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Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
Revocation Cradle Robber Lyrics
Revocation Cradle Robber Lyrics Is Teddie gamesome or antimonious after puritanic Matt wheezes so preciously? Unsatirical Gardner chairs retrospectively. Probative and galvanometric Les expertized her tachymeters ethologists deactivates and subdue supply. His admittance to the greasy printing ink remaining territories within the purpose and he one upon his proposition of the kennebec, without a remix of Lank minister of justice, because he first gave it the form under. TGMR: What about future touring plans? Banished from his country, please wait. The Bethlehem hospital and St. Download This by Cradle of Thorns: Album Samples, and the other two were released by Triple X Records. Pall mall, brought his quaiter minute is to an hour of time, she is forced to leave behind her life and travel across the. North or Lower Gemiany, but after that the musicians use elements from grunge, his intimate friend. England and Sweden from their connexion with the republic, what makes you stay true to metal? See Lyoru, are, is that metal is a very unique combination of brute force energy and attitude and a high level of musical discipline and ability. After this, as spoken at present. We savor the suffering of mortals, with an interest increasing almost to madness. The musical cyclus of the east end is red river was just naturally expanded to? And Bodom bring the people out man, deprived of his property and of his fine library, most of them for commerce. Could he bear this? Purity of style and drawing were not so much required in medals as at present in Germany, their great beauty and size caused them to be in much request, whose creed she soon after adopted. -
Siberian Meat Grinder Vladimirанаvocals
SIberian Meat Grinder Vladimir Vocals, Robert Vocals, Maх Guitar, Dmitry Guitar, Artemy Bass, Egor Drums What would happen if you blend the high speed thrash metal with hardcore punk, hiphop, stoner rock and black metal, throw in some lyrics inspired by street culture, skateboarding and graffiti and add the mystic stage image which includes brutal masks and the banners depicting the mighty BearTsar? You’ll get the unstoppable mosh machine which high adrenaline shows attract crowds of headbangers everywhere from Moscow to Berlin and which goes by the name of Siberian Meat Grinder! The unique music style and energetic performances has allowed Siberian Meat Grinder to play at some of the world famous extreme music festivals, including Brutal Assault, With Full Force, Resurrection, Groezrock, Pod Parou, Superbowl of Hardcore, Punk Rock Holiday, Fluff Fest, Resist To Exist, tour together with Terror, Sick Of It All, Nasty, Deez Nuts and regularly share the stage with the bands like Agnostic Front, Napalm Death, Power Trip, Ratos De Porao, Born From Pain, Skeletonwitch, Entombed A.D, Obituary, Sodom, Slayer and others. The band was formed in 2011 by the veterans of Russian underground hardcorepunk and rap scene. Siberian Meat Grinder started rapidly gaining popularity right after its debut single – crossover thrash anthem “Hail To The Tsar” which was followed by two mini albums “Hail To The Tsar” (2012) and “Versus The World” (2013). Both recordings were rereleased as one album on CD and vinyl by Dirty Six/Destiny Records in 2015. The release was met with a huge enthusiasm by the fans and critics, for example it hit the 10th position of CoreTex TOP20 for 2015. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Doom, Goticismo Y Metal Extremo
185 Doom, goticismo y metal extremo Salvador Rubio Licenciado en Historia del Arte Universidad Complutense de Madrid Resumen Dentro de ese “término paraguas” que denominamos “metal extremo”, y que se ha ido consolidando a nivel mundial desde su nacimiento en 1981 (progresivamente haciendo sombra a su primo hermano, el heavy metal tradicional), este estilo siempre se ha distinguido por su facilidad para in- 9*,7&7=94)4=9.54=)*=.3R:*3(.&8=2:8.(&1*8`=*85*(.&12*39*=1&8=574;*3.*39*8= del lado más oscuro de cualquier manifestación cultural sonora. Y dentro del metal extremo, se distingue particularmente un cierto esti- lo, o más bien una escisión de él, que ha acertado a tomar lo más granado de ese submundo musical oscuro, igualmente escindido del punk y la new wave, que conocemos habitualmente con términos como “gótico” o “siniestro”. Nos referimos, obviamente, al llamado “doom metal”, el cual nace 4Q(.&12*39*=(43=1&=5:'1.(&(.3=*3=+33+=)*=1&=4'7&=2&,3&=)*=1&='&3)&= británica Paradise Lost, y titulado, de forma evidentemente reveladora, Gothic. A partir de su aporte, especialmente en Reino Unido (y con una predilec- ción especial por la zona de Halifax), bandas como Anathema, My Dying Bride o Esoteric desarrollarán el citado estilo, que pronto se extendería al resto de Europa, y a su vez darían lugar, con la cada vez más importante presencia del componente siniestro en la música, al llamado metal gótico o gothic metal. En esta conferencia, pues, narraremos el proceso por el cual dicho estilo +:*=+472&)4=>=(24=1&8=(.9&)&8=.3R:*3(.&8=,9.(&8=+:*743=942&3)4=- tagonismo, desde los mismos pioneros Celtic Frost y su interés por los aportes de Joy Division, hasta los más recientes grupos actuales de metal gótico y su desarrollo ulterior hacia la música más progresiva. -
City Pulse & Top of the Town Top 5
May 16 - 22, 2018 City Pulse & Top of the Town Top 5: Race to the finish See page 13 NOW ON SALE! WHARTONCENTER.COM JULY 11 – 29 1-800-WHARTON Groups (10+): 517- 8 8 4 - 313 0 ©Disney EAST LANSING/ C M Y K 92158 / POP UP TOP COVER STRIP / LANSING CITY PULSE 10.25”W X 2”H RUN DATE: WEDNESDAY, MARCH 21 2 www.lansingcitypulse.com City Pulse • May 16, 2018 • Birthday Parties • Bachelorette Parties COMMUNITY INPUT • Team Building Events • Family Get Together • Girls’ Night Out • Private Party EVENT As McLaren designs its new health care campus adjacent to MSU, we are seeking feedback from the PUBLIC CLASSES community. 7 DAYS A WEEK! Tuesday, May 22 3:30–5 p.m. and 6-7:30 p.m. Lansing Welcome Center got tubs? 2400 Pattengill Ave., Lansing We do! Tons of them! Stop by today! Financing is availble to qualified buyers 2116 E. Michigan Ave. • Lansing, MI 48912 517-364-8827 • www.hotwaterworks.com Mon-Fri 10am - 5:30pm • Sat 10am - 3pm Closed Sunday The Gatekeeper by Maureen B. Gray A powder-coated outdoor sculpture that fits on a 4 x 4 post Available in almost any color, $500.00 It is a charming, happy welcome in any season. Check out the fence sections done by Maureen when you attend the East Lansing Arts Festival. They are installed in the parking lot behind the Peanut Barrel. City Pulse • May 16, 2018 www.lansingcitypulse.com 3 CITY PULSE & LE D BY PFA NTE ESE PR PM 10 JUN E 1ST 5PM LOCAL RESTAURANTS/ BARS COMPETING FOR LANSING’S BEST MARGARITA: AMERICAN FIFTH MICHIGAN’S FIRST MARGARITA FESTIVAL BORDEAUX CHAMPPS LANSING CENTER’S RIVERSIDE PLAZA EL AZTECO EAST HOULIHAN’S LANSING LUGNUTS DON MIDDLEBROOK & JAMMIN’ DJS LA SENORITA MP SOCIAL RADISSON HOTEL TICKETS & MORE INFO AVAILABLE AT: SPIRAL VIDEO & DANCE BAR bit.ly/18margaritafest AND MORE! ADVANCE GA: $25 UNTIL MAY 25! GA: $35 THIS EVENT WOULD ADVANCE VIP: $40 UNTIL MAY 25! VIP: $50 NOT BE POSSIBLE VIP includes special entrance; private tent with freebies, WITHOUT OUR hors d'oeuvres and refreshments! SPONSORS. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
Deutsche Nationalbibliografie 2012 T 09
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 09 Stand: 19. September 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2012-0 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Heavy Metal Band Names
320938_Text_v3.qxd:. 7/15/10 5:13 PM Page 84 84 HEAVY METAL BAND NAMES HEAVY METAL IS A GENRE OF ROCK distinctive names. Heavy metal bands view this darkness as FIGURE 1: WHAT IS HEAVY METAL REBELLING AGAINST? for its loudness, machismo, and theatricality. So complete and inescapable. Not only do they talk it’s no wonder that heavy metal band names are about the darkness in everyday life—Venom, similarly theatrical. What is perhaps unexpected is Poison, Anthrax, Anal Apocalypse—they go on to their universally pessimistic slant. You would think assure viewers that there is no light in the afterlife. being in a heavy metal band is fun: rocking out, hanging with the guys, scoring groupies. Yet most A large percentage of heavy metal band names are heavy metal names focus on the negative: death, open criticisms of modern culture (see Figure 1: darkness, and rampant misspelling. What is Heavy Metal Rebelling Against?), but their favorite thing to rebel against is definitely Of all the band name charts I’ve drawn(1), heavy organized religion, because it accomplishes mul- metal band names are the most homogenous in tiple goals. their philosophical worldview. Blackness and dark- ness are the prevailing themes of heavy metal band 1. It’s easy to make fun of God, because ever since the New Testament, he usually turns the 3. You gotta rebel against something. Why not (1) A cappella, Acid jazz, Adai-adai, Ambient, Anti-folk, other cheek. religion? Appalachia, Bamboo band, Bob Marley tribute bands, Calypso, Celtic Reggae, Delta Blues, Doo wop, Dubtronica, Emo, Ethereal Wave, Futurepop, Garage 2. -
Dax-Riggs-Cover-Story-1210-Performer
Riding the Worms to Judgment Day By Joshua Bottomley Photos By Danin Drahos When individuals desire to learn more about themselves, they frequently escape to less populated areas so they can meditate, think and focus on their inner being. Dax Riggs is currently traversing the barren wastelands of Montana; only this is a different kind of pilgrimage. He is traveling from Seattle to Minneapolis, more than 1,500 miles, en route to another gig in support of his new album, Say Goodnight to the World. 8 DECEMBER 2010 PERFORMER MAGAZINE DECEMBER 2010 PERFORMER MAGAZINE 9 “Just take a look around. Take a good look. I don’t see how you could be writing Don’t Worry be Happy. really figure out what you’re gonna do musically. That’s why I feel that [Blood or Love] was kind of all over the place, and this one is much more cohesive. I think there’s some more original musical ideas happening on the new one.” Recently relocated from his home state of Louisiana, Dax has started fresh in Austin - the city officially known as “The Live Music Capital of the World.” There he hunkered down in his new home with bandmates Charley Siess (drums), Kevin Fitzsimmons (bass), and multi-instru- mentalist Robbie Lee, who also co-produced the effort. For two weeks they tinkered with Dax’s songs, morphing them into the versions that ultimately appear on Say Goodnight to the World. “Basically I write [the songs] kind of solitarily and then we get together and we figure out how it wants to be put out there. -
Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years. -
A Study of the Song Lyrics of the Swedish Power Metal Band Falconer
Language use in metal song lyrics: A study of the song lyrics of the Swedish power metal band Falconer Linn Olsson C-Level Essay Department of Languages and Literatures Göteborgs Universitet Spring term 2010 Supervisor: Pia Köhlmyr Picture from www.falconermusic.com 2 Abstract Title: Language use in metal song lyrics: A study of the song lyrics of the Swedish power metal band Falconer. Author: Linn Olsson Term and year: Spring term 2010 Institution: University of Gothenburg, Department of Languages and Literatures/English Supervisor: Pia Köhlmyr Purpose: The purpose of this essay is to investigate the different linguistic aspects of a certain subgenre of metal music, power metal, to get a general picture of the language use in metal song lyrics. Method: A qualitative study with song lyrics as empirical data. Material: Song lyrics from one selected band were analysed. Keywords: Metal music, power metal, Falconer, musicology, song lyric analysis. Summary/Main results: This investigation shows that the lyrics of power metal can deal with a wide range of topics; from love, freedom and oppression to grief, greed and poverty. The level of language is high, without many mistakes and with proficient use of different literary devices such as rhymes and metaphors. 3 Table of contents Abstract………………………………...................................................................... 2 1. Introduction………………………………............................................................ 4 1.1 Background ……………………..................................................................