Musee-Atelier du Verre 745 Schroeter, Christina Glass Gazette, Fall 1996, pp. 10-11, ill. In Le Cannibalisme des sentiments: Silvia Lev- "Metaphors in Glass: The Role of Glass in French and English. enson (Text: Silvia Levenson and Laurence Contemporary Art. Part 1" Bouquin) Neues Glas, no. 1, 1996, pp. 10-17, ill. In 720 Riihimaki. Suomen Lasimuseo = The Sars-Poteries, France: the museum, 1996, English and German. Finnish Glass Museum [11] PP., in. Nowe Polskie szklo: Hommage a Henryk Work by Levenson while in residence at the 746 "Metaphors in Glass: The Role of Glass Albin Tomaszewski Musee-Atelier du Verre. in Contemporary Art. Part 2" Riihimaki: the museum, 1996, 15, [12] pp., ill. Neues Glas, no. 2, 1996, pp. 10-17, ill. In Ger­ In Finnish and English. 732 Save, Colette man and English. Exhibit with work by 22 Polish glass artists, in "Remake a Dunkerque" Work by Raimund van Well, Maria Roosen, homage to Prof. Tomaszewski. Verre & Creation, no. 4, April 1996, p. 3, ill. Gloria Friedmann, Barbara Holub, Christiane English summary. Mobius, Thomas Huber. 721 Robert Smithson: El Paisaje Entropico: Glass exhibition at museum in Dunkerque, Una retrospectiva, 1960-1973 originally at Sevres. 747 Schwartz, Bonnie Valencia: Institut Valencia d'Art Modern, 1993, "Afterglow" 304 pp., ill. English text, pp. 261-301. 733 Save, Colette and Beaumont, Thierry Metropolis, v. 15, no. 8, April 1996, pp. 58- Sculptures and earthworks includes glass, de 59+, ill. , neon. "Au Canada: Le Mai du verre" Lamps and lighting by sculptor Dawn Ladd. Verre (L'lnstitut du Verre, Versailles), v. 2, no. 722 Roche-sur-Yon. Conseil General de la 4, July/Aug. 1996, pp. 39-43, ill. 748 Schwendener, Martha Vendee First Canadian glass biennale, Montreal. "Reviews: Kiki Smith" Thierry Baudry Art Papers, v. 20, no. 1, Jan./Feb. 1996, p. 57, ill. Roche-sur-Yon, France: the council, 1995, 24 734 "Matei Negreanu, le risque et la rigueur" New York exhibit. pp., in. Verre (L'lnstitut du Verre, Versailles), v. 2, Exhibition at La Roche-sur-Yon, France. no. 5, Sept./Oct. 1996, pp. 34-38, ill. 749 Schwendenwien, Jude "Review: Anne and Patrick Poirier" 723 Rochette, Anne and Saunders, Wade 735 "La Pate de verre, nouvelle lumiere sur Sculpture, v. 15, no. 2, Feb. 1996, pp. 57-58, ill. "Ends and Means" I'art du verre" New York exhibit with sculptural glass cases. Art in America, v. 84, no. 7, July 1996, cover Verre (L'lnstitut du Verre, Versailles), v. 1, and pp. 66-75, ill. no. 6, Nov./Dec. 1995, pp. 33-39, ill. 750 Scott, Graham Tony Cragg. Etienne and Antoine Leperlier and others. "Review: Glass Art VIII" British Columbia Glass Arts Association 764 Shaw, Jeff Annual Bulletin of the Paperweight Collectors' Newsletter, v. 8, no. 5, Oct. 1996, p. 2, ill. "The Ultimate Gift" Association, 1995, pp. 46-52, ill. Association members' Vancouver exhibit. Craft Arts International, no. 37, 1996, pp. 102- 103, ill. 777 Society of Glass Beadmakers 751 Scott, Joyce Exhibition at Brisbane gallery includes glass. [Postcard Collection] (Produced for the S.G.B. "Fearless Beadwork" Conference, "Gathering IV," Seattle Center, The Glass Art Society Journal, 1995, pp. 67- 765 Shields, Gerard Aug. 8-11, 1996) 68, ill. "Seeing Neon" [S.I.: the society, 1996], 38 color postcards, ill. Florida Magazine (The Orlando Sentinel), 752 Seidel, Miriam v. 43, no. 7, Feb. 18, 1996, pp. 7-13, ill. 778 Soderberg, Anne "Reviews: Stacy Levy" Neon in Orlando, FL. "Kreativ New York-stress" Art in America, v. 84, no. 7, July 1996, p. 92, ill. Form, v. 91 (705), no. 3, 1996, pp. 38-41, ill. Installations with glass in Philadelphia exhibit. 766 Sillard, Brigitte English summary. Brigitte Sillard Author, a Swedish graphics designer, devel­ 753 Seince, Frangoise [Boulogne: the artist, 1996], [36] pp. in a ops perfume bottles for Calvin Klein, Issy "Art Strasbourg 96" looseleaf folder, ill. Miyake. Le Courrier des Metiers d'Art, no. 150, March Photographs of glass sculpture, resume, ex­ 1996, p. 19, ill. hibit reviews of French artist's work. 779 Sofia. Gallery Arosita Udo Zembok, Milos Balgavy in Strasbourg art Ekaterina Getsova: Glass (Text: Irina Avra- fair. 767 Simon, Joan mova) "Report from San Francisco: Art for Tomorrow's Sofia, Bulgaria: the gallery, [1991], [23] pp., ill. 754 "Des styles et des techniques: Trien- Archive" In Russian and English. nale du verre a Liege" Art in America, v. 84, no. 11, Nov. 1996, Sculptures and architectural panels by Bulgar­ Le Courrier des Metiers d'Art, no. 149, Jan./ pp. 40-47, ill. ian artist. Feb. 1996, pp. 10-11, ill. Installation with glass disks on wall of new li­ 70 European glass artists in exhibition at brary by Nayland Blake. 780 Sonntag, Gerhard Liege and Luxembourg. "48. Internationale Handwerksmesse: Studio- 768 Simpson, Josh Glasszene stellte sich vor" 755 "Tessa Clegg, au-dela du verre" "Josh Simpson - Highlights of the Keynote Glas + Rahmen, v. 47, no. 10, May 1996, Le Courrier des Metiers d'Art, no. 151, April Speech" pp. 554-555, ill. 1996, p. 11, ill. The Bead Release (Shingle Springs, CA), v. 2, Glass at the international craft fair. Exhibit at Paris gallery. no. 3, Oct. 1995, pp. 2-3. Talk at Society of Glass Beadmakers confer­ 781 Sour, Annemarie 756 "Verriales 96" ence, Evanston, Illinois. "Deborah Hopkins: Glas doet me denken aan Le Courrier des Metiers d'Art, no. 154, July/ vrouwen en dus aan pijn" Aug. 1996, pp. 11-13, ill. 769 Simpson, Richard V. Glasbulletin (Vereniging van Vrienden van Modern Glas), v. 9, no. 3, 1995, pp. 6-9, ill. Exposition at Galerie Internationale du Verre, "The Abstract Paperweight Creations of M. & Glass sculpture by Hopkins. Biot, France. M. Backstrom" Glass Collector's Digest, v. 10, no. 4, Dec. 757 Sekora, Ondrej J. 1996/Jan. 1997, pp. 54-60, ill. 782 Sparks, Amy Bracken "Ivo Rozsypal" California studio. "Reviews: Howard Ben Tre" Umenf a Remesla, no. 4, 1995, pp. 24-28, ill. Glass (UrbanGlass), no. 62, Spring 1996, English summary. p. 47, ill. 770 "Floral Impressions: The Paperweights Sculptures by Rozsypal. Cleveland exhibit. of Debbie Tarsitano" Antiques & Collecting, v. 101, no. 9, Nov. 1996, 783 Spirits on the Crossing: Travellers 758 "Kronika: Od leta do podzimu" pp. 38-40+, ill. Umenf a Remesla, no. 4, 1995, pp. 74-77, ill. to/from Nowhere: Contemporary Art in News items: "Prostor, svetlo, sklo" exhibit, Canada 1980-1994 771 Art Museum: A Perspective Blanka Adensamova work (not illustrated.) Setagaya, Japan: Setagaya Art Museum; (Text: Ng Wai Quin and others) Kyoto: The National Museum of Modern Art; Roseville, Australia: Fine Arts Press, ART 759 Seniuk, Jake Hokkaido: Hokkaido Museum of Modern Art, AsiaPacific, 1996, 15 pp., ill. "Liquid Percussion" 1995, 168 pp., ill. In Japanese and English. Includes a view of the Glass Hall with Chihuly Experimental Musical Instruments, v. 11, no. Includes installations with glass, lighting, installation and architectural glass by Ramon 4, June 1996, pp. 6-9, ill. photography by Barbara Steinman. Orlina. Interactive installation with glass vessels by composer/sound sculptor at arts cen­ 784 Stanis lav Libens ky, Jaroslava ter in Oregon. 772 Six, Dean Brychtova (Text: Jin Setlik) "Jennings Bonnell: Weston Paperweight [Zelezny Brod: the artists, 1996], [40] pp., ill. 760 Seoul. Dong-ah Gallery Maker" Dong-ah Gallery 1996 Glass Collector's Digest, v. 9, no. 5, Feb./ 785 Stankard, Paul [S.I.: the gallery, 1996], 40 pp., ill. In Korean. March 1996, pp. 83-85, ill. "The American Glass Experience: The Studio Exhibit includes glass by Eun-kyu Lee (Lee Glass Movement" Studios), and others. 773 Slowinski, Mary The Glass Club Bulletin, no. 177, Winter 1995, "An Interview with Sam Andreakos" p. 19. 761 Sersiron, Nicolas The Bullseye Bulletin, Summer 1996, p. 7, ill. "Catherine Zoritchak, une nouvelle inspiration" Glass formulator at Bullseye. 786 Stanton, C. H. La Revue de la Ceramique et du Verre, no. 85, "Handmade Success at Orrefors" Nov./Dec. 1995, pp. 40-41, ill. 774 "Printmakers/Painters and Glass" Design (London), no. 261, Sept. 1970, pp. 52- The Bullseye Bulletin, Summer 1996, pp. 4-5, 57, ill. 762 "Ceramistes et verriers, Saint Peters- ill. bourg: Le Choc du futur" Workshop and exhibition with Narcissus 787 Stavis, Amy La Revue de la Ceramique et du Verre, no. 87, Quagliata and others. "Ahoy! Hoya" March/April 1996, pp. 16-23, ill. Tableware Today (Bloomfield, NJ), v. 1, no. 1, Glass and stained glass by Yurij Manelis, 775 Smith, Beth April/May 1996, pp. 56-58, ill. Alexandre Ivanov, and Galina Ivanovna. "A Touch of Glass" Hoya Crystal. Mid-Atlantic Country (Alexandria, VA), v. 11, 763 Shah, Kanan no. 12, Dec. 1990, pp. 34-37, ill. 788 "By Design: Kjell Engman" "For the Showcases and Table-tops from Christmas ornaments by Virginia glassblower Tableware Today, v. 1, no. 3, Aug./Sept. 1996, " Larry Sauer. pp. 22-23+, ill. Kahch (All India Glass Manufacturers' Federa­ tion, New Delhi), v. 2, no. 2, June 1993, p. 61, ill. 776 Smith, Mark A. 789 Stensman, Mailis Glass toys made by retired glassblowers. "Egg Shaped Paperweights, Part 2" Bengt Edenfalk , Sweden: Edition Duvan, 1994, 803 Takeda, Atsushi Federation of Art Societies, 1994, [16] pp., ill. 104 pp., ill. English text, pp. A-H. "The Kyohei Fujita Museum of Glass" Dominic Labino Memorial Award to Mark Neues Glas, no. 4, 1996, pp. 46-47, ill. In Ger­ Matthews, and glass by others. 790 Stevens, Marilyn man and English. "On the Road with Aunt Gladys" In Matsushima, Japan. 817 Toledo Area Artists: 77th Annual Exhibi­ The Professional Craft Journal (Palo Alto, tion CA), v. 1, no. 3, 1996, pp. 1-3. 804 Tanguy, Sarah Toledo, OH: ; Toledo Bill Boysen's mobile hot glass studio. "Reviews: Martha Jackson-Jarvis" Federation of Art Societies, 1995, [16] pp., ill. Sculpture, v. 15, no. 8, Oct. 1996, p. 60, ill. Dominic Labino Memorial Award to Sheryl 791 Stieffenhofer, Katharina Mixed-media sculptures by ceramic artist in­ Ellinwood for steel and glass piece; glass by "From Wedding Dresses to Bees at Work" cludes glass mosaic. others. Glass Gazette, Summer 1996, pp. 4-5, ill. Installation of a glass and beeswax wedding 805 "Reviews: Stefan Lindfors" 818 Toledo. The Toledo Museum of Art dress by Aganetha Dyck. Sculpture, v. 15, no.7, Sept. 1996, pp. 61-62, ill. Art to Art: , Jim Dine, Therman Fiberglass and light installation at Washing­ Statom Respond to Toledo's Treasures 792 Stock, Marie Lena ton, DC, embassy. Toledo, OH: the museum, 1996, 48 pp., ill. "User-Friendly Crystal: Leaded or Unleaded?" Statom's installation, pp. 36-48. Gifts & Decorative Accessories, v. 97, no. 2, 806 Taplin, Robert Feb. 1996, pp. 40-42, ill. "Review: Kiki Smith at Pace Wildenstein" 819 Tomchin, Edward A. "Gifts that send a green message." Art in America, v. 83, no. 12, Dec. 1995, "An Honorable Discharge" pp. 92-93, ill. Signs of the Times, v. 218, no. 6, June 1996, 793 Stone, Kari pp. 136-141, ill. "Bead a Masterpiece: Nancy Geddes" 807 Tashjian, Dickran Plans for a neon sign museum in Las Vegas. Jewelry Crafts, July/Aug. 1996, pp. 28-30+, ill. Joseph Cornell: Gifts of Desire (Bonnie Clear­ Dichroic glass jewelry. water, ed.) 820 Tonnis, Katinka Miami Beach: Grassfield Press, 1992, "Ein Glas dem erfrischend perligen Charakter" 794 "Fantasy Fused Glass" 144 pp., ill. Glaswelt, v. 49, no. 7, July 1996, pp. 32-33, ill. Jewelry Crafts, March/April 1996, pp. 10-15, ill. Cornell uses glass in his and . A competition for designs for drinking glasses. Beads and fused glass jewelry by Leonard and Becky Lloyd. 808 Taylor, Gay LeCleire 821 Traverse City. Dennos Museum Center, "Raymond Banford: A Pioneer of Lampwork Northwestern Michigan College 795 Strandman, Pia Paperweight Making" Jon Kuhn: Glass "Pioneer of the Studio Glass Movement" Annual Bulletin of the Paperweight Collectors' Traverse City, Ml: the center, 1993, [15] pp., ill. Form-Function-Finland, no. 3, 1995, pp. 46- Association, 1995, pp. 41-43, ill. 1993 exhibition. 48, ill. Dale Chihuly's workshop at Nuutajarvi, Fin­ 809 Thiel, Ana 822 Trojanova, Eva land. "What Mexico Meant: A Report" "Exhibitions: Presences slovaques" G.A.S. News (Glass Art Society), Oct. 1992, Neues Glas, no. 2, 1996, pp. 46-47. In German. 796 Strattman, Wayne pp. 4-5, ill. Exhibit of Czech glass in Bratislava and Bou- "Neon Techniques: Neon Murals by Light De­ Glass Art Society conference, 1992. logne-sur-Mer, France. sign Neon" Signs of the Times, v. 218, no. 1, Jan. 1996, 810 Thiel, Hilmar pp. 42-46, ill. "Zum Kleben eignet sich die leichte Form" 823 Tromble, Meredith Installations by Chelsea, Massachusetts, firm. Glaswelt, v. 49, no. 4, April 1996, p. 17, ill. "A Conversation with Don Rich, Sculptor" Table with 72 tiles by Guido Brudgam. Artweek, v. 27, no. 12, Dec. 1996, p. 17, ill. 797 Studer, Robert Steel and glass sculptures. "Glass Art VII Success" 811 Thiel, Ing. British Columbia Glass Arts Association News­ "Glaskleber" 824 Tschakert, Petr letter, special edition, Fall 1995, pp. 1-2, ill. Glas + Rahmen, v. 47, no. 19, Oct. 1, 1996, "The 90th Anniversary - Glassworks Bratri pp. 1054-1055, ill. Jilkove" 798 Successful Sign Design, Number 2 (By Vase by Stanislaw Borowski, tables by Ronald New Glass Review (Czech), v. 51, no. 3, the editors of Signs of the Times magazine) Schmitt. March 1996, pp. 4-7, ill. In English and Ger­ New York: Reporting Corp.; Cincinnati, man. OH: Signs of the Times Publishing, 1992, 812 Tiffany, Louis Comfort, Foundation 237 pp., ill. Awards in Painting, Sculpture, , 825 Tsuchiya, Yoshio Includes neon. Photography, and Craft Media, 1995 "A Brief History of Glass in Japan" New York: the foundation, 1996, 56 pp., ill. GAS News (Glass Art Society), Fall 1996, 799 Sunderland. University of Sunderland Includes glass: "B Team," Josiah G. McElheny, pp. 2-3, ill. Finnish Post-War Glass 1945-1996 (Text: Joyce C. Scott. Jack Dawson and Kaisa Koivisto) 826 Tuikkujen pikku-jattilainen (Kaisa Koivi­ Sunderland: the university, School of Arts, De­ 813 Tilles, Denise sto, ed. Text: Paivi Jantuen, Marku Annila, sign, and Communications, 1996, 118 pp., ill. "The Hills Are Alive" and Hannele Viilomaa) Lighting Dimensions, v. 20, no. 8, Oct. 1996, Riihimaki: Suomen Lasimuseo; Hackman De- 800 Svatek, Karel pp. 58-65, ill. signor OY AB; littalan Lasi, 1995, 112 pp., ill. "Let's Have a Game of Chess in Crystal by Swarovski's Crystal Worlds center in Wattens, Lists companies and designers of glass votive " Austria. candle holders. New Glass Review (Czech), v. 51, no. 6, 1996, p. 23, ill. In English and German. 814 "Made in the USA: Artist Paul Seide 827 Obergriffe: Handwerk gestaltet "Essen Creates a Large-Scale Work for Swarovski" und Raum" (Text: Martin Baumeister. Design 801 Swormstedt, Wade Lighting Dimensions, v. 20, no. 8, Oct. 1996, Center Stuttgart and Landesgewerbeamt Ba- "The Willits Arch: An Exercise in Community" p. 63, ill. den-Wurttemberg, ed.) Signs of the Times, v. 218, no. 4, March 1996, Stuttgart: Arnold'sche, 1993, 120 pp., ill. pp. 166-169, ill. 815 Tokyo. Suntory Museum of Art Exhibition of dining design (space, accouter- Neon arch in Willits, California, moved from The Suntory Prize '88 ments), including tableware. Reno, Nevada. Tokyo: the museum, 1988, 84 pp., ill. In Japa­ nese and English. 828 ULAN: Polska sztuka dekoracyjna = 802 Tagliapietra, Silvano Work by 13 Japanese artists and others: Polish Decorative Art "La plateforme verriere di Vannes-Le Chatel" Claude Champy, Neil Tetkowski, Colin Reid. Warsaw: Danuta Foundation, 1995, 160 pp., Alte Vitrie, v. 7, no. 3, 1995, pp. 18-19, ill. ill. In Polish and English. English summary. 816 Toledo Area Artists: 76th Annual Exhibi­ Glass by Czeslaw Zuber, Malgorzata Dajew- Vannes-Le Chatel glass school in Lorraine, tion ska, Kazimierz Pawlak, Wojciech Olech, and France. Toledo, OH: Toledo Museum of Art; Toledo others. 829 Union des Artistes Modernes 841 Venice. Galleria Marina Barovier Work by Penelope Comfort Starr while artist in Formes utiles: Selection de I'Union des Ar­ Lino Tagliapietra: 50 anni di vetro residence at San Francisco's Sanitary Fill Co. tistes Modernes, 1953 (Text: Jean Luce, Venezia: the gallery, 1996, 37 pp., ill. Andre Salomon, Jean Dourgnon) Tagliapietra retrospective. 854 "The Fourth Dimension: The Art Glass Paris: Editions du Salon des Arts Menagers, of Christopher Ries" Grand Palais, 1953, [38] pp., ill. 842 Venice. Galleria San Nicolo Glass Art, v. 12, no. 1, Nov./Dec. 1996, pp. 4-8, Includes early 1950s wineglasses and lighting Philip Baldwin e Monica Guggisberg: Senti- ill. from French firms. nelle, Guardiani, e Cortigiane Venezia: the gallery, 1996, 34 pp., ill. In 855 "New Orleans' Hot Spot: Studio Inferno" 830 L'Univers et I'homme: Yan Zoritchak English and Italian. Glass Art, v. 11, no. 5, July/Aug. 1996, pp. 58- (Text: Yan Zoritchak, "Walter," and Philippe 63, ill. Chabert) 843 Verzotti, Giorgio Mitchell Gaudet, Scott and Bruce Benefield. [S.I.]: Galerie Sordello; Paris: Palais de la De- "Reviews: Tony Cragg" couverte, 1996, 76 pp., ill. In French and Artforum, v. 34, no. 9, May 1996, p. 110, ill. 856 "On the Cutting Edge: Sidney Flutter's English. Turin exhibit. Laminated Glass Sculpture" Catalog for Paris exhibit. Glass Art, v. 11, no. 5, July/Aug. 1996, cover 844 Vetreria de Majo s.r.l. and pp. 4-11, ill. 831 University of Sunderland Essenze Veneziane: MACEF 1996 University of Sunderland, BA (Hons), 3D Murano, Venezia: the company, 1996, 857 "Pike Powers: Institution of the Odd" Design: Glass, Architectural Glass, Ceramics, [16] pp., ill. Glass Art, v. 11, no. 3, March/April 1996, 1996 Glass designers at de Majo include Cristiano pp. 4-7, ill. Sunderland, England: the university, 1996, Bianchin, Danilo de Rossi. 44 pp., ill. 858 Wagner, Sandra Work by 20 students. 845 Vetri Veneziani: Ohira. Collezione "Pas- "Review: Louise Bourgeois" tello," 1996 (Text: Roberto Nardi, Stefano Sculpture, v. 15, no. 2, Feb. 1996, pp. 61-62, ill. 832 University of Wolverhampton, Glass Stipitivich and Rosa Barovier Mentasti) Department Venezia: Caffe Florian, 1996, 32 pp., ill. 859 Walgrave, Jan Glass 1994: University of Wolverhampton Yoichi Ohira glass. "Exhibitions: Glass in Dialogue" Degree Show Neues Glas, no. 2, 1996, p. 46. Wolverhampton, England: the university, 846 Victoria. Art Gallery of Greater Victoria Five Belgian and six Danish glass artists 1994, [17] postcards in a folder, ill. Waine Ryzak: Mysteries in Glass (Text: Nicho­ collaborate in traveling exhibit. las Tuele) 833 Unwalla, Adi Victoria, BC: the gallery, 1993, [6] pp., ill. 860 Walker, David "Sculpting Glass" Cast glass sculptures by the Canadian artist. "Colonialism, Culture and Community" Kahch (All India Glass Manufacturers' Federa­ Craft Arts International, no. 37, 1996, pp. 85- tion, New Delhi), v. 1, no. 2, June 1992, 92, ill. 847 Vignelli, Massimo pp. 28-31, ill. Includes glass by students at Australian art "Remembering Fulvio Bianconi" Author's work. and design schools. Vetri: Italian Glass News, v. 2, no. 4, Oct. 1, 1996, p. 13. 834 Vaclav Hanus (Text: Old rich Palata) 861 Wallerius, Inga Author worked with Bianconi at Venini, 1952- Liberec: Skloexport; Severoceske Muzeum, "Lappland i glas och stal" 1957. 1994, 28 pp., ill. English and German summa­ Form, v. 91, no. 2 (704), 1996, p. 8, ill. ries. Glass and steel piece by Agneta Andersson of 848 Vincent, J. A. Kiruna, Sweden. 835 Van Houten, Corinne "A New Northern Light: Orrefors' Ohrstrom" Interiors, v. 112, April 1953, pp. 94-98, ill. "Reviews: Louise Bourgeois" 862 Warmus, William Edvin Ohrstrom. Art Papers, v. 20, no. 1, Jan./Feb. 1996, p. 66. "Everyone Will Be Illuminated for 15 Minutes: Paris exhibit. Tschida Stories" 849 Vitrarius Glass (UrbanGlass), no. 62, Spring 1996, 836 Vanderstukken, Koen "Crystal Clear" pp. 28-35, ill. "Studioglas in Belgie" Goode's Magazine, v. 1, no. 1, 1995, pp. 72- Overview of Fred Tschida's work. Glashelder, no. 5, Jan. 1996, pp. 3-4, ill. 78, ill. Brief history of English glass; designs by Neil 863 Washington, DC. Maurine Littleton Gal­ 837 Vanlatum, Anne Wilkin for the London store. lery "Matei Negreanu: Le Verre a decouvert" Chihuly: Persians, Seaforms, Macchia La Revue de la Ceramique et du Verre, no. 90, 850 Vojtechovsky, Miroslav Washington, DC: the gallery, 1996, [12] pp., ill. Sept./Oct. 1996, pp. 40-42, ill. "Jindrch Brok's Work" New Glass Re view (Czech), v. 50, no. 10, 864 Washington, DC. National Museum of 838 Vejprtech. Galerie "H," Soukroma Gale­ 1995, pp. 22-23, ill. In English and German. American Art, Smithsonian Institution rie Moderniho Umem Czech photographer of glass. National Museum of American Art Mezinarodni Socharska Sympozia: Huma- Washington, DC: the museum, 1995, 281 pp., nitarnf, Kulturnf a UmeleckyProjekt = Interna- 851 Wagga Wagga. City Art Gallery ill. tionalen Bildhauer Symposien: Ein Humanita- National Art Glass Collection from the Collec­ Includes John La Farge, Fritz Dreisbach, Har­ res, Kulturelles und Kunstlerisches Projekt tion of City Art Gallery Wagga Wagga (Text: vey Littleton, Howard Finster. (Text: Ota Schnepp; organizer: Petr Hladky) Noris loannou, Judy Le Lievre) [Vejprty, Czech Republic: the gallery, 1995], Wagga Wagga, Australia: the gallery, 1995, 865 Washington, DC. Renwick Gallery, Na­ 35 pp., ill. 112 pp., ill. tional Museum of American Art, Smithsonian Includes glass sculpture by Paulina Komorow- From the touring exhibition "Visions of Austra­ Institution ska-Birger. lia." Work by 72 international artists. "A Madcap Teapot Party" and Sale of Extraor­ dinary Teapots 839 Velasquez, Geraldine 852 Waggoner, Shawn Washington, DC: the museum; James Ren­ "Reviews: Enamel Guild/Northeast" "Chihuly over Venice" wick Alliance, 1996, 14 pp., ill. Metalsmith, v. 16, no. 3, Summer 1996, Glass Art, v. 11, no. 4, May/June 1996, pp. 38- Includes glass by Richard Marquis and Fran­ pp. 46-47, ill. 43, ill. cis Wittemore. Exhibit in Wallingford, PA. Description of Chihuly and his team making chandeliers at glass factories in Finland, Ire­ 866 Wasserstein, Henry P. 840 Venetian Heads: Art in Glass by Kiki land, Mexico. "Minutes of the Meeting of MCGG February Kogelnik 18, 1996" Klagenfurt, Austria: Galerie Judith Walker, 853 "The Fine Art of Salvage: Think Re­ Metropolitan Contemporary Glass Group, 1995, [47] pp., ill. In German, Italian, and source, Not Waste" Minutes, 1996, pp. 1-6. English. Glass Art, v. 12, no. 1, Nov./Dec. 1996, Description of glass artist Dan Sptizer's work 1995 exhibition at several Austrian sites. pp. 10-11, ill. and a review of a lecture by him. 867 "Nancy Langston" 878 Weinstein, Sheryl 69, ill. Metropolitan Contemporary Glass Group, "Figures Full of Life, Made from Glass" Australian glass artist Nick Wirdnam. Minutes, March 24, 1996, pp. 2-3. Folk Art Illustrated, v. 1, no. 1, Jan./Feb. 1996, Review of a slide presentation by Langston. pp. 60-63, ill. 889 Womer, Kelly Figurines by Joe Luisi, New Jersey scientific "Ornaments Trim the Season with Tradition" 868 "Minutes of the Meeting of MCGG, glassblower and teacher. Collectors News, v. 37, no. 7, Nov. 1996, May 5, 1996" pp. 32-34, ill. Metropolitan Contemporary Glass Group, 879 Weintraub, Linda and Quasha, George Ornaments by Christopher Radko and others. Minutes, May 1996, pp. 2-4. Raquel Rabinovich: The Dark Is the Source of Description of a lecture by Dan Clayman. Light 890 Wosk, Julie Barrytown, NY: Station Hill Arts, Barrytown "Exhibition Review: 'Mutant Materials in Con­ 869 "Herb Babcock Demonstration" Ltd., 1996, 46 pp., ill. temporary Design'" Metropolitan Contemporary Glass Group, Installations with glass. Design Issues, v. 12, no. 1, Spring 1996, Minutes, Oct. 14, 1996, pp. 2-3. pp. 63-69, ill. 880 Werstiuk, Jeff Innovative products and materials of last 10 870 "Visit to Studio of Glass Engraver "New Tricks from Randy Walker" years in Museum of Modern Art exhibit. Joseph Callari" Glass Gazette, Summer 1996, p. 19. Metropolitan Contemporary Glass Group, 891 Xuriguera, Gerard Minutes, Aug. 25, 1996, pp. 7-8. 881 Whistler, Laurence "Frangois Vigorie: Une Tension gestuelle deci­ Enter sive = A Decisive Gestural Tension" 871 "Visit to Studios of Glass Artists Jack London: Weidenfeld and Nicolson, 1987, 128 Cimaise, no. 242, June, July, Aug. 1996, Schmidt and Shawn Messinger" pp., in. [8] pp., ill. In French and English. Metropolitan Contemporary Glass Group, Poetry interspersed with illustrations of glass Minutes, Oct. 14, 1996, p. 6. engraving. 892 Ziegler, Roserita 872 Watson, Chuck 882 Wichert, Geoff "O'Brien and Novotny Revisited" "A Liberal Dose of Early Exposure to Glass: "Reviews: A New Generation - Preston Glass Collector's Digest, v. 10, no. 1, June/July Kansas High School Glassblowers" Singletary, Paul Cunningham, and Janusz 1996, pp. 27-33, ill. Glass Art, v. 11, no. 6, Sept./Oct. 1996, p. 76, ill. Pozniak" Lukas Novotny and Baker O'Brien studio in Glass (UrbanGlass), no. 64, Fall 1996, p. 53, ill. Grand Rapids, OH. 873 Watts, David C. "Delights and Surprises at the Dudley Glass 883 "Reviews: " 893 Zimmerer, Kathy Festival" Glass (UrbanGlass), no. 62, Spring 1996, "Reviews: George Geyer and Robilee Fred­ Glass Circle News, no. 69, Oct. 1996, p. 7. p. 49, ill. erick" Activities and exhibits at Broadfield House Seattle exhibit. Artweek, v. 27, no. 8, Aug. 1996, pp. 21-22, ill. Glass Museum and at the area's glass facto­ Geyer's glass sculptures at Santa Monica gal­ ries. 884 Wickman, Kerstin lery. 874 Webster, Kim "Sprangkraft" 894 Zimmerman, Walter "Sheridan College Glass Graduates Strut Form, v. 91 (705), no. 3, 1996, p. 8, ill. "Catalogue: Walter Zimmerman" Their Stuff at Arts on King" Paula Bartron sculptures in Stockholm exhibit. Glass (UrbanGlass), no. 62, Spring 1996, Glass Gazette, Summer 1996, pp. 16-18, ill. 885 "USA-fint a la Vita Huset" pp. 52-55, ill. Exhibit at UrbanGlass, curated by John Per- 875 Weiermair, Peter, ed. Form, v. 91 (705), no. 3, 1996, p. 13, ill. reault. Louise Bourgeois White House crafts collection. Kilchberg/Zurich: Edition Stemmle; Frankfurt am Main: Frankfurter Kunstverein, 1995, 886 Willings, Camilla 895 4th Glassworks, Korea (Text: Hang- 196 pp., ill. In English. "Group of Seven Create Hot-Glass Studio" Seop Shin) Glass Gazette, Summer 1996, p. 11, ill. [S.I.: Han Glas, 1996], 50 pp., ill. In Korean 876 Weinland, Martina Studio in Glen Williams, Ontario. and English. "Exhibitions: Transitwerke von Hella Santa- Glass by 21 Korean arists. rossa" 887 Wilson, Wade Neues Glas, no. 2, 1996, p. 49. In German. "Reviews: Kiki Smith" 896 The 1996 Smithsonian Craft Show: A Exhibit in Berlin. New Art Examiner, v. 23, no. 5, Jan. 1996, Juried Exhibition and Sale of Contemporary p. 50, ill. Crafts . . . (Sponsored by the Smithsonian 877 Weinstein, Jeff Women's Committee) "Chihuly's Project Objects" 888 Wingate, James Washington, DC: the committee, 1996, 80 pp., Glass (UrbanGlass), no. 64, Fall 1996, pp. 20- "The Aesthetic of 'In calmo'" ill. 27, ill. Craft Arts International, no. 36, 1996, pp. 66- Includes glass.

FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass FLACHGLAS (nach 1945), einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

897 Anonymous Glass Digest, v. 75, no. 9, Sept. 15, 1996, p. 28, ill. "Artwork Designed for National Airport" pp. 62-66, ill. Los Angeles church window. Glass Digest, v. 75, no. 11, Nov. 15, 1996, Includes dichroic light field panel (New York p. 18, ill. City) and a suspended glass staircase 450-ft. glass wall with paintings by Jennifer (Chicago) by James Carpenter. 902 "Commissions: J. Kenneth Leap" Bartlett, Washington, DC. American Craft, v. 56, no. 4, Aug./Sept. 1996, p. 30, ill. 900 "Blauer Obelisk Berlin" Ceiling light for New Jersey State House 898 "Aspiring Glass" Glasforum, v. 46, no. 1, 1996, pp. 3-6, ill. Annex, Trenton. Glass Circle News, no. 67, April 1996, p. 13. English summary. A glass spire added to the church of St. Bar­ Blue glass obelisk designed by Hella Santa- nabas in Dulwich, south London. rossa for a subway station in Berlin. 903 "Dimensions in Glass" Glass Art, v. 11, no. 5, July/Aug. 1996, pp. 26- 899 "Benedictus Awards Spotlight Interna­ 901 "Commissions: Elizabeth Devereaux" 27, ill. tional Projects" American Craft, v. 56, no. 5, Oct./Nov. 1996, Architectural glass exhibit sponsored by Cam- bridge Art Association, Cambridge, Massa­ 918 "Meisterfeier in Witten" Exhibition of stained glass by John Patsalides chusetts. Glas + Rahmen, v. 46, no. 14, July 2, 1995, in Hartlepool, England. pp. 738-742, ill. 904 "Glaskunst zwischen Koln und Venedig" Nordrhein-Westfalen competition for glass- 933 "Urinoir" Glas + Rahmen, v. 46, no. 14, July 2, 1995, makers; several flat glass panels illustrated. Glas + Rahmen, v. 47, no. 19, Oct. 1, 1996, pp. 749-751, ill. p. 1056, ill. Karl-Alexander Dedy. 919 "Member Profile: Gordon Hill" First public toilet with glass walls, Groningen. Artists in Stained Glass Flat Glass Journal, 905 "Glasmalerei - ein traditionelles Hand- Fall 1996, p. 7, ill. 934 "Vasari Diary: 'Never One to Leave Well werk setzt neue Akzente" Ottawa artist. Enough Alone'" Glas + Rahmen, v. 47, no. 19, Oct. 1, 1996, ARTnews, v. 95, no. 9, Oct. 1996, p. 41, ill. pp. 1044-1045, ill. 920 "Member Profile: Graham Howcroft" Stained glass window by Matisse for Nelson Work of the Otto Peters firm in Paderborn. Artists in Stained Glass Flat Glass Journal, Rockefeller, Pocantico Hills chapel. Fall 1996, pp. 8-9, ill. 906 "'Glastec '96' in Dusseldorf" Newfoundland artist. 935 "Vitrail: Antoine Benoit le prefere sans Glaswelt, v. 49, no. 8, Aug. 1996, p. 27, ill. plomb et aboutit a un systeme brevete" Includes a flat glass installation created by 921 "New Fellows and Associates: Joseph Verre Actualite, no. 144, June/July 1996, Renato Santarossa. Nuttgens, Alexander Beleschenko, Sebastian pp. 9-13, ill. Strobl, Glenn Carter, Tracy Smith" Antoine Benoit develops a patented technique 907 "Der Hallen-Pfau in Ludwigsburg" Stained Glass, the Magazine of the British So­ for stained glass without lead support. Glaswelt, v. 49, no. 6, June 1996, pp. 24-25, ill. ciety of Master Glass Painters, no. 2, 1996, Stained glass windows by Hartmut Neumann. pp. 5-8, ill. 936 '"Le Vitrail au Japon' ... a Chartres" Statements by the artists and illustrations of Verre Actualites, no. 141, Jan./Feb. 1996, 908 "The Hawaiian Suite" their work. p. 31, ill. Stained Glass Quarterly, v. 91, no. 2, Summer 1996, pp. 124-125, ill. 922 "New Slide File Member: Jean-Pierre 937 "Vitrail: Vitraux contemporains du Ja­ Stained glass panels by Jeff G. Smith. Leger" pon" Artists in Stained Glass Flat Journal, Spring Verre (L'lnstitut du Verre, Versailles), v. 1, 909 "Homage to Jacqueline du Pre" 1996, p. 5, ill. no. 6, Nov./Dec. 1995, pp. 40-41, ill. The Guild of Glass Engravers Newsletter, Japanese stained glass exhibition at Centre Summer 1996, pp. 6-7, ill. 923 "New Stained Glass Panels - Perth International du Vitrail, Chartres. Engraved panel by Laurence and Simon Royal Infirmary" Whistler in the new Music Theatre, Oxford. The Scottish Glass Society Newsletter, no. 54, 938 "VonRoenn Joins Bartlett and Pelli on Spring 1996, pp. 8-10, ill. DC Airport" 910 "House of Glass" Five panels by Shona Mclnnes. Common Ground: Glass, Fall 1996, p. 20, ill. Interior Design, v. 67, no. 11, Sept. 1996, Jennifer Bartlett panels for terminal building p. 76, ill. 924 "Notes and Comments: A Major Project wall, constructed by architect Cesar Pelli and Brief article on Bendheim specialty glass Kenneth Von Roenn. products. in Glass" Faith and Forum, v. 29, Spring/Summer 1996, 939 "Wandlerischer Bilderfinder" 911 "Industry News: Westminster Abbey p. 5, ill. Minnesota windows by Ellen Man- ArtAurea, no. 3, Sept./Oct./Nov. 1996, p. 62, ill. Window Completed" Panels by Nabo Gass. U.S. Glass, v. 31, no. 5, May 1996, p. 18, ill. delbaum. Goddard & Gibbs of London complete new 940 "1995 in Review: Public Art" 925 "Pintando con luz, Painting with Light" heraldic stained glass for the Great West Win­ Art in America (Annual Guide to Museums, Glass Art, v. 2, no. 2, Jan./Feb. 1996, pp. 14- dow. Galleries, Artists), v. 84, no. 8, Aug. 1996, 15, ill. p. 36, ill. 20-year retrospective of Narcissus Quagliata's 912 "Investition in die Zukunft" Glass mural by Ellen Burchenal, metal and Glaswelt, v. 49, no. 6, June 1996, pp. 26-27, ill. work at the Museo Franz Mayer in Mexico City. glass ceiling installation by Judy Pfaff, glass Graduation ceremonies and exhibit for stu­ and steel towers by Stanley Saitowitz. dents who have completed stained glass 926 "Preston Studios 1976-1996" course. 941 "1996 AIA Religious Art Award: Arthur Glass Art, v. 11, no. 6, Sept./Oct. 1996, Stern Studios/Architectural Glass" pp. 58-59, ill. 913 "Irish Hand of Friendship" Faith and Forum, v. 29, Spring/Summer 1996, Glass, Monthly Journal of the European Glass p. 10, ill. Industry, v. 73, no. 1, Jan. 1996, p. 30, ill. 927 "Profile: Penelope Comfort Starr" Church doors and windows, Portola Valley, Stained glass windows by Belfast firm in refur­ Glass Craftsman, no. 137, Aug./Sept. 1996, California. bished church. pp. 43-45, ill. 942 Anderson, Avery H. 914 "The King of Kings Lutheran Church: 928 "Sarah Hall: Ontario Association of "Earthstar Glass Studio" Contemporary Designs for Modern Architec­ Architects Allied Arts Award Winner" Common Ground: Glass, Spring 1996, pp. 7- ture" Artists in Stained Glass Flat Glass Journal, 9, ill. Stained Glass Quarterly, v. 91, no. 3, Fall 1996, Fall 1996, p. 11. New Hampshire studio of Wayne and Karen pp. 208-210, ill. Reed. Windows designed by Bruce Manwaring. 929 "Shortform: Patterns of Pearl" Crafts (U.K.), no. 140, May/June 1996, p. 11, ill. 943 "Featured Artist: Cheryl Kumiski" 915 "Light through Glass '96" Glass installation by David Pearl for an en­ Common Ground: Glass, Summer 1996, Stained Glass Quarterly, v. 91, no. 3, Fall gineering company. pp. 3-6, ill. 1996, pp. 184-185, ill. New Hampshire stained glass artist. Winners of the stained glass competition at 930 "Shortform: Pool of Talent" the 87th Conference of the Stained Glass As­ Crafts (U.K.), no. 139, March/April 1996, 944 Arie, Laura sociation. p. 11, ill. "Design of the Times: MCC Mosaics" Swimming pool mosaic of glass tesserae by House and Garden (British edition), v. 51, 916 "Making a Name for Himself" Majolica Works. no. 4, April 1996, p. 105, ill. The Journal, a Newsletter for Friends of London couple creates mosaics for public and Wheaton Cultural Alliance, v. 19, no. 1, Winter 931 "Shortform: Raising the Glass" private commissions. 1996, p. 7, ill. Crafts (U.K.), no. 142, Sept./Oct. 1996, p. 15, ill. J. Kenneth Leap, stained glass artist. Stained glass panel by Surinder Warboys, 945 Art and Architecture Ipswich. Second Register of Artists and Craftsmen 917 "Marie-Paule Grusenmeyer" (Theo Crosby and Jo Garlick, ed.) Glashelder, no. 5, Jan. 1996, pp. 22-23, ill. In 932 "Stained Glass on Show" Forest Row, East Sussex: Art and Architec­ Dutch. Glass (U.K.), v. 73, no. 2, Feb. 1996, p. 81, ill. ture Ltd., 1989, 1 vol., ill. British stained glass, flat glass, and mosaic Artists in Stained Glass Flat Glass Journal, 970 Forestier, Sylvie artists with examples of their work. Summer 1996, pp. 10-15, ill. Marc Chagall: Seine Farbfenster aus aller Welt 946 Barley, Keith 958 Chartres. Centre International du Vitrail Stuttgart and Zurich: Belser Verlag, 1995, "Southwell Minster: The Great West Window" Vitrail et architecture contemporaine au Japon 232 pp., ill. Stained Glass, the Magazine of the British Chartres: the center, 1995, 36 pp., ill. Chagall's stained glass windows, 1950s- Society of Master Glass Painters, no. 2, 1996, 1980s. p. 14, ill. 959 Chicago, Judy and Woodman, Donald Window designed and painted by Patrick Holocaust Project: From Darkness into Light 971 Frantz, Susanne K. Reyntiens. New York: Viking Penguin, 1993, 222 pp., ill. "Sklo v architekture: Sest ceskych socharu" Project includes stained glass panels de­ Umeni aRemesIa, v. 38, no. 3, 1996, pp. 46- 947 Battersby, Jean signed by Chicago and assisted by Michael 50, ill. English summary. "Art and Airports 2" Caudle, Bob Gomez, Dorothy Maddy, Flo Per­ "Form-Light-Glass: Contemporary Glass from Craft Arts International, no. 37, 1996, pp. 49- kins. the Czech Republic" exhibit at American Craft 64, ill. Museum, and author's lecture at Czech U.N. Includes mosaics by Robert Preston, Rafael 960 Corrin, Adelle mission in New York. Gurvich. "The Stevens Competition 1996" Stained Glass, the Magazine of the British 972 Gareau, Maurice 948 Beaty, David Society of Master Glass Painters, no. 2, 1996, "Stained Glass Panel: Viable Art Medium?" Light Perpetual: Aviators' Memorial Windows p. 20, ill. Stained Glass Quarterly, v. 91, no. 3, Fall 1996, Shrewsbury, England: Airlife Publishing, 1995, Student competition won by Ian Hartless. pp. 211-212, ill. 160 pp., ill. The autonomous panel. World War II memorial windows in churches 961 Davis, Karen E. and RAF stations throughout Britain. "Father Dan Hillen, Stained Glass Artist" 973 Gehr, Christa Stained Glass Quarterly, v. 91, no. 3, Fall 1996, "Glasdesign: Raumerlebnis durch Licht und 949 Beeh-Lustenberger, S. pp. 197-203, ill. Farbe" "Lumieres en patrimoine: Les Chantiers de Glaswelt, Dec. 1995, pp. 30-31, ill. creation des vitraux contemporains en 962 Dean, Andrea Oppenheimer Stained glass by Otto Peters firm of Berlin. France" "Reflections from a Glasshouse" Verre (L'lnstitut du Verre, Versailles), v. 2, Preservation, v. 48, no. 4, July/Aug. 1996, 974 Gilliam, Tony no. 2, March/April 1996, pp. 47-51, ill. pp. 70-81, ill. "Glass Doors at St. John's, Hampstead" Exhibition of contemporary French stained Philip Johnson's Glass House. The Guild of Glass Engravers Newsletter, glass at the Centre International du Vitrail, Spring 1996, p. 4, ill. Chartres. 963 Devereaux, Elizabeth Sandblasted and engraved church doors by the author. 950 Bennett, Kit "'Gather Us In ... the Catholic Newman "Stained Glass by Klaus Brucksch" Center" Stained Glass Quarterly, v. 90, no. 4, Winter 975 Girard, Sylvie Craft Arts International, no. 36, 1996, pp. 73- "Expositions: Christine Coquard" 76, ill. 1995, pp. 309-311, ill. Author's work for a chapel at the University of La Revue de la Ceramique et du Verre, no. 85, Missouri. Nov./Dec. 1995, p. 61, ill. 951 Bierman, M. Lindsay Panels by Coquard in Laval, France. "Fantasy in Glass" Interior Design, v. 67, no. 7, May 1996, 964 Dumont, Jean 976 Gladstone, Valerie pp. 226-227, ill. "Artist Profile: Michele Lapointe, Strata & Dif­ "Glass: Brian Clarke; Light Made Glorious" Stephen Knapp's Chicago installation of kiln- ferences" ARTnews, v. 95, no. 1, Jan. 1996, pp. 64-65, ill. formed and other types of architectural glass. Glass Gazette, Spring 1996, pp. 3-5, ill. In French and English. Recent projects in Germany, England, Japan. 952 Blaney, Paul Sheet glass sculptures. "Tallow, an Excellent Soldering Flux?" 977 Goodison, Janet Stained Glass Quarterly, v. 91, no. 2, Summer 965 Eavis, Anna "Engraved Glass Panels & Windows in the UK" 1996, pp. 140-141, ill. "Rosalind Grimshaw at the Cochrane Gallery" The Guild of Glass Engravers Newsletter, Stained Glass, the Magazine of the British Spring 1996, pp. 2-3. List compiled by the Guild is available. 953 Blankstein, Amy Society of Master Glass Painters, no. 2, 1996, "Commissions: Graham Bennett" p. 18, ill. Sculpture, v. 15, no. 8, Oct. 1996, p. 15, ill. London exhibit. 978 Goodrow, Gerard A. Site-specific steel and glass piece at Kaipara "Leipzig: Glass House on a Cutting Edge" Harbour, New Zealand. 966 Elliot, Liz ARTnews, v. 95, no. 6, June 1996, p. 80. "A Glass Act" Convention center, a glass and steel structure recalling the Crystal Palace. 954 Botello, Alfredo House and Garden (U.K.), v. 51, no. 9, Sept. "By Design: Glass" 1996, pp. 116-121, ill. Metropolis, v. 15, no. 6, Jan./Feb. 1996, Five conservatories. 979 Grenon, Ariane p. 41+, ill. "Cecile Bouvarel, mosaiste" Gordon Huether's architectural glass design 967 Femenella, Arthur Le Courrier des Metiers d'Art, no. 154, July/ firm in Napa, California, and a recent project. "Copper Foil Windows" Aug. 1996, pp. 3-5, ill. Glass Art, v. 11, no. 4, May/June 1996, pp. 26- 955 Burght, Angela van der and others 29+, ill. 980 Hall, Sarah "[Stained Glass in 22 Countries]" History, strengths and weaknesses, auxiliary " Windows" Stained Glass Quarterly, v. 91, no. 1, Spring support, etc. Glass Art, v. 11, no. 6, Sept./Oct. 1996, 1996, pp. 17-67, ill. pp. 66-68, ill. Overview of recent projects world-wide, with a 968 Filer, Mary Author's mausoleum windows in Toronto. special feature on Canadian work. "The Visitation of Johannes Schreiter" British Columbia Glass Arts Association 981 Hall, Sarah and Kraegel, Jeffrey 956 Burns, Judy Jansen Newsletter, v. 8, no. 4, July/Aug. 1996, p. 4, ill. "Catching Rays" "Interior and Specialty Glazing" Glass Art, v. 11, no. 5, July/Aug. 1996, pp. 42- Glass Magazine (National Glass Association), 969 Finnerty, Bernadette 47, ill. v. 46, no. 5, May 1996, pp. 48-50, ill. "Alaskan Glass Project Created in Memory of Stained glass by Sarah Hall. Architects using glass in creative ways. Artist's Brother" The Crafts Report, v. 22, no. 244, Aug. 1996, 982 "Commissions and Collaborations" 957 Carther, Warren pp. 20-21, ill. Glass Art, v. 11, no. 3, March/April 1996, "La Biennale canadienne du verre: Transcript Paul Housberg mural of kiln-formed glass in pp. 40-43, ill. from Slide Lecture by Warren Carther" Eagle River, AK. Stained glass projects by Sarah Hall Studio. 983 "Dialogue in Design: Creating Work for 996 Johnston, Laura p. 22. a Glass Tower" "Keshava - Case Study" Author works at Goddard and Gibbs and other Glass Art, v. 11, no. 4, May/June 1996, pp. 4- Stained Glass, the Magazine of the British studios as result of award. 6+, ill. Society of Master Glass Painters, no. 1, 1996, Project for a Toronto church by Hall. pp. 19-20, ill. 1010 McGrain, Peter Work by Keshava (Antonio Luis Sainz), Barce­ "Establishing the Appearance of Depth in 984 Hall, Sarah and Larisey, Peter lona architectural glass artist. Stained Glass" "The Art of Johannes Schreiter: Two Impres­ Glass Art, v. 11, no. 5, July/Aug. 1996, pp. 54- sions" 997 Kangas, Matthew 57, ill. Glass Art, v. 12, no. 1, Nov./Dec. 1996, "Robert Kehlmann: Aspects of Meaning" pp. 40-44, ill. Glass (UrbanGlass), no. 64, Fall 1996, pp. 36- 1011 McPherson, Anne 41, ill. "Changing the Face of Ontario" 985 Harbaugh, Pamela Ontario Craft, v. 21, no. 4, Sept./Oct. 1996, "Angelika Traylor's Celebration of Nature" 998 Kaufman, Laura pp. 20-23, ill. Glass Collector's Digest, v. 10, no. 1, June/ "Interview with Eric Wesselow" Heraldic windows by Ted Goodden at re­ July 1996, pp. 52-58, ill. Artists in Stained Glass Flat Glass Journal, search park, London; sandcarved & etched Panels by Florida artist. Summer 1996, p. 18. glass office entryway, Toronto, by Mimi Gell- man; glass newel posts by Jeff Goodman, 986 Haufschild, Lutz 999 Kebrle, John Toronto theater. "The Spectra Veil: The Art Glass Wall of the "Hard Rock Cafe, San Antonio, Texas" Bata Shoe Museum" Stained Glass Quarterly, v. 90, no. 4, Winter 1012 Meek, Harold Glass Gazette, Fall 1995, pp. 13-14, ill. 1995, cover and p. 302, ill. The Synagogue Author's monumental window wall for Toronto Windows with Texas-born rock-and-roll stars. London: Phaidon Books, 1995, 240 pp., ill. museum. Includes stained glass by Chagall and others; 1000 Kehlmann, Robert use of glass by Frank Lloyd Wright, Philip 987 Heyne, Pamela "Burleighfield House: Summer 1975" Johnson. by Design: Using Reflection to Trans­ Glass Art, v. 3, no. 5, Oct. 1975, pp. 12-20, ill. form Space Author interviews Joan Koltun, Casey Lewis, 1013 Menzies, Henry Hardinge New York: John Wiley & Sons, 1996, 203 pp., Peter Mollica about course with Ludwig "The Renovation of St. Aloysius" ill. Schaffrath and . Stained Glass Quarterly, v. 91, no. 3, Fall 1996, pp. 188-191, ill. 988 Hoggard, Liz 1001 Koplos, Janet New Canaan, Connecticut, church windows "Commissions: Durham Aged Mineworkers' "Review of Exhibitions: Robert Kehlmann" designed by Frederick Cole of Rohlf's Stained Homes Association" Art in America, v. 84, no. 9, Sept. 1996, and Leaded Glass. Crafts (U.K.), no. 140, May/June 1996, pp. 16- p. 117, ill. 19, ill. Exhibit in Moraga, CA. 1014 Mitchell, Emily Series of stained glass panels by Sue Wool- "Let There Be Light - and Color" house for a development of 16 houses. 1002 Kyle, Carolyn Time, v. 148, no. 21, Nov. 18, 1996, pp. 64-66, "Design It Your Way: Tips for Getting Exactly ill. 989 "Shortform: Designed to Thrill" the Pattern You Want" Brian Clarke's architectural stained glass. Crafts (U.K.), no. 139, March/April 1996, Stained Glass News, no. 31, Feb. 1996, p. 12. p. 13, ill. 1015 Moraga. Hearst Art Gallery, Saint Exhibit of stained glass by John Patsalides in 1003 Leger, Jean-Pierre Mary's College of California Hartlepool. "Coup d'oeil sur I'exposition 'Verre a froid'" Robert Kehlmann: Painting With Glass, A Ret­ Artists in Stained Glass Flat Glass Journal, rospective 990 "Shortform: Social Scenes" Summer 1996, pp. 16-17, ill. Moraga, CA: the gallery, 1996, 48 pp., ill. Crafts (U.K.), no. 140, May/June 1996, p. 11, ill. Review of exhibition at Marche Bonsecours, Includes essays by Susanne K. Frantz and Mosaics by Lynne Gant for building in Stur- Montreal, during the Canadian Biennale. William Warmus. Reviewed by E. Crosby minster Newton, England. Willet in Stained Glass Quarterly, v. 91, no. 3, 1004 Leymarie, Jean Fall 1996, p. 213. 991 Hoover, Richard L. Marc Chagall: The Windows (3rd "Interview with Jean-Jacques Duval" ed.) Stained Glass Quarterly, v. 90, no. 4, Winter New York: George Braziller, 1996, 95 pp., ill. 1016 Narcissus Quagliata: Painting with 1995, pp. 297-300+, ill. Light = Pitture di luce = Pintando con luz (Es­ Saranac, New York, stained glass artist. 1005 Liotta, Christine says: Kenneth R. Trapp and Rosa Barovier "Luminous, Transparent, Planar" Mentasti) 992 Hunter, Skip Metropolis, May 1996, p. 111+, ill. Roma: II Cigno Galileo Galilei, 1995, 117 pp., ill. "Dreams of the Wind Studio" Czech glass and Czech glass in architecture. In English, Italian, and Spanish. Common Ground: Glass, Winter 1995, p. 18, ill. Author's sandblasted panels. 1006 Lutfy, Carol 1017 Ondracek, Josef "Design: Tokyo Light" "St. Wenceslas' Church in Breclav" 993 In vitro: Mario Fraga (Text: Mario Fraga, ARTnews, v. 95, no. 4, April 1996, pp. 83-84, ill. New Glass Review (Czech), v. 51, no. 4, Luiz Carlos Mello, and Lygia Pape) Tokyo International Forum, a seven-story 1996, pp. 30-31, ill. In English and German. [S.I.: s.n., 1991], 61 pp., ill. In Portuguese and glass hall designed by Rafael Vinoly. Windows by Vitraz firm in new church. English. Brazil exhibition of Fraga's "art of painting 1007 Mandelbaum, Ellen 1018 Ontario Crafts Council between sheets of glass." "Synagogue with a View" Ontario Crafts '95: A Biennial Juried Exhibition Stained Glass Quarterly, v. 90, no. 4, Winter of Works by Members of the Ontario Crafts 994 Jay, Susan Rosenthal 1995, pp. 314-316, ill. Council (Text: Dale Barrett) "Flavors of the Past" Windows in synagogue in Minnetonka, Minne­ Toronto: Ontario Crafts Council, 1995,16 pp., ill. Collector Editions, v. 24, no. 5, Sept./Oct. 1996, sota, by author. Stained glass panel by Mark Thompson. pp. 90-91, ill. Miniature stained glass buildings made by 1008 Mann, Jayne L. H. 1019 Papanicolaou, Linda Morey Ohio company. "Restoration Glass: Using Decorative Art "California Gothic: Examples from Episcopal Glass in Historic Buildings" Churches of the Mid-Nineteenth Century" 995 Jekyll, Robert U.S. Glass, v. 31, no. 5, May 1996, pp. 32-35, ill. Stained Glass Quarterly, v. 91, no. 3, Fall 1996, "Rendezvous in France" pp. 192-195+, ill. Ontario Craft, v. 21, no. 2, May/June 1996, 1009 McCaffrey, Alison pp. 10-11, ill. "The Worshipful Company of Award 1020 Patterson, Ann Former Burleighfield students (Patrick for Excellence 1996" "The Little Train That Could: Laurie Nessel's Reyntiens, Stuart Reid, Doreen Balabanoff, Stained Glass, the Magazine of the British Tempe Public Art Project" and others) reunite. Society of Master Glass Painters, no. 2, 1996, Glass Art, v. 2, no. 2, Jan./Feb. 1996, pp. 46- 49, ill. Architecture, v. 85, no. 10, Oct. 1996, pp. 91- 1045 Stained Glass Windows of Distinction: Panel with silkscreened historic photographs. 135, ill. Collection One, Featuring McMow Art Glass, Tokyo's International Forum building and other Studio Designers (Randy Wardell, ed.) 1021 Plowright, Terrance Japanese glass architecture since 1980. [Fort Lauderdale, FL]: Wardell Publications, Stained Glass: Inspirations and Designs 1995, 78 pp., ill. Kenthurst, Australia: Kangaroo Press, 1993, 1034 Rosen, Miriam Stained glass patterns. 104 pp., ill. "Public Image Limited" Work by the Australian author. Artforum, v. 35, no. 1, Sept. 1996, p. 38+, ill. 1046 Stained Glass Windows of Elegance: Stained glass windows by Jan Dibbetts, David Collection Two, Featuring Glass Reflections of 1022 Porcelli, Joe Rabinovitch, Claude Viallat, and Pierre Fort Lauderdale, Studio Designers (Randy "Brilliant Cut Glass: The Work of Glasslight Soulages as part of exhibit of Paris public art, Wardell, ed.) Studio" "Monument et modernite." [Fort Lauderdale, FL]: Wardell Publications, Glass Craftsman, no. 137 (new numbering), 1996, 78 pp., ill. Aug./Sept. 1996, pp. 6-11, ill. 1035 Schoonmaker, Lisa California firm. "Profile: Lisa Myers" 1047 Stanisic, Stevan Maine Crafts Association Newsletter, no. 80, "The Stanisic Studio ... A European Tradition 1023 "Commission Spotlight: Commemora­ Nov./Dec. 1996, pp. 12-16, ill. Comes to America" tive Window for the Pope" Architectural glass and fused glass by Maine Stained Glass Quarterly, v. 91, no. 2, Summer Glass Craftsman, no. 7, Feb./March 1996, artist. 1996, pp. 116-121, ill. pp. 24-25, ill. New York designer Patrick Clark. 1036 Schreiter, Johannes 1048 Stebbing, Beatrice "La Biennale canadienne du verre: Transcript "Students Create Chapel Windows (with Just 1024 "Designer Glass - for the Home of Gi­ from Slide Lecture by Johannes Schreiter" a Little Help from Emil Frei, Jr.)" anni Versace" Artists in Stained Glass Flat Glass Journal, Stained Glass Quarterly, v. 91, no. 2, Summer Glass Craftsman, no. 136 (new numbering), Summer 1996, pp. 2-9, ill. 1996, pp. 106-110, ill. June/July 1996, pp. 6-11+, ill. Windows for Miami home by McMow Art 1049 Stone, Graham Glass. 1037 Seince, Frangoise "Lumieres en patrimoine" "David Wright's Shabbat Window" Ausglass Magazine, Christmas edition, 1995, 1025 "Glassmakers in the New Golden Age Le Courrierdes Metiers d'Art, no. 153, June 1996, pp. 20-21, ill. p. 14, ill. of Glass" Window in Melbourne temple. Glass Craftsman, no. 138, Oct./Nov. 1996, Exhibit at Centre International du Vitrail, Char- tres. pp. 6-13, ill. 1050 Swash, Caroline American glass companies: Armstrong, "The Herbert Howells Memorial Window, 1038 "Les 20 ans de la Galerie du Vitrail" Blenko, Bullseye, Chicago Art Glass, Kokomo, Gloucester Cathedral" Le Courrierdes Metiers d'Art, no. 154, July/ and others. The Journal of Stained Glass (British Society Aug. 1996, p. 22, ill. of Master Glass Painters), v. 19, no. 3, 1994/ Anniversary exhibit at a Chartres stained 1026 "Monument: The Latest Architectural 1995, pp. 343-345, ill. glass gallery. Work of Peter McGrain" Window commemorating the composer by the Glass Craftsman, no. 7, Feb./March 1996, author. pp. 6-12+, ill. 1039 Silverman, Leslie L. Airport installation in Rochester, New York. The Competitive Edge: A Guide to Building 1051 "James A. Weatherley" and Advancing Your Business Success in the Stained Glass, the Magazine of the British 1027 "Stained Glass at Wheaton Village" Stained Glass Industry (Debora Stoll, ed.) Society of Master Glass Painters, no. 2, 1996, Glass Craftsman, no. 6, Dec./Jan. 1996, Boulder, CO: Choice Publications, 1995, p. 15, ill. pp. 50-53, ill. 73 pp., ill. Goddard and Gibbs glass craftsman of 50 Exhibit with work by J. Kenneth Leap, Ellen years. Mandelbaum, Larry Zgoda, Ray King, Saara 1040 Simpson, Clare Gallin, and others. "Glazed Looks" 1052 "Klaus Zimmer, Antipodean Stained House and Garden (British edition), v. 51, Glass Artist from Berlin" 1028 Rathanova, Tereza no. 4, April 1996, pp. 159-162, ill. The Journal of Stained Glass (British Society "GV - Glass Vitrage sro" Conservatories. of Master Glass Painters), v. 19, no. 3, 1994/ New Glass Review (Czech), v. 51, no. 2, 1995, pp. 337-342, ill. 1996, p. 29, ill. In German and English. 1041 Sinko, Istvan Stained glass firm in Bakov nad Jizerou, "Muvesztanarok: Beszelgetes Brada Tibor Czech Republic. 1053 "Reviews: Art in Glass. Stained Glass, festomuvesszel" Glass Assemblages and Vessels" Uj Muveszet, v. 7, no. 6, June 1996, pp. 49-50, 1029 "Vitraz - M. Drabek, Z. Cap" Crafts (U.K.), no. 139, March/April 1996, ill. New Glass Review (Czech), v. 51, no. 2, p. 54, ill. Interview with stained glass artist and teacher 1996, pp. 20-23, ill. In German and English. London exhibit with glass by Peter Layton, Tibor Brada. Vitraz firm, a private studio established in • Sam Herman; stained glass by John Clark, 1992 in Svor, Czech Republic. Ruth Griesman, Ruth Jacobson. 1042 Smith, Virginia 1030 Raymond, Mary "France, July 1995" 1054 "Reviews/Exhibitions: Douglas Hogg" "Landscapes in Metal and Glass" Artists in Stained Glass Flat Journal, Spring Crafts (U.K), no. 138, Jan./Feb. 1996, p. 57, ill. Craft Arts International, no. 37, 1996, pp. 105- 1996, pp. 9-12, ill. London exhibit. 106, ill. Visiting contemporary glass sites. Enameled panels by the author, Australia. 1055 Tahedl, Ernestine 1043 Soleau, Antje "Member Profile: Ernestine Tahedl" 1031 Rechlik, Karel "Angewandte Kunst fur den Sakralen Raum" Artists in Stained Glass Flat Glass Journal, "'Glass Chapel' of the Augustinian Convent in Kunsthandwerk & Design, no. 3, May/June Summer 1996, p. 19, ill. Old Brno" 1996, pp. 28-35, ill. New Glass Review (Czech), v. 51, no. 4, Exhibition in Bochum; includes stained glass 1056 Tauvel-Dorsaz, Helene 1996, pp. 26-27, ill. In German and English. by Karl-Alexander Dedy and Hubert Schaff- "Le Musee de Romont. Le Vitrail suisse se meister. porte bien" 1032 Redstone, Louis G. La Revue de la Ceramique et du Verre, no. 87, Art in Architecture 1044 Sonntag, Gerhard March/April 1996, pp. 56-57, ill. New York: McGraw-Hill, 1968, 256 pp., ill. "Leben mit Glas" Stained glass center and museum at Romont, Includes stained glass panels. Glas + Rahmen, v. 46, no. 14, July 2, 1995, Switzerland. pp. 756-757, ill. 1033 Reid, T. R. and others Displays of creative uses of flat glass at 1057 Thill, Mary "New Buildings in Japan" Munich fair. "Artist Profiles: Jean-Jacques Duval" Topia (Baltimore, MD), Preview issue, 1062 Waggoner, Shawn Chicago's Ronald McDonald House" Oct./Nov./Dec. 1996, p. 20, ill. "From Liturgy to Lobby: Powell Brothers' Salt Stained Glass Quarterly, v. 91, no. 3, Fall 1996, Wall by Saranac, New York, designer. Lake International Airport Window" pp. 204-206, ill. Glass Art, v. 11, no. 6, Sept./Oct. 1996, pp. 4- Willet Studio stained glass. 1058 Toyama, Takayuki 8, ill. Windows of European Countries (2 vols.) Church window examples, as well as airport 1068 "Crown Jewels of the Holy Family [S.I.: s.n., 1981-1984], 168, 168 pp., ill. Japa­ window. Chapel" nese text, English preface. Stained Glass Quarterly, v. 91, no. 2, Summer Photographs of windows in many countries. 1063 "Light, Texture and the Power of Glass: 1996, pp. 102-104, ill. Paul Housberg's Architectural Commissions" Windows designed by Father Lauck and Glass Art, v. 11, no. 6, Sept./Oct. 1996, 1059 Vance, Peggy and Goodrick-Clarke, made by Conrad Schmitt Studios for Chat­ pp. 70-75, ill. Celia ham, Canada, chapel. The Mosaic Book: Ideas, Projects and Tech­ 1064 "Narcissus Quagliata's 'Gateway into niques 1069 Wesselow, Eric Night'" London: Conran Octopus, 1994, 1996 print­ "The Aron Kodesh" Glass Art, v. 2, no. 2, Jan./Feb. 1996, pp. 4- ing, 128 pp., ill. Artists in Stained Glass Flat Journal, Spring 13, ill. 1996, pp. 6-7, ill. Large fused glass panel made at Bullseye Author's laminated glass relief in Thornhill, 1060 Vitta, Maurizio Glass Co. for Quagliata's exhibit in Mexico Ontario, community center. "Espressioni della materia = Material's Multi­ City. form Nature" L'Arca (Milan), no. 107, Sept. 1996, pp. 72-75, 1065 Walker, Pattie 1070 "Thinking Hands, the Invisible Strings ill. In Italian and English. "Whitby Mental Health Centre, Stained Glass between Mind and Creative Hands" Glass staircase designed for a Chicago resi­ Chapel Windows" Canadian Society of Decorative Arts Bulletin, dence and a dichroic glass facade on New Artists in Stained Glass Flat Glass Journal, v. 14, nos. 1 and 2, Winter/Spring 1996, pp. 8- York building by Benedictus Award finalist Fall 1996, pp. 4-6, ill. 9, ill. James Carpenter. Seven chapel windows by author. Excerpts from keynote address at the Interna­ tional Conference on Environmental Glass, 1061 Vogel, Neal 1066 Webb, Michael Corning, New York, 1993. "Joseph E. Flanagan (1858-1928), Founding "Motown Records Corporate Headquarters" Father of the Stained Glass Association of Interiors, v. 155, no. 2, 1996, pp. 90-95, ill. 1071 Yet Still We Rise: African American Art America" Cast glass table with "river" motif, fabricated in Cleveland 1920-1970 Stained Glass Quarterly, v. 91, no. 3, Fall 1996, by Joel Berman Glass Studios, p. 93. Cleveland, OH: Cleveland Artists Foundation, pp. 215-220, ill. 1996, 93 pp., ill. Flanagan & Biedenweg stained glass firm of 1067 Weis, Helene Exhibit included stained glass by Douglas Chicago. "The Caring Place: A Meditation Room for Phillips, Phillips Stained Glass Studio.

TECHNOLOGY (after 1945)/TECHN0L0GIE (nach 1945)

1072 Anonymous 14, ill. 1087 "Protective Glazing for Stained Glass "Exhibitions: Light Construction" Maintaining the kiln, electrical elements, etc. Windows" Form-Function-Finland, no. 3, 1995, pp. 56- Stained Glass Quarterly, v. 91, no. 3, Fall 1996, 57, ill. 1079 "Health and Safety: Crystalline Silica" pp. 186-187+. Museum of Modern Art exhibit of new trans­ The Firing Line (Orton Firing Institute, Wester- parent and translucent architecture. ville, OH), v. 1, no. 1, Fall 1990, p. 6. 1088 "Restoration in the Wake of Terrorism" Stained Glass Quarterly, v. 91, no. 2, Summer 1073 "Glass and Light: James Carpenter 1080 "Health and Safety: Lead and Legisla­ 1996, pp. 122-123+, ill. Design Associates Inc." tion" Restoring recently damaged window of 1937 Verre (L'lnstitut du Verre, Versailles), v. 2, The Firing Line (Orton Firing Institute, Wester- in the Leathersellers' Hall, London. no. 5, Sept./Oct. 1996, pp. 53-55, ill. ville, OH), v. 1, no. 2, Nov./Dec. 1990, p. 10. Architectural glass projects. 1089 "Selecting an Electric Kiln" 1081 "Introduction to Gas Kilns" The Firing Line (Orton Firing Institute, Wester- 1074 "Glass Baths in the Pyrenees" The Firing Line (Orton Firing Institute, Wester- ville, OH), v. 2, no. 4, July/Aug. 1996, pp. 21- U.S. Glass, v. 31, no. 1, Jan. 1996, p. 18, ill. ville, OH), v. 2, no. 1, Jan./Feb. 1991, p. 15. 22, ill. Modern thermal Roman baths with extensive 1082 "An Invention from Thuringia: A Ther­ glazing. 1090 "Silica Targeted for Special Emphasis mometer without Mercury" by OSHA" Kulturchronik, no. 6, 1995, pp. 52-53, ill. 1075 "Glass Blowing Robot" ACTS Facts (Arts, Crafts and Theater Safety), Glass, Monthly Journal of the European Glass v. 10, no. 7, July 1996, p. 2. 1083 "Lead Poisoning among Armenian Industry, v. 73, no. 8, Aug. 1996, p. 333, ill. Glass Workers" French company develops robot that repro­ ACTS Facts (Arts, Crafts and Theater Safety), 1091 "Silver Nitrate Warning" duces manual motions of and v. 10, no. 4, April 1996, p. 4. The Bead Release (Shingle Springs, CA), v. 3, shaping. no. 3, July 1996, pp. 11-12. 1084 "Metal Enameling - Kiln Firing Proce­ Hazards in using the material in beadmaking. 1076 "Glass Glossary" dures" The Firing Line (Orton Firing Institute, Wester- The Firing Line (Orton Firing Institute, Wester- 1092 "Tableware Production Success Story" ville, OH), v. 1, no. 1, Fall 1990, p. 15. ville, OH), Winter 1996, pp. 12-14, ill. Glass International, v. 19, no. 3, Sept. 1996, Terminology used in glass decorating, fusing pp. 17-18. or slumping, or the firing of glazes. 1085 "Oberflacheneffekte in Flakons und Three companies in Poland (Sudety, Irena, Flaschchen" and Krosno) are privatized and producing 1077 "Glazes, Glass and Lead" Glaswelt, v. 49, no. 9, Sept. 1996, p. 54+, ill. table glassware. The Firing Line (Orton Firing Institute, Wester- Sandblasting technique used to decorate ville, OH), v. 1, no. 2, Nov./Dec. 1990, pp. 9- mass-produced items, such as perfume 1093 "Waste Management: UK Glassmaker 10. flasks. Makes Substantial Savings by Reducing Waste" 1078 "Good Housekeeping Practices" 1086 "Problem Solving - Firing Gold Decals" Glass, Monthly Journal of the European Glass The Firing Line (Orton Firing Institute, Wester- The Firing Line (Orton Firing Institute, Wester- Industry, v. 72, no. 12, Dec. 1995, p. 503, ill. ville, OH), v. 2, no. 5, Sept./Oct. 1991, pp. 10- ville, OH), v. 2, no. 4, July/Aug. 1996, pp. 4-5, ill. is developing new types of blowing to reduce blistering and contam­ 1108 Cage, Tom no. 3, July 1996, pp. 8-10. ination. "The Why and How of a Jacob's Ladder" Carpal tunnel syndrome, etc. Signs of the Times, v. 218, no. 4, April 1996, 1094 "A Wave of Inspiration" pp. 222-225, ill. 1123 Fenton, Dan The Glass Cone (U.K.), no. 42, Autumn 1996, Safety device in a neon shop. "Vitreous Paints and Enamels for Glass. Part 1" cover and p. 5, ill. Glass Art, five-part series: v. 2, no. 2, David Watson's Brighton project: a curved 1109 Carrara, Jessy and Rossol, Monona Jan./Feb. 1996-v. 11, no. 6, Sept./Oct. 1996. colored glass walkway on the seafront Prome­ "Safety in the Studio: Lead Free Tinning Flux" nade made from 700 recycled bottles. Common Ground: Glass, Fall 1996, pp. 6-7. 1124 Firth, Mike Hot Bits (, TX), five newsletters: no. 29- 1095 Anderson, Avery H. 1110 Chahroudi, Day 33, Jan.-Dec. 1996. "Fusing Questions: An Overview" "Is the Time for Smart Windows Here?" Common Ground: Glass, Summer 1996, Glass Digest, v. 75, no. 5, May 15, 1996, 1125 Fisher, Alfred pp. 20-21, ill. pp. 54-57, ill. "Fusing in the Sixties" Electrochromic shutter technology, aqueous Stained Glass, the Magazine of the British 1096 Andrews, Kevin gel, etc. Society of Master Glass Painters, no. 1, 1996, "Casting Spindles for the Copper Wheel Lathe" pp. 3-4, ill. The Guild of Glass Engravers Newsletter, 1111 Crosbie, Michael J. Developments in fused architectural glass at Summer 1996, pp. 8-12, ill. "Selected Detail: Glass-Walled Fireplace" Whitefriars Studio. Casting and making new spindles for engrav­ Progressive Architecture, Dec. 1995, p. 106, ill. ing. 1126 Friant, Jim 1112 Davis, Mike Glassnotes 1097 Artesania en vidrio. Publicacion Trime- "Kiln Forming in Stained Glass" Paper, Philadelphia College of Art, 1969, [11] stral, no. 1, Barcelona: EMEGRAF, 1996, Stained Glass, the Magazine of the British leaves, [2] diagrams, ill. 35 pp., ill. Society of Master Glass Painters, no. 1, 1996, Describes construction of a glass shop. How-to-do-it stained glass periodical. pp. 5-6, ill. 1127 Gardner, Carl and Hannaford, Barry 1098 Bagley, Peter 1113 DiDonato, Donald Lighting Design: An Introductory Guide for Making Modern Jewellery: Simple Tech­ "Evaluating the Alternatives for Sandblast Professionals niques, Modern Materials Equipment and Supplies" London: The Design Council, 1993, 230 pp., ill. London: Cassell, 1992, 128 pp., ill. Glass Digest, three-part series: v. 75, no. 1, Glass and enamel, pp. 70-77. Jan. 1996 - v. 75, no. 3, March 1996. 1128 Gibeau, Mark "Burner Tips" 1099 Bambrough, Mark 1114 Dobbins, Norm Glass Gazette, Summer 1996, p. 7. "The Alternative Veil" "How to Color Etched Glass" Stained Glass, the Magazine of the British Glass Craftsman, no. 6, Dec. 1995/Jan. 1996, 1129 "Burner Tips: the Fibonnaci Society of Master Glass Painters, no. 1, 1996, pp. 6-11, ill. Way" pp. 13-15. Glass Gazette, Fall 1995, p. 16, ill. Also in Opaque and translucent enamels. 1115 "On-Site Glass " British Columbia Glass Arts Association Glass Craftsman, no. 136 (new numbering), Newsletter, v. 8, no. 4, July/Aug. 1996, p. 4, ill. 1100 "A Unified Approach to Glass Painting" June/July 1996, pp. 12-15+, ill. Stained Glass, the Magazine of the British Society of Master Glass Painters, no. 1, 1996, 1130 Giberson, Dudley pp. 16-18, ill. 1116 "Part 1: The Art of Gold Leafing on "Technical Presentation: The Volcano Dream" Conservation and restoration work. Glass" The Glass Art Society Journal, 1995, pp. 77- Glass Art, v. 11, no. 5, July/Aug. 1996, pp. 48- 84, ill. 1101 Barreneche, Raul A. 53, ill. Part 2: v. 11, no. 6, Sept./Oct. 1996, "Building in Glass" pp. 10-17, ill. 1131 Glazute na Kozjanskem = Die Glashut- Architecture, v. 85, no. 12, Dec. 1996, pp. 107- ten in Kozjansko (Text: Franci Zidar and Joze 115, ill. 1117 "Sandblast Etching: Recent Improve­ Rataj) Architectural projects by James Carpenter. ments in Equipment and Materials" [Podsreda, Slovenija]: Kozjanski Park, 1994, Glass Craftsman, no. 137, Aug./Sept. 1996, [16] pp., ill. In Slovene and German. 1102 Beadle, The Venerable pp. 12-16, ill. Glassworks at Kozjansko, Republic of Slovenia. "The Bead Column: Bubbles and Droplets" Glass Line, v. 9, no. 5, Feb./March 1996, 1118 Dundas, William S. 1132 Goodwin, Elaine M. pp. 9-11, ill. "An Installer's View of Neon Components" Decorative Mosaics Signs of the Times, v. 218, no. 4, April 1996, New York: Henry Holt & Co., 1994, 1996 print­ 1103 "The Fork-tailed Devil" pp. 218-221, ill. ing, 96 pp., ill. Glass Line, v. 9, no. 6, April/May 1996, p. 11+, ill. 12 projects. Mandrel used to make beads with two parallel 1119 Dunham, Bandhu Scott string holes. Contemporary Lampworking: A Practical 1133 Greenberg, Kenny Guide to Shaping Glass in the Flame "The Neon FAQ List: Frequently Asked Ques­ 1104 Blazek, Dean and Blazek, Michael Prescott, AZ: Salusa Glassworks, 1995, tions" Neon: The Next Generation 242 pp., ill. Common Ground: Glass, Fall 1996, p. 19. Cincinnati, OH: ST Publications, 1995, Reviewed by Robert A. Mickelsen in Glass Neon techniques. 232 pp., ill. Line, v. 9, no. 5, Feb./March 1996, pp. 7-8+, Neon shop layouts, techniques, etc. and by Alexandre Kapran in Glass Gazette, 1134 Gronegras, Wolfgang Spring 1996, p. 11. "Das Kirchenfenster und die Schutzvergla- 1105 Bloom, Murray sung" "Core Formed Vessels" 1120 "Setting Up a Lampworking Studio" Glaswelt, v. 49, no. 2, Feb. 1996, pp. 36-38, ill. The Independent Glassblower, no. 42, June/ Glass Craftsman, no. 7, April/May 1996, Protection of some contemporary stained July/Aug. 1996, pp. 1-2, ill. p. 32+, ill. glass windows. Excerpted from Dunham's book. 1106 Bloom, Murray and Gruenig, David 1135 Gruenig, David "Annealing" 1121 "Working with Color" "Fuzzy Fusing with the Fuji PYX-4" The Independent Glassblower, no. 43, Sept./ Glass Art, v. 11, no. 4, May/June 1996, pp. 10- The Independent Glassblower, no. 41, Oct./Nov. 1996, pp. 1-5. 19, ill. March/April/May 1996, pp. 1-3. Adapted from Dunham's book on lampworking. 1107 Brabham, Mark 1136 "PID for Beginners" "Hot Glass Burners and Controls" 1122 Engst, Adam and others The Independent Glassblower, no. 41, March/ Ausglass Magazine, Christmas edition, 1995, "Ergonomics and the Beadmaker" April/May 1996, pp. 3-5, ill. pp. 3-7, ill. The Bead Release (Shingle Springs, CA), v. 3, Controllers for glass-fusing kilns. 1137 Gruenig, David and Allison, Art 1152 Maigret, Claude 12, ill. Part 2: v. 2, no. 5, Sept./Oct. 1991, "Batch Mixing Secrets" "Innovations: La Projection de verre a chaud" pp. 1-5, ill. The Independent Glassblower, no. 39, Sept./ Verre Actualites, no. 145, Sept. 1996, p. 4+, ill. Oct./Nov. 1995, pp. 1-7, ill. Gaetano Pesce's idea to subject glass to high 1166 "Operation and Maintenance of Electric heat experiments (in non-industrial setting) at Kilns. Part 1" 1138 Halem, Henry CIRVA, Marseilles. The Firing Line (Orton Firing Institute, Wester- "Glass Durability Testing" ville, OH), v. 2, no. 2, March/April 1991, pp. 6- Ausglass Magazine, Christmas edition, 1995, 1153 Mangiafico, Michael 11, ill. Part 2: v. 2, no. 3, May/June 1991, pp. 10-11. "Glory Hole Construction" pp. 6-9, ill. The Independent Glassblower, no. 40, Dec. 1139 Glass Notes: A Reference for the 1995/Jan. 1996, pp. 2-3, ill. 1167 Porcelli, Joe Glass Artist (3rd ed.) "Building the Odyssey Wisteria Lamp" Kent, OH: Franklin Mills Press, 1996, 291 pp., 1154 Marvel, Rebecca Glass Craftsman, four-part series: no. 6, ill. "Texture Adds Dimension" Dec. 1995/Jan. 1996 - no. 137 (new number­ Common Ground: Glass, Winter 1995, p. 19. ing), Aug./Sept. 1996. 1140 Hiroyuki, Inano Sandblasting. Stained glass lamp project. "Recycling Used Fluorescent Light Tubes" The Independent Glassblower, no. 42, June/ 1155 Mason, Peter J. 1168 Reed, Wayne July/Aug. 1996, p. 7. Neon: A Practical Handbook of Information on "Kiln Basics: A Prerequisite Before You Build" Neon Signs and Cold Cathode Lighting Common Ground: Glass, Spring 1996, p. 6. 1141 Hoffmann, Ute Chatham, Kent: P. J. Mason & Co., [n.d.], Part 2: Summer 1996, p. 22. "History of Glass - Please Touch!" 23 pp. Schott Information, no. 57, 1991, pp. 7-9, ill. Photocopies of an out-of-print book. 1169 Reynolds, Gil Redesigned glass technology display at the "Kiln Crafting: Hot Tips for Fusing and Slump­ Deutsches Museum, Munich. 1156 Meltzer, Steve ing" "Backlighting for Color and Drama" Stained Glass News (Grand Rapids, Ml), 1142 Howard, Arnold The Crafts Report, v. 22, no. 239, March 1996, no. 31, Feb. 1996, p. 6. Also, no. 33, Sept. "Glass Fusing Kilns" p. 36, ill. 1996, p. 12. The Firing Line (Orton Firing Institute, Wester- Photographing glass. ville, OH), v. 2, no. 3, May/June 1991, pp. 1-2, 1170 Rice, Peter and Dutton, Hugh ill. 1157 Mickelsen, Robert A. Structural Glass "At the Lamp" London: E & FN Spon; Chapman & Hall, 1143 Husted, Al Common Ground: Glass, continuing series: 1995, 144 pp., ill. "Usable Fusibles: Fusible Glasses and How Winter 1995-Fall 1996, ill. They Compare" Lampworking techniques and information. 1171 Rossol, Monona Glass Craftsman, no. 6, Dec./Jan. 1996, "Clarification to Article on Crystalline Silica" pp. 12-16, ill. 1158 Milliron, Donna The Firing Line (Orton Firing Institute, Wester- "Annealing and Pre-Annealing Your Beads" ville, OH), v. 2, no. 1, Jan./Feb. 1991, p. 12. 1144 Irvin, Jan The Bead Release (Shingle Springs, CA), v. 3, Keeping work areas clean of silica dust. "A Beginner's Perspective on Glass Fusing" no. 2, May 1996, pp. 1-2. The Firing Line (Orton Firing Institute, Wester- 1172 "Enameling Glass Safely" ville, OH), v. 2, no. 4, July/Aug. 1996, pp. 16- 1159 Moore, Jim Common Ground: Glass, Winter 1995, pp. 8- 20, ill. "Natural Glass" 9, ill. Glass Gazette, Summer 1996, pp. 12-13. 1145 Johnson, Darlene and Lee, Judy Obsidian, fulgurites, tektites. 1173 "Health and Safety: Ceramic Fibers" "Mold It, Shape It, Drape It" The Firing Line (Orton Firing Institute, Wester- Fused Art Newsletter, no. 6, Spring 1996, p. 1. 1160 Neon Installation Manual: Sign and ville, OH), v. 2, no. 5, Nov./Dec. 1991, pp. 13- Types of molds for the glass fuser. Outline Lighting, April 1996 14. Richardson, TX: International Association of Fibers used in the firing of glass and ceramic 1146 Kerkvliet, Brian Electrical Inspectors; Alexandria, VA: Interna­ products. "Magic Kiln Tactics" tional Sign Association, 1996, 138 pp., ill. The Firing Line (Orton Firing Institute, Wester- 1174 "It's Here: Lead-Free Came" ville, OH), Summer 1996, pp. 4-8, ill. 1161 Nicholas, Mike and Gruenig, David Glass Craftsman, no. 136, June/July 1996, "Studio Safety" p. 46. 1147 "Marbvelous Marbles" The Independent Glassblower, no. 42, June/ Glass Art, v. 11, no. 3, March/April 1996, July/Aug. 1996, pp. 4-7. 1175 "Sources of Lead in Stained Glass pp. 18-24, ill. Work & Restoration" Overview of marble-making techniques. 1162 Orth, Martin and Bezjak, Roman The Firing Line (Orton Firing Institute, Wester- "Jena" ville, OH), Winter 1996, p. 11. 1148 Kirk, Christine Deutschland, no. 1, Feb. 1995, pp. 22-26, ill. "Pate de verre" In English. 1176 Saliba, Pauline and Woolever, Mary, ed. Stained Glass, the Magazine of the British New growth in the company and the The Architecture of Bruce Goff, 1904-1982: Society of Master Glass Painters, no. 1, 1996, city in Thuringia, Germany. Design for the Continuous Present pp. 6-7, ill. Munich and New York: Prestel-Verlag; 1163 Pascucci, Ernest Chicago: The Art Institute of Chicago, 1995, 1149 Klopsch, Bill "Reviews: Light Construction" 119 pp., ill. "Working Large: Tips for Tackling Bigger Win­ Artforum, v. 34, no. 5, Jan. 1996, pp.78-79+, ill. Design for glass block and vitrolite house; mo­ dows" Architecture exhibition includes glass struc­ saic murals. Stained Glass News (Grand Rapids, Ml), tures. no. 31, Feb. 1996, p. 8. Part 2: no. 33, Sept. 1177 San Casciani, Paul 1996, p. 14. 1164 Pearson, I. R. "Which Brush for What Purpose" "Interchanging on the Internet" Stained Glass, the Magazine of the British 1150 Laughlin, R. Bruce British Society of Scientific Glassblowers Society of Master Glass Painters, no. 1, 1996, "The Options of Glass Enamels" Journal, v. 34, no. 2, April 1996, pp. 83-86. pp. 20-21. Common Ground: Glass, Winter 1995, pp. 6-7. Technical queries, and information about Selecting brushes for glass painting. glass music, "glass flow," glass studios and 1151 Lundstrom, Boyce suppliers, etc., on the World Wide Web. 1178 Schell, James Kiln Firing Glass: Glass Fusing, Book One "The Revival of Studio Glass Historians, Tech­ Camp Colton, OR: Vitreous Group/Camp 1165 Piatt, Karl P. niques, and Artists ... On the Other Side of Colton, 1994, 143 pp., ill. "Combustion and Studio Furnaces, Part 1" the Pond" Adapted from the original edition by Boyce The Firing Line (Orton Firing Institute, Wester- Glass Craftsman, no. 6, Dec. 1995/Jan. 1996, Lundstrom and Daniel Schwoerer. ville, OH), v. 2, no. 4, July/Aug. 1991, pp. 9- pp. 34-35+, ill. Glass courses at the University of Wolver­ Reviewed by Mary Clerkin Higgins in Journal Long-lasting cast and cased cement molds hampton, England. of the American Institute for Conservation, developed in the Czech Republic. v. 35, no. 1, Spring 1996, pp. 69-72. 1179 "Take a Powder" 1189 Townsend, Milon Glass Craftsman, no. 136 (new numbering), 1184 Somerville, Penny "Blast It All - Part 2" June/July 1996, pp. 30-31, ill. "Slumping Is Alive" Glass Line, v. 9, no. 5, Feb./March 1996, Using glass powders. Stained Glass, the Magazine of the British pp. 13-16. Society of Master Glass Painters, no. 1, 1996, Etching and blasting techniques. (Part 1: v. 9, 1180 Schwoerer, Dan pp. 7-8, ill. no. 2, Aug./Sept. 1995.) "Technical Article: Annealing of Cast Glass Pieces" 1185 Spirson, Chip 1190 Wardell, Randy GAS News (Glass Art Society), Fall 1996, "Etching Glass" "Working with Stained Glass: Hints and Tips p. 5, ill. Signs of the Times, v. 218, no. 8, July 1996, for Hobbyists" pp. 74-76, ill. Stained Glass News, no. 33, Sept. 1996, p. 8. 1181 Sciarabba, Jack "Gettin' Hot in Corning: Hot Glass Horizons 1186 Strattman, Wayne '96" "Neon Techniques: 'Hard Glass' Components 1191 Whitehead, Tom and Gruenig, David Glass Craftsman, no. 136 (new numbering), for Manifold Construction" "Controllers" June/July 1996, pp. 20-21. Signs of the Times, v. 218, no. 6, June 1996, The Independent Glassblower, no. 42, June/ Gil Reynolds conducts weekend of lectures pp. 40-42, ill. July/Aug. 1996, pp. 2-4, ill. and classes. 1187 "Neon Techniques: New Glass in 1192 Whitehouse, David 1182 Sheehan, Mike Town" "Museum-Operated Glassmaking Studio to "Abrasive-Etched Glass" Signs of the Times, v. 218, no. 4, April 1996, Open in May" Signs of the Times, v. 218, no. 11, Oct. 1996, p. 44+, ill. The Corning Museum of Glass Newsletter, pp. 158-162, ill. Lead-free glass, barium- and strontium-based. Spring 1996, p. 3, ill.

1183 Sloan, Julie L. 1188 Synek, Miroslav 1193 Willis, Jeremy Conservation of Stained Glass in America: A "Molds for Glass Blowing" "Kiln Design: An Introduction to Electric Kiln Manual for Studios and Caretakers Kahch (All India Glass Manufacturers' Federa­ Heating for Glass. Part 1" Wilmington, DE: Art in Architecture Press, tion, New Delhi), v. 2, no. 1, March 1993, Glass Gazette, Spring 1996, pp. 12-13. Part 2: 1995, 225 pp., ill. pp. 26-27. Summer 1996, p. 6.

FILMS AND VIDEOTAPES/FILME UND VIDEOKASSETTEN

1194 Alexandre Kapran, Glass Artist 1204 Christopher Radko: Making Christmas 1211 Glass Figurines by Gusta v Abel No credits, 1996 Ornaments in Poland No credits, 1996 19 min., sound, color. CAMRA, 1991 60 min., sound, color. 15 min., sound, color. 1195 Amy Schwartz and The Studio 1212 Glass the Mysterious: Korea Modern The Corning Museum of Glass, 1996 1205 Corning Museum of Glass 1996 Glass Art Association Opening Exhibition 23 min., sound, color. Seminar Samsung Corning, 1995 Tape 7: Curator's Choice: "Roman Gold 12 min., sound, color. 1196 L'Arbre de Gabriel Glass," by David Whitehouse; "A 19th-century Le COMPA, Energie Video Production, 1995 Large Venetian Mosaic," by Jutta-Annette 1213 Harv Harris: Glass Art 21 min., sound, color. Bruhn; "Henry Fillebrown," by Jane Shadel Phoenix Video Productions, n.d. [1996?] Spillman; "Lino Tagliapietra," by Susanne K. 10 min., sound, color. Frantz; "Two Drawings," by 1197 Art of Glass and Cranberry Patricia J. Rogers Glass 1214 Hot & Wired 90 min., sound, color. Pilgrim Glass Corporation, 1996 John R. Smith and Linda Abbott, 1993? 6 min., sound, color. 35 min., sound, color. 1206 Corning Museum of Glass 1996 Wire-wrapped jewelry. Seminar 1198 Artistic Glass Working Tape 8: Glassblowing: Discovery or Invention?, Pathex, n.d. [1950-1959?] by William Gudenrath 1215 Kitengela Glass 3 min., silent, black and white. 60 min., sound, color. [Anselm Croze], n.d. [1996?] Lampworking. 30 min., sound, color. African glass artist Anselm Croze. 1207 Corning Museum of Glass 1996 1199 Audrey Handler, Glass Artist Seminar Her Own Words, 1995 Tape 10: The Moderns: 20th-century Glass 1216 The Making of a Masterpiece: The 15 min., sound, color. Design in Scandinavia and Italy, by Susanne Tease K. Frantz Kersey Glassworks, 1996 1200 Bertil Vallien 60 min., sound, color. 19 min., sound, color. SVT TV2, n.d. [1994?] Sandblasted and glue-chipped processes. 18 min., sound, color. 1208 Daniel Crichton: Glass Dance Canadian Museum of Civilization, n.d. [1995?] 1217 Marble World Video Magazine, Issue 1201 The Best Bead Show Exhibitors, 1996 10 min., sound, color. No. 1 Crystal Myths, 1995 Elliot Pincus, 199? 27 min., sound, color. 1209 Form, Light, Glass 100 min., sound, color. Premiera Studio a Ceska Televize, 1996 1202 Bunkamura Backstage: Yoko Hirosawa 25 min., sound, color. 1218 [Mary Shaffer]: A Natural Force No credits, n.d. [1996?] Czech artists at the American Craft Museum. Videoart Productions, 1995 6 min., sound, color. 9 min., sound, color. 1210 Glass Core Vessels 1203 Chihuly over Venice: Chihuly at Nuuta- Glass Expressions, 1995 1219 More Glass Mosaics jarvi, Finland, June 1995 30 min., sound, color. Chris and Vicki Payne/Cutters Video Produc­ Michael Barnard, 1995 Using lampworking skills; Italian glass; a tions, 1995 12 min., sound, color. minor bench burner. 90 min., sound, color. 1220 Mosaic As Art Mike Lloyd-Wiggins for Concept Video Pro­ 1231 [Vetri di Murano] D. A. Mocatta/Vidian, 1996 ductions/Caithness Glass Ltd., 1994 No credits, 1930s? 52 min., sound, color. 42 min., sound, color. 10 min., silent, black and white. Work of Jane Muir. 1226 Sari Dienes: Creating Art from Debris 1232 Walls of Light 1221 Neons and Icons Produced by Dr. Mildred Pollner; released by Ben Hafey for Canadian Broadcasting Corpo­ Assorted television stations, 1980-1991 Cinema Verite International, 1993 ration, 1995 16 min., sound, color. 28 min., sound, color. 45 min., sound, color. Work of Lee Roy Champagne. 1227 Spirit into Matter 1233 Wes Hunting: Breaking Glass Traditions 1222 Nicholson Blown Glass Terry Moyemont, 1996 Andrew Hudson, 1995 Roland Smith, Highland Productions, n.d. 6 min., sound, color. 30 min., sound, color. [1996?] Robert Carlson. Murrine and cane techniques. 6 min., sound, color. Contemporary artists Rick and Janet Nichol­ 1228 The Story of Conrad Schmitt Studios, 1234 Wire Wrapping Jewelry Techniques son. Master Craftsmen of North America Chris and Vicki Payne/Cutters Video Produc­ No credits, n.d. [198-?] tions, 1995 1223 Painting with Light 14 min., sound, color. 60 min., sound, color. Canadian Broadcasting Corporation (Sunday Arts & Entertainment), n.d. [1996?] 1229 Unique Reverse Paintings on Glass by 1235 Year of the American Craft: Stephen 17 min.', sound, color. Gary Kutch Rolfe Powell Gary Kutch and Imagination Factory, 1996 KET, The Kentucky Network, 1993 1224 Paul Stankard: Inventing Illusions 4 min., sound, color. 7 min., sound, color. FAB Productions (Kirsten Bates-Renaud and Christopher Quinn), 1996 1230 Verre Is Beautiful (Antique Glassblow- 46 min., sound, color. ing) Musee Archeologique Departemental du Val 1225 Reflections: The Magic of Caithness d'Oise, 1994 Paperweights 30 min., sound, color.

A SELECTIVE INDEX OF PROPER NAMES AND PLACES AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra­ Es handelt sich im folgenden urn ein denen die entsprechenden Personen phy" of New Glass Review 18. The num­ Sachregister zur „Bibliographie" der New oder Orte behandelt werden. bers following the names below are Glass Review 18. Die Zahlen hinter den keyed to the numbers preceding the indi­ Namen entsprechen den Zahlen, die den vidual "Bibliography" entries in which Eintragungen der einzelnen Beitrage der these persons and places are discussed. „Bibliographie" vorangestellt sind, in

Aalto, 449, 462 Carlson, William, 257, 647 Desaulniers, Gilles, 331 Adams, Hank Murta, 388, 505, 570 Carpenter, James, 899, 1060, 1073, 1101 Donefer, Laura, 299, 356 Andrighetti, Joanne, 213, 290, 630 Carther, Warren, 288, 957 Donofrio, Jim, 512 Astuguevieille, Christian, 425 Cash, Sydney, 659 Dreisbach, Fritz, 127, 352, 353, 864 Babcock, Herb, 9, 869 Chabrier, Gilles, 244 Ducatez, J. A., 423 Baldwin, Philip/Guggisberg, Monica, 56, 69, Champagne, Lee Roy, 291, 1221 Dunham, Bandhu Scott, 360, 1119, 1120, 234, 449, 842 Chihuly, Dale, 26, 32, 33, 46, 47, 126, 178, 1121 Banford, Raymond, 808 203, 206, 236, 258, 275, 307, 308, 309, 323, Edenfalk, Bengt, 789 Barbini, Alfredo, 154, 232 333, 385, 400, 414, 430, 485, 554, 569, 657, Edols, Benjamin, 161, 467 Bartlett, Jennifer, 897, 938 771, 795, 852, 863, 877, 1203 Eisch, Erwin, 365, 571, 660 Baudry, Thierry, 722 Cho, Simsa, 1, 20 Elford, Shirley, 389 Bayliss, Arlon, 376 Cigler, Vaclav, 248, 477, 548, 688, 1209 Elias, Bohumil, 488, 548 Begou, Alain and Marisa, 422 Cipres, Nicole, 652 Elliott, Judi, 161 Bell, Larry, 556, 610, 620 Clarke, Brian, 68, 976, 1014 Elliott, Kathy, 161,467 Ben Tre, Howard, 374, 470, 782 Clayman, Daniel, 868 Engels, Felicitas, 633 Bernstein, William, 245 Clegg, Tessa, 438, 755 Engman, Kjell, 97, 788 Bianchin, Cristiano, 233, 435, 844 Cocks, Deborah, 489 Fenton, Dan, 1123 Bianconi, Fulvio, 62, 572, 573, 847 Constantini, Vittorio, 342 Fero, Shane, 375 Bicker Caarten, Joost, 1 Copping, Brad, 363, 626, 700 Fisar, Jan, 634 Blomdahl, Sonja, 578 Corradetti, Anthony, 578 Fievet, Regis, 159 Bolt, Gary, 214, 290, 630 Courtney, Giselle, 584 Fiserova, Eva, 226 Borowski, Stanislaw, 24, 811 Cragg, Tony, 167, 723, 843 Flander, Brita, 410 Bourgeois, Louise, 172, 242, 835, 858, 875 Craig, Brock, 60, 625 Flavin, Dan, 499 Boysen, Bill, 580, 790 Cribbs, KeKe, 325 Forejtova, Jitka, 549 Bruce, Jane, 673 Crichton, Daniel, 48, 710, 1208 Foti, Renato, 455 Burght, Angela van der, 955 Cunningham, Paul, 882 Franck, Kaj, 449, 462, 534 Burnette, Jeff, 290, 630 Dailey, Dan, 4 Frijns, Bert, 388 Carlgren, Anna, 1, 20 Dajewski, Matgorzata, 165, 458, 828 Frode, Hans, 456 Carlson, Robert, 287, 360, 1227 De La Torre, Einar and Jamex, 612, 614 Fujita, Kyohei, 622, 803 Gellman, Mimi, 1011 248, 258, 477, 488, 508, 548, 562, 784, 1209 Santarossa, Hella, 876, 900 Gherardi, Lisa, 1, 20, 714 Lindsay, Nona Baraksi, 213, 338 Santillana, Alessandro de, 388 Giberson, Dudley, 399, 1130 Lintzen, Sabine, 221 Santillana, Laura de, 388 Ginneke, Vincent van, 209, 377 Lipofsky, Marvin, 59, 569 Santini, Emilio, 328 Glancy, Michael, 323, 430 Littleton, Harvey, 64, 80, 414, 571, 864 Sarpaneva, Timo, 166, 462, 490, 534 Glass Art Society, 25, 85, 127, 287, 337, 353, Liza Lou, 536, 648 Sato, Norie, 203 576, 617, 809 Lugossy, Maria, 263, 441 Sautner, Barry, 293 Goodden, Ted, 1011 MacNeil, Linda, 296, 561 Schaechter, Judith, 388 Goodman, Jeff, 1011 Magdanz, Andrew, 566 Schaffrath, Ludwig, 1000 Grimshaw, Rosalind, 965 Main, Terence, 646 Scheiner, Michael, 567 Groot, Mieke, 53, 388, 660, 715 Mandelbaum, Ellen, 924, 1007, 1027 Schmidt, Jack, 559, 743, 871 Grubb, Randall, 128, 432 Mansau, Serge, 210, 406, 427, 529, 736 Schreiter, Johannes, 968, 984, 1036 Grunert, Tina, 103 Marcheschi, Cork, 610 Schwarz, David, 578 Gudenrath, Bill, 1206, 1230 Marcoville, 211 Scott, Joyce, 26, 206, 355, 561, 566, 645, Gussek, Jens, 487 Marioni, Dante, 883 728, 751, 812 Hafner, Dorothy, 344, 701 Markovitz, Sherry, 26, 203, 206 Seide, Paul, 162, 814 Halem, Henry, 84, 1138, 1139 Marquis, Richard, 507, 865 Shaffer, Mary, 80, 506, 1218 Hall, Sarah, 603, 928, 980, 981, 982, 983, 984 Martinuzzi, Paolo, 527 Silena, Marketa, 111, 429 Ham, Frank van den, 195 Mason, Concetta, 2 Simpson, Josh, 578, 579, 661, 768 Hammond, Susan, 635, 716 Matthews, Mark, 123, 182, 816 Singletary, Preston, 882 Handl, Milan, 548, 703 McElheny, Josiah, 648, 812 Sipek, Borek, 332, 641, 717 Handler, Audrey, 1199 McGrain, Peter, 599, 1010, 1026 Skibska, Anna, 501 Hanus, Vaclav, 834 Meitner, Richard, 252, 388, 473, 639 Smith, Jeff G., 908 Haufschild, Lutz, 986 Merker, Ursula, 13 Smith, Kiki, 220, 278, 518, 748, 806, 887 Heesen, Willem, 187 Merz, Mario, 105, 547, 649 Stankard, Paul, 128, 155, 306, 694, 785, 1224 Hellsten, Lars, 464, 495 Mickelsen, Robert, 124, 136, 200, 375, 582, Starr, Penelope Comfort, 853, 927 Hermans, Geri, 532 612, 613, 614, 1119, 1157 Statom, Therman, 398, 818 Higgins, Frances, 415, 682 Mihalisin, Julie, 31, 550, 551 Stinsmuehlen-Amend, Susan, 388 Higgins, Michael, 682 Moje, Klaus, 70, 108, 259, 276, 478, 497 Svoboda, Jaroslav, 95, 444, 593 Hill, Judy, 592 Moje-Wohlgemuth, Isgard, 266, 715 Tagliapietra, Lino, 173, 386, 521, 546, 841, Hlava, Pavel, 259, 488, 668 Monod, Isabelle, 660 1205 Hobson, Diana, 294, 457 Morris, William, 59, 218, 203, 255, 510 Takenouchi, Naoko, 290, 630 Hogg, Douglas, 1054 Mulcahy, Kathleen, 236, 686 Tarsitano, Debbie, 770 Hoglund, Erik, 459 Musler, Jay, 590 Tedesco, Chris, 131 Holland, Susan, 413 Myers, Joel Philip, 65, 578 Thiel, Ana, 809 Holler, Franz, 388, 744 Nanning, Barbara, 241, 665 Thompson, Cappy, 64 Hopkins, Deborah, 781 Nannucci, Maurizio, 101, 738 Toikka, Oiva, 126, 485, 535, 687 Trimpol, Michael, 544, 711 Hora, Petr, 677 Negreanu, Matei, 3, 53, 159, 527, 734, 837 Trinkley, Karla, 80, 158 Horn, Rebecca, 204 Novaro, Jean-Claude, 602 Tschida, Fred, 862 Houde, Frangois, 269 Novotny, Lukas/O'Brien, Baker, 892 Tudor, Morna, 214, 290, 630 Housberg, Paul, 969, 1063 Ohira, Yoichi, 358, 845 Umbdenstock, J.-P., 660 Houserova, Ivana, 111, 429 Ohrstrom, Edvin, 442, 848 UrbanGlass, 228, 301, 638 Huchthausen, David, 373 Palusky, Robert, 261 Vachtova, Dana, 548, 744 Hunting, Wes, 1233 Parriott, Charles, 503 Valkema, Sybren, 272, 319, 543, 607, 1200 Hutter, Sidney, 856 Parsons, Mark, 134, 404 Vallien, Bertil, 172, 286, 502, 563, 564, 565, Hydman-Vallien, Ulrika, 81, 496 Patsalides, John, 932, 989 1200 Ignis, Misha, 632 Pavlik, Michael, 80, 260 Vanderstukken, Koen, 279, 836 Ink, Jack, 103 Peiser, Mark, 139, 353, 672 vonRoenn, Kenneth, 938 Inoue, Mutsuo, 329 Perkins, Danny, 500 Wagenfeld, Wilhelm, 274 Iwata, Hisatoshi, 541 Pfaff, Judy, 35, 163, 940 Wahlstrom, Ann, 119, 238 Iwata, Rury, 680 Pfeifer, Jens, 1, 20 Walentynowicz, Janusz, 566 Juteau, Olivier, 623 Pilchuck Glass School, 445, 637, 657 Watkins, James, 295 Karel, Marian, 477, 1209 Pinkwater Glass, 172, 414 Weinberg, Stephen, 257 Kehlmann, Robert, 36, 997, 1000, 1001, 1015 Powell, Stephen Rolfe, 327, 1235 Weiss, Dick, 287 Kerkvliet, Brian, 517, 1146, 1147 Powers, Pike, 407, 857 Wesselow, Eric, 998, 1069, 1070 Kesteren, Maria van, 104 Pozniak, Janusz, 882 Wilkin, Neil, 553, 849 King, Gerry, 161, 651 Prasch, Sally, 88 Wilmarth, Christopher, 642 King, Ruth, 190, 326 Priour, Damian, 34 Wirdnam, Nick, 888 Koga, Kim, 133 Procter, Stephen, 467 Wittemore, Francis, 865 Kogelnik, Kiki, 461, 840 Quagliata, Narcissus, 774, 925, 1016, 1064 Woffenden, Emma, 588 Kohler, Lucartha, 83 Rabinovich, Raquel, 879 Wolff, Ann, 367 Kopecky Vladimir, 388, 477, 1209 Rainey, Clifford, 303, 314 Young, Brent Kee, 566 Kuhn, Jon, 11, 80, 324, 821 Raymond, Jean-Paul, 527 Zamecnikova, Dana, 248, 477, 1209 Kummer, Raimund, 17, 447 Reekie, David, 80, 303 Zeisel, Eva, 22, 228, 560 Lam, Izabel, 267, 476 Reid, Colin, 316, 815, 995 Zembok, Udo, 3, 753 LaMonte, Karen, 132 Reyntiens, Patrick, 946, 995, 1000 Zijst, Jan-Willem van, 279, 528 Lanooy, Chris J., 321 Ries, Christopher, 100, 511, 523, 854 Zimmer, Klaus, 1052 Lapointe, Michele, 964 Ritter, Richard, 283 Zimmerman, Walter, 894 Leap, J. Kenneth, 902, 916, 1027 Rosol, Martin, 135 Zimmermann, Jorg, 712 Lechner, Florian, 405 Rozsypal, Ivo, 757 Zoritchak, Catherine, 761 Leperlier, Antoine, 159, 735 Ruffner, Ginny, 26, 59, 66, 172, 206, 414, 504, Zoritchak, Yan, 225, 419, 526, 640, 737, 830 Leperlier, Etienne, 159, 735 568, 616 Zuber, Czeslaw, 243, 336, 527, 666, 828 Levenson, Silvia, 619, 731 Rybak, Jaromir, 53, 430, 527 Zynsky, Toots, 509, 644 Levin, Robert, 64, 559 Sabokova, Gizela, 679, 726 Libensky, Stanislav/Brychtova, Jaroslava, 68, Samphire, Lisa, 290, 630, 727