BTGE Newspaper
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tangela Sears Is the Area's Loudest Voice Against
OCTOBER 1-7, 2015 | VOLUME 18 | NUMBER 49 MIAMINEWTIMES.COM I FREE TANGELA SEARS IS THE AREA’S LOUDEST VOICE AGAINST URBAN BLOODSHED. PAGE 7 NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 18 | NO. 49 | OCTOBER 1-7, 2015 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Chris Joseph, Jessica Swanson, Kyle Swenson MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Laurie Charles PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Victor Gonzalez, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman ART | CONTENTS | | CONTENTS ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz PRODUCTION ARTIST Michael Campina Photo by Karli Evans Karli by Photo EWS | PULP EWS N ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Featured Stories ▼ Y | MARKETING DIRECTOR Morgan Stockmayer EVENT DIRECTOR CarlaChristina Thompson DA RETAIL/MARKETING COORDINATOR Carolina del Busto SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Shot Through Peter Heumann, Kristi Kinard-Dunstan ACCOUNT EXECUTIVES the Heart Michelle Beckman, Paige Bresky, Jasmany Santana, Liza Vallejos Tragedy hits home for anti-gun activist Tangela Sears. CLASSIFIED GE | NIGHT+ SENIOR ACCOUNT EXECUTIVES BY TREVOR BACH | PAGE 7 A Patrick Butters, Ladyane Lopez, Joel Valez-Stokes T S CIRCULATION CIRCULATION DIRECTOR Richard Lynch Wizards and CIRCULATION ASSISTANT MANAGER Rene Garcia Hobbits BUSINESS GENERAL MANAGER Russell A. -
2006 TRASH Regionals Round 07 Tossups
2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams. -
New Shuttle Route Changes. Take Effect Oct. 2
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 9-25-2006 Current, September 25, 2006 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, September 25, 2006" (2006). Current (2000s). 299. https://irl.umsl.edu/current2000s/299 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. s ' SINCE 966 TUO' N·W PAI~ER September 25, 2006 www.thecurrentonline ..com \,Oll' Mr olO. ISSt' F ]1<)3 INSIDE' . International . Center for Tropical New shuttle route changes.take effect Oct. 2 Ecology renamed By JAsON GRANGER Helton said the new · shuttle is "But we are making the priority aca ------ ----~ Orange Line Green Line Blue Line Whitney Harris, former ' focused on student needs ~d will demics. We are unclogging the shuttle StaffViriter systein." . prosecutor in the 1945 expedite student transportation. 'Tm excited about it," Helton That is the most important aspect Nazi trials and contribu • Main Circle / • Main Circle / • Main Circle I Revamped shuttle routes go into said. "I think students will respond of the new system, according to tor to the center, recent- University Drive University Drive effect Monday, Oct. .1, routes that positively to the new route[s]." Helton. University Drive 1y donated $1 .5 million . Student Government Vice President The new routes wilI'be color coded "I think that it makes the prioritY • ZTNSouth Metro • Millennium' • Normandie Hall to the T~opical Ecology . -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Cows and Beer” Ep on Beer City Skateboards and Records
TO RELEASE REMASTERED VINYL VERSION OF LEGENDARY “COWS AND BEER” EP ON BEER CITY SKATEBOARDS AND RECORDS DIE KREUZEN TO RELEASE REMASTERED VINYL VERSION OF LEGENDARY “COWS AND BEER” EP ON BEER CITY SKATEBOARDS AND RECORDS REISSUE TO FEATURE VASTLY IMPROVED SOUND QUALITY, COLORED VINYL AND LIMITED 12" FORMAT VERSIONS. MILWAUKEE, WI - DIE KREUZEN announces the forthcoming official reissue of its historic, seminal Cows and Beer 7" EP in a special remastered edition. released by Milwaukee's BEER CITY SKATEBOARDS AND RECORDS, this deluxe Cows and Beer format will feature much improved sound quality and will be pressed on four different colors of vinyl. In addition, a special limited - edition 12" will be available that will exclusively offer the richest, most dynamic playback of this landmark hardcore classic yet. Both editions will be released April 19th 2014, to coincide with Record Store Day 2014. "We are doing this because we want to squash the bootleggers," DIE KREUZEN singer Dan Kubinski explained. "For years they have been putting out inferior-quality bullshit and ripping off our fans. We want to give our fans a very clean, crisp, loud-and-heavy version of Cows and Beer. Billy Cicerelli from WMSE did the remastering -and man, did he do an awesome job! His new version blows the doors and windows off of any other, including the original Version Sound release" DIE KREUZEN also acknowledges that these newly remastered editions of Cows and Beer will feature the original lyrics and liner notes, augmented with new liner notes and photos contemporary to the era/ " Because the mastering sounds so sweet, we will release a 12" version which will include a DIE KREUZEN comic book inked by the great Brian Walsby," Kubinski continues. -
Information and Secrecy in the Chicago DIY Punk Music Scene Kaitlin Beer University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 "It's My Job to Keep Punk Rock Elite": Information and Secrecy in the Chicago DIY Punk Music Scene Kaitlin Beer University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Social and Cultural Anthropology Commons Recommended Citation Beer, Kaitlin, ""It's My Job to Keep Punk Rock Elite": Information and Secrecy in the Chicago DIY Punk Music Scene" (2016). Theses and Dissertations. 1349. https://dc.uwm.edu/etd/1349 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “IT’S MY JOB TO KEEP PUNK ROCK ELITE”: INFORMATION AND SECRECY IN THE CHICAGO DIY PUNK MUSIC SCENE by Kaitlin Beer A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT “IT’S MY JOB TO KEEP PUNK ROCK ELITE”: INFORMATION AND SECRECY IN THE CHICAGO DIY PUNK MUSIC SCENE by Kaitlin Beer The University of Wisconsin—Milwaukee, 2016 Under the Supervision of Professor W. Warner Wood This thesis examines how the DIY punk scene in Chicago has utilized secretive information dissemination practices to manage boundaries between itself and mainstream society. Research for this thesis started in 2013, following the North Atlantic Treaty Organization’s meeting in Chicago. This event caused a crisis within the Chicago DIY punk scene that primarily relied on residential spaces, from third story apartments to dirt-floored basements, as venues. -
Listesommer2010.Pdf
Kink Records Tel.: 06221/729646 Alstater Str. 33 Stand: Sommer 2010 http://www.kink-records.de 69124 Heidelberg [email protected] Wie immer wurde die Mailorderliste wieder ein paar Wochen später fertiggestellt, als ich eigentlich geplant hatte, aber passend zu den sommerlichen Temperaturen der letzten beiden Wochen gibts jetzt endlich den Katalog für Sommer 2010. Mittlerweile sind die beiden, in der letzten Liste angekündigten, neuen Kink Records Releases erschienen und ihr könnte die Years of Decay / Sand Creek Massacre – Split LP und die Hellborn Messiah / Post War Depression – Split LP hier erwerben. Für den weiteren Verlauf des Jahres sind noch einige weitere Veröffentlichungen geplant - als nächstes wird wohl die Tape-Version des Demos von Life Ends (http://www.myspace.com/lifeendsgrindcore) erscheinen. Weiterhin geplant ist die Debüt 7" von The Rätz (http://www.myspace.com/1234theratz) zusammen mit That Lux Good Records und die Debüt 7" von SLUMP (http://www.myspace.com/slumpgrind) zusammen mit Vulgar Records. Vom SLUMP Demo-Tape habe ich noch ein paar wenige Exemplare hier, ebenso von der Lipkick 7". Um das alles realisieren zu können, hoffe ich auf eure Bestellungen ... Und zum Schluss noch meine persönlichen Favoriten von den neuen Platten in der Liste : All Aboard! 7", Atentado 7", Bernays Propaganda LP, Cold Death Demo Tape, Disco Vietnam – Dong Xuan 7", Dramamine LP, The Estranged LP, Government Flu 7", Government Warning – Executed 7", Herpes LP + 7", Hex Dispensers – Winchester Mystery House LP, Killerlady 7", Knuste Ruter LP + 7", Nails 7", Red Dons LP, Something Fierce 7", Vengeance 7" und natürlich die neue Ausgabe vom Short, Fast & Loud Fanzine inkl. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
Westfield Memorial Library 550 E Broad Si Westfield Mj 07090-2116
Si3 PI •«*****«**CAR-RT L0T**C015 I 3 WESTFIELD MEMORIAL LIBRARY 550 E BROAD SI WESTFIELD MJ 07090-2116 07090211650 96 {topulos. flan 9t*tu*. fVrbtmmui rsMaarS ISO rswiae, Stan Siftwwfcir V law OUR 115th YEAR - ISSUE NO. 30-2005 I SPS 6*0020 Thursday. July 28, 2005 (908) 232-1407 Periodical - Postal Paid at Westfield, N J. www.gotradtr.coni [email protected] SIXTY CENTS Hearing Begins For Police Officer With an Unusual Public Forum By PAUL J. PEYTON for 11 a.m. on Wednesday, August 17. Chambers. Specialty Written /ttr The WetlfielJ leader The hearing was made public at the The police department’s case was WESTFIELD - In an unusual pub insistence of Detective Chambers, presented by James Plosia, Jr. of the lic forum, the Westfield Police De which is within her rights according law firm of Apruzzese, McDermott, partment began its disciplinary hear to written procedures for departmen Mastro & Murphy of Liberty Comer, ing last Thursday at noon against tal disciplinary hearings. Detective which represents the town in labor Detective Sandra Chambers, suppos Chambers was the first woman hired matters. edly charged with fixing a $20 park by the department when she joined Attorney Hassan Abdellah of Eliza ing ticket and covering up the matter. the force in 1995. beth represented Detective Cham Detective Chambers has been sus Held in the Community Room of bers. pended with pay since March. Dur the municipal building, approxi James Damato, a Morris County attorney, conducted the hearing. He said his role was, “to determine what the facts are and to listen to all of the evidence.” His recommendations are non-binding. -
W E Are Reserved in Shanahan B460 Through July 2015
5 1 0 2 ly Galileo Galilei Galilei Galileo u J h g u ro h t 0 6 4 B n a h a n a h S n i ed v er es I've loved the stars too fondly to be fearful of the night. the be fearful of the stars too fondlyto I've loved r re a e W Volume 35 Number 3 nightwatch March 2015 What's Up? - Weird White Dwarfs The weirdest dwarf stars are the white ones. White dwarfs companion. More examples of these smallest of all stars were are considered to be the last evolutionary state of stars. They’re soon discovered. They were named white dwarfs. collapsed stellar remnants made up of mostly electron- It was soon realized that white dwarfs were internally weird degenerate matter. So they can be called degenerate dwarfs. in comparison to other stars. In a star like the Sun the thermal They’re extremely dense because they’ve collapsed to planet pressure of gas and radiation keep it from collapsing under its size while still having the mass of a large star. So a cubic own weight. But white dwarfs no longer have fusion reactions centimeter of white dwarf matter could weigh a ton. They’re and so they have no typical source of energy. Its electrons have very hot, but because they’re so small their brightness is limited all been ripped off their parent atoms leaving a matter of free by their size. electrons and nuclei. So it’s the hot active motion of dense The first white dwarf to be discovered was the companion electrons that keeps white dwarfs from collapsing rather than of the “dog star” Sirius in Canis Major. -
“When I Listen to Gish,” Billy Corgan Says Today
“When I listen to Gish,” Billy Corgan says today, “what I hear is a beautiful naïveté.” They say you never forget the first time, and even twenty years later, the 1991 debut album by Smashing Pumpkins –– guitarist and vocalist Corgan, drummer Jimmy Chamberlin, bassist D’arcy Wretzky and guitarist James Iha –– remains the unforgettable start of a musical conversation that continues to resonate with millions of fans all around the world. In retrospect, Gish can clearly be heard as a groundbreaking album in the history of what would soon become more much widely known as alternative rock. Gish was, after all, the promising debut of a band that would help alternative rock quickly become part of a new, grungier mainstream. But back in the beginning, Gish was simply the memorable opening salvo by a band from Chicago that really didn’t fit in anywhere in the rock world –– that is, until bands like Smashing Pumpkins helped change the rock world once and for all. To hear Corgan tell it now, Smashing Pumpkins came by their beautiful naïveté naturally. “We’d had very little exposure to the national stage,” he explains. “There’s no way that if we had been exposed to all of what was going on in New York and L.A. earlier, we would have made Gish. This is one of those weird albums that sounds like it came from some guy who crawls up out of the basement holding a record in his hands proudly –– a little like the first time we heard Dinosaur Jr. You think, ‘who the hell is this? And where did that come from?’ ” According to Corgan, the album originally came from Smashing Pumpkins’ early vow of poverty. -
Jim Saah Interviewed by John Davis June 11, 2018 Wheaton, MD
Jim Saah Interviewed by John Davis June 11, 2018 Wheaton, MD. 0:00:00 Davis: So, today is June 11th, 2018. My name is John Davis. I’m the Performing Arts Metadata Archivist at the University of Maryland. I’m speaking with Jim Saah, who is the man behind Zone V and Uno Mas fanzines. And we’re going to talk about those today as well as just your life in DC punk over the last thirty-five some odd years. And so, first, thank you for taking the time to talk to me. Saah: Sure, sounds good. Davis: And, I guess I want to start with, how did you get into punk in the first place? You grew up in the DC area, correct? Saah: Yes, I’m born and raised here. Davis: And what was sort of the--what was the first moment that got you into this path you’ve taken? I mean, was it certain bands that got you into the gateway into it? Saah: It was actually something a little less intriguing than that. It was just bored suburban kids looking for some fun and we ended up going down to “The Rocky Horror Picture Show” in the midnight, you know, at the, The Biograph or The Georgetown Theater. And, before the movie, they’d play music and people would go down in front of the screen and dance. And they played punk rock. Which I’d--you know, at the time I was really into music. I have seven older brothers and sisters that were into good music, so, lot of ‘60s, Dylan and Beatles, and all that, you know, Rolling Stones, all that stuff.