Is Castro's Cuba a Budding Narcostate?
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Cartoon Animals Vs. Actual Russians: Russian Television and the Dynamics of Global Cultural Exchange 2021
Repositorium für die Medienwissenschaft Jeffrey Brassard Cartoon Animals vs. Actual Russians: Russian Television and the Dynamics of Global Cultural Exchange 2021 https://doi.org/10.25969/mediarep/16243 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Brassard, Jeffrey: Cartoon Animals vs. Actual Russians: Russian Television and the Dynamics of Global Cultural Exchange. In: VIEW. Journal of European Television History and Culture, Jg. 10 (2021), Nr. 19, S. 4– 15. DOI: https://doi.org/10.25969/mediarep/16243. Erstmalig hier erschienen / Initial publication here: https://doi.org/http://doi.org/10.18146/view.252 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ volume 10 issue 19/2021 CARTOON ANIMALS VS. ACTUAL RUSSIANS RUSSIAN TELEVISION AND THE DYNAMICS OF GLOBAL CULTURAL EXCHANGE Jeffrey Brassard University of Alberta [email protected] Abstract: Despite continual improvements in production and writing quality, live-action Russian series have fared poorly in the global market. While many deals have been struck, Western remakes of Russian series have failed to appear, and live-action programs have failed to find mainstream audiences outside of Russia. Russian animated series, on the other hand, have enjoyed global success. The success and failure of different types of Russian series in the global media market suggests that many of the central problems of cultural exchange remain. -
Millville, NJ
WfJ/iIlE/iS ".(;(/'11' 2se No. 500 ~X-523 20 April 1990 Wall Street Shudders After Tokyo Stock Market Crash Japan is supposed to be the ultimate, super-successful capitalist country. But in March and early April the Tokyo stock exchange experienced a meltdown wip ing out almost 30 percent of the market value of Japan, Inc. "There is a total loss of confidence, period," exclaimed one se curities dealer. "It's an ugly situation," echoed another. "There are no buyers at all. None." Nippon Telegraph and Tele-' phone-the largest corporation in the world-had its stock fall from a peak of $21,000 per share a few years ago to less than $8,000. The Tokyo crash reverberated in finan cial capitals from Wall Street to Frank furt. The fear is that the Japanese will pull back and sell off their .assets to cover their losses at home. For most of the last decade, Japanese money has propped up the debt-ridden and decaying U.S. economy. Tokyo banks and securi ties outfits regularly purchase 30 to 40 percent of new U.S. Treasury bonds. Shigeo Kogure Without this Japanese money, T-bills World's biggest stock market loses almost 30 percent of value in a few months. would be selling at the same interest rates as junk bonds. But now the great Thus at the very moment that the Economic conflicts between American that smoothly as the economic "shock "leveraged buyout" of East Europe, chan rulers of world imperialism are proclaim and Japanese capitalism continue to treatment" designed for Poland meets neled through the banking houses of ing "the death of Communism" as "the escalate toward full-scale trade war. -
U.S. Citizens Killed Or Disappeared by Cuba's
U.S. CITIZENS KILLED OR DISAPPEARED Francis Brown, age 68. Assassinated BY CUBA’S COMMUNIST REGIME extrajudicially April 27, 1978, Guantánamo hospital. Former World War II veteran who, when 48 documented cases 1959 to date the Castro regime rose to power, worked as a diver at the U.S. Guantanamo Naval Base and had a Update of September 2018 Cuban wife and daughter. A co-worker alerted him that the Cuban regime had ordered him killed to Work in progress blame the U.S. government and provoke a See case details at database.CubaArchive.org confrontation. He resigned from his job at the base to avoid being used as pawn, but remained in Cuba trying to get his family out. Falsely accused of kidnapping his own daughter and imprisoned after his release, he was under constant surveillance and control of the secret police. On the eve of a visit I. 22 U.S. citizens executed, by a friendly U.S. African-American delegation, he developed high blood assassinated, or disappeared pressure and went to the hospital emergency room. Under control of State Executions by firing squad: 8 Security agents, he was given an injection that almost immediately caused Extrajudicial Assassinations: 11 him to foam at the mouth and die. His daughter believes he was killed to Forced Disappearance: 1 avoid a public relations’ problem. Politically induced suicide: 2 In alphabetical order Frederic Richard Carter. Assassinated extrajudicially August 11, 1982, State Security headquarters in Havana. Resident of Armando Alejandre Jr., age 45. Assassinated Havana, Cuba, reportedly killed under arrest. extrajudicially February 24, 1996, inter- national airspace over the Straits of Florida. -
CATALOGUE En Français Nederlandstalige CATALOGUS
PRESENTS Brussels Animation Film Festival CATALOGUE en français Nederlandstalige CATALOGUS © Peter Elliott / Folioscope 2012 – Co-organisation Folioscope a.s.b.l. / Festival du dessin animé a.s.b.l. / Festival van de animatie lm v.z.w. – Éd. resp.: Philippe Moins, Folioscope, avenue de Stalingrad 52 - 1000 Bruxelles de Stalingrad avenue Folioscope, Moins, Philippe resp.: – Éd. lm v.z.w. de animatie van / Festival du dessin animé a.s.b.l. / Festival a.s.b.l. 2012 – Co-organisation Folioscope Elliott / Folioscope © Peter English CATALOGUE Merci à nos partenaires / Dank aan onze partners / Thanks to: www.knackfocus.be La Fédération Wallonie-Bruxelles, Ministère de l’Éducation et de la Communication, Direction de l’Audiovisuel et des Multimédias, Services de Prêt de Matériel de la Fédération Wallonie-Bruxelles, Ministère des Relations extérieures, Wallonie Bruxelles International ; Ministerie van de Vlaamse Gemeenschap; Le Gouvernement de la Région de Bruxelles-Capitale / De Brusselse Hoofdstedelijke Regering; Le Programme MEDIA de l’Union européenne / Het MEDIA Programma van de Europese Unie; La Commission communautaire française de la Région de Bruxelles-Capitale; De Vlaamse Gemeenschapscommissie; La Ville de Bruxelles / De Stad Brussel. Avec le soutien de / Met de steun van Willy Decourty, Bourgmestre / Burgemeester, Yves de Jonghe d’Ardoye, Député honoraire / Volksvertegenwoordiger, Échevin de la Culture / Schepen van Cultuur, et des membres du Collège des Bourgmestre et Échevins d’Ixelles / en het Schepencollege van Elsene. Prix des compétitions nationale et internationale Prijzen nationale en internationale competities National and international competition awards.................................... 5 Jurys – Jury’s – Juries ................................................................................................... 6–7 Sélection officielle longs métrages Officiële langspeelfilmselectie Official feature films selection ........................................................................ -
The Cuban Military and Transition Dynamics
THE CUBAN MILITARY AND TRANSITION DYNAMICS By Brian Latell INSTITUTE FOR CUBAN AND CUBAN-AMERICAN STUDIES U NIVERSITY OF M IAMI ISBN: 0-9704916-9-7. Published in 2003. THE CUBAN MILITARY AND TRANSITION DYNAMICS Cuba Transition Project – CTP The Cuba Transition Project, at the Institute for Cuban and Cuban-American Studies (ICCAS), University of Miami, is an important and timely project to study and make recommendations for the reconstruction of Cuba once the post-Castro transition begins in earnest. The transitions in Central and Eastern Europe, Nicaragua, and Spain are being analyzed and lessons drawn for the future of Cuba. The project began in January 2002 and is funded by a grant from the U.S. Agency for International Development. Programs and Activities • The CTP is publishing original research, with practical alternative recommendations on various specific aspects of the transition process, commissioned and written for the CTP by ICCAS Staff and U.S. and foreign scholars with expertise on Cuba. • The CTP is developing four key databases: 1. A full-text database of published and unpublished articles written on topics of transition in Cuba, as well as articles on transition in Central and Eastern Europe, Nicaragua, and Spain. It also includes an extensive bibliography of published and unpublished books, theses, and dissertations on the topic. 2. A full-text database of Cuba’s principal laws, in Spanish, its legal system, including the current Cuban Constitution (in English and Spanish), and other legislation relating to the structure of the existing government. Also included are the full-text of law review articles on a variety of topics 3. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
I. 22 U.S. Citizens Executed, Assassinated, Or Disappeared Francis Brown, Age 68
elementary standards of justice practiced by the civilized nations of the world.” Anderson’s family sued the Cuban government for damages in U.S federal court and in 2003 obtained an award of $67 million. Louis Berlanti and son, Fred Berlanti. Assassinated extrajudicially August 16, 1963, over Lake Okeechobee, Florida. Louis was a contractor and real U.S. CITIZENS KILLED OR DISAPPEARED estate developer from Harrison, New York, who had BY CUBA’S COMMUNIST REGIME suffered sizable real estate losses from property confiscations by the Castro government and had pledged 48 documented cases 1959 to date half a million dollars to unseat it. He and his son Fred, a resident of St. Petersburg Beach, Florida, were members Update of July 2020 of the "United Organizations for the Liberation of Cuba." Work- in-progress They were flying in a private airplane reportedly sabotaged by Cuban intelligence. I. 22 U.S. citizens executed, assassinated, or disappeared Francis Brown, age 68. Executions by firing squad: 8 Assassinated extrajudicially April Extrajudicial Assassinations: 11 27, 1978, Guantánamo hospital. Forced Disappearance: 1 Former World War II veteran who, Politically induced suicide: 2 when the Castro regime rose to power, worked as a diver at the U.S. In alphabetical order Guantanamo Naval Base and had a Cuban wife and daughter. A co- worker alerted him that the Cuban regime had ordered Armando Alejandre Jr., age 45. him killed to blame the U.S. government and provoke a Assassinated extrajudicially on confrontation. He resigned from his job at the base to February 24, 1996, inter-national avoid being used as pawn, but remained in Cuba trying to airspace over the Straits of Florida. -
The View from Here
The View from Here Figure 1 -- The iconic image of the South Canyon Fire blow-up that will claim the lives of 14 wildland firefighters. Acknowledging our current culture and its shortcomings while using its strengths to lead change. December 2018 The View from Here 1 This collection represents collective insight into how we operate and why we must alter some of our most ingrained practices and perspectives. Contents Introduction .................................................................................................................................... 3 I Risk ................................................................................................................................................ 4 1. The Illusion of Control ............................................................................................................. 5 2. It’s Going to Happen Again ................................................................................................... 14 3. The Big Lie – Honor the Fallen .............................................................................................. 19 4. The Problem with Zero ......................................................................................................... 26 5. RISK, GAIN, and LOSS – What are We Willing to Accept? .................................................... 29 6. How Do We Know This Job is Dangerous? ............................................................................ 39 II Culture ....................................................................................................................................... -
Melbourne Filmoteca 2014 Program
MELBOURNE FILMOTECA 2014 PROGRAM February 4th 2014 7pm ACMI Cinemas 1. Chinese Takeaway- Un Cuento Chino Director: Sebastián Borensztein Year: 2011 Country: Argentina Duration: 95 minutes Roberto, an Argentinean, and Jun, a Chinese who has just arrived in Buenos Aires meet each other randomly after Jun has just been robbed and kicked out of a cab in the street. Jun is looking for his only family member alive, his uncle. Roberto decides to play the hero in this story. How will they start to communicate and cohabit with each other if neither they both speak Spanish or Chinese? March 4th 2014 7pm ACMI Cinemas *Free Screening, first in-best dressed based 2. Son of Clouds Director: Alvaro Longoria Year: 2012 Country: Spain Duration: 80 min Alvaro Longoria partners with Academy Award® winner Javier Bardem for his directorial debut, Sons of the Clouds: The Last Colony. This compelling documentary brings to light the political and human rights issues facing the people of the Western Sahara, and the responsibility of Western powers to restore peace to the region. The film examines the current political turmoil and the failed policies, namely realpolitik, which have generated tremendous instabilities in the region. A personal journey for Bardem, the film focuses on the bleak reality of the Western Sahara, a former Spanish colony that is now occupied, in part, by Morocco, and has resulted in almost 200,000 refugees living in camps in the desert. www.melbournefilmoteca.org April 1st 2014 7pm ACMI Cinemas 3. Mondays in the Sun- Los Lunes al sol Director: Fernando Leon de Aranoa Year: 2002 Country: Spain Duration: 113 min The closing of a shipyard in the city of Vigo (northern Spain) has left six men at a loose end, and now they treat each day as if it was a Sunday; philosophizing, reminiscing and sharing their disappointments. -
47Th Chicago International Film Festival October 6–20
WhatTheWorld Is Watching © 47th Chicago International Film Festival October 6–20 AMC River East 21 (322 E. Illinois St.) CHICAGOFILMFESTIVAL.COM PRESENTING PARTNER facebook.com/chicagofilmfestival twitter @chifilmfest ...SeeForYourself In this year’s lineup, you will find films that are visually bold and Lelouch. Speaking of the great masters of cinema, they are also well artistically daring. Some present a refreshing view on the growing represented in our program this year. pains of childhood while others explore the immigrant experience from truly original perspectives. You will find award-winning films Each film provides a once-in-a-lifetime opportunity to experience the as well as stories about real people that go beyond the headlines. sights, sounds and experiences of other cultures on the big screen And in keeping with our tradition of discovering new talent, this and the chance to hear and maybe even meet some of the artists year’s filmmakers will take you on provocative and exciting journeys behind them. The languages may be different, but the emotions are to lands near and far. These more than 45 first-time filmmakers the same. Film unites us like no other art form can. could very well be the future Cronenberg, Herzog, Wenders or Michael Kutza | Founder and Artistic Director 3 easy ways to buy tickets & passes PHONE ONLINE IN PERSON Festival Hotline: 312.332.FILM Festival Passes available exclusively in our Festival FESTIVAL THEATER BOX OFFICE Tickets purchased by phone need to be reserved no Store: CHICAGOFILMFESTIVAL.COM AMC River East 21 (322 E. Illinois St.) later than 24 hours in advance. -
The Anxious Hero Updated
THE ANXIOUS HERO: DISSECTING MASCULINITIES IN THIRTEENTH–CENTURY MEDIEVAL IBERIAN LITERATURE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Spanish By Anthony Javon Perry, M.S. Washington, DC November 7, 2018 Copyright 2018 by Anthony Perry All Rights Reserved ii THE ANXIOUS HERO: DISSECTING MASCULINITIES IN THIRTEENTH–CENTURY MEDIEVAL IBERIAN LITERATURE Anthony Javon Perry, M.S. Thesis Advisor: Emily C. Francomano, Ph.D. ABSTRACT My dissertation examines the varying and converging constructions of gender and genre in four thirteenth–century medieval Iberian texts: Poema de mio Cid, Libro de Alexandre, Libro de Apolonio and Alfonso X’s Estoria de Espanna. By contextualizing the texts historically and using the perspectives of feminist theory, gender theory and cultural studies, I examine the constructions of masculinities within these texts and the role that these constructions play in the text’s genre. I contend that these texts bear witness to the anxious relationship between masculinity and power in the thirteenth century and aim to shape the reader’s/listener’s image of kingship/leadership and, in turn, hegemonic masculinity. They serve as a mirror for and of male leaders, a speculum principis for their thirteenth–century audience. In each text, the male protagonist is a hero and, therefore, exemplary of what I term hegemonic masculinity. The self–fashioning of the hero’s masculinity, as manifest in the Fall/Redemption narrative structure, reveals itself to be anxious. I ground my argument in the medieval exegesis surrounding the Fall/Redemption trope and its ubiquity. -
“Cuba's Revolutionary Armed Forces: How Revolutionary Have They
“Cuba’s Revolutionary Armed Forces: How Revolutionary Have They Been? How Revolutionary Are They Now?” Hal Klepak Professor Emeritus of Strategy and Latin American History Royal Military College of Canada “El Caribe en su Inserción Internacional” Conference of the Tulane University Center for Inter-American Policy and Research San José, Costa Rica 3-4 January 2009 Introduction This paper will argue that Cuba’s Fuerzas Armadas Revolucionarias (FAR) have been, and to a great degree still are, ‘revolutionary’ in the contexts of what the armed forces of that country were before 1959, of what Latin American armed forces are and do traditionally, of what those forces normally think about themselves, and of those armed forces in regard to Cuba’s role in international affairs since the Revolution. These four elements will provide the threads for the argument to be made. Thus one will first address what these forces were and how they saw themselves in the years of the revolutionary struggle for power, and the structuring of them after 1959. We will then look at how their roles, structures and ways of seeing themselves changed over the years after their taking of Havana and installing the government of Fidel Castro in power. And finally we will assess their revolutionary credentials since the shattering experience of the Special Period and the subsequent major leadership changes the island has known in recent months. El Ejército Rebelde The army of Fidel Castro’s struggle in the mountains of Cuba’s then easternmost Oriente province, the Ejército Rebelde of now epic memory, takes for the date of its founding the day in November 1956 when the tiny force of 82 men on board the small yacht Granma disembarked to begin the long fight to rid the country of the dictatorship of Fulgencio Batista Zaldivar and bring about deep reform of the island’s political, economic and social system.