DOCSLIB.ORG

Fernando Trueba

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fernando Trueba A Cohen Media Group release Winner — Best Director — San Sebastian Film Festival Official Selection — 2013 San Francisco International Film Festival Official Selection — 2013 Miami International Film Festival A film by Fernando Trueba Jean Rochefort Aida Folch Claudia Cardinale Written by Fernando Trueba and Jean-Claude Carrière Not Rated | 101 Minutes | 35MM | Scope | Black & White | French with English subtitles NY Publicity NY Publicity LA Publicity required viewing Emma Griffiths PR Block-Korenbrot PR Steven Raphael & Denise Sinelov Emma Griffiths Rebecca Fisher (212) 206-0118 (917) 806-0599 (323) 634-7001 [email protected] [email protected] [email protected] [email protected] Press Materials at CohenMedia.net Summer of 1943. In occupied France, not far from the Spanish border, a famous old sculptor, who is tired of life and wars, finds the desire to work again on his last masterpiece when a beautiful young Spanish girl comes knocking after escaping a refugee camp in the South of France. CAST JEAN ROCHEFORT AIDA FOLCH CLAUDIA CARDINALE GÖTZ OTTO CHUS LAMPREAVE CHRISTIAN SINNIGER MARTIN GAMET MATEO DELUZ CREW Director FERNANDO TRUEBA Written by FERNANDO TRUEBA and JEAN-CLAUDE CARRIÈRE Executive Producer CRISTINA HUETE Line Producer ANGÉLICA HUETE Director of Photography DANIEL VILAR Art Director PILAR REVUELTA Costumes LALA HUETE Editor MARTA VELASCO Sound PIERRE GAMET Make-Up / Hairdresser SYLVIE IMBERT Fernando Trueba director, writer, music producer Fernando Trueba is a multi-award-winning writer, director and producer, with a career spanning more than three decades in film, television, documentaries, theatre and music.Belle Epoque, sta- rring ingénue Penelope Cruz, won both the Oscar and BAFTA for Foreign Language Film. True- ba enjoyed a brief flirtation with Hollywood with romantic comedyTwo Much, starring Antonio Banderas, Melanie Griffith and Daryl Hannah, but he returned to his native Spain with films such as La Niña De Tus Ojos (The Girl Of Your Dreams), also starring Cruz, which premiered at the Berlin Film Festival and netted seven Goya awards. Trueba’s Latin jazz documentary Calle 54 saw the birth of his collaboration and friendship with Javier Mariscal. In the concert filmBlanco Y Negro he brought together Cuban-born musician Bebo Valdés and Spanish flamenco star Diego “El Cigala”, winning the Latin Grammy Award for Best Long Form Music Video. His docu- mentary filmed in Brazil,El Milagro De Candeal (Miracle Of Candeal), won two Goya awards. El Año De Las Luces (Year Of Enlightenment, 1986) won a Goya as well as the Silver Bear in the Berlin Film Festival; The Mad Monkey (1989) won five Goya Awards; andEl Embrujo De Shanghai (The Shanghai Spell, 2001) was winner of three Goyas, El Baile De La Victoria (The Dancer And The Thief) was Spain’s submission to the 2010 Academy Awards, and received 10 Goya nominations. Trueba’s last film, Chico and Rita, won the 2011 Goya Award for Best Featu- re Animation and was nominated for a 2012 Oscar for Best Animation Feature Film. He began his career as the film critic of leading Spanish newspaper El Pais.Trueba’s published works include his Dictionary Of Cinema. “Highly seductive and exquisitely crafted. A film never anything less than a pleasure to watch.” -Fionnuala Halligan Screen Daily “A quietly beautiful rumination on mortality and artistic inspiration that will delight audiences.” -Neil Young The Hollywood Reporter “Exquisitely crafted… Beautiful and inspiring.” -Jonathan Holland Variety “The quietest, most austere film Fernando Trueba has directed. It may also be his most personal.” -Rene Rodriguez Miami Herald THE ARTIST AND THE MODEL by Oscar® Winner FERNANDO TRUEBA This is a film I have carried within me for a long time. For many years I have dreamed of making it. It feels like it has been in the making, growing inside me all this time. The Artist and the Model goes beyond being a mere self-portrait. The Artist and the Model is the story of a man approaching the end of his life, and his encounter with a woman who is only just beginning hers. Like most artists, former and contemporary, Marc Cros has devoted his life and his work to the pursuit of beauty. His subject matter has always been the human body, and more specifically the female. Through simplicity, through purity, Cros has been working in one direction in an effort to reach the core of all forms; beauty in its purest meaning. At the age of 80 he lives isolated from the world and from work, waiting for the end, without nostalgia and without hope. We´re in German- occupied France in 1943. The appearance of Mercé, a young Spanish girl escaped from an Algiers refugee camp will both complicate and reconnect him to his life. So in the midst of these cruel and troubled times, our aged sculptor decides to get back to work and focus on the one thing he knows best, kneading thighs, shoulders, breasts, buttocks, arms, necks... of women. He decides to give it one last shot. This film “speaks” of great subjects, such as the act of creation, in its most handcrafted sense, but most simple and profound too. Life and death, Youth and old-age, Beauty in an age of horrors... aren´t they all?! A film about the meaning and the need for art. About the search of beauty. theartistandthemodel.com.
Load more

Recommended publications
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • CATALOGUE En Français Nederlandstalige CATALOGUS
    PRESENTS Brussels Animation Film Festival CATALOGUE en français Nederlandstalige CATALOGUS © Peter Elliott / Folioscope 2012 – Co-organisation Folioscope a.s.b.l. / Festival du dessin animé a.s.b.l. / Festival van de animatie lm v.z.w. – Éd. resp.: Philippe Moins, Folioscope, avenue de Stalingrad 52 - 1000 Bruxelles de Stalingrad avenue Folioscope, Moins, Philippe resp.: – Éd. lm v.z.w. de animatie van / Festival du dessin animé a.s.b.l. / Festival a.s.b.l. 2012 – Co-organisation Folioscope Elliott / Folioscope © Peter English CATALOGUE Merci à nos partenaires / Dank aan onze partners / Thanks to: www.knackfocus.be La Fédération Wallonie-Bruxelles, Ministère de l’Éducation et de la Communication, Direction de l’Audiovisuel et des Multimédias, Services de Prêt de Matériel de la Fédération Wallonie-Bruxelles, Ministère des Relations extérieures, Wallonie Bruxelles International ; Ministerie van de Vlaamse Gemeenschap; Le Gouvernement de la Région de Bruxelles-Capitale / De Brusselse Hoofdstedelijke Regering; Le Programme MEDIA de l’Union européenne / Het MEDIA Programma van de Europese Unie; La Commission communautaire française de la Région de Bruxelles-Capitale; De Vlaamse Gemeenschapscommissie; La Ville de Bruxelles / De Stad Brussel. Avec le soutien de / Met de steun van Willy Decourty, Bourgmestre / Burgemeester, Yves de Jonghe d’Ardoye, Député honoraire / Volksvertegenwoordiger, Échevin de la Culture / Schepen van Cultuur, et des membres du Collège des Bourgmestre et Échevins d’Ixelles / en het Schepencollege van Elsene. Prix des compétitions nationale et internationale Prijzen nationale en internationale competities National and international competition awards.................................... 5 Jurys – Jury’s – Juries ................................................................................................... 6–7 Sélection officielle longs métrages Officiële langspeelfilmselectie Official feature films selection ........................................................................
    [Show full text]
  • Is Castro's Cuba a Budding Narcostate?
    Vol. 20, No. 4 April 2012 In the News Despite fall in U.S. food exports to Cuba, Advertising everywhere shipments of beans edge up every year Competition heats up in Cuba’s rapidly BY VITO ECHEVARRÍA It was also the same year Pat Wallesen visited decentralizing economy ................Page 3 he Cubans haven’t bought a single grain Cuba for the first time. Wallesen is managing of American rice for years. But when it partner of WestStar Food Co. in Corpus Christi, Tcomes to U.S. beans, state purchasing a major U.S. exporter of dry beans. SEC pressures Telefónica agency Alimport can’t seem to get enough. “The Cubans are opportunistic buyers,” said Spanish telecom giant is hounded over its According to USDA figures, dry bean exports Wallesen, telling CubaNews that global commo- business interests in Cuba ............Page 4 to Cuba reached $7.7 million last year, up from dity prices have fluctuated not only for beans lately, but other crops as well. He put total annu- $5.6 million in 2010 and $4.3 million in 2009. al dry bean purchases at 45,000 metric tons. Political briefs That’s still a lot less than the record $10.9 mil- “They buy when the time is right. They buy lion worth of beans sold in 2006, though dra- from the U.S. between November and Febru- Rubio lifts hold on Jacobson nomination; matically more than in 2007 and 2008, when U.S. Miami-Dade proposal under fire ...Page 5 ary,” he said. WestStar Foods sometimes sup- farmers exported only $73,000 and $68,000 plies the Cubans with its own inventory of worth of beans to Cuba (see chart, page 3).
    [Show full text]
  • Representaciones Realistas De Niños, Adolescentes Y Jóvenes Marginales En El Cine Iberoamericano (1990-2003)
    UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE LINGÜÍSTICA, LENGUAS MODERNAS, LÓGICA Y FILOSOFÍA DE LA CIENCIA, TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA PROGRAMA DE DOCTORADO EN HISTORIA DEL CINE Representaciones realistas de niños, adolescentes y jóvenes marginales en el cine iberoamericano (1990-2003) TESIS DOCTORAL Presentada por: Juan Carlos Vargas Maldonado Director: Dr. Alberto Elena Díaz Madrid, junio de 2008 2 ÍNDICE Introducción 3 1. Las primeras búsquedas “realistas” en el cine 8 1.1 El realismo socialista 11 1.2 El documental etnográfico 13 1.3 El documental social 16 1.4 El realismo poético francés 17 1.5 Dos antecedentes realistas del cine de ficción mexicano y español 19 1.6 El neorrealismo italiano 23 1.7 Ejemplos prototípicos: El Limpiabotas y La tierra tiembla 27 2. Los olvidados: modelo paradigmático sobre los niños, adolescentes y 33 jóvenes marginales 3. La herencia del neorrealismo en las cinematografías venezolana, 42 brasileña, argentina, española, chilena, boliviana y colombiana (1950-1981) 3.1 Venezuela: La escalinata y Soy un delincuente 46 3.2 Brasil: Río 40 grados y Pixote, los olvidados de Dios 54 3.3 Argentina: Tire dié, Crónica de un niño solo y La Raulito 65 3.4 España: Los golfos y Deprisa, deprisa 77 3.5 Chile: Largo viaje y Valparaíso, mi amor 86 3.6 Bolivia: Chuquiago 93 3.7 Colombia: Gamín 97 4. Representaciones realistas 1990-2003 105 4.1 Delincuencia y crimen: Caluga o menta (Chile/España), Lolo (México), 108 Como nacen los ángeles (Brasil) y Ciudad de Dios (Brasil/Francia/Alemania), Pizza, birra, faso (Argentina), Barrio (España/Francia) y Ratas, ratones y rateros (Ecuador/Estados Unidos) 4.2 Sicarios: Sicario (Venezuela) y La virgen de los sicarios 155 (Colombia/España/Francia) 4.3 Niños de la calle: La vendedora de rosas (Colombia), Huelepega, 170 ley de la calle (Venezuela/España), De la calle (México) y El Polaquito (Argentina/España) 5.
    [Show full text]
  • Melbourne Filmoteca 2014 Program
    MELBOURNE FILMOTECA 2014 PROGRAM February 4th 2014 7pm ACMI Cinemas 1. Chinese Takeaway- Un Cuento Chino Director: Sebastián Borensztein Year: 2011 Country: Argentina Duration: 95 minutes Roberto, an Argentinean, and Jun, a Chinese who has just arrived in Buenos Aires meet each other randomly after Jun has just been robbed and kicked out of a cab in the street. Jun is looking for his only family member alive, his uncle. Roberto decides to play the hero in this story. How will they start to communicate and cohabit with each other if neither they both speak Spanish or Chinese? March 4th 2014 7pm ACMI Cinemas *Free Screening, first in-best dressed based 2. Son of Clouds Director: Alvaro Longoria Year: 2012 Country: Spain Duration: 80 min Alvaro Longoria partners with Academy Award® winner Javier Bardem for his directorial debut, Sons of the Clouds: The Last Colony. This compelling documentary brings to light the political and human rights issues facing the people of the Western Sahara, and the responsibility of Western powers to restore peace to the region. The film examines the current political turmoil and the failed policies, namely realpolitik, which have generated tremendous instabilities in the region. A personal journey for Bardem, the film focuses on the bleak reality of the Western Sahara, a former Spanish colony that is now occupied, in part, by Morocco, and has resulted in almost 200,000 refugees living in camps in the desert. www.melbournefilmoteca.org April 1st 2014 7pm ACMI Cinemas 3. Mondays in the Sun- Los Lunes al sol Director: Fernando Leon de Aranoa Year: 2002 Country: Spain Duration: 113 min The closing of a shipyard in the city of Vigo (northern Spain) has left six men at a loose end, and now they treat each day as if it was a Sunday; philosophizing, reminiscing and sharing their disappointments.
    [Show full text]
  • 47Th Chicago International Film Festival October 6–20
    WhatTheWorld Is Watching © 47th Chicago International Film Festival October 6–20 AMC River East 21 (322 E. Illinois St.) CHICAGOFILMFESTIVAL.COM PRESENTING PARTNER facebook.com/chicagofilmfestival twitter @chifilmfest ...SeeForYourself In this year’s lineup, you will find films that are visually bold and Lelouch. Speaking of the great masters of cinema, they are also well artistically daring. Some present a refreshing view on the growing represented in our program this year. pains of childhood while others explore the immigrant experience from truly original perspectives. You will find award-winning films Each film provides a once-in-a-lifetime opportunity to experience the as well as stories about real people that go beyond the headlines. sights, sounds and experiences of other cultures on the big screen And in keeping with our tradition of discovering new talent, this and the chance to hear and maybe even meet some of the artists year’s filmmakers will take you on provocative and exciting journeys behind them. The languages may be different, but the emotions are to lands near and far. These more than 45 first-time filmmakers the same. Film unites us like no other art form can. could very well be the future Cronenberg, Herzog, Wenders or Michael Kutza | Founder and Artistic Director 3 easy ways to buy tickets & passes PHONE ONLINE IN PERSON Festival Hotline: 312.332.FILM Festival Passes available exclusively in our Festival FESTIVAL THEATER BOX OFFICE Tickets purchased by phone need to be reserved no Store: CHICAGOFILMFESTIVAL.COM AMC River East 21 (322 E. Illinois St.) later than 24 hours in advance.
    [Show full text]
  • Dossier Completo
    La vida empieza hoy Tienen experiencia, tienen ganas de hacer cosas, tienen una vida sexual activa… Y sobre todo... Tienen tiempo!!! SINOPSIS Un grupo de hombres y mujeres de la tercera edad asiste a clases de sexo para continuar teniendo una vida sexual plena. En ellas comparten deseos y preocupaciones. Pepe, tiene disfunción eréctil provocada por el estrés de la jubilación y quiere volver a ser el hombre que era; Herminia cree que es frígida pero descubre que su problema ha sido estar siempre con el hombre equivocado. A Julián le gustan las mujeres y sobre todo Herminia. Ambos se entienden tan bien en la cama, que deciden emprender una relación puramente sexual; Juanita tiene la certeza de que se va a morir, pero cuando se separa de su difunto marido, decide rehacer su vida... En la clase de sexo, Olga, la profesora, les ayuda a hacer frente a esos problemillas generados por la edad. Pero para eso, tendrán que hacer los deberes... Una historia coral, narrada en tono de comedia en la que padres, hijos y nietos se cruzan continuamente en una gran ciudad donde les resulta difícil encontrar su lugar. La vida empieza hoy FICHA ARTÍSTICA PILAR BARDEM Juanita ROSA Mª SARDÁ Olga MARIANA CORDERO Rosita LLUÍS MARCO Pepe SONSOLES BENEDICTO Herminia OSVALDO SANTORO Julián MARÍA BARRANCO Nina FERNANDO TIELVE Kim MONTSERRAT SALVADOR Carmen SÍLVIA SABATÉ Nuria ISABEL OSCA Mercedes ANA Mª VENTURA Adelita Y EDUARDO BLANCO Alfredo Con la colaboración especial de FRANCESC GARRIDO FERRÁN RAÑÉ MARC MARTÍNEZ La vida empieza hoy FICHA TÉCNICA DIRECTORA LAURA MAÑÁ GUIÓN ALICIA LUNA y LAURA MAÑÁ Basado en una idea original de ALICIA LUNA PRODUCTOR EJECUTIVO QUIQUE CAMÍN PRODUCTOR DELEGADO ANTONI CAMÍN DIRECTOR DE FOTOGRAFÍA MARIO MONTERO MONTAJE LUCAS NOLLA MÚSICA XAVIER CAPELLAS DIRECTOR DE ARTE BALTER GALLART DIRECTORA DE PRODUCCIÓN BET PUJOL SONIDO DANI FONTRODONA JEFE DE PRODUCCIÓN VALENTÍ CLOSAS FIGURINISTA MARÍA GIL MAQUILLAJE MONTSE BOQUERAS PELUQUERÍA SERGIO PÉREZ REPARTO LAURA CEPEDA MAKING OF JAVIER CALVO Formato y Duración 35mm (rodada en HD), Color, 90 min.
    [Show full text]
  • Course FB-20 the IMAGE of SPAIN on the CINEMA SCREEN (ADVANCED LEVEL) (45 Class Hours) Lecturer: Dr. Luis Navarrete Cardero
    Course FB-20 THE IMAGE OF SPAIN ON THE CINEMA SCREEN (ADVANCED LEVEL) (45 class hours) Lecturer: Dr. Luis Navarrete Cardero ([email protected]) Substitute Lecturer: Juan José Vargas Iglesias ([email protected]) OBJECTIVES This Course provides students with a route-map through those Spanish movies, as well as those from other countries, which deal with the image of Spain from different perspectives. There have been times when that same image has become distorted for reasons which are not, strictly speaking, cinematographic in character. Bringing to the fore the key aspects of that distortion, while analyzing a range of discourse types in film, can help to bring into focus the role of Cinema as a generator of cultural stereotypes. Keeping visiting students in mind, this Course spans a wide range of cultural perspectives, thus taking it beyond the confines of the cinematic and the historical sensu stricto. METHODOLOGY Given the amount of accumulated pedagogical experience that exists with regard to this kind of subject matter, as well as taking into account the specific needs of students, the aim of the class sessions is to ensure the fruitful interaction of the theoretical and practical dimensions of the study process, while also potentializing the exploration of those aspects of the Spanish language to which, in terms of comprehension and expression, the filmography being studied draws attention. SYLLABUS Practical Section Anthology of sequences taken from key movies and from the work of key directors: Escenas Españolas Lumiére. Sangre y Arena (Fred Niblo, 1922). Carmen (Cecil B. Demille, 1915). Carmen Burlesque (Charles Chaplin, 1916).
    [Show full text]
  • Kinenova © 2020 Kinenova © 2020
    KINENOVA © 2020 KINENOVA © 2020 В И Г О П Р Е Т С Т А В У В А В И Г О П Р Е Т С Т А В У В А KINENOVA © 2020 #ПРВОФИЛМ #KINENOVA2020 Е К С К Л У З И В Н О Н А 1-7 окт. 2020 1-7 Oct. 2020 КИНЕНОВА РЕТРО | | KINENOVA RETRO 8-18 окт. 2020 8-18 Oct. 2020 МЕЃУНАРОДНА КОНКУРЕНЦИЈА | | INTERNATIONAL COMPETITION ГЛАВНА НАТПРЕВАРУВАЧКА ПРОГРАМА 12-30 окт. 2020 12-30 Oct. 2020 ПОСВЕТЕНО НА ФЕРНАНДО ТРУЕБА | | DEDICATED TO FERNANDO TRUEBA Ја славиме шпанската култура Celebration of Spanish culture 26-28 окт. 2020 26-28 Oct. 2020 ФОКУС НА АВСТРИЈА | | FOCUS ON AUSTRIA 11-18 окт. 2020 11-18 Oct. 2020 КИНЕНОВА СПЕЦИЈАЛ | | KINENOVA SPECIAL 10-15 окт. 2020 10-15 Oct. 2020 LUX PRIZE | | LUX PRIZE НАГРАДА LUX НА ЕВРОПСКИОТ ПАРЛАМЕНТ LUX PRIZE OF THE EUROPEAN PARLIAMENT 10 окт. 2020 10 Oct. 2020 КИНЕНОВА НЕЗАВИСНИ & ВОН КОНКУРЕНЦИЈА | | KINENOVA INDEPENDENT & OUT OF COMPETITION 11-15 окт. 2020 11-15 Oct. 2020 ПОСВЕТЕНО НА БИЛЈАНА ГАРВАНЛИЕВА | | DEDICATED TO BILJANA GARVANLIEVA 19 окт. 2020 19 Oct. 2020 ОФИЦИЈАЛНА СЕЛЕКЦИЈА НА МАКЕДОНСКИ КУСИ ФИЛМОВИ 2020 | | OFFICIAL MACEDONIAN SHORT FILM COMPETITION 2020 19-23 окт. 2020 19-23 Oct. 2020 ОФИЦИЈАЛНА ИНТЕРНАЦИОНАЛНА СЕЛЕКЦИЈА | OFFICIAL INTERNATIONAL SHORT FILM НА КУСИ ФИЛМОВИ 2020 | COMPETITION 2020 13-15 окт. 2020 13-15 Oct. 2020 ПРОЕКЦИИ ВО ЖИВО ВО | LIVE SCREENINGS AT КИНОТЕКА НА СЕВЕРНА МАКЕДОНИЈА | KINOTEKA OF NORTH MACEDONIA — НЕБОЈША ЈОВАНОВИЌ — NEBOJSHA JOVANOVIK Директор на Меѓународен филмски фестивал Director of the International Film Festival of debutant на дебитантски филм „КинеНова“ lm “KineNova” Кон јубилејното, петто издание на Towards the fth jubilee edition of „КинеНова“ “KineNova” Ако на човека му ја одземеш можноста за креација, If you take away from someone the possibility to create, се чини како да си му одземал сè.
    [Show full text]
  • Regreso Al Mediterráneo En La Cinematografía De Bigas Luna
    ABSTRACT Regreso al This article approaches two films by Bigas Luna, Bambola and Son de mar (Sound of mediterráneo the Sea), produced after the Iberian trilogy −Jamón jamón, Huevos de oro (Golden en la Balls) y La teta y la luna (The Tit and The Moon)− catapulted him to worldwide cinematografía fame. It seems that the Catalan director wanted to combine erotic stories set in the de Bigas Luna same Mediterranean environment. Carolina Sanabria * KEYWORDS Bigas Luna, erotism, death, sexuality, adaptation, Bambola and Son de Mar RESUMEN (Sound of the Sea) El artículo pretende un acercamiento a dos de los filmes de Bigas Luna, Bambola y Son de mar, producidos luego de que la INTRODUCCIÓN trilogía ibérica (Jamón jamón, Huevos de oro y La teta y la luna) lo catapultara a A pesar de la irrecusable distancia nivel internacional. Parece que el director –en contenido y en espacio catalán quiso combinar historias de com- temporal– que los separa, dos de APORTES ponente erótico ambientadas en el mismo los filmes más eróticos del director entorno del Mediterráneo. catalán Bigas Luna, Bambola y Son de mar, parecen estar unificados por una voluntad de recuperación PALABRAS CLAVE del espíritu de la trilogía ibérica Bigas Luna – erotismo – muerte – sexuali- dad – adaptación – Bambola – Son de mar –en tanto comparten no sólo la obsesividad de sus personajes (desde distintas maneras) por la mujer, sino la sensualidad y la ambientación mediterráneas–. * Doctora en Comunicación Audiovisual y Publicidad por la Universitat Autónoma de Barcelona. Profesora de la Escuela de Estudios Generales de la Universidad La bella y la bestia de Costa Rica.
    [Show full text]
  • Eurimages Co-Production La Grande Bellezza Wins Academy Award® for Best Foreign Language Film
    T +33(0)388412560 www.coe.int [email protected] Ref. DC 026(2014) Eurimages co-production La Grande Bellezza wins Academy Award® for best foreign language film Strasbourg, 03.03.2014 - La Grande Bellezza (The Great Beauty) received the Oscar® for Best Foreign Language Film at Sunday’s Academy Awards® ceremony in Hollywood. Paolo Sorrentino’s film, a co-production between Italy and France supported by the Council of Europe’s fund Eurimages, has already won a European Film Award, a Golden Globe and a BAFTA (British Academy of Film and Television Arts), and premiered at the Cannes Film Festival. Commenting on the prestigious award, Council of Europe Deputy Secretary General, Gabriella Battaini Dragoni said: “The Oscar for La Grande Bellezza highlights the strength and the relevance of international co-operation in the European film industry. It is a demonstration of the value of film co- production to our Continent”. Two other co-produced films, also supported by Eurimages, figured in this year’s list of nominations for the Academy Awards®: The Hunt (Denmark-Sweden) and The Broken Circle Breakdown (Belgium- The Netherlands). Since it was set up in 1988, EURIMAGES has supported 1,560 European co-productions for a total amount of approximately 474 million euros. Eight films have received the Oscar®: Journey of Hope, Xavier Koller; Belle Epoque, Fernando Trueba; Antonia’s Line, Marleen Gorris; Kolya, Jan Sverak; No Man’s Land, Danis Tanovic; Mar Adentro, Alejandro Amenabar; Amour, Michael Haneke; La Grande Bellezza, Paolo Sorrentino. * * * Eurimages is the cultural support fund of the Council of Europe.
    [Show full text]
  • Publications Editor Prized Program Contributors Tribute Curator
    THE NATIONAL FILM PRESERVE LTD. presents the Julie Huntsinger Directors Tom Luddy Gary Meyer Michael Ondaatje Guest Director Muffy Deslaurier Director of Support Services Brandt Garber Production Manager Bonnie Luftig Events Manager Bärbel Hacke Hosts Manager Shannon Mitchell Public Relations Manager Marc McDonald Theatre Operations Manager Lucy Lerner ShowCorps Manager Erica Gioga Housing/Travel Manager Kate Sibley Education Programs Dean Elizabeth Temple V.P., Filmanthropy Melissa DeMicco Development Manager Kirsten Laursen Executive Assistant to the Directors Technical Direction Russell Allen Sound, Digital Cinema Jon Busch Projection Chapin Cutler Operations Ross Krantz Chief Technician Jim Bedford Technical Coordinator Annette Insdorf Moderator Pierre Rissient Resident Curators Peter Sellars Paolo Cherchi Usai Godfrey Reggio Publications Editor Jason Silverman (JS) Prized Program Contributors Larry Gross (LG), Lead Writer Sheerly Avni (SA), Serge Bromberg (SB), Meredith Brody (MB), Paolo Cherchi Usai (PCU), Jesse Dubus (JD), Roger Ebert (RE), Scott Foundas (SF), Kirk Honeycutt (KH), Tom Luddy (TL), Jonathan Marlow (JM), Greil Marcus (GM), Gary Meyer (GaM), Michael Ondaatje (MO), Milos Stehlik (MS) Tribute Curator Chris Robinson 1 Shows The National Film Preserve, Ltd. A Colorado 501(c)(3) non-profit, tax-exempt educational corporation 1a S/Fri 6:30 PM - G/Sat 9:30 AM - 1b L/Sun 6:45 PM Founded in 1974 by James Card, Tom Luddy and Bill & Stella Pence 1 A Tribute to Peter Weir Directors Emeriti Bill & Stella Pence Board of Governors Peter Becker, Ken Burns, Peggy Curran, Michael Fitzgerald, Julie Huntsinger, Linda Lichter, Tom Luddy, Gary Meyer, Elizabeth Redleaf, Milos Stehlik, Shelton g. Stanfill (Chair), Joseph Steinberg, Linda C.
    [Show full text]