Freud's Teaching on Shame Paul Alfred Hazard
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Attachment Styles and Use of Defense Mechanisms: a Study of the Adult Attachment Projective and Cramer's Defense Mechanism Scale
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2006 Attachment Styles and Use of Defense Mechanisms: A Study of the Adult Attachment Projective and Cramer's Defense Mechanism Scale Paul Matthew Hoffman University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Education Commons Recommended Citation Hoffman, Paul Matthew, "Attachment Styles and Use of Defense Mechanisms: A Study of the Adult Attachment Projective and Cramer's Defense Mechanism Scale. " PhD diss., University of Tennessee, 2006. https://trace.tennessee.edu/utk_graddiss/4254 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Paul Matthew Hoffman entitled "Attachment Styles and Use of Defense Mechanisms: A Study of the Adult Attachment Projective and Cramer's Defense Mechanism Scale." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Philosophy. Leonard Handler, Major Professor We have read this dissertation and recommend -
Strategies for Managing Evaluation Anxiety: Toward a Psychology of Program Evaluation
Strategies for Managing Evaluation Anxiety: Toward a Psychology of Program Evaluation STEWART I. DONALDSON, LAURA E. GOOLER, AND MICHAEL SCRIVEN ABSTRACT Excessive evaluation anxiety (XEA) can be a destructive phenomenon in modern program eval- uation. Some of the negative consequences include: Lack of access to important information and data; compliance and cooperation problems; false reporting; effects on bias and validity; and reduced utilization of evaluation findings. If left alone, XEA can lead stakeholders to behave in ways that destroy the credibility of evaluation findings and evaluators. The purpose of this paper is to examine the sources and signs of XEA in program evaluation, and to provide practicing evaluators with strategies to prevent and manage this common problem. This example of how more than technical skills are required to conduct high quality program evaluations illustrates the need for and begins a broader discussion of the psychology of evaluation. INTRODUCTION Most people experience anxiety when their behavior or achievements are being evaluated. Whether evaluations are formal, as in the case of standardized achievement testing, or informal, such as being picked to be part of a soccer team or cheerleading squad, the experience of being evaluated, critiqued, or judged commonly results in an emotional reaction of uneasiness, uncertainty, or apprehension. In essence, many evaluative situations cause people to fear that they will be found to be deficient or inadequate by others (e.g., supervisors, funding agencies, or evaluators in the program evaluation context). The fear of the prospect of a negative evaluation is probably inherent to being human. Criticism, ridicule, contempt, embarrassment, loss of acceptability, loss of respect, and rejection are unpleasant experiences most people attempt to avoid. -
Incurable Psychopaths?
Incurable Psychopaths? Marianne Kristiansson, MD Treatment, comprising pharmacotherapy and an educational program based on cognitive behavior therapy, of four psychopathic, criminal men fulfilling the crite- ria for borderline personality disorder and antisocial personality disorder is de- scribed. The diagnoses were made during a forensic psychiatric evaluation. An estimation of the capacity of the central serotonergic system was performed by analysing the platelet monoamine oxidase (MAO) activity. The pharmacotherapy was combined with an educational program involving strategies for developing better impulse control. All four men had earlier been regarded as resistant to conventional therapy. In the present cases, a combined psychosocial and biolog- ical approach seemed to be effective in developing an increased control of im- pulses, leading to improved coping strategies. Controlled studies are needed in order to clarify whether the described treatment program proves beneficial. Psychopathy, as originally described by personality disorder according to DSM- Cleckley,' comprises a set of clinical 111-R.~ characteristics including superficial The possibility of curing or even trying charm, unreliability, untruthfulness, lack to treat criminal psychopathic individuals of remorse or shame, failure to learn by is often looked upon as futile. Most treat- experience, incapacity for love, general ment programs involve various psycho- poverty in major affective relations, and social interventions and little effort has failure to follow any life -
Projective Identification As a Form of Communication in the Therapeutic Relationship: a Case Study
PROJECTIVE IDENTIFICATION AS A FORM OF COMMUNICATION IN THE THERAPEUTIC RELATIONSHIP: A CASE STUDY. MICHELLE CRAWFORD UNIVERSITY OF THE WESTERN CAPE 1996 A minor dissertation submitted in partial fulfillment of the degree of Masters of Arts in Clinical Psychology http://etd.uwc.ac.za/ TABLE OF CONTENTS ACKNOWLEDGEN1ENTS ABSTRACT 11 CHAPTER ONE INTRODUCTION 1 CHAPTER TWO THE THERAPEUTIC RELATIONSHIP 6 2.1 Introduction 6 2.2 Donald Winnicott's concept of the "holding environment" as a metaphor for aspects of the therapeutic relationship 7 2.3 Wilfred Bion's concept of the "container and contained" as a metaphor for the therapeutic relationship 8 2.4 Transference 9 2.4. l Freud's Formulation: 9 2.4.2 Subsequent historical developments and debates around transference and its interpretation: 12 2.5 Countertransference 21 2.5.1 Freud's Formulation: 21 2.5.2 Subsequent historical developments and debates around countertransference and its usefulness: 22 2.6 Review 28 CHAPTER THREE PROJECTIVE IDENTIFICATION 30 3.1 Introduction 30 3.2 Freud's Contribution 30 3.3 Melanie Klein's definition of Projective Identification 32 3.4 Subsequent theoretical and technical developments of Projective Identification 35 3.5 Review 42 http://etd.uwc.ac.za/ CHAPTER FOUR CHILD PSYCHOTHERAPY 44 4.1 Introduction 44 4.2 Freud's contribution to child psychotherapy 45 4.3 Melanie Klein's play technique 48 4.4 Anna Freud's approach to child psychotherapy 52 4.5 Donald Winnicott's formulations around play and child psychotherapy 54 4.6 Review 55 CHAPTER FIVE MEI'HODOLOGY -
A Comparative Study of the Bell Jar and the Poetry of a Few Indian Women Poets
AKHTAR JAMAL KHAN, BIBHUDUTT DASH Approaches to Angst and the Male World: A Comparative Study of The Bell Jar and the Poetry of a Few Indian Women Poets Pitting Sylvia Plath’s speakers against male chauvinism is a usual critical practice, but this antinomy primarily informs her work. Most of her writings express an anguish that transcends the torment of the individual speakers in question, and voices or represents the despair of all women who undergo similar anguish. As David Holbrook writes: “When one knows Sylvia Plath’s work through and through, and has penetrated her inner topography, the confusion, hate and madness become frighteningly apparent” (357). The besetting question is what causes this angst. Apparently, a stifling patriarchal system that sty- mies woman’s freedom seems to be the cause of this anguish. However, it would be lopsided to say that Plath’s work is simply an Armageddon between man and woman. This paper compares Sylvia Plath’s novel The Bell Jar (1963) and the poetry of a few twentieth-century Indian women poets such as Kamala Das, Mamta Kalia, Melanie Silgardo, Eunice de Souza, Smita Agarwal and Tara Patel to study the angst experienced by the speakers and their approaches to the male world. Here, the term ‘male world’ refers to any social condition where man overtly or tacitly punctuates a woman’s life. Thus, it precisely refers to a patriarchal social order. Talking about twentieth-century poetry and making references to the posi- tion of women poets, John Brannigan writes: “In their time, Elizabeth Jennings, Sylvia Plath and Eliza- beth Bishop seemed isolated and remote from the male-dominated generation of the fifties and sixties” (Poplawski 632). -
Anxiety, Angst, Anguish in Fin De Siècle Art and Literature
Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Edited by Rosina Neginsky, Marthe Segrestin and Luba Jurgenson Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Edited by Rosina Neginsky, Marthe Segrestin and Luba Jurgenson This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Rosina Neginsky, Marthe Segrestin, Luba Jurgenson and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4383-8 ISBN (13): 978-1-5275-4383-6 TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Introduction .............................................................................................. xiv Part I: Thresholds Chapter One ................................................................................................. 2 Le Pays intermédiaire saloméen: un lieu entre expérience de l’angoisse et libération créatrice – The Salomean Land Between: A Place between Experience of Anguish and Creative Liberation Britta Benert Chapter Two ............................................................................................. -
Applying a Discrete Emotion Perspective
AROUSAL OR RELEVANCE? APPLYING A DISCRETE EMOTION PERSPECTIVE TO AGING AND AFFECT REGULATION SARA E. LAUTZENHISER Bachelor of Science in Psychology Ashland University May 2015 Submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN PSYCHOLOGY At the CLEVELAND STATE UNIVERSITY May 2019 We hereby approve this thesis For SARA E. LAUTZENHISER Candidate for the Master of Arts in Experimental Research Psychology For the Department of Psychology And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by __________________________ Eric Allard, Ph.D. __________________________ Department & Date __________________________ Andrew Slifkin, Ph. D. (Methodologist) __________________________ Department & Date __________________________ Conor McLennan, Ph.D. __________________________ Department & Date __________________________ Robert Hurley, Ph. D. __________________________ Department & Date Student’s Date of Defense May 10, 2019 AROUSAL OR RELEVANCE? APPLYING A DISCRETE EMOTION PERSPECTIE TO AGING AND AFFECT REGULATION SARA E. LAUTZENHISER ABSTRACT While research in the psychology of human aging suggests that older adults are quite adept at managing negative affect, emotion regulation efficacy may depend on the discrete emotion elicited. For instance, prior research suggests older adults are more effective at dealing with emotional states that are more age-relevant/useful and lower in intensity (i.e., sadness) relative to less relevant/useful or more intense (i.e., anger). The goal of the present study was to probe this discrete emotions perspective further by addressing the relevance/intensity distinction within a broader set of negative affective states (i.e., fear and disgust, along with anger and sadness). Results revealed that participants reported relatively high levels of the intended emotion for each video, while also demonstrating significant affective recovery after the attentional refocusing task. -
Action to End Child Sexual Abuse and Exploitation
ACTION TO END CHILD SEXUAL ABUSE AND EXPLOITATION Published by UNICEF Child Protection Section Programme Division 3 United Nations Plaza New York, NY 10017 Email: [email protected] Website: www.unicef.org © United Nations Children’s Fund (UNICEF) December 2020. Permission is required to reproduce any part of this publication. Permission will be freely granted to educational or non-profit organizations. For more information on usage rights, please contact: [email protected] Cover photo: © UNICEF/UNI303881/Zaidi Design and layout by Big Yellow Taxi, Inc. Suggested citation: United Nations Children’s Fund (2020) Action to end child sexual abuse and exploitation, UNICEF, New York This publication has been produced with financial support from the End Violence Fund. However, the opinions, findings, conclusions, and recommendations expressed herein do not necessarily reflect those of the End Violence Fund. Click on section bars to navigate publication CONTENTS 1. Introduction ............................................3 6. Service delivery ...................................21 2. A Global Problem...................................5 7. Social & behavioural change ................27 3. Building on the evidence .................... 11 8. Gaps & challenges ...............................31 4. A Theory of Change ............................13 Endnotes .................................................32 5. Enabling National Environments ..........15 1 Ending Child Sexual Abuse and Exploitation: A Review of the Evidence ACKNOWLEDGEMENTS -
It Was Shock, Angst, and Inescapable Panic That Introduced Me to the Work of Mounir Fatmi, a 'French Artist in USA, an African Artist in Europe'
HOME ART CULTURE FILM MUSIC STYLE E MAGAZINE A STRUGGLE WITH MEANING - THE ART OF MOUNIR FATMI It was shock, angst, and inescapable panic that introduced me to the work of Mounir Fatmi, a 'French artist in USA, an African artist in Europe'. His kinetic installation Modern Times – A History of the Machine, on show in Denmark's Brandts 131 gallery, sends the viewer into somatic A portrait of Mounir Fatmi overdrive, yet remains acutely conceptual, as it employs referential elements pertaining to both Western and Eastern (Islamic) aesthetics. Visual repetition, perpetual circular motion, illegible Arabic calligraphy, and aggressive sound create a sense of danger, announcing an imminent clash of worlds embracing the mechanics of modernity, but struggling to grasp the essence of it. At times, Fatmi's works tap into strands of speculative philosophy, often breaking down bonds of meaning: objects are dislocated, taken beyond their instrumentality, reconceptualized, separated from the burden of a necessary relation to their qualities, in a potential attempt to explore what Graham Harman would call the 'object oriented ontology'. In Between the Lines, a steel circular saw blade becomes the inscription surface for Quoran verses, which undergo a process of being emptied of semiotic content and rendered decorative elements. The defining qualities of both the object and of language are suspended, and the image becomes the new bearer of knowledge. Between the lines, 2010, saw blade in steel, 150 cm. Courtesy of the artist and Goodman Gallery, Johannesburg-Cape Town. Photo credit: Mia Dudek In his creative process, Mounir Fatmi uses a variety of media and materials, and appropriates objects at hand, in attempts to question their materiality and attributed function. -
Short Term Psychoanalytic Psychotherapy
Short term Psychoanalytic Psychotherapy Information for Parents and Carers annafreud.org Overview Short-term psychoanalytic psychotherapy (STPP) is offered to young people who are depressed and have been troubled by quite serious worries and unhappiness for some time. In the last few years the availability of STPP has been growing in the light of research studies which have indicated how helpful it can be. Many NHS clinics now offer this treatment to depressed young people. What is said in the sessions is kept confidential between the young person and their therapist. The only exception to this arises if the therapist thinks they are at risk (from themselves or someone else) or are a risk to someone else. In such a situation there will be a discussion between therapist and young person about who else in the family or community might need to know to help in keeping things safe. How long will it last? Your son or daughter will be offered 28 sessions with their therapist, each one lasting 50 minutes. Sessions take place each week at a regular time. There are breaks for holiday periods and depending on the starting date, there are likely to be two of these holiday periods in the course of the therapy, which will last overall between 8 and 9 months. The day and time of the session is negotiated between the therapist and the young person and is arranged as far as possible to take account of the demands of school, college and/or work and family circumstances. How we help There is an opportunity at the start for the young person to decide with your support whether they feel this sort of help is what they want. -
Neuropsychodynamic Psychiatry
Neuropsychodynamic Psychiatry Heinz Boeker Peter Hartwich Georg Northoff Editors 123 Neuropsychodynamic Psychiatry Heinz Boeker • Peter Hartwich Georg Northoff Editors Neuropsychodynamic Psychiatry Editors Heinz Boeker Peter Hartwich Psychiatric University Hospital Zurich Hospital of Psychiatry-Psychotherapy- Zurich Psychosomatic Switzerland General Hospital Frankfurt Teaching Hospital of the University Georg Northoff Frankfurt Mind, Brain Imaging, and Neuroethics Germany Institute of Mental Health Research University of Ottawa Ottawa ON, Canada ISBN 978-3-319-75111-5 ISBN 978-3-319-75112-2 (eBook) https://doi.org/10.1007/978-3-319-75112-2 Library of Congress Control Number: 2018948668 © Springer International Publishing AG, part of Springer Nature 2018 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Ethics – Handout 10 My Notes on Mill’S Utilitarianism
24.231 Ethics – Handout 10 My Notes on Mill’s Utilitarianism (1) General concerns: • Are interpersonal comparisons of utility even possible? • What are we talking about – maximizing total utility or average utility? • Both seem to ignore issues of distributive justice (except instrumentally – diminishing marginal utility of resources) • Average utility has some implausible implications (especially when considering harms, rather than benefits – is it really not worse for a total population of 100 people to be suffering torture than for a total population of 10 people to be suffering it?), and seems not to sit comfortably with utilitarian intuitions. Total utility invites the repugnant conclusion (but it’s important to remember that this isn’t just a problem for utilitarianism). (2) On higher and lower pleasures: • Should a utilitarian make any distinction between these? Is “pushpin as good as poetry,” if the quatity of pleasure they produce is the same? • How are we to determine which of two pleasures is higher? Is Mill’s appeal to “competent judges who have experienced both pleasures” plausible? And if competent judges prefer the higher pleasures, should we think they do so because activities leading them are more pleasurable, or have a higher quality of pleasure? Isn’t it perhaps more plausible to think they value them more for some other reason, having nothing to do with pleasure? • Relatedly, even if competent judges do take more pleasure in engaging in “higher” activities, are these activities more valuable because they are more pleasurable