The Reluctant Famulus 103 January/February 2015 Thomas D
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Newsletter 59
SQUIRE: BRIAN TASKER 6 ROOPERS, SPELDHURST, TUNBRIDGE WELLS, KENT, TN3 0QL TEL: 01892 862301 E-mail: [email protected] BAGMAN: CHARLIE CORCORAN 70, GREENGATE LANE, BIRSTALL, LEICESTER, LEICS LE4 3DL TEL: 01162 675654 E-mail: [email protected] [email protected] TREASURER: STEVE ADAMSON BFB 12, FLOCKTON ROAD, EAST BOWLING, BRADFORD, WEST YORKSHIRE BD4 7RH TEL: 01274 773830 E-mail: [email protected] [email protected] The Newsletter No.59 December 2008 The highlights of this Newsletter are: Page Massed Dances and their music 2 Annual Representatives’ Meeting 3 Information about Chris Harris’ “Kemps Jig” 4 ARM Agenda (and advance request for Reports) 6 Joint Morris Organisations: Nottingham Revels 28th March 2009 8 EFDSS News 8 Francis Shergold (1919-2008) A Tribute by Paul Reece 10 Cultural Olympiad 11 2009 Meetings of Morris Ring 11 Treasurer’s ramblings 11 Who’s going to which meeting? 12 Saddleworth Rushcart 2009 12 Jigs Instructional 2009 13 2009 Rapper and Longsword Tournaments 13 Redcar Sword Dancers triumphant again 14 Morris in the Media – Marks for trying? 14 Future Dates 16 Application Forms: Jigs Instructional 19 Morris Ring Meetings 20 Morris Ring Newsletter No 59 December 2008 Page 1 of 20 THE MORRIS RING IS THE NATONAL ASSOCIATION OF MEN’S MORRIS & SWORD DANCE CLUBS Music for Massed Dancing. Following the article in Newsletter No. 58 Harry Winstone, of Kemp's Men, contacted Brian Tasker, Squire of the Morris Ring, and suggested that we need to provide some indication of the tunes to be used. His comment was “50 musicians all playing their own versions. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
14302 76969 1 1>
11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
Topic Records 80Th Anniversary Start Time: 8Pm Running Time: 2 Hours 40 Minutes with Interval
Topic Records 80th Anniversary Start time: 8pm Running time: 2 hours 40 minutes with interval Please note all timings are approximate and subject to change Martin Aston discusses the history behind the world’s oldest independent label ahead of this collaborative performance. When Topic Records made its debut in 1939 with Paddy Ryan’s ‘The Man That Waters The Workers’ Beer’, an accordion-backed diatribe against capitalist businessmen who underpay their employees, it’s unlikely that anyone involved was thinking of the future – certainly not to 2019, when the label celebrates its 80th birthday. In any case, the future would have seemed very precarious in 1939, given the outbreak of World War II, during which Topic ceased most activity (shellac was particularly hard to source). But post-1945, the label made good on its original brief: ‘To use popular music to educate and inform and improve the lot of the working man,’ explains David Suff, the current spearhead of the world’s oldest independent label – and the undisputed home of British folk music. Tonight at the Barbican (where Topic held their 60th birthday concerts), musical director Eliza Carthy – part of the Topic recording family since 1997, though her parents Norma Waterson and Martin Carthy have been members since the sixties and seventies respectively - has marshalled a line-up to reflect the passing decades, which hasn’t been without its problems. ‘We have far too much material, given it’s meant to be a two-hour show!’ she says. ‘It’s impossible to represent 80 years – you’re talking about the left-wing leg, the archival leg, the many different facets of society - not just communists but farmers and factory workers - and the folk scene in the Fifties, the Sixties, the Seventies.. -
Track Artist Album Format Ref # Titirangi Folk Music Club
Titirangi Folk Music Club - Library Tracks List Track Artist Album Format Ref # 12 Bar Blues Bron Ault-Connell Bron Ault-Connell CD B-CD00126 12 Gates Bruce Hall Sounds Of Titirangi 1982 - 1995 CD V-CD00031 The 12th Day of July Various Artists Loyalist Prisoners Aid - UDA Vinyl LP V-VB00090 1-800-799-7233 [Live] Saffire - the Uppity Blues Women Live & Uppity CD S-CD00074 1891 Bushwackers Faces in the Street Vinyl LP B-VN00057 1913 Massacre Ramblin' Jack Elliot The Essential Ramblin' Jack Elliot Vinyl LP R-VA00014 1913 Massacre Ramblin' Jack Elliot The Greatest Songs of Woodie Guthrie Vinyl LP X W-VA00018 The 23rd of June Danny Spooner & Gordon McIntyre Revived & Relieved! Vinyl LP D-VN00020 The 23rd Of June the Clancy Brothers & Tommy Makem Hearty And Hellish Vinyl LP C-VB00020 3 Morris Tunes - Wheatley Processional / Twenty-ninth of May George Deacon & Marion Ross Sweet William's Ghost Vinyl LP G-VB00033 3/4 and 6/8 Time Pete Seeger How to play the Old Time Banjo Vinyl LP P-VA00009 30 Years Ago Various Artists & Lindsey Baker Hamilton Acoustic Music Club CD H-CD00067 35 Below Lorina Harding Lucky Damn Woman CD L-CD00004 4th July James RAy James RAy - Live At TFMC - October 2003 CD - TFMC J-CN00197 500 Miles Peter Paul & Mary In Concert Vinyl LP X P-VA00145 500 Miles Peter Paul & Mary Best of Peter, Paul & Mary: Ten Years Together Vinyl LP P-VA00101 500 Miles The Kingston Trio Greatest Hits Vinyl LP K-VA00124 70 Miles Pete Seeger God Bless the Grass Vinyl LP S-VA00042 900 Miles Cisco Houston The Greatest Songs of Woodie Guthrie Vinyl LP -
The Importance of Civil Military Relations in Complex Conflicts: Success And
THE UNIVERSITY OF HULL The Importance of Civil Military Relations in Complex Conflicts: Success and Failure in the Border States, Civil War Kentucky and Missouri, 1860-62. Being a Thesis submitted for the Degree of PhD, Department of Politics and International Studies In the University of Hull By Carl William Piper, BA (Lancs),MA June, 2011 Contents Introduction, p.1 Literary Review, p.60 The Border States in the Secession Crisis, p115 Case Study 1: Missouri April to September, 1861, p.160 Case Study 2: Kentucky April to September, 1861, p.212 Case Study 3: Forts Henry and Donelson, p.263 Case Study 4: The Perryville Campaign June to November, 1862, p.319 Conclusion, p.377 Bibliography, p.418 Introduction Despite taking place in the mid-nineteenth century the U.S. Civil War still offers numerous crucial insights into modern armed conflicts. A current or future federation or new ‘nation’ may face fundamental political differences, even irreconcilable difficulties, which can only be settled by force. In future states will inevitably face both separatist issues and polarised argument over the political development of their nation. It is probable that a civil war may again occur where the world may watch and consider forms of intervention, including military force, but be unwilling to do so decisively. This type of Civil War therefore remains historically significant, offering lessons for approaching the problems of strategy in a politically complex environment. Equally it offers insights into civil-military relations in highly complex conflicts where loyalties are not always clear. Success and ultimate triumph in the U.S. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
The Watersons the Definitive Collection Mp3, Flac, Wma
The Watersons The Definitive Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Definitive Collection Country: UK Released: 2003 Style: Folk MP3 version RAR size: 1203 mb FLAC version RAR size: 1609 mb WMA version RAR size: 1410 mb Rating: 4.5 Votes: 881 Other Formats: AHX AUD MP4 AU MP1 MMF DTS Tracklist 1 God Bless The Master 3:05 2 Dido Bendigo 2:53 3 The Welcome Sailor 3:12 4 Emmanuel 2:48 5 Idumea 1:48 6 The Still And Silent Ocean 4:25 7 Fathom The Bowl 2:52 8 Fare Thee Well Cold Winter 2:32 9 The Holmfirth Anthem 1:58 10 Stormy Winds 3:10 11 Rosebuds In June 3:15 12 Bellman 3:55 13 Sleep On Beloved 3:03 14 Swansea Town 4:18 15 The Beggar Man 3:26 16 Amazing Grace 4:38 17 The Old Churchyard 3:23 18 Adieu Sweet Lovely Nancy 3:38 19 Malpas Wassail 4:11 Companies, etc. Phonographic Copyright (p) – Topic Records Ltd. Copyright (c) – Topic Records Ltd. Licensed From – Topic Records Ltd. Published By – Concorde International Management Consultants Ltd. Published By – Gwyneth Music Ltd. Published By – Topic Records Ltd. Published By – MCS Music Limited Published By – Free Reed Music Published By – April Music Ltd. Published By – Mole Music Ltd Credits Accompanied By – Gabriel's Horns (tracks: 4) Concertina [Anglo-concertina] – Tony Engle (tracks: 15) Fiddle – Peta Webb (tracks: 15) Guitar – Martin Carthy Melodeon – Rod Stradling (tracks: 15) Performer – Anthea Bellamy (tracks: 16), Barry Coope (tracks: 18), Blue Murder (tracks: 18), Eliza Carthy (tracks: 13, 17, 18), Jim Boyes (tracks: 18), Jim -
Sarah Morgan
Context statement – Sarah Morgan Community Choirs – A Musical Transformation A review of my work in management, music, choir leadership and folk-song. The University of Winchester Faculty of Arts Submitted by Sarah Morgan to the University of Winchester The context statement for the degree of Professional Doctorate by Contribution to Public Work This context statement has been completed as a requirement for a Post-Graduate Research Degree of the University of Winchester. The word count in this document is 39, 933. This context statement is available for library use on the understanding that it is copyright material and that no quotation from this statement may be published without proper acknowledgement. I certify that all material in this context statement which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. In accordance with the customs and norms of the host institution, it has not been possible in this work to anonymise organisations. 1 Context statement – Sarah Morgan University of Winchester Abstract for context statement: Community Choirs – A Musical Transformation A review of my work in management, music, choir leadership and folk-song. Sarah Margaret Morgan Faculty of Arts Professional Doctorate by Contribution to Public Work Submission date September 2013 2 Context statement – Sarah Morgan Abstract: My aims have always been to present an exploration of English community choirs, their music and their leadership from a very personal perspective, which brings together my background as a folk musician, my career in training and facilitation, and my developing understanding of a system of musical hierarchies which (though often unspoken) inform and colour not only my own musical experience but that of many others. -
Bowling Green Civil War Round Table Newsletter History
Western Kentucky University TopSCHOLAR® Bowling Green Civil War Round Table Newsletter History 9-2016 Bowling Green Civil War Round Table Newsletter (Sept. 2016) Manuscripts & Folklife Archives Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/civil_war Part of the Military History Commons, and the United States History Commons Recommended Citation Folklife Archives, Manuscripts &, "Bowling Green Civil War Round Table Newsletter (Sept. 2016)" (2016). Bowling Green Civil War Round Table Newsletter. Paper 10. https://digitalcommons.wku.edu/civil_war/10 This Newsletter is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Bowling Green Civil War Round Table Newsletter by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. 1 Founded March 2011 – Bowling Green, Kentucky President –Tom Carr; Vice President - Jonathan Jeffrey; Secretary – Carol Crowe-Carraco; Treasurer – Robert Dietle; Advisors – Glenn LaFantasie and - Greg Biggs (Program Chair and President-Clarksville CWRT) The Bowling Green, KY Civil War Round Table meets on the 3rd Tuesday of each month (except June, July, and December). Email: [email protected] We meet at 7:00 p.m. on Tuesday, September 20th in Cherry Hall 125 on the Campus of Western Kentucky University. Our meetings are always open to the public. Members please bring a friend or two – new recruits are always welcome. Our Program for September 20th 2016: The Battle of Spotsylvania Court House Spotsylvania Court House – perhaps the most forgotten major battle of the Civil War. Over 150,000 soldiers struggled for 13-days along a six-mile front in central Virginia in May 1864, leaving over 30,000 casualties on the battleground of Spotsylvania Court House. -
June 2020 Margaret Stewart & the Birth of the Red Douglases, 1389
VOL 47 ISSUE 2 June 2020 IN THIS ISSUE PAGE WHAT TO SEE 2 OFFICERS & REGENTS 4 President’s Comments 5 SPECIAL ANNOUNCEMENTS 6 Stand-off at Tantallon Castle: Margaret Stewart & the Birth of the Red Douglases, 1389 by Dr. Callum Watson 13 Tantallon Castle by Ian Douglas 17 Scotland and the Confederate States of America by Colin MacDonald 21 CDSNA Septs & Allied Families: Harkness, Inglis, Kilgore 24 NEWS from ALL OVER 31 2021 CDSNA GMM INFORMATION UPDATE BACK COVER – List of the Sept & Allied Family Names Recognized by CDSNA J u n e 2 0 2 0 Dubh Ghlase P a g e | 2 NEWSLETTER FOUNDER Gilbert F. Douglas, JR. MD (deceased) OFFICERS REGENTS President UNITED STATES INDIANA OKLAHOMA Jim & Sandy Douglas Jody Blaylock Chuck Mirabile ALABAMA - Gilbert F. Douglas III 765-296-2710 405-985-9704 7403 S. Parfet Ct. 205-222-7664 [email protected] [email protected] [email protected] Littleton, CO 80127-6109 IOWA – Regent wanted for the OREGON (North) Phone: 720-934-6901 ALASKA --- Regent wanted Quad City area Carol Bianchini [email protected] 971-300-8593 ARIZONA KANSAS --- Regent wanted for Wichita [email protected] Barbara J. Wise area Vice-President 520-991-9539 OREGON (South) – Regent wanted [email protected] KENTUCKY --- Co-Regents wanted Tim Tyler Elizabeth Martin PENNSYLVANIA -- Regent and/or 7892 Northlake Dr #107 ARKANSAS – Co-Regent Wanted 931-289-6517 Co-Regents wanted Diana Kay Stell [email protected] Huntington Beach, CA 92647 501-757-2881 SOUTH CAROLINA Co-Regent Phones: 1-800-454-5264 [email protected] LOUISIANA – Regent/Co-Regent wanted George W.