SOMERSET FOLK All Who Roam, Both Young and Old, DECEMBER TOP SONGS CLASSICAL Come Listen to My Story Bold
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No. 6: MEDIEVAL ROAD & DONYATT
DIRECTIONS: The Old Medieval Road - Donyatt to Ilminster 1. The walk starts at the beginning of Canal Way, opposite Wharf Lane Car Park. Follow the footpath The old Donyatt to Ilminster road started in Church beside the recreation ground down to where it enters a Street, Donyatt, passing via Down and Dunpole Farms side path at the entrance to the additional playing area. crossing the southern slopes and shoulder of Herne Hill and then down to the Cross (the area of the Royal 2. Turn left into the playing field and follow the hedge, Oak in Ilminster). This was a convenient way to keeping it on your left, up the field and the Incline to the Ilminster and perhaps the shortest distance from the top of the field. Go on to the track straight ahead and centre of the village. It is likely to have been a better continue to the kissing gate. drained road and less muddy in winter than the lower No. 6: MEDIEVAL ROAD & DONYATT 3. Cross the field diagonally right and go through a route via Sea. This road was probably used for taking rambler gate three quarters of the way along the far pottery to Ilminster market using the Stibbear/Crow hedge line. Turn right and continue up tot he corner of Lane route. The road was also used as an access to the the field, keeping the hedge on your right. Go through a field systems on the southern slopes of Herne Hill rambler gate on to the Medieval Road. which were used by the local inhabitants. -
Aug-Nov 2019
SOUTH SOMERSET GROUP www.somersetramblers.co.uk A local group of the Ramblers’ Association. Registered. Charity No.1093577. Promoting rambling, protecting rights of way, campaigning for access to open country and defending the beauty of the countryside. AUG 2019 - NOV 2019 WALKS New walk leaders should contact the appropriate programme secretary. If you would like help in organising your walk, please contact any committee member who will be able to assist. Walk leaders and back-markers should exchange mobile phone numbers so that contact can be maintained in cases of emergency. Leaders and back-markers without phones should appoint substitutes. Numbers should be exchanged at the start of the walk. Every effort should be made to ensure a first-aid kit is available on all walks.. Walks are graded according to the following classification of pace:- A = Fast B = Brisk C = 5-7 miles Medium pace D = generally 4-5 miles at a more moderate pace Starting times of walks vary and need to be noted carefully. Members should ensure they carry their membership cards on all walks. NOTICES Annual General Meeting The Committee would welcome your presence on Saturday 3rd Nov at East Coker Village Hall 2.00 pm to meet with other members in reviewing the past year and planning for the future.. Motions and other items should be sent to the secretary by 16th October. Group Committee Meeting: will be held on Thu Oct 3rd 2019. Programme Distribution. Short walk distribution is on 7th November and Medium walk distribution is on 14th November. Christmas Lunch. This will be held at 1.00pm on Thursday 12th December at the Muddled Man, West Chinnock. -
Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
County Highway Authority Report – Area North
County Highway Authority Report – Area North Lead Officer: Chris Weeks, Assistant Highway Service Manager, SCC Contact Details: [email protected] or 0300 123 2224 Purpose of the Report The report is to inform members of the work carried out by the County Highway Authority in the last financial year in Area North and to provide information about the proposed works programme for the year 2015/2016. Recommendation That members note the report. Capital funded Surface Dressing schemes 2015 Surface Dressing is the practice of applying a bitumen tack coat to the existing road surface and then rolling in stone chippings. Whilst this practice is not the most PR friendly, it is highly effective in preserving the integrity of the road surface. This year we are Surface Dressing 53 sites across South Somerset, 13 of which are substantial lengths of A and B roads. The Surface Dressing within South Somerset has already commenced and is due completion by the end of June. Curry Mallet Top Road A378 to district boundary Norton sub Hamdon Skinners Lane Ham Hill Road to Little Street Curry Rivel Wick moor/Wick Oath/Portfield Duck Cottage to A378 Screech Witch Hill/Paynes B3165 Long Load Road to Ash Lane Thornhill Drove Pitney Leazemoor Lane Culver Hill to Pitney Park Long Sutton Hermitage Rd B3153 to A372 A372 Langport Road to Ham Long Sutton Vedal Drove Moor Lane Catscrow/Church Pitney B3153 to Middlegate Farm Hill/Middlegate Rd Long Sutton Bineham Lane Grove Lane to end Seavington St Mary Green Lane Barrington Main to Hollow Road North -
SOMERSET OPEN STUDIOS 2016 17 SEPTEMBER - 2 OCTOBER SOS GUIDE 2016 COVER Half Page (Wide) Ads 11/07/2016 09:56 Page 2
SOS_GUIDE_2016_COVER_Half Page (Wide) Ads 11/07/2016 09:56 Page 1 SOMERSET OPEN STUDIOS 2016 17 SEPTEMBER - 2 OCTOBER SOS_GUIDE_2016_COVER_Half Page (Wide) Ads 11/07/2016 09:56 Page 2 Somerset Open Studios is a much-loved and thriving event and I’m proud to support it. It plays an invaluable role in identifying and celebrating a huge variety of creative activities and projects in this county, finding emerging artists and raising awareness of them. I urge you to go out and enjoy these glorious weeks of cultural exploration. Kevin McCloud Photo: Glenn Dearing “What a fantastic creative county we all live in!” Michael Eavis www.somersetartworks.org.uk SOMERSET OPEN STUDIOS #SomersetOpenStudios16 SOS_GUIDE_2016_SB[2]_saw_guide 11/07/2016 09:58 Page 1 WELCOME TO OUR FESTIVAL! About Somerset Art Works Somerset Open Studios is back again! This year we have 208 venues and nearly 300 artists participating, Placing art at the heart of Somerset, showing a huge variety of work. Artists from every investing in the arts community, enriching lives. background and discipline will open up their studios - places that are usually private working environments, SAW is an artist-led organisation and what a privilege to be allowed in! Somerset’s only countywide agency dedicated to developing visual arts, Each year, Somerset Open Studios also works with weaving together communities and individuals, organisations and schools to develop the supporting the artists who enrich our event. We are delighted to work with King’s School lives. We want Somerset to be a Bruton and Bruton School for Girls to offer new and place where people expect to exciting work from a growing generation of artistic engage with excellent visual art that talent. -
The Generations Tunebook Was Born of Necessity During the Course of an Educational Initiative Called, ‘The Generations Project’
South Riding Folk Arts Network The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport The Generations Tune Book The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport South Riding Folk Arts Network © 2005 The Generations Tune Book Introduction The Generations Tunebook was born of necessity during the course of an educational initiative called, ‘The Generations Project’. The project itself was initially, a simple exercise in Citizenship in a large South Yorkshire comprehensive school. The motivation behind this was to place teenagers at the heart of their community. The results of this venture had repercussions which are still being felt in the small mining town of Maltby which lies in the borough of Rotherham, not far from Sheffield. In 2002, the music department at Maltby Comprehensive School in partnership with the South Riding Folk Arts Network set about the task of teaching a group of 13 and 14 years old students the longsword dance. In this undertaking much support and encouragement was given by the national folk organisation, the English Folk Dance & Song Society. A group of students learned the dance whilst others learned to play the tunes to accompany the performance. Financial support from the school’s PTA allowed Head of Art, Liz Davenport, to create the striking costumes worn by the dancers. More support appeared in the form of folk arts development agency Folk South West who generously discounted their ‘College Hornpipe’ tunebook for the project. Players of orchestral instruments suddenly found themselves being extended by the apparently ‘simple’ melodies arranged by Paul Burgess. -
Before Newfoundland: Maud Karpeles in Canada
Before Newfoundland: Maud Karpeles in Canada Maud Karpeles (1885-1976) is best known for her Connecticut, and elsewhere in New England. She folksong collecting with Cecil Sharp in the also collected mumming play and dance tunes in Southern Appalachians, her biography of Sharp, Gloucestershire that year. In 1928 she collected and her work for the International Folk Music folksongs in Glamorgan, and then went hunting for Council. During 1929 and 1930 she made two mumming plays and dance tunes in Devon. She also collecting trips to Newfoundland, and eventually returned to Northumberland to collect country published most of what she gathered there in the dances.4 We don't have much detailed information 1971 edition of Folk Songs from Newfoundland. on these collecting trips, but an occasional Although this was Karpeles' most important solo reflection of them is to be found in the pages of the work as collector, during the late 1920s she also Journal of the Folk-Song Society. For example, one noted songs and dance tunes in the U.K., Canada, item, a "Wassail Song", that Maud noted from and New England. This aspect of Karpeles' work Edwin Ace at Llangeneth in Glamorgan on April seems to have been completely ignored. The aim of 18th, 1928, was printed in the Journal two years this paper is to shed some light on Karpeles' later, and her notes reveal that she also collected the activities as a tune-hunter between the death of same song from a Mr. Williams of Llanmaddock.5 Cecil Sharp and her second trip to Newfoundland. -
Halarose Borough Council
Electoral Registration Officer Election of Parish Councillors For the Area of Ashcott Parish RESULT OF UNCONTESTED ELECTION I, the undersigned, being the returning officer, do hereby certify that at the election of Parish Councillors for the above mentioned Parish, the following persons stood validly nominated at the latest time for delivery of notices of withdrawal of candidature, namely 4pm on Wednesday, 3rd April 2019 and have been duly elected Parish Councillors for the said Parish without contest. NAME OF PERSONS ELECTED HOME ADDRESS Bagg, Ian Cecil 23 High View Drive, Ashcott, TA7 9QY Howe, Adrian Malcolm 24 Ridgeway, Ashcott, Nr Bridgwater, TA7 9PP Lawrence, Jennifer Florence 7 High View Drive, Ashcott, Bridgwater, Somerset, TA7 9QY Linham, Robert Martin 5 High Street, Ashcott, Bridgwater, Somerset, TA7 9PL Smith, Emma Anne Millslade Farm, 2 Station Road, Ashcott, Bridgwater, TA7 9QP Dated: Thursday, 04 April 2019 Allison Griffin Returning Officer Electoral Registration Officer Bridgwater House King Square BRIDGWATER SOMERSET TA6 3AR Published and printed by Allison Griffin, Returning Officer, Electoral Registration Officer, Bridgwater House, King Square, BRIDGWATER, SOMERSET, TA6 3AR Electoral Registration Officer Election of Parish Councillors For the Area of Axbridge Parish RESULT OF UNCONTESTED ELECTION I, the undersigned, being the returning officer, do hereby certify that at the election of Parish Councillors for the above mentioned Parish, the following persons stood validly nominated at the latest time for delivery of notices -
Long, W, Dedications of the Somersetshire Churches, Vol 17
116 TWENTY-THIKD ANNUAL MEETING. (l[ki[rk^. BY W, LONG, ESQ. ELIEVING that a Classified List of the Dedications jl:> of the Somersetshire Churches would be interesting and useful to the members of the Society, I have arranged them under the names of the several Patron Saints as given by Ecton in his “ Thesaurus Kerum Ecclesiasticarum,^^ 1742 Aldhelm, St. Broadway, Douiting. All Saints Alford, Ashcot, Asholt, Ashton Long, Camel West, Castle Cary, Chipstaple, Closworth, Corston, Curry Mallet, Downhead, Dulverton, Dun- kerton, Farmborough, Hinton Blewitt, Huntspill, He Brewers, Kingsdon, King Weston, Kingston Pitney in Yeovil, Kingston] Seymour, Langport, Martock, Merriot, Monksilver, Nine- head Flory, Norton Fitzwarren, Nunney, Pennard East, PoLntington, Selworthy, Telsford, Weston near Bath, Wolley, Wotton Courtney, Wraxhall, Wrington. DEDICATION OF THE SOMERSET CHURCHES. 117 Andrew, St. Aller, Almsford, Backwell, Banwell, Blagdon, Brimpton, Burnham, Ched- dar, Chewstoke, Cleeve Old, Cleve- don, Compton Dundon, Congresbury, Corton Dinham, Curry Rivel, Dowlish Wake, High Ham, Holcombe, Loxton, Mells, Northover, Stoke Courcy, Stoke under Hambdon, Thorn Coffin, Trent, Wells Cathedral, White Staunton, Withypool, Wiveliscombe. Andrew, St. and St. Mary Pitminster. Augustine, St. Clutton, Locking, Monkton West. Barnabas, St. Queen’s Camel. Bartholomew, St. Cranmore West, Ling, Ubley, Yeovilton. Bridget, St. Brean, Chelvy. Catherine, St. Drayton, Montacute, Swell. Christopher, St. Lympsham. CONGAR, St. Badgworth. Culborne, St. Culbone. David, St. Barton St. David. Dennis, St. Stock Dennis. Dubritius, St. Porlock. Dun STAN, St. Baltonsbury. Edward, St. Goathurst. Etheldred, St. Quantoxhead West. George, St. Beckington, Dunster, Easton in Gordano, Hinton St. George, Sand- ford Bret, Wembdon, Whatley. Giles, St. Bradford, Cleeve Old Chapel, Knowle St. Giles, Thurloxton. -
Saints, Monks and Bishops; Cult and Authority in the Diocese of Wells (England) Before the Norman Conquest
Peregrinations: Journal of Medieval Art and Architecture Volume 3 Issue 2 63-95 2011 Saints, Monks and Bishops; cult and authority in the diocese of Wells (England) before the Norman Conquest Michael Costen University of Bristol Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Costen, Michael. "Saints, Monks and Bishops; cult and authority in the diocese of Wells (England) before the Norman Conquest." Peregrinations: Journal of Medieval Art and Architecture 3, 2 (2011): 63-95. https://digital.kenyon.edu/perejournal/vol3/iss2/4 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Costen Saints, Monks and Bishops; cult and authority in the diocese of Wells (England) before the Norman Conquest Michael Costen, University of Bristol, UK Introduction This paper is founded upon a database, assembled by the writer, of some 3300 instances of dedications to saints and of other cult objects in the Diocese of Bath and Wells. The database makes it possible to order references to an object in many ways including in terms of dedication, location, date, and possible authenticity, and it makes data available to derive some history of the object in order to assess the reliability of the information it presents. -
Langport and Frog Lane
English Heritage Extensive Urban Survey An archaeological assessment of Langport and Frog Lane Miranda Richardson Jane Murray Corporate Director Culture and Heritage Directorate Somerset County Council County Hall TAUNTON Somerset TA1 4DY 2003 SOMERSET EXTENSIVE URBAN SURVEY LANGPORT AND FROG LANE ARCHAEOLOGICAL ASSESSMENT by Miranda Richardson CONTENTS I. INTRODUCTION ................................... .................................. 3 II. MAJOR SOURCES ............................... ................................... 3 1. Primary documents ............................ ................................ 3 2. Local histories .............................. .................................. 3 3. Maps ......................................... ............................... 3 III. A BRIEF HISTORY OF LANGPORT . .................................. 3 IV. THE ARCHAEOLOGY OF LANGPORT . .............................. 4 1. PREHISTORIC and ROMAN ........................ ............................ 4 2. SAXON ........................................ .............................. 7 3. MEDIEVAL ..................................... ............................. 9 4. POST-MEDIEVAL ................................ ........................... 14 5. INDUSTRIAL (LATE 18TH AND 19TH CENTURY) . .......................... 15 6. 20TH CENTURY ................................. ............................ 18 V. THE POTENTIAL OF LANGPORT . ............................... 19 1. Research interests........................... ................................. -
THE MARY NEAL DAY Saturday 7 February 2009 2–11Pm CECIL SHARP HOUSE, LONDON Chronology of Mary Neal’S Life and Story
THE MARY NEAL DAY Saturday 7 February 2009 2–11pm CECIL SHARP HOUSE, LONDON Chronology of Mary Neal’s life and story 1860: Born Clara Sophia 5 June 1888: West London Mission as ‘Sister Mary’ 1891: Meets Emmeline Pethick 1895: Espérance Club set up 1900: Green Lady Hostel, Littlehampton 1905: Visits Cecil Sharp for songs and dances for Espérance party 1906: Teaching girls in Somerset, Devon, Derbyshire, Monmouth, Norfolk, Surrey and London. Mary takes WSPU minutes 1907: Set To Music dedicated to ‘C#’. Morris Book dedicated to Espérance Club. Punch Cartoon ‘Merrie England Once More’ 1908: Suffragette Rally Hyde Park, 300,000 1909: Differences voiced. Sharp ‘accuracy’ v Neal ‘zest’; ‘Blizzard’ of letters follows 1910: Travels to US with Florrie Warren 1911: The Espérance Morris Book. Blanche Payling to Thaxted. English Folk Dance Society started by Sharp 1912: Proposes national debate at Stratford Festival. WSPU ejects Pethick Lawrences. Mary leaves too. Shakespeare’s England at Earl’s Court 1914: Outbreak of WWI. Espérance Club closes 1914-18: Pensions Office, Isle of Dogs 1918: Sussex ‘Interlude’. Adopts two boys 1924: Cecil Sharp dies 1925: St Flora’s Road, Littlehampton. Becomes JP 1928: Women vote on same terms as men 1930: Donates to Cecil Sharp House Fund 1937: Awarded CBE. Writes Autobiography 1938: Visits Stow with Abingdon Morris 1940: Lives with Pethick Lawrences, Surrey 1942: Works for Gallup Survey 1944: Dies in sleep 22 June Introduction Welcome to Cecil Sharp House and the first public celebration of the life and work of Mary Neal CBE. The occasion marks a special day for us at the English Folk Dance and Song Society: the historic and symbolic start of a reconciliation between the stories of the Folk Revival’s main collaborators, Mary Neal and Cecil Sharp.