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A Comparative Study of the Bell Jar and the Poetry of a Few Indian Women Poets
AKHTAR JAMAL KHAN, BIBHUDUTT DASH Approaches to Angst and the Male World: A Comparative Study of The Bell Jar and the Poetry of a Few Indian Women Poets Pitting Sylvia Plath’s speakers against male chauvinism is a usual critical practice, but this antinomy primarily informs her work. Most of her writings express an anguish that transcends the torment of the individual speakers in question, and voices or represents the despair of all women who undergo similar anguish. As David Holbrook writes: “When one knows Sylvia Plath’s work through and through, and has penetrated her inner topography, the confusion, hate and madness become frighteningly apparent” (357). The besetting question is what causes this angst. Apparently, a stifling patriarchal system that sty- mies woman’s freedom seems to be the cause of this anguish. However, it would be lopsided to say that Plath’s work is simply an Armageddon between man and woman. This paper compares Sylvia Plath’s novel The Bell Jar (1963) and the poetry of a few twentieth-century Indian women poets such as Kamala Das, Mamta Kalia, Melanie Silgardo, Eunice de Souza, Smita Agarwal and Tara Patel to study the angst experienced by the speakers and their approaches to the male world. Here, the term ‘male world’ refers to any social condition where man overtly or tacitly punctuates a woman’s life. Thus, it precisely refers to a patriarchal social order. Talking about twentieth-century poetry and making references to the posi- tion of women poets, John Brannigan writes: “In their time, Elizabeth Jennings, Sylvia Plath and Eliza- beth Bishop seemed isolated and remote from the male-dominated generation of the fifties and sixties” (Poplawski 632). -
Anxiety, Angst, Anguish in Fin De Siècle Art and Literature
Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Edited by Rosina Neginsky, Marthe Segrestin and Luba Jurgenson Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Edited by Rosina Neginsky, Marthe Segrestin and Luba Jurgenson This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Rosina Neginsky, Marthe Segrestin, Luba Jurgenson and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4383-8 ISBN (13): 978-1-5275-4383-6 TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Introduction .............................................................................................. xiv Part I: Thresholds Chapter One ................................................................................................. 2 Le Pays intermédiaire saloméen: un lieu entre expérience de l’angoisse et libération créatrice – The Salomean Land Between: A Place between Experience of Anguish and Creative Liberation Britta Benert Chapter Two ............................................................................................. -
It Was Shock, Angst, and Inescapable Panic That Introduced Me to the Work of Mounir Fatmi, a 'French Artist in USA, an African Artist in Europe'
HOME ART CULTURE FILM MUSIC STYLE E MAGAZINE A STRUGGLE WITH MEANING - THE ART OF MOUNIR FATMI It was shock, angst, and inescapable panic that introduced me to the work of Mounir Fatmi, a 'French artist in USA, an African artist in Europe'. His kinetic installation Modern Times – A History of the Machine, on show in Denmark's Brandts 131 gallery, sends the viewer into somatic A portrait of Mounir Fatmi overdrive, yet remains acutely conceptual, as it employs referential elements pertaining to both Western and Eastern (Islamic) aesthetics. Visual repetition, perpetual circular motion, illegible Arabic calligraphy, and aggressive sound create a sense of danger, announcing an imminent clash of worlds embracing the mechanics of modernity, but struggling to grasp the essence of it. At times, Fatmi's works tap into strands of speculative philosophy, often breaking down bonds of meaning: objects are dislocated, taken beyond their instrumentality, reconceptualized, separated from the burden of a necessary relation to their qualities, in a potential attempt to explore what Graham Harman would call the 'object oriented ontology'. In Between the Lines, a steel circular saw blade becomes the inscription surface for Quoran verses, which undergo a process of being emptied of semiotic content and rendered decorative elements. The defining qualities of both the object and of language are suspended, and the image becomes the new bearer of knowledge. Between the lines, 2010, saw blade in steel, 150 cm. Courtesy of the artist and Goodman Gallery, Johannesburg-Cape Town. Photo credit: Mia Dudek In his creative process, Mounir Fatmi uses a variety of media and materials, and appropriates objects at hand, in attempts to question their materiality and attributed function. -
Positive Psychology – Unmitigated Good, and Pessimism As a Categorical Impediment to Wellbeing
E L C I contrasting phenomena were implicitly T conceptualised as negative, positioned as R intrinsically undesirable. So, for example, A optimism tended to be valorised as an Positive psychology – unmitigated good, and pessimism as a categorical impediment to wellbeing. Some scholars did paint a more nuanced the second wave picture; for instance, Seligman (1990, p.292) cautioned that one must be ‘able Tim Lomas delves into the dialectical nuances of flourishing to use pessimism’s keen sense of reality when we need it’. However, in terms of the broader discourse of the field, and its cultural impact, a less nuanced binary t is nearly 20 years since Martin wellbeing – could be brought together message held sway. Seligman used his American and considered collectively. Thus, as While seemingly offering an upbeat IPsychological Association presidential a novel branch of scholarship focused message – linking positive emotions to address to inaugurate the notion of specifically and entirely on ‘the science beneficial outcomes, such as health ‘positive psychology’. The rationale for its and practice of improving wellbeing’ (Fredrickson & Levenson, 1998) – this creation was Seligman’s contention that (Lomas et al., 2015, p.1347), it was valorisation of positivity was problematic, psychology had tended to focus mainly a welcome new addition to the broader for various reasons. Firstly, it often failed on what is wrong with people: on church of psychology. to sufficiently appreciate the contextual dysfunction, disorder and distress. There However, positive psychology was complexity of emotional outcomes. For were of course pockets of scholarship that not without its critics. A prominent instance, ‘excessive’ optimism can be held a candle for human potential and focus of concern was the very notion harmful to wellbeing (e.g. -
Tiina Rosenberg
Don ’t be Quiet TIINA ROSENBERG , Don’ ,t be Quiet ESSAYS ON FEMINISM AND PERFORMANCE Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance Tiina Rosenberg Published by Stockholm University Press Stockholm University SE-106 91 Stockholm, Sweden www.stockholmuniversitypress.se Text © Tiina Rosenberg 2016 License CC-BY ORCID: Tiina Rosenberg: 0000-0002-7012-2543 Supporting Agency (funding): The Swedish Research Council First published 2016 Cover Illustration: Le nozze di Figaro (W.A. Mozart). Johanna Rudström (Cherubino) and Susanna Stern (Countess Almaviva), Royal Opera, Stockholm, 2015. Photographer: Mats Bäcker. Cover designed by Karl Edqvist, SUP Stockholm Studies in Culture and Aesthetics (Online) ISSN: 2002-3227 ISBN (Paperback): 978-91-7635-023-2 ISBN (PDF): 978-91-7635-020-1 ISBN (EPUB): 978-91-7635-021-8 ISBN (Kindle): 978-91-7635-022-5 DOI: http://dx.doi.org/10.16993/baf This work is licensed under the Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit creativecommons.org/licenses/ by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated. Suggested citation: Rosenberg, Tiina 2016 Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance. Stockholm: Stockholm University Press. DOI: http://dx.doi. org/10.16993/baf. License CC-BY 4.0 To read the free, open access version of this book online, visit http://dx.doi.org/10.16993/baf or scan this QR code with your mobile device. -
The Dialectics of Well-Being Tim Lomas, Ph.D. Introduction It Is a Real
The Dialectics of Well-being Tim Lomas, Ph.D. Introduction It is a real honour to be standing up here. It is been such a great conference, with such a beautiful spirit. I have heard so many fantastic talks, met many great people, and I feel very honoured that Paul asked me to do a keynote talk, particularly because he has been so influential for me and my colleagues. For instance, our conceptualisation of the second wave of positive psychology is directly influenced by his prior and similar idea of PP 2.0. And beyond that, his scholarship on Eastern philosophies and traditions has been equally important and inspiring. Moreover, Paul is not merely influential, but encouraging and supportive, acting as a mentor figure to me and others, and I would not be standing here without his kind attention. And what I would like to talk about is the dialectics of well-being. More broadly, this presentation is about what we’ve been calling the second wave of positive psychology (PP 2.0). I am going to give you my take on where I see the field as having come from, where it is, and where it might be going. To begin with though, I would briefly like to let you know a bit more about who I am, partly because I feel scholarship is a function of the nature of the person undertaking it, their background, their history, their story, and so on. So, I would like to mention a few things about myself which have fed into the way in which I have approached positive psychology. -
Longing for Decay in Computer Games
“Ruinensehnsucht” - Longing for Decay in Computer Games Mathias Fuchs Centre for Digital Cultures, ICAM Leuphana University/ Germany [email protected] ABSTRACT There is no technical reason and no quality inherent to the medium of computer games that would require corrosion, dust, and ruins. Pixels do not corrode and 3D geometry is not affected by physical decay. Yet if we look at contemporary computer games we find an abundance of ruined buildings, of mould and of all forms of decay of organic matter and inorganic materials. It would be too easy to explain this fact by an attempt to increase realism, because some of these games clearly feature more decay than reality could ever produce. There must be a longing of designers and players to immerse themselves within an environment of disintegrating, decaying objects. The author investigates the longing for decay along four threads that are informed by computer games history, art history, psychoanalytic reasoning and the concept of transmedia megatext. Keywords ruins, digital dust, creative games, computer games history, psychoanalysis, philosophy of games, pathos formula, transmedia megatext. DIGITAL DUST Some of the most interesting of recent computer games celebrate the beauty of ruins and invite us to get immersed into landscapes of ruins from antiquity to space age. The ruins are set in post-nuclear war environments (Metro 2033)1, sites of archaeological excavations and discovery (Tomb Raider)2, technological disaster areas (Fallout3, S.T.A.L.K.E.R.4), medieval environments (Assassins’s Creed)5, industrial wreckage (UnrealTournament)6, mythological places that are known for the buildings they once contained (Ruins)7, or even completely fictional places (Journey)8. -
Boredom: That Which Shall Not Be Named
Boredom: That Which Shall not Be Named By Jason Weinerman and Cari Kenner ABSTRACT: Boredom carries a significant weight: One of the critical stages of beginning a It is not often spoken within the academic environ- discussion with students is to define boredom. ment. However, by ignoring how developmental Without a clear definition, students may not be and first-year students experience boredom, able to identify when they are bored or when they instructors are avoiding a topic that most stu- may be suffering from a more serious psycho- dents will encounter. We present information on logical ailment. Once boredom has been defined, the common causes of boredom, ways to detect instructors can present some of the challenges boredom, and the outcomes of boredom within that students may encounter when they face the academic environment. We conclude with a boredom. Finally, instructors need techniques lesson plan to assist instructors in recognizing the with which to engage with students about the idea of boredom and how students can overcome idea of boredom and how students can empower By being unwilling to academic boredom. themselves to reduce the danger from “that which shall not be named.” acknowledge and discuss the Although the higher education literature encour- ages active learning, student engagement, and Boredom Defined consequences of boredom in a learner centered environment, there is sel- One of the challenges with the concept of bore- dom discussion about how to help students dom is that definitions tend to be self-referential. the academic environment, overcome academic boredom. Titles such as For example, dictionary.com (2014) defines bore- Battling Boredom: 99 Strategies to Spark Student dom as “the state of being bored; tedium; ennui.” instructors are doing their Engagement (Harris, 2011), Student Engagement Merriamwebster.com (2014) defines boredom as Techniques: A Handbook for College Faculty “the state of being weary and restless through lack students a disservice. -
Curriculum Vitae
Susanne Scheibe, Ph.D. 1 Department of Psychology, University of Groningen, Grote Kruisstraat 2/1, 9712TS Groningen, NL Phone: +31-50 363 6316, Fax: +31-50 363 6304. E-mail: [email protected] Web: http://www.rug.nl/staff/s.scheibe , https://www.researchgate.net/profile/Susanne_Scheibe May 2016 CURRICULUM VITAE Professional positions Since 2013 Associate Professor of Organizational Psychology, Department of Psychology, University of Groningen, The Netherlands 2010 – 2013 Assistant Professor of Organizational Psychology, Department of Psychology, University of Groningen, The Netherlands 2007 – 2010 Postdoctoral fellow, Stanford University 2004 – 2007 Postdoctoral fellow, Center for Lifespan Psychology, Max Planck Institute for Human De- velopment, Berlin, Germany Education 2012 Teaching & Learning in Higher Education (Dutch postgraduate certificate; BKO), Universi- ty of Groningen, The Netherlands 2005 Ph.D., Center for Lifespan Psychology, Max Planck Institute for Human Development Berlin and Free University Berlin, Germany 2001 – 2004 Fellow in DFG Graduate Program “Neuropsychiatry and Psychology of Aging”, Berlin 2001 Diploma (equivalent to M.A.), Psychology, Humboldt University Berlin, Germany 1998 – 1999 Academic exchange, University of Toronto, Canada, Undergraduate Psychology Program 1995 – 2001 Undergraduate and graduate program, Psychology, Humboldt University Berlin, Germany Research Interests Aging in work contexts Emotional development in adulthood Emotion regulation Prizes, Grants, and Fellowships 2016 VIDI grant, Nederlands -
Sleep Deprivation Increases Teen Angst 6 July 2021
Sleep deprivation increases teen angst 6 July 2021 significantly more depressed, angry, and confused during sleep restriction than at baseline Happiness and energy decreased significantly following sleep restriction to five hours' sleep opportunity When the participants had 10 hour sleep opportunities, their happiness significantly increased No statistically significant effects of sleep restriction were found for fear or anxiety, although small-to-moderate effects of sleep restricted to five or 7.5 hours were found. "The two nights of recovery sleep was not sufficient Credit: Unsplash/CC0 Public Domain to recover from increased negative mood states for the five-hour group, although recovery occurred for positive mood states," says lead author Flinders University research fellow Dr. Michelle Short. Sleep deprivation—from lifestyle choices, pandemic stress, or late-night computer study—can quickly "Given the prevalence of insufficient sleep and the lead to loss of energy and function during the day rising incidence of mood disorders and and even feelings of anger and depression, an dysregulation in adolescents, our findings highlight Australian sleep institute study has shown. the importance of sufficient sleep to mitigate these risks." The study, led by Flinders University, asked 34 healthy teenagers (20 males) aged between 15 The article, "Sleep duration and mood in and 17 to spent 10 days and nine nights in a adolescents: an experimental study," (2021) by SA specially designed sleep center. Booth (CQU), MA Carskadon (US), R Young and MA Short, has been published in Sleep. They were allocated to one of three sleep "doses" for five consecutive nights– from five hours, 7.5 Adolescence is a critical maturational stage in hours, or 10 hours in bed per night—with two terms of heightened risk of the onset of mood baseline and two "recovery" nights of up to 10 disorders, with researchers stressing that sufficient hours' time in bed. -
The Nameless Good
1 The Nameless Good One cannot say of the Godhead that it is good since this sounds as if the “good” were supplementing its Being as something distinct. But the good is its being per se. It is essentially good and not so much something good as the Good itself. —Schelling, The Ages of the World (1815 version)1 Wie soll denn der Mensch der gegenwärtigen Weltgeschichte auch nur ernst und streng fragen können, ob der Gott sich nahe oder entziehe, wenn der Mensch unterläßt, allererst in die Dimension hineinzudenken, in der jene Frage allein gefragt werden kann? Das aber ist die Dimension des Heiligen.... How should the human of contemporary world history be able to ask at all seriously and rigorously if the god nears or withdraws when the human above all neglects to think into the dimension in which the question alone can be asked? But this is the dimension of the Holy.... —Martin Heidegger, Letter on Humanism (1946)2 In a striking passage in the Freedom essay, Schelling argued that the human is “formed in the mother’s love” and that “the light of thought first grows out of the darkness of the incomprehensible (out of feeling, Sehnsucht, the sovereign mother of knowledge)” (I/7, 361). In this dark longing, in the paradoxically object-free striving of Sehnsucht, one finds, as the dark, concealed origin of the understanding, the “desire for the unknown, nameless Good” (I/7, 361). We are confronted with two aporias. In the first, the aporia of desire, Sehnsucht 5 6 THE CONSPIRACY OF LIFE strives, but it does not have a specific object towards which it strives. -
Download British Museum Announces Biggest UK Exhibition of Munch
Press release British Museum announces biggest UK exhibition of Munch prints in 45 years Edvard Munch: love and angst 11 April – 21 July 2019 The Sir Joseph Hotung Exhibition Gallery Supported by AKO Foundation Press images: https://bit.ly/2RfKIuk This April, the British Museum will present a major new exhibition on the work of Norwegian artist Edvard Munch (1863-1944). Edvard Munch: love and angst will focus on Munch’s remarkable and experimental prints – an art form which made his name and at which he excelled throughout his life – and will examine his unparalleled ability to depict raw human emotion. It will be the largest exhibition of Munch’s prints in the UK for 45 years. The exhibition is a collaboration with Norway’s Munch Museum, and includes nearly 50 prints from their collection, one of the biggest loans of prints the Oslo-based Museum has given internationally. Displayed alongside important Munch works from the British Museum collection and other loans from the UK and Europe, the 83 artworks on show will together demonstrate the artist’s skill and creativity in expressing the feelings and experiences of the human condition – from love and desire, to jealousy, loneliness, anxiety and grief. A major highlight of the exhibition will be Munch’s The Scream which is one of the most iconic images in art history. The British Museum will display a rare lithograph in black and white which Munch created following a painted version and two drawings of the image. It was this black and white print which was disseminated widely during his lifetime and made him famous.