Loving Freud Madly: Surrealism between Hysterical and Paranoid Modernism Author(s): Jean-Michel Rabaté Source: Journal of Modern Literature, Vol. 25, No. 3/4, Global Freud: Psychoanalytic Cultures and Classic Modernism (Summer, 2002), pp. 58-74 Published by: Indiana University Press Stable URL: http://www.jstor.org/stable/3831854 . Accessed: 10/09/2014 23:13 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Indiana University Press is collaborating with JSTOR to digitize, preserve and extend access to Journal of Modern Literature. http://www.jstor.org This content downloaded from 158.135.1.176 on Wed, 10 Sep 2014 23:13:58 PM All use subject to JSTOR Terms and Conditions Loving Freud Madly: Surrealism between Hysterical and Paranoid Modernism Jean-Michel Rabaté Universityof Pennsylvania T Ahe questionof whether Surrealism played a positiveor a negativerole in thedissemination of Freudianideas sounds rather blunt or normative,but it is a questionI wouldlike to pose less to judgeSurrealism by trying to catch it in its distortions and blind spots than to test the validity and relevanceof the "compromise formations" that have been produced in quantity during the process ofglobalization through which Freud's theories have gone in more than a century.This domain is huge,but happily the axis linking Freud to Breton has been explored,1 while excellent essays have beenrecently devoted to the Lacan-Dali2 connection.