DOCSLIB.ORG

Copper Family Recordings: a Complete Discography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copper Family Recordings: a Complete Discography Copper Family Recordings: A Complete Discography Singer(s) Title Date Label Includes Notes James and Bob Copper BBC archive 1/3/51 BBC Archive 16060 Adieu Sweet Lovely Not commercially recording by Nancy; Claudy Banks available Peter Kennedy, [+ others?] Rottingdean, Sussex James and Bob Copper BBC archive 1/3/51 BBC Archive 16061 Two Young Brethren Not commercially recording by (?2 versions) [+ available Peter Kennedy, others?] Rottingdean, Sussex James and Bob Copper BBC archive 1/3/51 BBC Archive 16062 Charming Molly; Not commercially recording by When Spring Comes available Peter Kennedy, On; Brisk And Bonny Rottingdean, Sussex Lad [+ others?] James and Bob Copper BBC archive 1/3/51 BBC Archive 16063 Sweep Chimney Not commercially recording by Sweep; No John available Peter Kennedy, No; Brisk Young Rottingdean, Sussex Ploughboy (?) [+ others?] James and Bob Copper BBC archive 1/3/51 BBC Archive 16064 Brisk Young Not commercially recording by Ploughboy (?) [+ available Peter Kennedy, others?] Rottingdean, Sussex James and Bob Copper BBC archive 1/3/51 BBC Archive 16065 The Ploughshare; Not commercially recording by Come Write Me Down available Peter Kennedy, [+ others?] Rottingdean, Sussex James and Bob Copper BBC archive 1/3/51 BBC Archive 16066 Spencer the Rover; Not commercially recording by Shepherd Of The available Peter Kennedy, Downs [+ others?] Rottingdean, Sussex James and Bob Copper BBC archive 1/3/51 BBC Archive 16067 Pleasant Month of Not commercially recording by May; Babes In The available Peter Kennedy, Wood [+ others?] Rottingdean, Sussex Note: six songs from the above 1951 recordings of James Copper were subsequently released commercially on Twankydillo. James (Jim), John, Bob BBC archive 3/4/52 BBC Archive 17986 Warlike Seamen; Not commercially and Ron Copper recording by Seamus Come Write Me Down available Ennis, Rottingdean, [+ others?] Sussex James (Jim), John, Bob BBC archive 3/4/52 BBC Archive 17987 Admiral Benbow [+ Not commercially and Ron Copper recording by Seamus others?] available Ennis, Rottingdean, Sussex James (Jim) Copper BBC archive 24/4/52 BBC Archive 17988 No details Not commercially recording by Seamus available Ennis, Rottingdean, Sussex James (Jim) and Bob BBC archive 24/4/52 BBC Archive 17989 Thousands Or More; Not commercially Copper recording by Seamus My Love Has Gone available Ennis, Rottingdean, (fragment); Heigh Sussex Ho, Sing Ivy [+ others?] James (Jim) and Bob BBC archive 24/4/52 BBC Archive 17990 A Week Before Not commercially Copper recording by Seamus Easter [+ others?] available Ennis, Rottingdean, Sussex Note: two songs from the above 1952 recordings of Jim, John, Ron and Bob Copper were subsequently released commercially: "Banks of The Sweet Primroses" on The Electric Muse and "Warlike Seamen" on Coppersongs. Bob and Ron Copper BBC archive 2/2/55 BBC Archive 21543 When Adam Was Not commercially recording by First Created [+ available Peter Kennedy, others?] Rottingdean, Sussex 2 Bob and Ron Copper BBC archive 2/2/55 BBC Archive 21544 The Shepherd's Not commercially recording by Song; A Lawyer Bold; available Peter Kennedy, Shepherds Arise [+ Rottingdean, Sussex others?] Bob Copper BBC archive 2/2/55 BBC Archive 21545 Brisk and Lively Lad; Not commercially recording by Sweet Lemeney [+ available Peter Kennedy, others?] Rottingdean, Sussex Bob Copper BBC archive 2/2/55 BBC Archive 21546 Spotted Cow; Sheep Not commercially recording by Shearing Song [+ available Peter Kennedy, others?] Rottingdean, Sussex John(?) Copper BBC archive Nov 1955 BBC LP 26349 Brisk And Bonny Lad; Not commercially recording Heigh Ho, Sing Ivy [+ available others?] Bob Copper BBC archive 24/12/1957 BBC LP 25616 Babes In The Wood [+ Not commercially recording others?] available Various Artists Folk Songs of 1961 Caedmon 1142-1146, 11 songs from Bob Rounder Records Britain (ten-LP set 1162-1164, 1224-1225. and Ron Copper on reissued expanded of field recordings) Reissued in England various volumes versions of some as Topic 157-161, of these LPs on 194-198 CD, edited by Peter Kennedy, as part of The Alan Lomax Collection Various Artists The Folk Songs of 1961 Caedmon TC 1142 Bob Copper: The Coppers tracks prob. Britain, Vol 1. The (USA); issued in UK False Bride; Bob and taken from BBC Songs of Courtship as Topic 12T157 (1966) Ron Copper: The recordings, 1951-57 Sweet Primeroses; Bob and Ron Copper: Dame Durden; Bob and Ron Copper: No John, No. Various Artists The Folk Songs of 1961 Caedmon TC 1144 Bob and Ron Copper: Coppers tracks prob. Britain, Vol 3. Jack (USA); issued in UK Jovial Tradesman; taken from BBC of All Trades as Topic 12T159 (1966) Bob and Ron Copper: recordings, 1951-57 Merry Haymakers; Bob and Ron Copper: Sweep, Chimney, Sweep. Various Artists The Folk Songs of 1961 Caedmon TC 1145 Bob and Ron Copper: Coppers tracks prob. Britain, Vol 4. The (USA); issued in UK The Elfin Knight taken from BBC Child Ballads 1 as Topic 12T160 (1966) (=An Acre of Land; recordings, 1951-57 [2-95] Strawberry Lane) Various Artists The Folk Songs of 196? Caedmon TC 1162 Bob and Ron Copper: Coppers tracks prob. Britain, Vol 6. Sailor (USA); issued in UK Warlike Seaman taken from BBC Men and Serving as Topic 12T194 (1969) recordings, 1951-57 Maids Various Artists The Folk Songs of Issued in UK as Topic Bob and Ron Copper: Coppers tracks Britain, Vol 9. Songs 12T197 Twelve Days of recorded at of Ceremony Christmas and Rottingdean, Sussex Shepherds Arise by Peter Kennedy and prob. taken from BBC recordings, 1951-57 Bob and Ron Copper Traditional Songs 1963 EFDSS LP 1002 For details of tracks Limited release; from Rottingdean see this page available to EFDSS members only. Tracks prob. taken from BBC recordings, 1951-57, most/all rec. by Peter Kennedy 3 Bob and Ron Copper English Shepherd 1964 Folk Legacy (USA) For details of tracks Reissue of EFDSS LP and Farming Songs FSB 019 see this page 1002 (above) under a different title Bob and Ron Copper BBC archive 1963 A selection of these recordings by Peter recordings were Kennedy later released on The Banks of Claudy Various Artists Folksound of Britain 1965 HMV CLP 1910 Bob and John Copper: (LP) (Recorded live Come Write Me Down at Royal Festival Hall 4/6/65) The Copper Family A Song for Every 1971 LEAB 404 (LEA 4046- For details of tracks Boxed set of 4 Season 4049) see this page records, with 16 page booklet. Rec. by Bill Leader, Peacehaven, c.1971 The Copper Family A Song For Every 1971 Leader LED 2067 For details of tracks Season [Selected see this page tracks from the 4LP set] Various Artists The Brave 1975 (recorded 1974) XTRA 1150 Bob, John, and Lynne Ploughboy: Songs Copper: "Two Young and Stories in a Brethren"; Bob Sussex Pub and John Copper: "The Brisk Young Ploughboy" Various Artists The Electric Muse 1975 Island / Jim, John, Bob and Recorded by Seamus [4-LP box set] Transatlantic FOLK Ron Copper: The Ennis, 1952 for BBC 1001 Banks of Sweet Primroses Bob and Ron Copper The Banks of Claudy 1975 Folktrax 081 For details of tracks Recorded in (Cassette: 60 min.); see this page Rottingdean by CD release Folktrax Peter Kennedy (?for SPCD 081 (2000) the BBC) in 1963 Bob, Ron and Jim Twankydillo 1975 Folktrax 082 For details of tracks Copper (Cassette: 60 min.); see this page CD release Folktrax SPCD 082 (2000) Bob Copper Sweet Rose In June 1977 Topic 12TS 328 For details of tracks Southern English (Countryside Songs see this page songs from outside from the South) the Copper Family repertoire, songs collected by Bob Copper in Hampshire and Sussex The Copper Family Copper Family - 1: 1983 Folktrax 238 For details of tracks Recorded items Come All You Bold (Cassette: 90 min.) see this page range in date from Britons 1963-1983 The Copper Family Copper Family - 2: 1983 Folktrax 239 For details of tracks Recordings by Adam And Eve (Cassette: 90 min.) see this page Peter Kennedy at Rottingdean, Sussex between 1951-1983 Various Artists Will's Barn 1987 EFDSS VWML 002 Seven songs by Bob, Also the Holme John, Jill, and Jon Valley Tradition, Dudley, recorded at Bob Davenport and a live "singaround" the Rakes, and in September 1986. Martin Carthy and Norma Waterson 4 The Copper Family Coppersongs 1988 EFDSS VWML 004 For details of tracks All tracks rec. see this page London, October 1987 except Warlike Seamen (The Irish Captain) rec. Seamus Ennis for the BBC archive, 3/4/1952, featuring Jim, John (Snr), Bob and Ron Copper Various Artists Sea Songs & Shanties 1994 Saydisc 405 Bob and Ron Copper: "Warlike Seamen," "The Banks of Claudy" (recorded 1955) The Copper Family Coppersongs 2: The 1995 Coppersongs CD2 For details of tracks Living Tradition of see this page the Copper Family Various Artists When the May 1995 Veteran Tapes VT Bob Copper: "George Is All In Bloom: 131 CD Collins," "The Traditional singing Trees They Do Grow from the South East High"; John Copper: of England "Shift Up a Little Bit Farther, "The Clothes Horse". Various Artists Hidden English: 1996 Topic TSCD 600 Bob & Ron Copper: A Celebration of The Sweet Primroses English Traditional Music Various Artists New Electric Muse: 1996 Castle The Copper Family: The Story Of Folk Communication ESB Spencer the Rover Into Rock [3 CD set] CD 416 [from "A Song for Every Season", 1971] Various Artists Froots #6 1996 Froots #6 Bob Copper: "Rags free CD included and Old Iron" with the January/ February 1996 issue of Folk Roots The Copper Family Coppersongs 3: The 1998 Coppersongs CD3 For details of tracks Legacy Continues see this page Various Artists World Library of 1998 Rounder 1741 Jim and Bob Copper: Probably early 50s Folk and Primitive Contented Country recordings from the Music.
Load more

Recommended publications
  • Lotus Infuses Downtown Bloomington with Global
    FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both
    [Show full text]
  • The Generations Tunebook Was Born of Necessity During the Course of an Educational Initiative Called, ‘The Generations Project’
    South Riding Folk Arts Network The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport The Generations Tune Book The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport South Riding Folk Arts Network © 2005 The Generations Tune Book Introduction The Generations Tunebook was born of necessity during the course of an educational initiative called, ‘The Generations Project’. The project itself was initially, a simple exercise in Citizenship in a large South Yorkshire comprehensive school. The motivation behind this was to place teenagers at the heart of their community. The results of this venture had repercussions which are still being felt in the small mining town of Maltby which lies in the borough of Rotherham, not far from Sheffield. In 2002, the music department at Maltby Comprehensive School in partnership with the South Riding Folk Arts Network set about the task of teaching a group of 13 and 14 years old students the longsword dance. In this undertaking much support and encouragement was given by the national folk organisation, the English Folk Dance & Song Society. A group of students learned the dance whilst others learned to play the tunes to accompany the performance. Financial support from the school’s PTA allowed Head of Art, Liz Davenport, to create the striking costumes worn by the dancers. More support appeared in the form of folk arts development agency Folk South West who generously discounted their ‘College Hornpipe’ tunebook for the project. Players of orchestral instruments suddenly found themselves being extended by the apparently ‘simple’ melodies arranged by Paul Burgess.
    [Show full text]
  • SOMERSET FOLK All Who Roam, Both Young and Old, DECEMBER TOP SONGS CLASSICAL Come Listen to My Story Bold
    Folk Singing Broadsht.2 5/4/09 8:47 am Page 1 SOMERSET FOLK All who roam, both young and old, DECEMBER TOP SONGS CLASSICAL Come listen to my story bold. 400 OF ENGLISH COLLECTED BY For miles around, from far and near, YEARS FOLK MUSIC TEN FOLK They come to see the rigs o’ the fair, 11 Wassailing SOMERSET CECIL SHARP 1557 Stationers’ Company begins to keep register of ballads O Master John, do you beware! Christmastime, Drayton printed in London. The Seeds of Love Folk music has inspired many composers, and And don’t go kissing the girls at Bridgwater Fair Mar y Tudor queen. Loss of English colony at Calais The Outlandish Knight in England tunes from Somerset singers feature The lads and lasses they come through Tradtional wassailing 1624 ‘John Barleycorn’ first registered. John Barleycorn in the following compositions, evoking the very From Stowey, Stogursey and Cannington too. essence of England’s rural landscape: can also be a Civil Wars 1642-1650, Execution of Charles I Barbara Allen SONG COLLECTED BY CECIL SHARP FROM visiting 1660s-70s Samuel Pepys makes a private ballad collection. Percy Grainger’s passacaglia Green Bushes WILLIAM BAILEY OF CANNINGTON AUGUST 8TH 1906 Lord Randal custom, Restoration places Charles II on throne was composed in 1905-6 but not performed similar to carol The Wraggle Taggle Gypsies 1765 Reliques of Ancient English Poetry published by FOLK 5 until years later. It takes its themes from the 4 singing, with a Thomas Percy. First printed ballad collection. Dabbling in the Dew ‘Green Bushes’ tune collected from Louie bowl filled with Customs, traditions & glorious folk song Mozart in London As I walked Through the Meadows Hooper of Hambridge, plus a version of ‘The cider or ale.
    [Show full text]
  • Southwark-Life-Summer-2019.Pdf
    Southwark LifeSummer 2019 An inspiration Celebrating Southwark’s rising stars Borough of opportunity How to follow your dreams New homes, schools and salons Transforming our borough for everyone PLUS Events and fun in the sun this summer Your magazine from Southwark Council Summer 2019 Contents welcome... 4 Need to know – News from the council and across the borough Southwark is a great place to be young: to find your feet, 7 Sumner Road – We visit the discover your passion, and gain the skills you need for a happy brand new council homes on and rewarding life. This summer edition of Southwark Life is Sumner Road dedicated to inspiration and opportunity. We tell the stories 8 Our inspirational young of some of our incredible young people who have worked people – Our bumper feature hard to overcome barriers and excel in their chosen field, on inspiring young people from and also hear from some inspirational adults with sound around the borough advice on how to get on in life. I hope young people will 17 Blast from the past – We find plenty here to spark their curiosity, and give them chat to a resident who spotted confidence to chase their dreams. herself in a historic photo display As the long summer holidays approach, there’s no reason 18 Inspiring adults – Meet three local people why any child or young person should find themselves at a loose who have messages for our end in Southwark. From free entry to world class galleries and younger generation events, to award-winning parks, free swim and gym sessions at all 24 Southwark Presents – our leisure centres, and fun things happening at all our libraries, Music, plays and exhibitions there is something exciting happening on our doorstep every day.
    [Show full text]
  • Newsletter 59
    SQUIRE: BRIAN TASKER 6 ROOPERS, SPELDHURST, TUNBRIDGE WELLS, KENT, TN3 0QL TEL: 01892 862301 E-mail: [email protected] BAGMAN: CHARLIE CORCORAN 70, GREENGATE LANE, BIRSTALL, LEICESTER, LEICS LE4 3DL TEL: 01162 675654 E-mail: [email protected] [email protected] TREASURER: STEVE ADAMSON BFB 12, FLOCKTON ROAD, EAST BOWLING, BRADFORD, WEST YORKSHIRE BD4 7RH TEL: 01274 773830 E-mail: [email protected] [email protected] The Newsletter No.59 December 2008 The highlights of this Newsletter are: Page Massed Dances and their music 2 Annual Representatives’ Meeting 3 Information about Chris Harris’ “Kemps Jig” 4 ARM Agenda (and advance request for Reports) 6 Joint Morris Organisations: Nottingham Revels 28th March 2009 8 EFDSS News 8 Francis Shergold (1919-2008) A Tribute by Paul Reece 10 Cultural Olympiad 11 2009 Meetings of Morris Ring 11 Treasurer’s ramblings 11 Who’s going to which meeting? 12 Saddleworth Rushcart 2009 12 Jigs Instructional 2009 13 2009 Rapper and Longsword Tournaments 13 Redcar Sword Dancers triumphant again 14 Morris in the Media – Marks for trying? 14 Future Dates 16 Application Forms: Jigs Instructional 19 Morris Ring Meetings 20 Morris Ring Newsletter No 59 December 2008 Page 1 of 20 THE MORRIS RING IS THE NATONAL ASSOCIATION OF MEN’S MORRIS & SWORD DANCE CLUBS Music for Massed Dancing. Following the article in Newsletter No. 58 Harry Winstone, of Kemp's Men, contacted Brian Tasker, Squire of the Morris Ring, and suggested that we need to provide some indication of the tunes to be used. His comment was “50 musicians all playing their own versions.
    [Show full text]
  • Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
    Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters.
    [Show full text]
  • Contemporary Folk Dance Fusion Using Folk Dance in Secondary Schools
    Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part Contemporary Folk Dance Fusion Using folk dance in secondary schools By Kerry Fletcher, Katie Howson and Paul Scourfield Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part The Full English The Full English was a unique nationwide project unlocking hidden treasures of England’s cultural heritage by making over 58,000 original source documents from 12 major folk collectors available to the world via a ground-breaking nationwide digital archive and learning project. The project was led by the English Folk Dance and Song Society (EFDSS), funded by the Heritage Lottery Fund and in partnership with other cultural partners across England. The Full English digital archive (www.vwml.org) continues to provide access to thousands of records detailing traditional folk songs, music, dances, customs and traditions that were collected from across the country. Some of these are known widely, others have lain dormant in notebooks and files within archives for decades. The Full English learning programme worked across the country in 19 different schools including primary, secondary and special educational needs settings. It also worked with a range of cultural partners across England, organising community, family and adult learning events. Supported by the National Lottery through the Heritage Lottery Fund, the National Folk Music Fund and The Folklore Society. Produced by the English Folk Dance and Song Society (EFDSS), June 2014 Written by: Kerry Fletcher, Katie Howson and Paul Schofield Edited by: Frances Watt Copyright © English Folk Dance and Song Society, Kerry Fletcher, Katie Howson and Paul Schofield, 2014 Permission is granted to make copies of this material for non-commercial educational purposes.
    [Show full text]
  • Sussex Carol on Christmas Night All Christians Sing Brass Quintet and Organ Sheet Music
    Sussex Carol On Christmas Night All Christians Sing Brass Quintet And Organ Sheet Music Download sussex carol on christmas night all christians sing brass quintet and organ sheet music pdf now available in our library. We give you 6 pages partial preview of sussex carol on christmas night all christians sing brass quintet and organ sheet music that you can try for free. This music notes has been read 4401 times and last read at 2021-09-24 06:37:41. In order to continue read the entire sheet music of sussex carol on christmas night all christians sing brass quintet and organ you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Organ Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music The Sussex Carol On Christmas Night All Christians Sing Two Trumpets And Organ The Sussex Carol On Christmas Night All Christians Sing Two Trumpets And Organ sheet music has been read 3598 times. The sussex carol on christmas night all christians sing two trumpets and organ arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-23 11:18:49. [ Read More ] Sussex Carol On Christmas Night All Christians Sing Sussex Carol On Christmas Night All Christians Sing sheet music has been read 3741 times. Sussex carol on christmas night all christians sing arrangement is for Beginning level. The music notes has 4 preview and last read at 2021-09-22 22:14:32. [ Read More ] Variations On The Sussex Carol On Christmas Night All Christians Sing For Cello Duo Variations On The Sussex Carol On Christmas Night All Christians Sing For Cello Duo sheet music has been read 2839 times.
    [Show full text]
  • 1 Traditional Song Forum Meeting, 12 Apr 2014 Held at Central Library, Plymouth the Meeting Was Held at the Central Library
    Traditional Song Forum Meeting, 12 Apr 2014 Held at Central Library, Plymouth The meeting was held at The Central Library, Plymouth and was chaired by Paul Wilson. The meeting was arranged jointly with the Music Section of the Devonshire Association and with Plymouth City Library. Seven TSF members attended the morning session. The number swelled to twenty-six as a number of local guests joined us for the afternoon talks. The low numbers were due, in part, to the difficulties arising from the storm damage to the rail network in the Southwest. Following a welcome from the Plymouth Library team, and an outline of arrangements for the day by Alan Rosevear, the session was opened by Paul Wilson. Given the relatively small numbers of people present it was agreed that the opportunity would be taken for Martin Graebe to give those attending a guided tour of the Baring-Gould manuscripts and other items that the Library had put on display, as well as their permanent collection of his published books. Networking Session Gwilym Davies gave an update on the Gloucester Traditions project that he had talked about at the December meeting. The aim is to get as many of the songs that have been collected in Gloucestershire onto their website and then to use the material in a series of outreach projects. They are working in partnership with Gloucestershire Archives and Gloucestershire Music makers (The county music provider). Their bid to the National Lottery has now been submitted. They will be using the ABC format for digitising the tunes. An important part of the work – and a technical term new to most of those present – was ‘de-duping’.
    [Show full text]
  • 14302 76969 1 1>
    11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer.
    [Show full text]
  • A Message from the Editor
    1 A MESSAGE FROM THE EDITOR 2 “Ghana Beyond Aid” Some people have commentated that a Ghana beyond aid doesn’t mean ddressing a gathering during a Ghana without aid and I have to the 61st Independence Day say this is a reality for a developing ACelebrations at the Black Star country like ours. The fact remains Square in Accra on the morning of that whilst Ghana pursues this agenda Tuesday 6 March 2018, President of self-sustainability and prosperity Nana Akufo- Addo stated that Ghana is this does not mean that this agenda endowed with a lot of natural resources is a prerequisite for an immediate end but sadly the truth is that the state of the to donor support but rather a call to nation does not show how endowed the action to utilize and invest in our own country is. He added that, the ‘Ghana resources. Therefore, the agenda must Beyond Aid’ agenda (one that will be viewed as a medium to long term goal. move Ghana away from dependency to self-reliance) will not be achieved by However, what will be key in the interim merely talking but rather doing things is how effective we are in investing in differently, adding that “business as our own human capital. If this is done usual will not do it.” effectively then within 3-5 years Ghana will have a strong human capital to On that same morning it was business drive its own socio-economic activities as usual for us somewhat as we were and be able to export human resources preparing to unveil our annual top 30 if necessary.
    [Show full text]
  • The Sound of the Next Generation a Comprehensive Review of Children and Young People’S Relationship with Music
    THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI The Sound of the Next Generation THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI Cover Photo: The Roundhouse Trust - Roundhouse Rising Festival of Emerging Music The Sound of the Next Generation The Sound of the Next Generation CONTENTS Foreword – Matt Griffiths, CEO of Youth Music 02 With thanks to 03 Executive summary 04 About the authors 05 A note on terminology 05 The voice of the next generation 06 1) Music is integral to young people’s lives 08 Consumption channels Live music Genres and artists 2) Young people are making music more than ever before 10 Musical engagement Musical learning Music in schools 3) Patterns of engagement differ according to a young person’s background 14 Popular culture and DIY music 4) Music is a powerful contributor to young people’s wellbeing 16 Listening to music and positive emotional states Music to combat loneliness Young people’s view of their future 5) A diverse talent pool of young people supports the future of the music industry 19 Getting a job in the music industry Diversifying the music industry A win-win for education and industry 6) Music has the power to make change for the next generation 21 Appendices 22 Methodology The young musicians The expert interviewees Endnotes 24 01 Photo: The Garage The Sound of the Next Generation The Sound of the Next Generation FOREWORD – MATT GRIFFITHS, So, it’s time to reflect, look back and look forward.
    [Show full text]