DOCSLIB.ORG

Paranoize38.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Paranoize38.Pdf PAGE THREE Paranoize is a non-profit independent February 1, 2016 publication based in New Orleans, Louisiana Only 4 months late in getting an issue out on covering metal, punk, hardcore, sludge, time! I’m getting better! Paranoize’s New Year’s Resolution is to actually crank these doom, stoner rock and pretty much anything issues out on a somewhat regular schedule. loud and noisy. At least every 3 months. I had a computer crash and blah blah blah you don’t care. Bands/labels are encouraged to send their music in to review, but if we don’t like it, This issue has interviews with 2 New you can bet that we’ll make fun of you. Orleans bands (Witch Burial and Glut) and 2 bands from the Gulf Coast (Future Hate, from Mobile, Alabama and Dragunov from Advertisements and donations are what keep Ocean Springs, Mississippi). You’ll be this publication FREE. Go to seeing more coverage on bands in the www.paranoizenola.com or email Southern U.S. that catch our ears in future [email protected] to find out how issues, but the majority will still be what’s to donate or advertise. happening in the New Orleans scene. You may send all comments, questions, Of course if you’ve even picked this up you know that the world of loud, noisy music has letters, music for review (vinyl, cassette, cd), lost a true legend and pioneer, As a tribute to ‘zines for trade, money, various household the life and music of Lemmy Kilmister, Al items, etc. to: Hodge has contributed his journal entry Paranoize which recounts the Motorhead/Agnostic P.O. Box 2334 Front/Hallows Eve show (and the ensuing Marrero, LA 70073-2334 riot) on October 27th, 1986 in Chalmette, Louisiana. USA I leave you with this drawing of Visit Paranoize on the internet at: Snaggletooth by Jenn Attaway. www.paranoizenola.com Thanks for reading this issue of Paranoize! facebook.com/paranoizenola Bobby Bergeron paranoizenola.bandcamp.com -editor paranoizenola.blogspot.com Paranoize #38 credits: Bobby Bergeron: Glut interview, Dragunov interview, reviews, layout, tyrant. Jenn Attaway Future Hate interview Lizard Witch Burial interview Al Hodge III Motorhead story and cover photo (Motorhead at the St. Bernard Civic Center 10-27-86) NEW ORLEANS SCENE REPORT Joe Laubach (The Eat the Witch, Short Leash and Pallbearers/Medically Separated) Glut has launched a record label, Summary Execution Records, and Recordings for Disappointed Parents has a few release coming out: and Donkey Puncher are both in the Medically Separated split 7" with finalizing process and will be out this Nola/Houston band Fugitive Family year. Baghead (from Hattiesburg, MS) 7” Short Leash 7" (sometime in late Classhole has released their self titled February right before they leave for album on cd through The Compoud tour through Texas and Mexico). Records. A split 7” with Fuck You Pay Me is in the works! The Pallbearers new album is on hiatus, because Richie Roachclip is in A Hanging will be releasing a few need of an operation. tracks on compilations this year (the “Crescent City Carnage” comp LP, a Josh Vaughan (aka Josh Wolf) of 4-way split 7” with Dragunov, Reason Of Insanity, Snooty Wartrodden and Before I Hang, and Garbagemen, Secret Prostitutes, too a cassette compilation that Rob many other bands, has moved to New Lovell is putting together. Orleans and is starting a few new projects with many people here. Baptizer’s 2015 demo is being released on cassette through A Dummy Dumpster is finished Necessary Evil Records and have recording the new album "Red Sword recently added a bass player, Todd Of Redemption" and there will be a Strange (Crowbar/Down) adding NOLA cd release show in February or some low end to their sludgy death March. sound! Six Pack have finally released their Eyehategod has splits with Bl’ast and cd "Demonic Possession" Mountain Of Wizard coming soon! Gristnam has released “Release 3” on Opprobrium (formerly Incubus) will their bandcamp page and also have a have a remastered version of their split with Fulgora coming out in a “Serpent Temptation” re-released by few months Relapse Records and may possibly even have a couple of reunion shows CRage! Records will be releasing this year! Crescent City Carnage, a 12” compilation featuring A Hanging, Desecrator is a bad ass new thrash Gristnam, Ossacrux, FSUP, …I band featuring members of Most Ain't, Solid Giant, Sunrise:Sunset, Heinous and Short Leash. Add some Satan and some spells and you have Witch Burial. Any of you guys religious? Naw , just hateful. You guys planning on playing more shows after the record is released? We're hoping to tour in support of the album. Do a bunch of weekend gigs and then a 2 week tour. We try not to play the local scene much. People around here can burn their shit out. We don't wanna be that band. Witch Burial is a four piece blackened rock n What is your definition of black metal? roll band with members from other bands! Me personally its all about nasty, dirty, mean Listen to them and read this... hatred. I want to kill you and your family in the name of Satan type shit. I get bored with Between all you guys, what bands/projects atmospheric stuff, although I do love are y'all in? Burzum hhaha. We're not into new hip Well there is a lot of em. I myself there’s shitster bands . No progressive/No Nex de Omnis, Writhe, Serpentis , Rob has hipsters/no nerd glasses hahahah Ossacrux and 100 other punk bands. Jared, the singer is in Nex de Omnis with me and As far as the NOLA scene goes, do bands he was the first singer of Goatwhore. Chip is with your style get respected the same? in Diab and Sam is from Gloria Lunae. Well, NOLA is known for its sludge music. People expect every band from here to sound What era Goatwhore Jared play in? like that shit. Things are getting better. The He was the first guy, back when it was called bands are getting better and the crowds are Killgore. getting bigger. I guess after you play for 13, 14 years in one city people start to notice. So You have any other recordings besides the yeah I think things are getting better for bandcamp stuff? black/death metal here. We just finished up recording our new album. It’s gonna be released through the What are some of your favorite local Occult Roots label hopefully at the end of bands? the year. There's some good bands here. I like Six Pack, A Hanging, Dummy Dumpster, When did you guys decide to start Witch Demonic Destruction, Abysmal Lord, Burial? Ossacrux, FSUP, Classhole.. Mehenet I Well Sam and I were jamming with Writhe could go on and on. and that kind of lost steam. So we changed the music to be a little more abrasive and How do you like Phil and his 100 projects? called in Jared to sing. Later Rob answered No comment hahha Naw man, he does a lot an ad for a bass player and Chip came along of shit. I guess if I were in his position id do and kind of finished up the sound we have. the same. I dig Christ Inversion and Old It’s a great group of guys to jam with. Necrophagia. As with all your projects, evil shit seems to You can check Witch Burial out at: be the focus of your writing…. How do the witchburial504.bandcamp.com songs come together lyrically? Jared and I talk about what direction songs should go in. And he just comes up with some great lyrics. We try to focus on true evil. Murder, war, just mean spirited shit. the Eiffel Tower, Today is the Day, Cows, MDC, Die Kreuzen, Black Orphan, Executive Slacks, Creeps on Candy, Qui, Killdozer, Wire, Big Black, Subhumans, Lydia Lunch, The Fall, The Dicks. Some of my favorite bands that we’ve played with in some form or another are Golden Pelicans, Dummy Dumpster, Mr. Clit and the Pink Cigarettes, Fat Stupid Ugly People, Nots, Child Bite, Negative Approach, Buck Biloxi and the Fucks, Future Hate consists of Miranda Pixley on Liquor and Lies, Classhole, Party Plates, vocals, Dennis Hyland on guitar, Matt Salts, and I’m probably forgetting a lot of Martin on bass, and Austin Reidy on great shows off the top of my head drums. When Austin is training to be a because I’m an alcoholic but I TRIED. military helicopter pilot (no, really), Honestly, I could blubber on in this David White takes over on drums. Matt section but I won’t bore too much. This is and Dennis are two of the original just a small portion. members of Naked Intruder, although The most recent thing I’ve been listening Miranda and Austin were also in the band to is Dope-Guns-’N-Fucking in the at the time of its demise. All four members Streets, as well as Skin Graft of Future Hate are also in CCCR with compilations. I like a LOT of noise. Matt Jamie Vayda of The Stovebolts on vocals. likes Toto. Miranda plays bass in that project. Future Hate will be playing at Circle Bar on February 26th. I caught up with her to Where does some of the inspiration see what’s going on these days. from your songwriting come from? Honestly, passages that I read from my futurehate.bandcamp.com favorite authors really help to motivate and capture horrific graphic imagery.
Load more

Recommended publications
  • The New Yorker, March 9, 2015
    PRICE $7.99 MAR. 9, 2015 MARCH 9, 2015 7 GOINGS ON ABOUT TOWN 27 THE TALK OF THE TOWN Jeffrey Toobin on the cynical health-care case; ISIS in Brooklyn; Imagine Dragons; Knicks knocks; James Surowiecki on Greece. Peter Hessler 34 TRAVELS WITH MY CENSOR In Beijing for a book tour. paul Rudnick 41 TEST YOUR KNOWLEDGE OF SEXUAL DIFFERENCE JOHN MCPHEE 42 FRAME OF REFERENCE What if someone hasn’t heard of Scarsdale? ERIC SCHLOSSER 46 BREAK-IN AT Y-12 How pacifists exposed a nuclear vulnerability. Saul Leiter 70 HIDDEN DEPTHS Found photographs. FICTION stephen king 76 “A DEATH” THE CRITICS A CRITIC AT LARGE KELEFA SANNEH 82 The New York hardcore scene. BOOKS KATHRYN SCHULZ 90 “H Is for Hawk.” 95 Briefly Noted ON TELEVISION emily nussbaum 96 “Fresh Off the Boat,” “Black-ish.” THE THEATRE HILTON ALS 98 “Hamilton.” THE CURRENT CINEMA ANTHONY LANE 100 “Maps to the Stars,” “ ’71.” POEMS WILL EAVES 38 “A Ship’s Whistle” Philip Levine 62 “More Than You Gave” Birgit Schössow COVER “Flatiron Icebreaker” DRAWINGS Charlie Hankin, Zachary Kanin, Liana Finck, David Sipress, J. C. Duffy, Drew Dernavich, Matthew Stiles Davis, Michael Crawford, Edward Steed, Benjamin Schwartz, Alex Gregory, Roz Chast, Bruce Eric Kaplan, Jack Ziegler, David Borchart, Barbara Smaller, Kaamran Hafeez, Paul Noth, Jason Adam Katzenstein SPOTS Guido Scarabottolo 2 THE NEW YORKER, MARCH 9, 2015 CONTRIBUTORS eric schlosser (“BREAK-IN AT Y-12,” P. 46) is the author of “Fast Food Nation” and “Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety.” jeFFrey toobin (COMMENT, P.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Here Any Question When a Cut and a Slice Are Just the Same
    Architectural Association The Slice: School of Architecture Cutting to See A cut and a slice is there any question when a cut and a slice are just the same. A cut and a slice has no particular exchange it has such a strange exception to all that which is different. A cut and only slice, only a cut and only a slice, the remains of a taste may remain and tasting is accurate. A cut and an occasion, a slice and a substitute a single hurry and a circumstance that shows that, all this is so reasonable when every thing is clear. — Gertrude Stein, What Happened: A Play (1922) Seeing is a matter of surfaces. It’s for this a secret order, spill lurid innards and open reason that both vision and representation new views. The convention of the architec- are continually haunted by the problem tural cross-section here finds its parallel of insides and outsides – the relationship in the physical sectioning of histological between the external and what lies within. specimens. The pleasures of the Paris- A merely perceptual matter? If only. It has ian voyeur meet the dutiful labours of the crept on us: the ocular paradigm of post- lumberjack. The earth itself, like an onion, Cartesian metaphysics gradually sublimed reveals its hidden structure. So take a look. this pervasive visual anxiety, creating in But remember, cutting to see is an object the process our basic metaphors for critical lesson in the violence of vision. The world inquiry itself: ‘superficial’ propositions, looks different when you wield an edge.
    [Show full text]
  • April's Fools
    APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109
    [Show full text]
  • Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
    MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4.
    [Show full text]
  • Viking Interview: Q&A with Jamey Jasta by Daniel Offner When
    Viking Interview: Q&A with Jamey Jasta By Daniel Offner When uttered, the name “Hatebreed” brings many things to mind, but what stands out most is the vocal talent of Jamey Jasta. Jasta, along with band mate Chris Beattie, founded the band in 1994 out of New Haven, Connecticut. Jasta is not only the lead singer of Hatebreed but has also gone off to do successful side projects with bands Icepick and Kingdom of Sorrow. He has also gone off to host MTV’s reincarnation of the 80’s hit program Headbanger’s Ball. This year Jamey will be touring with both Hatebreed (on the Jagermeister Music Tour) and Kingdom of Sorrow (at Ozzfest in Texas). The following is my Viking Interview with Jamey Jasta. Viking News: Where did the name Hatebreed come from? Jamey Jasta: “From the Misfits song ‘Hatebreeders’. We just took off the ‘e-r- s’.” VN: What inspired you guys to play music? JJ: “Well I think when me and (Chris) Beattie started the band we were already in other bands, and the other bands fizzled out. So to start this band and to play this music the inspiration was to do something bigger and better and more focused. But I think initially for both of us we were just drawn to music because of the community in itself.” VN: What type of bands influenced your style of music as a whole? JJ: “I would say bands like Slayer, Sepultura, Obituary, Entombed and more metal stuff like Carcass. On the hardcore side Agnostic Front, Killing Time, Sheer Terror, Integrity, Earth Crisis and bands like that.” VN: You mentioned Agnostic Front, which is playing the Dour Festival with you guys in Belgium.
    [Show full text]
  • Cows and Beer” Ep on Beer City Skateboards and Records
    TO RELEASE REMASTERED VINYL VERSION OF LEGENDARY “COWS AND BEER” EP ON BEER CITY SKATEBOARDS AND RECORDS DIE KREUZEN TO RELEASE REMASTERED VINYL VERSION OF LEGENDARY “COWS AND BEER” EP ON BEER CITY SKATEBOARDS AND RECORDS REISSUE TO FEATURE VASTLY IMPROVED SOUND QUALITY, COLORED VINYL AND LIMITED 12" FORMAT VERSIONS. MILWAUKEE, WI - DIE KREUZEN announces the forthcoming official reissue of its historic, seminal Cows and Beer 7" EP in a special remastered edition. released by Milwaukee's BEER CITY SKATEBOARDS AND RECORDS, this deluxe Cows and Beer format will feature much improved sound quality and will be pressed on four different colors of vinyl. In addition, a special limited - edition 12" will be available that will exclusively offer the richest, most dynamic playback of this landmark hardcore classic yet. Both editions will be released April 19th 2014, to coincide with Record Store Day 2014. "We are doing this because we want to squash the bootleggers," DIE KREUZEN singer Dan Kubinski explained. "For years they have been putting out inferior-quality bullshit and ripping off our fans. We want to give our fans a very clean, crisp, loud-and-heavy version of Cows and Beer. Billy Cicerelli from WMSE did the remastering -and man, did he do an awesome job! His new version blows the doors and windows off of any other, including the original Version Sound release" DIE KREUZEN also acknowledges that these newly remastered editions of Cows and Beer will feature the original lyrics and liner notes, augmented with new liner notes and photos contemporary to the era/ " Because the mastering sounds so sweet, we will release a 12" version which will include a DIE KREUZEN comic book inked by the great Brian Walsby," Kubinski continues.
    [Show full text]
  • From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge.
    [Show full text]
  • Listesommer2010.Pdf
    Kink Records Tel.: 06221/729646 Alstater Str. 33 Stand: Sommer 2010 http://www.kink-records.de 69124 Heidelberg [email protected] Wie immer wurde die Mailorderliste wieder ein paar Wochen später fertiggestellt, als ich eigentlich geplant hatte, aber passend zu den sommerlichen Temperaturen der letzten beiden Wochen gibts jetzt endlich den Katalog für Sommer 2010. Mittlerweile sind die beiden, in der letzten Liste angekündigten, neuen Kink Records Releases erschienen und ihr könnte die Years of Decay / Sand Creek Massacre – Split LP und die Hellborn Messiah / Post War Depression – Split LP hier erwerben. Für den weiteren Verlauf des Jahres sind noch einige weitere Veröffentlichungen geplant - als nächstes wird wohl die Tape-Version des Demos von Life Ends (http://www.myspace.com/lifeendsgrindcore) erscheinen. Weiterhin geplant ist die Debüt 7" von The Rätz (http://www.myspace.com/1234theratz) zusammen mit That Lux Good Records und die Debüt 7" von SLUMP (http://www.myspace.com/slumpgrind) zusammen mit Vulgar Records. Vom SLUMP Demo-Tape habe ich noch ein paar wenige Exemplare hier, ebenso von der Lipkick 7". Um das alles realisieren zu können, hoffe ich auf eure Bestellungen ... Und zum Schluss noch meine persönlichen Favoriten von den neuen Platten in der Liste : All Aboard! 7", Atentado 7", Bernays Propaganda LP, Cold Death Demo Tape, Disco Vietnam – Dong Xuan 7", Dramamine LP, The Estranged LP, Government Flu 7", Government Warning – Executed 7", Herpes LP + 7", Hex Dispensers – Winchester Mystery House LP, Killerlady 7", Knuste Ruter LP + 7", Nails 7", Red Dons LP, Something Fierce 7", Vengeance 7" und natürlich die neue Ausgabe vom Short, Fast & Loud Fanzine inkl.
    [Show full text]