Copper Family Recordings: a Complete Discography
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Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
The Generations Tunebook Was Born of Necessity During the Course of an Educational Initiative Called, ‘The Generations Project’
South Riding Folk Arts Network The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport The Generations Tune Book The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport South Riding Folk Arts Network © 2005 The Generations Tune Book Introduction The Generations Tunebook was born of necessity during the course of an educational initiative called, ‘The Generations Project’. The project itself was initially, a simple exercise in Citizenship in a large South Yorkshire comprehensive school. The motivation behind this was to place teenagers at the heart of their community. The results of this venture had repercussions which are still being felt in the small mining town of Maltby which lies in the borough of Rotherham, not far from Sheffield. In 2002, the music department at Maltby Comprehensive School in partnership with the South Riding Folk Arts Network set about the task of teaching a group of 13 and 14 years old students the longsword dance. In this undertaking much support and encouragement was given by the national folk organisation, the English Folk Dance & Song Society. A group of students learned the dance whilst others learned to play the tunes to accompany the performance. Financial support from the school’s PTA allowed Head of Art, Liz Davenport, to create the striking costumes worn by the dancers. More support appeared in the form of folk arts development agency Folk South West who generously discounted their ‘College Hornpipe’ tunebook for the project. Players of orchestral instruments suddenly found themselves being extended by the apparently ‘simple’ melodies arranged by Paul Burgess. -
SOMERSET FOLK All Who Roam, Both Young and Old, DECEMBER TOP SONGS CLASSICAL Come Listen to My Story Bold
Folk Singing Broadsht.2 5/4/09 8:47 am Page 1 SOMERSET FOLK All who roam, both young and old, DECEMBER TOP SONGS CLASSICAL Come listen to my story bold. 400 OF ENGLISH COLLECTED BY For miles around, from far and near, YEARS FOLK MUSIC TEN FOLK They come to see the rigs o’ the fair, 11 Wassailing SOMERSET CECIL SHARP 1557 Stationers’ Company begins to keep register of ballads O Master John, do you beware! Christmastime, Drayton printed in London. The Seeds of Love Folk music has inspired many composers, and And don’t go kissing the girls at Bridgwater Fair Mar y Tudor queen. Loss of English colony at Calais The Outlandish Knight in England tunes from Somerset singers feature The lads and lasses they come through Tradtional wassailing 1624 ‘John Barleycorn’ first registered. John Barleycorn in the following compositions, evoking the very From Stowey, Stogursey and Cannington too. essence of England’s rural landscape: can also be a Civil Wars 1642-1650, Execution of Charles I Barbara Allen SONG COLLECTED BY CECIL SHARP FROM visiting 1660s-70s Samuel Pepys makes a private ballad collection. Percy Grainger’s passacaglia Green Bushes WILLIAM BAILEY OF CANNINGTON AUGUST 8TH 1906 Lord Randal custom, Restoration places Charles II on throne was composed in 1905-6 but not performed similar to carol The Wraggle Taggle Gypsies 1765 Reliques of Ancient English Poetry published by FOLK 5 until years later. It takes its themes from the 4 singing, with a Thomas Percy. First printed ballad collection. Dabbling in the Dew ‘Green Bushes’ tune collected from Louie bowl filled with Customs, traditions & glorious folk song Mozart in London As I walked Through the Meadows Hooper of Hambridge, plus a version of ‘The cider or ale. -
Southwark-Life-Summer-2019.Pdf
Southwark LifeSummer 2019 An inspiration Celebrating Southwark’s rising stars Borough of opportunity How to follow your dreams New homes, schools and salons Transforming our borough for everyone PLUS Events and fun in the sun this summer Your magazine from Southwark Council Summer 2019 Contents welcome... 4 Need to know – News from the council and across the borough Southwark is a great place to be young: to find your feet, 7 Sumner Road – We visit the discover your passion, and gain the skills you need for a happy brand new council homes on and rewarding life. This summer edition of Southwark Life is Sumner Road dedicated to inspiration and opportunity. We tell the stories 8 Our inspirational young of some of our incredible young people who have worked people – Our bumper feature hard to overcome barriers and excel in their chosen field, on inspiring young people from and also hear from some inspirational adults with sound around the borough advice on how to get on in life. I hope young people will 17 Blast from the past – We find plenty here to spark their curiosity, and give them chat to a resident who spotted confidence to chase their dreams. herself in a historic photo display As the long summer holidays approach, there’s no reason 18 Inspiring adults – Meet three local people why any child or young person should find themselves at a loose who have messages for our end in Southwark. From free entry to world class galleries and younger generation events, to award-winning parks, free swim and gym sessions at all 24 Southwark Presents – our leisure centres, and fun things happening at all our libraries, Music, plays and exhibitions there is something exciting happening on our doorstep every day. -
Newsletter 59
SQUIRE: BRIAN TASKER 6 ROOPERS, SPELDHURST, TUNBRIDGE WELLS, KENT, TN3 0QL TEL: 01892 862301 E-mail: [email protected] BAGMAN: CHARLIE CORCORAN 70, GREENGATE LANE, BIRSTALL, LEICESTER, LEICS LE4 3DL TEL: 01162 675654 E-mail: [email protected] [email protected] TREASURER: STEVE ADAMSON BFB 12, FLOCKTON ROAD, EAST BOWLING, BRADFORD, WEST YORKSHIRE BD4 7RH TEL: 01274 773830 E-mail: [email protected] [email protected] The Newsletter No.59 December 2008 The highlights of this Newsletter are: Page Massed Dances and their music 2 Annual Representatives’ Meeting 3 Information about Chris Harris’ “Kemps Jig” 4 ARM Agenda (and advance request for Reports) 6 Joint Morris Organisations: Nottingham Revels 28th March 2009 8 EFDSS News 8 Francis Shergold (1919-2008) A Tribute by Paul Reece 10 Cultural Olympiad 11 2009 Meetings of Morris Ring 11 Treasurer’s ramblings 11 Who’s going to which meeting? 12 Saddleworth Rushcart 2009 12 Jigs Instructional 2009 13 2009 Rapper and Longsword Tournaments 13 Redcar Sword Dancers triumphant again 14 Morris in the Media – Marks for trying? 14 Future Dates 16 Application Forms: Jigs Instructional 19 Morris Ring Meetings 20 Morris Ring Newsletter No 59 December 2008 Page 1 of 20 THE MORRIS RING IS THE NATONAL ASSOCIATION OF MEN’S MORRIS & SWORD DANCE CLUBS Music for Massed Dancing. Following the article in Newsletter No. 58 Harry Winstone, of Kemp's Men, contacted Brian Tasker, Squire of the Morris Ring, and suggested that we need to provide some indication of the tunes to be used. His comment was “50 musicians all playing their own versions. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
Contemporary Folk Dance Fusion Using Folk Dance in Secondary Schools
Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part Contemporary Folk Dance Fusion Using folk dance in secondary schools By Kerry Fletcher, Katie Howson and Paul Scourfield Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part The Full English The Full English was a unique nationwide project unlocking hidden treasures of England’s cultural heritage by making over 58,000 original source documents from 12 major folk collectors available to the world via a ground-breaking nationwide digital archive and learning project. The project was led by the English Folk Dance and Song Society (EFDSS), funded by the Heritage Lottery Fund and in partnership with other cultural partners across England. The Full English digital archive (www.vwml.org) continues to provide access to thousands of records detailing traditional folk songs, music, dances, customs and traditions that were collected from across the country. Some of these are known widely, others have lain dormant in notebooks and files within archives for decades. The Full English learning programme worked across the country in 19 different schools including primary, secondary and special educational needs settings. It also worked with a range of cultural partners across England, organising community, family and adult learning events. Supported by the National Lottery through the Heritage Lottery Fund, the National Folk Music Fund and The Folklore Society. Produced by the English Folk Dance and Song Society (EFDSS), June 2014 Written by: Kerry Fletcher, Katie Howson and Paul Schofield Edited by: Frances Watt Copyright © English Folk Dance and Song Society, Kerry Fletcher, Katie Howson and Paul Schofield, 2014 Permission is granted to make copies of this material for non-commercial educational purposes. -
Sussex Carol on Christmas Night All Christians Sing Brass Quintet and Organ Sheet Music
Sussex Carol On Christmas Night All Christians Sing Brass Quintet And Organ Sheet Music Download sussex carol on christmas night all christians sing brass quintet and organ sheet music pdf now available in our library. We give you 6 pages partial preview of sussex carol on christmas night all christians sing brass quintet and organ sheet music that you can try for free. This music notes has been read 4401 times and last read at 2021-09-24 06:37:41. In order to continue read the entire sheet music of sussex carol on christmas night all christians sing brass quintet and organ you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Organ Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music The Sussex Carol On Christmas Night All Christians Sing Two Trumpets And Organ The Sussex Carol On Christmas Night All Christians Sing Two Trumpets And Organ sheet music has been read 3598 times. The sussex carol on christmas night all christians sing two trumpets and organ arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-23 11:18:49. [ Read More ] Sussex Carol On Christmas Night All Christians Sing Sussex Carol On Christmas Night All Christians Sing sheet music has been read 3741 times. Sussex carol on christmas night all christians sing arrangement is for Beginning level. The music notes has 4 preview and last read at 2021-09-22 22:14:32. [ Read More ] Variations On The Sussex Carol On Christmas Night All Christians Sing For Cello Duo Variations On The Sussex Carol On Christmas Night All Christians Sing For Cello Duo sheet music has been read 2839 times. -
1 Traditional Song Forum Meeting, 12 Apr 2014 Held at Central Library, Plymouth the Meeting Was Held at the Central Library
Traditional Song Forum Meeting, 12 Apr 2014 Held at Central Library, Plymouth The meeting was held at The Central Library, Plymouth and was chaired by Paul Wilson. The meeting was arranged jointly with the Music Section of the Devonshire Association and with Plymouth City Library. Seven TSF members attended the morning session. The number swelled to twenty-six as a number of local guests joined us for the afternoon talks. The low numbers were due, in part, to the difficulties arising from the storm damage to the rail network in the Southwest. Following a welcome from the Plymouth Library team, and an outline of arrangements for the day by Alan Rosevear, the session was opened by Paul Wilson. Given the relatively small numbers of people present it was agreed that the opportunity would be taken for Martin Graebe to give those attending a guided tour of the Baring-Gould manuscripts and other items that the Library had put on display, as well as their permanent collection of his published books. Networking Session Gwilym Davies gave an update on the Gloucester Traditions project that he had talked about at the December meeting. The aim is to get as many of the songs that have been collected in Gloucestershire onto their website and then to use the material in a series of outreach projects. They are working in partnership with Gloucestershire Archives and Gloucestershire Music makers (The county music provider). Their bid to the National Lottery has now been submitted. They will be using the ABC format for digitising the tunes. An important part of the work – and a technical term new to most of those present – was ‘de-duping’. -
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
A Message from the Editor
1 A MESSAGE FROM THE EDITOR 2 “Ghana Beyond Aid” Some people have commentated that a Ghana beyond aid doesn’t mean ddressing a gathering during a Ghana without aid and I have to the 61st Independence Day say this is a reality for a developing ACelebrations at the Black Star country like ours. The fact remains Square in Accra on the morning of that whilst Ghana pursues this agenda Tuesday 6 March 2018, President of self-sustainability and prosperity Nana Akufo- Addo stated that Ghana is this does not mean that this agenda endowed with a lot of natural resources is a prerequisite for an immediate end but sadly the truth is that the state of the to donor support but rather a call to nation does not show how endowed the action to utilize and invest in our own country is. He added that, the ‘Ghana resources. Therefore, the agenda must Beyond Aid’ agenda (one that will be viewed as a medium to long term goal. move Ghana away from dependency to self-reliance) will not be achieved by However, what will be key in the interim merely talking but rather doing things is how effective we are in investing in differently, adding that “business as our own human capital. If this is done usual will not do it.” effectively then within 3-5 years Ghana will have a strong human capital to On that same morning it was business drive its own socio-economic activities as usual for us somewhat as we were and be able to export human resources preparing to unveil our annual top 30 if necessary. -
The Sound of the Next Generation a Comprehensive Review of Children and Young People’S Relationship with Music
THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI The Sound of the Next Generation THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI Cover Photo: The Roundhouse Trust - Roundhouse Rising Festival of Emerging Music The Sound of the Next Generation The Sound of the Next Generation CONTENTS Foreword – Matt Griffiths, CEO of Youth Music 02 With thanks to 03 Executive summary 04 About the authors 05 A note on terminology 05 The voice of the next generation 06 1) Music is integral to young people’s lives 08 Consumption channels Live music Genres and artists 2) Young people are making music more than ever before 10 Musical engagement Musical learning Music in schools 3) Patterns of engagement differ according to a young person’s background 14 Popular culture and DIY music 4) Music is a powerful contributor to young people’s wellbeing 16 Listening to music and positive emotional states Music to combat loneliness Young people’s view of their future 5) A diverse talent pool of young people supports the future of the music industry 19 Getting a job in the music industry Diversifying the music industry A win-win for education and industry 6) Music has the power to make change for the next generation 21 Appendices 22 Methodology The young musicians The expert interviewees Endnotes 24 01 Photo: The Garage The Sound of the Next Generation The Sound of the Next Generation FOREWORD – MATT GRIFFITHS, So, it’s time to reflect, look back and look forward.