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The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
The Electric Telegraph
To Mark, Karen and Paul CONTENTS page ORIGINS AND DEVELOPMENTS TO 1837 13 Early experiments—Francis Ronalds—Cooke and Wheatstone—successful experiment on the London & Birmingham Railway 2 `THE CORDS THAT HUNG TAWELL' 29 Use on the Great Western and Blackwall railways—the Tawell murder—incorporation of the Electric Tele- graph Company—end of the pioneering stage 3 DEVELOPMENT UNDER THE COMPANIES 46 Early difficulties—rivalry between the Electric and the Magnetic—the telegraph in London—the overhouse system—private telegraphs and the press 4 AN ANALYSIS OF THE TELEGRAPH INDUSTRY TO 1868 73 The inland network—sources of capital—the railway interest—analysis of shareholdings—instruments- working expenses—employment of women—risks of submarine telegraphy—investment rating 5 ACHIEVEMENT IN SUBMARINE TELEGRAPHY I o The first cross-Channel links—the Atlantic cable— links with India—submarine cable maintenance com- panies 6 THE CASE FOR PUBLIC ENTERPRISE 119 Background to the nationalisation debate—public attitudes—the Edinburgh Chamber of Commerce— Frank Ives. Scudamore reports—comparison with continental telegraph systems 7 NATIONALISATION 1868 138 Background to the Telegraph Bill 1868—tactics of the 7 8 CONTENTS Page companies—attitudes of the press—the political situa- tion—the Select Committee of 1868—agreement with the companies 8 THE TELEGRAPH ACTS 154 Terms granted to the telegraph and railway companies under the 1868 Act—implications of the 1869 telegraph monopoly 9 THE POST OFFICE TELEGRAPH 176 The period 87o-1914—reorganisation of the -
Kew Observatory and the Evolution of Victorian Science, 1840–1910
introduction Kew Observatory, Victorian Science, and the “Observatory Sciences” One more recent instance of the operations of this Society in this respect I may mention, in addition to those I have slightly enumerated. I mean the important accession to the means of this Society of a fixed position, a place for deposit, regula- tion, and comparison of instruments, and for many more purposes than I could name, perhaps even more than are yet contemplated, in the Observatory at Kew. Address by Lord Francis Egerton to British Association for the Advancement of Science, June 1842 When in 1842 Lord Egerton, president of the British Association for the Advancement of Science (BAAS), announced the association’s acquisition of Kew Observatory (figure I.1), he heralded the inaugura- tion of what would become one of the major institutions of nineteenth- century British—indeed international—science. Originally built as a pri- vate observatory for King George III and long in a moribund state, after 1842 the Kew building would, as Egerton predicted, become a multi- functional observatory, put to more purposes than were even imagined in 1842. It became distinguished in several sciences: geomagnetism, me- teorology, solar astronomy, and standardization—the latter term being used in this book to refer to testing scientific instruments and develop- ing prototypes of instruments to be used elsewhere, as well as establish- ing and refining constants and standards of measurement. Many of the major figures in the physical sciences of the nineteenth century were in some way involved with Kew Observatory. For the first twenty months of the twentieth century, Kew was the site of the National Physical Labora- 3 © 2018 University of Pittsburgh Press. -
Download Booklet
HarmoniousThe EchoSONGS BY SIR ARTHUR SULLIVAN MARY BEVAN • KITTY WHATELY soprano mezzo-soprano BEN JOHNSON • ASHLEY RICHES tenor bass-baritone DAVID OWEN NORRIS piano Sir Arthur Sullivan, Ottawa, 1880 Ottawa, Sullivan, Arthur Sir Photograph by Topley, Ottawa, Canada /Courtesy of David B. Lovell Collection Sir Arthur Sullivan (1842 – 1900) Songs COMPACT DISC ONE 1 King Henry’s Song (1877)* 2:23 (‘Youth will needs have dalliance’) with Chorus ad libitum from incidental music to Henry VIII (1613) by William Shakespeare (1564 – 1616) and John Fletcher (1579 – 1625) Andante moderato Recording sponsored by Martin Yates 3 2 The Lady of the Lake (1864)† 3:25 from Kenilworth, ‘A Masque of the Days of Queen Elizabeth’, Op. 4 (or The Masque at Kenilworth) (1864) Libretto by Henry Fothergill Chorley (1808 – 1872) Allegro grazioso 3 I heard the nightingale (1863)‡ 2:59 Dedicated to his Friend Captain C.J. Ottley Allegretto moderato 4 Over the roof (1864)† 3:04 from the opera The Sapphire Necklace, or the False Heiress Libretto by Henry Fothergill Chorley Allegretto moderato Recording sponsored by Michael Symes 4 5 Will He Come? (1865)§ 4:05 Dedicated to The Lady Katherine Coke Composed expressly for Madame Sainton Dolby Moderato e tranquillo – Quasi Recitativo – Tranquillo un poco più lento Recording sponsored by Michael Tomlinson 6 Give (1867)† 4:56 Composed and affectionately dedicated to Mrs Helmore Allegretto – Un poco più lento – Lento Recording sponsored by John Thrower in memory of Simon and Brenda Walton 7 Thou art weary (1874)§ 5:00 Allegro vivace e agitato – Più lento – Allegro. Tempo I – Più lento – Allegro. -
Sir Francis Ronalds
SIR FRANCIS RONALDS Sir Francis Ronalds was a well-known nineteenth-century scientist who came to live at Battle; he died there and is buried in the cemetery. He was the brother in law of Samuel Carter, who built Telham Court, (see Houses and families) and like him a Unitarian. Ronalds's family was based in Brentford, Middlesex, with its first known male moving there from Moidart in Invernessshire by 1754 and living as a nurseryman. He was the grandfather of Sir Francis, who was born on 21 February 1788. The records show Francis's father as a London merchant, which is a term needing much elaboration to determine his social position. Another report states that he was a cheesemonger. Francis was born in Middlesex on 21 February 1788. It is probably not now well-known just how revolutionary the electric telegraph was. It allowed people to communicate almost instantly across any distance and in all weathers, in codes easily translatable into written languages. Before then the only such method was by semaphore signalling, a laborious, line-of-sight system relying on each signaller being able clearly to see the next one in line; this was the process by which urgent messages were sent between London and Portsmouth, for example, during the Napoleonic wars. It was, however, preferable to the earlier use of simple beacons, which would indicate only that there was some form of emergency. The heliograph, which made use of sunlight signals from mirrors, appeared only in the 1820s. The telegraph was the marvel of the age. In 1845, for example, a suspected murderer caught the train at Slough but was noticed; by the time that he arrived at Paddington the police were waiting for him. -
SIS Bulletin Index Issues 1 to 80
Scientific Instrument Society Bulletin of the Scientific Instrument Society Index No 1 to No 80 Scientific Instrument Society Bulletin of the Scientific Instrument Society Index No 1 to No 80 Contents Introduction Index of Topics 3 Index of Articles 37 Index of Book Reviews 51 The Scientific Instrument Society 61 Documents Associated with the Index 61 Introduction Development of the Index of the Bulletin of the Scientific Instrument Society The first 40 issues of the Bulletin were indexed successively, ten issues at a time. With the advent of No 50 it was decided to amalgamate the earlier work and create a single index for all 50 issues. The work involved was a vast undertaking requiring the use of optical character recognition and other computer techniques on the earlier work, and a good deal of careful proof reading. The final product was handsomely produced in A4 size uniform with the Bulletin, running to 64 index pages. Having reached 80 issues, a similar combining exercise has been done, but with fewer categories within the Index. However, whilst the main index of individual topics remains as comprehensive as previously it is presented in a smaller typeface and makes use of more columns. At the time of printing, consideration is being given to the use of this new Index as a facility on the Society's website and also in connection with CDROMs of the Bulletin. Notes for using the 3 sections of the Bulletin Index, Issue No 1 to Issue No 80 Index of Topics Topics are arranged alphabetically by subject. References are shown as 'Issue No : Page No' eg 2:15 or 45:7-11 Index of Articles Authors of articles are listed alphabetically with the titles of their articles following in issue order. -
Prof. Charles WHEATSTONE and HIS TELEGRAPHS PART I HISTORY
1 Prof. Charles WHEATSTONE AND HIS TELEGRAPHS ©Fons Vanden Berghen PREFACE. In the past I have written articles about the companies of Louis BREGUET and Werner SIEMENS, their activities in the field of telegraphy and their instruments. So it is high time that I now devote one to Charles WHEATSTONE…. Let it be clear from the beginning: I did not do any research about the life and work of Prof. Ch. Wheatstone. First, I am not in the position to do that, and second, some talented people have already done this thoroughly and with success. That has resulted in splendid books and there are several of them in my library. See the bibliography at the end of this article. SUMMARY [2]. Wheatstone began his life-long involvement with electrical engineering in the days when it was still at the stage of “philosophical toys”. Yet, after having done tests in order to measure the speed of electricity in cables, he had a vision of telecommunications that could deliver printed messages around the world. Working with William F. Cooke he developed the first practical electric telegraph; he also made contributions in the fields of optics and acoustics as well as electrical engineering. He had an encyclopaedic knowledge of the scientific literature in several languages, and made connections which benefited not only his own work but also that of others. His research aided the development of the new King’s College in London into a centre of scientific excellence. Amongst his many inventions were the concertina and the stereoscope, both very popular in the nineteenth century. -
On Development of Information Communications in Human Society
Interdisciplinary Description of Complex Systems 17(3-B), 520-545, 2019 ON DEVELOPMENT OF INFORMATION COMMUNICATIONS IN HUMAN SOCIETY Bangwei Zhang* Hunan University, College of Physics Changsha, People’s Republic of China DOI: 10.7906/indecs.17.3.13 Received: 21 May 2019. Regular article Accepted: 27 September 2019. ABSTRACT Information is very important. Information is also very complicated, making that people have no common understanding and conclusion for the nature of it up today. There are too many papers and some books to describe information; however it is rather difficult to find the description and analysing for the whole history of information from the advent of human beings to the present day. Two parts of information in prehistoric period and the time interred divinization are described. Every part is separated according to several succeeded stages for description. It is near impossible to describe in detail such entire historical facts of information in human society in a paper, so the description and discussion is focused on their comprehensiveness and integrity. By knowing and analysing all these solid historical facts of information, some relative issues e.g. “did information age really exist in the development of material civilization in human society” can be recognized easily. KEY WORDS information, history of information, information communication, matter, substance civilization, six-stage theory CLASSIFICATION JEL: B10, D83 *Corresponding author, : [email protected]; +0731 88822715; *College of Physics, Hunan University, Changsha 410 082, People’s Republic of China * On development of information communications in human society INTRODUCTION Near everybody knows the importance of information because nobody can leave the information and it communications. -
ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
ROBYNCATHCART: M.A. CANDIDATEIN MUSICOLOGY THEUNIVERSITY OF VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia IZ- Supervisor: Dr. Gordana Lazarevich December 12,2003 University of Victoria PO Box 1700 STN CSC Victoria, BC V8W 2Y2 Canada Supervisor: Dr. Gordana Lazarevich A~STRACT Manuel Garcia 11 (1805-1906) is perhaps the greatest teacher of voice in history, and his approach, stated in A Complete Treatise on the Art of Singing, Parts One (1841) and Two (1847), became one of the principal methods of vocal instruction during his time. By tracing Garcia 11's methodology, based on the Italian Schools of Singing and be1 canto opera, it will become clear that his type of voice building holds many of the keys needed to unlock the voices of singers today. Analysis of Garcia II's vocal treatises, combined with first hand research conducted with faculty throughout three prominent Canadian university voice programs, will further substantiate the claim that Garcia 11 is a pivotal figure within the landscape of vocal pedagogy, also putting to rest several misconceptions (i.e. vocal onset and the coup de la glotte, and vocal registers) concerning his teachings. Respected internationally for his contributions to the worlds of classical voice and opera, performance practice, voice science, and pedagogy during his lifetime, Garcia II's theories on vocal production remain intact in current vocal pedagogy, despite shifts in the paradigms of musical, cultural, social and vocal aesthetics. List of Figures ............................................................................ 11 ... List of Appendices ...................................................................... 111 Acknowledgements ..................................................................... iv Preface ......................................................................................... v Chapter 1: Planting the Seeds of the Garcia 11 School ................. 1 (a) The Italian Schools ...................................... -
American Joyce: Representations of the United States in Dubliners, a Portrait of the Artist As a Young Man, Ulysses, and Finnegans Wake Briana N
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2014-08-08 American Joyce: Representations of the United States in Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake Briana N. Casali University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Casali, Briana N., "American Joyce: Representations of the United States in Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake" (2014). Open Access Dissertations. 1292. https://scholarlyrepository.miami.edu/oa_dissertations/1292 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI AMERICAN JOYCE: REPRESENTATIONS OF THE UNITED STATES IN DUBLINERS, A PORTRAIT OF THE ARTIST AS A YOUNG MAN, ULYSSES, AND FINNEGANS WAKE By Briana Casali A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida August 2014 ©2014 Briana Casali All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy AMERICAN JOYCE: REPRESENTATIONS OF THE UNITED STATES IN DUBLINERS, A PORTRAIT OF THE ARTIST AS A YOUNG MAN, ULYSSES, AND FINNEGANS WAKE Briana Casali Approved: ________________ _________________ Patrick A. McCarthy, Ph.D. Joel Nickels, Ph.D. Professor of English Associate Professor of English ________________ _________________ Ranen Omer-Sherman, Ph.D. -
From Semaphore to Satellite
This electronic version (PDF) was scanned by the International Telecommunication Union (ITU) Library & Archives Service from an original paper document in the ITU Library & Archives collections. La présente version électronique (PDF) a été numérisée par le Service de la bibliothèque et des archives de l'Union internationale des télécommunications (UIT) à partir d'un document papier original des collections de ce service. Esta versión electrónica (PDF) ha sido escaneada por el Servicio de Biblioteca y Archivos de la Unión Internacional de Telecomunicaciones (UIT) a partir de un documento impreso original de las colecciones del Servicio de Biblioteca y Archivos de la UIT. (ITU) ﻟﻼﺗﺼﺎﻻﺕ ﺍﻟﺪﻭﻟﻲ ﺍﻻﺗﺤﺎﺩ ﻓﻲ ﻭﺍﻟﻤﺤﻔﻮﻇﺎﺕ ﺍﻟﻤﻜﺘﺒﺔ ﻗﺴﻢ ﺃﺟﺮﺍﻩ ﺍﻟﻀﻮﺋﻲ ﺑﺎﻟﻤﺴﺢ ﺗﺼﻮﻳﺮ ﻧﺘﺎﺝ (PDF) ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ ﺍﻟﻨﺴﺨﺔ ﻫﺬﻩ .ﻭﺍﻟﻤﺤﻔﻮﻇﺎﺕ ﺍﻟﻤﻜﺘﺒﺔ ﻗﺴﻢ ﻓﻲ ﺍﻟﻤﺘﻮﻓﺮﺓ ﺍﻟﻮﺛﺎﺋﻖ ﺿﻤﻦ ﺃﺻﻠﻴﺔ ﻭﺭﻗﻴﺔ ﻭﺛﻴﻘﺔ ﻣﻦ ﻧ ﻘ ﻼً 此电子版(PDF版本)由国际电信联盟(ITU)图书馆和档案室利用存于该处的纸质文件扫描提供。 Настоящий электронный вариант (PDF) был подготовлен в библиотечно-архивной службе Международного союза электросвязи путем сканирования исходного документа в бумажной форме из библиотечно-архивной службы МСЭ. From Semaphore to Satellite 1865-1965 Published by the International Telecommunication Union Geneva 1965 on the Occasion of its Centenary From Semaphore to Satellite From Semaphore to Satellite This Volume is published on the Occasion of the Centenary of the International Telecommunication Union Published by the International Telecommunication Union Geneva 1965 From Semaphore to Satellite Introduction Part I — The Telegraph Part II - -
The Musical World (1866-1891) Copyright © 2006 RIPM Consortium Ltd Répertoire International De La Presse Musicale ( the Musical World (1866-1891)
Introduction to: Richard Kitson, The Musical World (1866-1891) Copyright © 2006 RIPM Consortium Ltd Répertoire international de la presse musicale (www.ripm.org) The Musical World (1866-1891) The only comparable British journal in the great tradition of La Revue et Gazette musicale (1835-80), the Neue Zeitschrift für Musik (1834-1909), and the Gazzetta musicale di Milano (1842-1902), and the preeminent nineteenth-century British music journal, The Musical World [MWO] was published weekly in London on Saturdays from 18 March 1836 to 24 January 1891.1 This RIPM publication deals with the journal from 6 January 1866 (Vol. 44, no. 1) to its final issue published on 24 January 1891 (Vol. 71, no. 4),2 namely, twenty-six volumes comprising 1,361 issues.3 Almost all volumes consist of fifty-two issues, the exceptions, 1870, 1875, 1876, 1881 and 1887 have fifty-three, owing to the number of Saturdays in those years. One volume number is assigned to each year with the exception of 1888, for which there are three volume numbers.4 The issues of this year, however, are numbered consecutively from one to fifty-two. From 1866 to 1886 most issues contain sixteen pages. In 1886 occasional increases of four or eight pages are created by the expansion of the advertising sections at the beginning and the end of each issue, and, in 1887, the addition of a weekly supplement “The Organ World.” Throughout, a two-column format is employed. The page numbers assigned to each year are in numerical order beginning with page one through the last page of the given year.