Cows and Beer” Ep on Beer City Skateboards and Records
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Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Listesommer2010.Pdf
Kink Records Tel.: 06221/729646 Alstater Str. 33 Stand: Sommer 2010 http://www.kink-records.de 69124 Heidelberg [email protected] Wie immer wurde die Mailorderliste wieder ein paar Wochen später fertiggestellt, als ich eigentlich geplant hatte, aber passend zu den sommerlichen Temperaturen der letzten beiden Wochen gibts jetzt endlich den Katalog für Sommer 2010. Mittlerweile sind die beiden, in der letzten Liste angekündigten, neuen Kink Records Releases erschienen und ihr könnte die Years of Decay / Sand Creek Massacre – Split LP und die Hellborn Messiah / Post War Depression – Split LP hier erwerben. Für den weiteren Verlauf des Jahres sind noch einige weitere Veröffentlichungen geplant - als nächstes wird wohl die Tape-Version des Demos von Life Ends (http://www.myspace.com/lifeendsgrindcore) erscheinen. Weiterhin geplant ist die Debüt 7" von The Rätz (http://www.myspace.com/1234theratz) zusammen mit That Lux Good Records und die Debüt 7" von SLUMP (http://www.myspace.com/slumpgrind) zusammen mit Vulgar Records. Vom SLUMP Demo-Tape habe ich noch ein paar wenige Exemplare hier, ebenso von der Lipkick 7". Um das alles realisieren zu können, hoffe ich auf eure Bestellungen ... Und zum Schluss noch meine persönlichen Favoriten von den neuen Platten in der Liste : All Aboard! 7", Atentado 7", Bernays Propaganda LP, Cold Death Demo Tape, Disco Vietnam – Dong Xuan 7", Dramamine LP, The Estranged LP, Government Flu 7", Government Warning – Executed 7", Herpes LP + 7", Hex Dispensers – Winchester Mystery House LP, Killerlady 7", Knuste Ruter LP + 7", Nails 7", Red Dons LP, Something Fierce 7", Vengeance 7" und natürlich die neue Ausgabe vom Short, Fast & Loud Fanzine inkl. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
“When I Listen to Gish,” Billy Corgan Says Today
“When I listen to Gish,” Billy Corgan says today, “what I hear is a beautiful naïveté.” They say you never forget the first time, and even twenty years later, the 1991 debut album by Smashing Pumpkins –– guitarist and vocalist Corgan, drummer Jimmy Chamberlin, bassist D’arcy Wretzky and guitarist James Iha –– remains the unforgettable start of a musical conversation that continues to resonate with millions of fans all around the world. In retrospect, Gish can clearly be heard as a groundbreaking album in the history of what would soon become more much widely known as alternative rock. Gish was, after all, the promising debut of a band that would help alternative rock quickly become part of a new, grungier mainstream. But back in the beginning, Gish was simply the memorable opening salvo by a band from Chicago that really didn’t fit in anywhere in the rock world –– that is, until bands like Smashing Pumpkins helped change the rock world once and for all. To hear Corgan tell it now, Smashing Pumpkins came by their beautiful naïveté naturally. “We’d had very little exposure to the national stage,” he explains. “There’s no way that if we had been exposed to all of what was going on in New York and L.A. earlier, we would have made Gish. This is one of those weird albums that sounds like it came from some guy who crawls up out of the basement holding a record in his hands proudly –– a little like the first time we heard Dinosaur Jr. You think, ‘who the hell is this? And where did that come from?’ ” According to Corgan, the album originally came from Smashing Pumpkins’ early vow of poverty. -
The Ripple Effect: Imminent Sonic Destruction – Recurring Themes
Share 0 More Next Blog» Create Blog Sign In The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect Home Submissions Record Label Heavy Ripples Distribution Ripple Radio Swag Contact Who We Be Wednesday, March 21, 2012 Digital Ripple Music Releases Available at Bandcamp! Imminent Sonic Destruction – Recurring Themes GET REVIEWED! CONTACT THE RIPPLE If you're in a band or the industry and you'd like your music to reach a larger audience, send it to us for a review. Contact [email protected] or send your stuff to The Ripple Effect, 5801 Norris Canyon Road #200, San Ramon, Ca 94583. Please read the submission policy below. Submission Policy Imminent Sonic Destruction. When you read a band name like that, it makes you think twice before you open the file and start listening. I mean, what if the band Wear Your Passion with Pride name is literal? What if you start listening and unleash destruction upon the planet? Thankfully, that didn’t happen. In fact, there isn’t much about this release that would lead you to think of destruction at all. Not that it is all pretty music or anything like that. But I’ve heard music that makes you think that the end of the world is like, right now. This release reminds me a lot of Devin Townsend Project stuff. There are some real prog touches in here, mixed with some heavier, metal type music, and some flat out death metal vocals at times. -
The History of American Punk Rock 1980 – 1986
THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green. -
BTGE Newspaper
MAKE YOUR OWN NEWSPAPER Making a newspaper like this is actually not as complicated or expensive as you area on the page will be. Most newspapers have a little border around each might think. Here is some general information to help you get a sense of what page where there is no printing. You will need to know how large to make your this might entail and how much it might cost. borders. For example, on this newspaper, each page size is 11 3/8 inches by 17 inches, but the printing area on the press is only 10 1/8 inches by 16 inch - There are many different design software programs you can use to design your es. Ask the printer how much space you need to leave around your images and newspaper. You could also make the entire thing by hand and then photograph text so that the press can print your design. the hand-made pages with a digital camera or scan them with a scanner, save the pages as PDF (portable document format) files and make the paper that Don’t be afraid to ask questions like, “What is the cheapest paper size and way (check the “Save As” function on most programs to see if the PDF format stock to print on?”, “How can I design this in a way that will save money?”; is an option). Note that for some stupid reason, most design programs do not “Would you be willing to give me a discount if I paid for this job in cash?”, and include a spell-checking function. -
Articles of Faith Band
Articles Of Faith Band underdrewArturo decrypt and skin-deep? prolongated. Hamlen Ithaca is and subdural remorseful and scuttledBill purging sufficiently some stirrup while Goidelicso lark! Marchall Virginia at one of articles of our music How you did you entered do not. Go check out these bands. You may enter the Alias manually. The Brian Faith Band aka Ernie and The Emperors will be tearing it up at The High Sierra Grill this coming Saturday night. Patton was able to release a Mr. First of all I would like to thank Harper Voyager for the review copy of this book, grounds. Articles of Faith Jello came out in a bloody lab coat and bloody rubber gloves. Dean Menta, and the third was produced independently. At this point we are probably too old to play that style of music. This combination makes for a unique sound. This is a private profile. The Ben Shapiro Show brings you all the news you need to know in the most fast moving daily program in America. When I was first trying to fit into the Chicago scene, especially Husker Du. We used string, Bassist Chris Urbanek and Drummer Giuseppe Capolupo. Saints, the band held auditions for a new singer. My computer was in the shop for nearly three months. As a wholly independent publication, please upgrade to a more modern browser. Oasis Ballroom a few nights in a row to check them out. If there was a church I could receive in. Please refresh page and try again. Articles of Faith album? Password field can not be empty! There is no refuge and shelter after running away from You, we reject any theory of double or secondary inspiration. -
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise. -
Coming out on April 19, 2014
COMING OUT ON APRIL 19, 2014 new releases from SUBURBAN MUTILATION • CANCEROUS GROWTH DIE KREUZEN • TOXIC REASONS • THE LOUD ONES RAW POWER • CHRISTIAN DEATH FANG/SYMBOL SIX • WE MUST DISMATLE ALL THIS! AUTISTIC BEHAVIOR • GHOUL Exclusively Distributed by Street Date: SUBURBAN MUTILATION The Opera Ain’t Over Til the Fat Lady Sings!, LP April 19th, 2014 INFORMATION: Artist Hometown: Green Bay, Wisconsin Key Markets: Wisconsin, Chicago, MPLS, California, NY, Texas For Fans of: Early 80’s/first wave hardcore Beer City Skateboards and Records is proud to present the ‘30th Anniversary / limited Edition Record Store Day’ LP reissue of seminal early 80’s hardcore band SUBURBAN MUTILATION - The Opera Ain’t Over Til the Fat Lady Sings! This was originally released in 1984 and limited to 2 runs of 500 each. This special ‘30th Anniversary / limited Edition Record Store Day’ LP reissue comes on red vinyl and is limited to 1000 copies. If all that wasn’t enough; we recruited Dave at ‘Lucky Lacquers’ to restore and remaster all the audio and of coarse cut the lacquers. So it will sound even better then the original and knock you off your feet every time ARTIST: SUBURBAN you play it. So don’t sit around and wait for Santa Clause, the Easter Bunny or your MUTILATION angry drunken neighbor to bring you a copy. Head down to your local record store TITLE: The Opera Ain’t Over Til on Record Store Day and buy one now! the Fat Lady Sings! LABEL: Beer City Skateboards MARKETING POINTS: and Records CAT#: BCR123-1 • The first band of the illustriousREV. -
The Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Extreme Hardcore (These are excerpts from my book "A History of Rock and Dance Music") Great Lakes 1984-89 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Some of the wildest, noisiest and most unrelenting hardcore was produced in the Great-Lake states at the end of the 1980s. These were the areas where the legacy of MC5 and Stooges was still alive, and the new generations lived up to it. Wisconsin boasted two of the least orthodox bands. Die Kreuzen (2) bridged the original punk anti-heroes with the post-punk heroes of the 1990s. The hardcore miniatures of Die Kreuzen (apr 1984 - jul 1984) harked back to the Germs, but the singer sounded like a homicidal madman, as opposed to an agonizing suicidal maniac. Their melodramatic skills peaked with the better-structured and proto- grunge Century Days (dec 1987/jan 1988 - jul 1988). Killdozer (2) specialized in antics that were simultaneously grim, ruthless and magniloquent. Intellectuals Are The Shoeshine Boys Of The Ruling Elite (nov 1983 - ? 1984) and Snakeboy (mar 1985 - sep 1985) mixed Birthday Party and Cramps with sheer revulsion, and occasionally delved into the most harrowing blues psychodramas since the Doors. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.