On Distinctions Between Classical and Modern Rhetoric
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Augustine and the Art of Ruling in the Carolingian Imperial Period
Augustine and the Art of Ruling in the Carolingian Imperial Period This volume is an investigation of how Augustine was received in the Carolingian period, and the elements of his thought which had an impact on Carolingian ideas of ‘state’, rulership and ethics. It focuses on Alcuin of York and Hincmar of Rheims, authors and political advisers to Charlemagne and to Charles the Bald, respectively. It examines how they used Augustinian political thought and ethics, as manifested in the De civitate Dei, to give more weight to their advice. A comparative approach sheds light on the differences between Charlemagne’s reign and that of his grandson. It scrutinizes Alcuin’s and Hincmar’s discussions of empire, rulership and the moral conduct of political agents during which both drew on the De civitate Dei, although each came away with a different understanding. By means of a philological–historical approach, the book offers a deeper reading and treats the Latin texts as political discourses defined by content and language. Sophia Moesch is currently an SNSF-funded postdoctoral fellow at the University of Oxford, working on a project entitled ‘Developing Principles of Good Govern- ance: Latin and Greek Political Advice during the Carolingian and Macedonian Reforms’. She completed her PhD in History at King’s College London. Augustine and the Art of Ruling in the Carolingian Imperial Period Political Discourse in Alcuin of York and Hincmar of Rheims Sophia Moesch First published 2020 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business Published with the support of the Swiss National Science Foundation. -
Understanding Gilgamesh: His World and His Story Aims Toward This Process of Communication
University of Pretoria etd – De Villiers, G (2005) UNDERSTANDING GILGAMESH: HIS WORLD AND HIS STORY by GEZINA GERTRUIDA DE VILLIERS submitted in partial fulfilment of the requirements for the degree DOCTOR LITTERARUM (SEMITIC LANGUAGES) in the FACULTY OF HUMANITIES at the University of Pretoria SUPERVISOR : PROF GTM PRINSLOO Pretoria October 2004 University of Pretoria etd – De Villiers, G (2005) CONTENTS Pag CHAPTER 1 : INTRODUCTION 1-1 1. Motivation for research 1-2 2. Research problem 1-4 3. Hypothesis 1-5 4. Purpose for research 1-5 5. Methodology 1-6 5.1. Source-orientated inquiry 1-6 5.2. Discourse-orientated analysis 1-7 5.2.1. Epic: poetry or prose? 1-7 6. Premises 1-9 7. Contents 1-12 CHAPTER 2 : THE STANDARD BABYLONIAN GILGAMESH EPIC 2-14 1. The narrative 2-15 CHAPTER 3 : THE SOURCE HISTORY OF THE EPIC OF GILGAMESH 3-38 1. The Sumerian past 3-38 1.1. General background 3-38 1.2. Cities 3-40 1.3. Animals 3-45 1.4. Kings 3-46 1.5. Theology 3-49 2. Sumerian literature: the five poems on Bilgames 3-56 2.1. Obscure origins: did the king really exist? 3-56 2.2. The poems 3-58 2.3. The function of the Sumerian poems 3-71 3. From frivolous frolic to academic achievement: entertainment to literature 3-72 University of Pretoria etd – De Villiers, G (2005) 3.1. Writing 3-72 3.2. From Sumerian to Akkadian 3-74 3.3. The Sumerian Renaissance 3-76 3.4. The end of Ur III and the Isin-Larsa period 3-79 3.5 Babylon 3-81 3.5.1. -
Natural Law and Modern Jurisprudence Joseph V
Document généré le 1 oct. 2021 06:45 Laval théologique et philosophique Natural Law and Modern Jurisprudence Joseph V. Dolan Volume 15, numéro 1, 1959 URI : https://id.erudit.org/iderudit/1019972ar DOI : https://doi.org/10.7202/1019972ar Aller au sommaire du numéro Éditeur(s) Laval théologique et philosophique, Université Laval ISSN 0023-9054 (imprimé) 1703-8804 (numérique) Découvrir la revue Citer cet article Dolan, J. V. (1959). Natural Law and Modern Jurisprudence. Laval théologique et philosophique, 15(1), 32–63. https://doi.org/10.7202/1019972ar Tous droits réservés © Laval théologique et philosophique, Université Laval, Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des 1959 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Natural Law and Modern Jurisprudence I. LAW AND THE FORMATION OF THE CITIZEN 1. The influence of the community It is almost with surprise that we remark in theEthics, where Aristotle is preparing his transition to thePolitics, the important and even critical role he assigns to law in the formation of virtue.1 It is our habit to think of law as occupied with ends more immediate and pedestrian like monitoring traffic, taxing our cigarettes, and suppressing violence. -
A Study of Musical Rhetoric in JS Bach's Organ Fugues
A Study of Musical Rhetoric in J. S. Bach’s Organ Fugues BWV 546, 552.2, 577, and 582 A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Division of the College-Conservatory of Music March 2015 by Wei-Chun Liao BFA, National Taiwan Normal University, 1999 MA, Teachers College, Columbia University, 2002 MEd, Teachers College, Columbia University, 2003 Committee Chair: Roberta Gary, DMA Abstract This study explores the musical-rhetorical tradition in German Baroque music and its connection with Johann Sebastian Bach’s fugal writing. Fugal theory according to musica poetica sources includes both contrapuntal devices and structural principles. Johann Mattheson’s dispositio model for organizing instrumental music provides an approach to comprehending the process of Baroque composition. His view on the construction of a subject also offers a way to observe a subject’s transformation in the fugal process. While fugal writing was considered the essential compositional technique for developing musical ideas in the Baroque era, a successful musical-rhetorical dispositio can shape the fugue from a simple subject into a convincing and coherent work. The analyses of the four selected fugues in this study, BWV 546, 552.2, 577, and 582, will provide a reading of the musical-rhetorical dispositio for an understanding of Bach’s fugal writing. ii Copyright © 2015 by Wei-Chun Liao All rights reserved iii Acknowledgements The completion of this document would not have been possible without the help and support of many people. -
The Structure of the Virtues a Study of Thomas Aquinas’S and Godfrey of Fontaines’S Accounts of Moral Goodness
Alexander Stöpfgeshoff The Structure of the Virtues A Study of Thomas Aquinas’s and Godfrey of Fontaines’s Accounts of Moral Goodness Dissertation presented at Uppsala University to be publicly examined in Sal VIII, Universitetshuset, Biskopsgatan 3, 753 10, Uppsala, Monday, 10 September 2018 at 14:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Professor Bonnie Kent (The Department of Philosophy, UC Irvine). Abstract Stöpfgeshoff, A. 2018. The Structure of the Virtues. A Study of Thomas Aquinas’s and Godfrey of Fontaines's Accounts of Moral Goodness. 173 pp. Uppsala: Department of Philosophy, Uppsala University. ISBN 978-91-506-2713-8. This dissertation is a study of Thomas Aquinas’s (1225–1274) and Godfrey of Fontaines’s (d. 1306) moral philosophies. In this study, I conduct a detailed analysis of two Aristotelian commitments concerning the character virtues, namely, The Plurality of the Character Virtues and The Connection of the Character Virtues. Both Aquinas and Godfrey think that there are many distinct character virtues (such as moderation and justice), however, one cannot (perfectly) possess these character virtues in separation from each other. In Chapter I, it is established that Aquinas believes in the plurality of the character virtues not because of a specific account of the human soul, but because he is committed to a plurality in what he calls “the notion of goodness.” In Chapter II, it is argued that Aquinas’s account of virtuous action requires that there be a likeness between a person and their actions in terms of the notion of goodness explored in Chapter I. -
AUGUSTINE on SUFFERING and ORDER: PUNISHMENT in CONTEXT by SAMANTHA ELIZABETH THOMPSON a Thesis Submitted in Conformity With
AUGUSTINE ON SUFFERING AND ORDER: PUNISHMENT IN CONTEXT BY SAMANTHA ELIZABETH THOMPSON A Thesis Submitted in Conformity with the Requirements for the Degree of Doctor of Philosophy Department of Philosophy University of Toronto © Samantha Elizabeth Thompson 2010 Augustine on Suffering and Order: Punishment in Context Samantha Elizabeth Thompson Doctor of Philosophy Department of Philosophy University of Toronto 2010 Abstract Augustine of Hippo argues that all suffering is the result of the punishment of sin. Misinterpretations of his meaning are common since isolated statements taken from his works do give misleading and contradictory impressions. This dissertation assembles a comprehensive account of Augustine’s understanding of the causes of suffering to show that these views are substantive and internally consistent. The argument of the dissertation proceeds by confronting and resolving the apparent problems with Augustine’s views on sin and punishment from within the broader framework of his anthropology and metaphysics. The chief difficulty is that Augustine gives two apparently irreconcilable accounts of suffering as punishment. In the first, suffering is viewed as self-inflicted because sin is inherently self-damaging. In the second, God inflicts suffering in response to sin. This dissertation argues that these views are united by Augustine’s concern with the theme of ‘order.’ The first account, it argues, is actually an expression of Augustine’s doctrine that evil is the privation of good; since good is for Augustine synonymous with order, we can then see why he views all affliction as the concrete experience of disorder brought about by sin. This context in turn allows us to see that, by invoking the ii notion of divinely inflicted punishment in both its retributive and remedial forms, Augustine wants to show that disorder itself is embraced by order, either because disorder itself must obey laws, or because what is disordered can be reordered. -
Literature and Ethics
Literature and Ethics LIVERPOOL HOPE UNIVERSITY STUDIES IN ETHICS SERIES SERIES EDITOR : DR. DAVID TOREVELL SERIES DEPUTY EDITOR : DR. JACQUI MILLER VOLUME ONE : ENGAGING RELIGIOUS EDUCATION Editors: Joy Schmack, Matthew Thompson and David Torevell with Camilla Cole VOLUME TWO : RESERVOIRS OF HOPE : SUSTAINING SPIRITUALITY IN SCHOOL LEADERS Author: Alan Flintham VOLUME THREE : LITERATURE AND ETHICS : FROM THE GREEN KNIGHT TO THE DARK KNIGHT Editors: Steve Brie and William T. Rossiter Literature and Ethics: From the Green Knight to the Dark Knight Edited by Steve Brie and William T. Rossiter Literature and Ethics: From the Green Knight to the Dark Knight, Edited by Steve Brie and William T. Rossiter This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Steve Brie and William T. Rossiter and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2288-4, ISBN (13): 978-1-4438-2288-6 In memory of Katie Elizabeth Edge What was it about her that without her The world grew dull? (Brian Patten, “Her Ghost”) CONTENTS Introduction: “Distinct but Separate?”.........................................................1 “Substituting Earth for God?”: Ethics and the Recognition of Specific Place in Sir Gawain and the Green Knight and The Secret Garden......... -
Nietzsche's Dialogic Ethic After Illusion: Rhetoric and Difference John Prellwitz
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2006 Nietzsche's Dialogic Ethic After Illusion: Rhetoric and Difference John Prellwitz Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Prellwitz, J. (2006). Nietzsche's Dialogic Ethic After Illusion: Rhetoric and Difference (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1062 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. Nietzsche’s Dialogic Ethic After Illusion: Rhetoric and Difference A Dissertation Presented to the Faculty of the Department of Communication & Rhetorical Studies McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy by John H. Prellwitz November 20, 2006 Chair: Ronald C. Arnett, Ph.D. Reader: Richard H. Thames, Ph.D. Reader: Kathleen Glenister Roberts, Ph.D. Copyright ii Preface Acknowledgements The thanks I mention here merely begin to describe the debts I owe to those who helped to enable my completion of the Ph.D. Program in Rhetoric at Duquesne University: I wish to thank Cindy Burke and Jane Gardner for all their kindness, understanding and support. Duquesne University for the funding of my graduate assistantship that allowed me to complete my studies at a University campus, graduate college, and in a department committed to education for the mind, heart, and spirit. To my many colleagues whose conversations and questions sparked illumination and offered guidance in innumerable ways, thank you. -
Similarities and Differences Between the Old Testament and the Ancient Near Eastern Texts
Andrews University Seminary Studies, Vol. 49, No. 1, 5-32. Copyright © 2011 Andrews University Press. SIMILARITIES AND DIFFERENCES BETWEEN THE OLD TESTAMENT AND THE ANCIENT NEAR EASTERN TEXTS ROBE R TO OU R O Adventist School of Theology Sagunto, Valencia, Spain Introduction In 1902, the noted Assyriologist Friedrich Delitzsch presented a series of lectures on comparative studies under the auspices of the German Oriental Society. Delitzsch’s lectures, entitled “Babel und Bibel,” claimed that the literature of the Bible was dependent on, and even borrowed from, the literature of Mesopotamia. He questioned the appropriateness of the traditional theological terminology used to describe the Bible (e.g., revelation, inspiration) in light of its now evident dependency.1 Delitzsch’s work spawned a movement called “Pan-Babylonianism,” which argued that all world myths and Christian Scriptures (OT and NT) were simply versions of Babylonian mythology.2 As the series developed, however, it became clear that the lecturer’s motives were not entirely pure. His interest was to minimize the values of OT teaching so that it could be contrasted with that of the NT.3 The widespread interest in finding connections between the Bible and other ANE cultures has bred its own reaction in the warning raised by several scholars against exaggerating the importance of such similarities, a practice baptized with the name “parallelomania.”4 Of particular concern has been the often tacit assumption that such parallels can be construed as evidence for a genetic connection between the cultures that share them. Despite such warnings, the pendulum of biblical studies has continued to swing back and forth with remarkable regularity over the generations, as initial archeological discoveries have led to enthusiastic claims of similarities with various biblical practices and the implied, if not always stated, conclusion that these constitute the source for the biblical practice in question. -
Andrew George, What's New in the Gilgamesh Epic?
What’s new in the Gilgamesh Epic? ANDREW GEORGE School of Oriental and African Studies University of London Summary. The Babylonian Gilgamesh Epic exists in several different versions. There were at least two versions current during the Old Babylonian period, and no doubt a similar situation obtained later in the second millennium BC, when versions of the epic were copied out in Anatolia, Syria and Palestine, as well as in Mesopotamia proper. But the best-known version is the one called “He who saw the Deep”, which was current in the first-millennium libraries of Assyria and Babylonia. Because this text was so much copied out in antiquity we keep finding more of it, both in museums and in archaeological excavation. This means that editions and translations of the epic must regularly be brought up to date. Some of the more important new passages that are previously unpublished are presented here in translation. WHAT THERE IS It was a great pleasure to be able to share with the Society at the symposium of 20 September 1997 some of the results of my work on the epic of Gilgamesh. My paper of this title was given without a script and was essentially a commentary on the slides that accompanied it. The written paper offered here on the same subject tells the story from the standpoint of one year later. Being the written counterpart of an oral presentation, I hope it may be recognized at least as a distant cousin of the talk given in Toronto. I should say at the outset that my work has been concerned primarily with the textual material in the Akkadian language, that is to say, with the Babylonian poems. -
What Is “Classical” About Classical Antiquity? Eight Propositions
What Is “Classical” about Classical Antiquity? Eight Propositions JAMES I. PORTER 1. “classical antiquity” is not consistently classical In 1930 classical studies experienced an insurrection. Werner Jaeger, in apostasy from his teacher Wilamowitz, convened a conference in Naumburg called “The Problem of the Classical” (Das Problem des Klassischen). The apostasy was open and calculated. Thirty years earlier Wilamowitz had boasted that he helped put paid to the word classical, which he found meaningless, and in his Geschichte der Philologie from 1921 he notoriously (and audibly) omitted the time- honored epithet of his discipline.1 (In English the title ought to read, History of [ ] Philology. The published English and Italian translations spoil the title’s symbolism by reinserting the missing word Classical.) Das Klassische was a problem indeed, and Jaeger’s conference aimed at making classics a classical discipline again, one firmly rooted in classical and humanistic values true for all time, as against its being a compilation of dry historical data. We have a good idea of what the conference was about because Jaeger published its proceedings a year later.2 But what went on behind the scenes? Luckily, in the days before tape recorders there was Alfred Körte, who offers an in- valuable first-hand account of what he saw and heard: “A number of speakers in the discussion at Naumburg sharply disputed the claim that Aeschylus was a classical author of the first rank (ein Klassiker). As the discussion went on, it turned out that actually none of the first-class luminaries of world literature had any rightful claim to the label classical, or at most they had only a qualified claim to it—neither Homer nor Aeschylus nor Shakespeare nor even the young Goethe. -
Origins of Public Speaking Chapter 2
www.publicspeakingproject.org origins of public speaking chapter 2 By: Peter A. DeCaro, Ph.D. University of Alaska, Fairbanks, AK introduction chapter outline: The art of public speaking was practiced chapter objectives: • Introduction long before the Greeks wrote about it in After reading this chapter, you should be • Ancient Greece their treatises more than 2,500 years able to: o The Rise of Democracy ago. For Greek men, it was a way of o The Nature of Rhetoric life, a way of being, just like football 1. Identify the historical events that o Dialectics and Logic and baseball are to us today. We led up to democracy and the o The Rhetorical Approach attribute today’s field of communication recognition of persuasion and • The Roman Republic’s Adoption to the ancient Greeks because they were public speaking as art forms in of Rhetoric the first to systematize the art of public Athens, Greece. o Cicero’s Influence Quintillion’s Influence speaking, which they called “rhetoric.” 2. Describe the nature of public o speaking in Athens during the 5th • The Middle Ages The art, or use of public speaking, is century B.C. and the role it o St. Augustine quite different today than when it was played in a democratic society. o Christianity practiced by the Greeks, and then the 3. Apply Plato’s approach to • The Renaissance Romans. Theirs was a time that didn’t dialectics and logic. o The Humanists The Rationalists have multimedia - television, radio, 4. Explain Aristotle’s descriptions of o • The Modern Period internet, movies, newspapers, and the rhetoric and public speaking.