You Only Live Once

Total Page:16

File Type:pdf, Size:1020Kb

You Only Live Once YOU ONLY LIVE ONCE Published in 2007 by Kim Huett for the special amusement of all John Brosnan fans anywhere and anytime. All written and drawn material is by John Brosnan himself except for the editorial which is by Kim Huett. Editorial address: PO Box 1443 Woden, ACT 2606, Australia. YOU ONLY LIVE ONCE Table of Contents 5 John Brosnan & Life: A Fight to the Death An introduction of sorts by Kim Huett 7 Confessions of a Job Hopper WHY BOTHER? #1 (December 1968) & WHY BOTHER? #2 (February 1969), Ed: John Brosnan 14 Most Memorable Moment at the Melbourne Convention WHY BOTHER? #4 (June 1969), Ed: John Brosnan 15 Rejection Slips Are a Many Splendoured Thing WHY BOTHER? #7 (December 1969), Ed: John Brosnan 20 The Double-Decker Dud Disaster THE SOMERSET GAZETTE #5 (January 1971), Ed: Noel Kerr 25 Ratfandom & Other Animals WHY BOTHER ABROAD #2 (December 1971), Ed: John Brosnan 28 Mervyn Barrett Presents WHY BOTHER ABROAD #3 (June 1972), Ed: John Brosnan 31 The Perils of Barley Wine: The Story of a Fan's Downfall MOTA #5 (May 1972), Ed: Terry Hughes 35 The Things That Go Bump in the Night Are Working Overtime EGG #7 (March 1973), Ed: Peter Roberts 37 Happiness is a Warm Rejection Slip SPECULATION #32 (March 1973), Ed: Peter Weston 40 The Good Old days Went Thataway!! EGG #8 (August 1974), Ed: Peter Roberts 43 SCAB #1 (1973), Ed: John Brosnan 46 SCAB #2 (September 1973), Ed: John Brosnan 49 SCAB #3 (October 1973), Ed: John Brosnan YOU ONLY LIVE ONCE Table of Contents 52 SCAB #4 (1973), Ed: John Brosnan 55 SCAB #5 (February 1974), Ed: John Brosnan 57 BIG SCAB #1 (June 1974), Ed: John Brosnan 62 BIG SCAB #2 (August 1974), Ed: John Brosnan 69 BIG SCAB #3 (October 1974), Ed: John Brosnan 75 SCABBY TALES #1 (November 1975), Ed: John Brosnan 79 SCABBY TALES #2 (April 1976), Ed: John Brosnan 84 Urethra! I've Got It! MOTA #22 (July/August 1977), Ed: Terry Hughes 89 A Different Set of Jaws EGG #11 (May 1978), Ed: Peter Roberts 93 London Life & Loathing Son Of Why Bother #1 (June 1978), John Brosnan 96 Oh No, Not Another Bloody Con Trip Report SON OF WHY BOTHER? #2 (December 1978), John Brosnan 103 Great Moments in Unpublished Science Fiction NABU #13 (1983), Ian Maule 109 SON OF WHY BOTHER #4 (1993), Ed: John Brosnan John Brosnan & Life: A Fight to the Death I can’t claim to have been a close friend of John's, I never even met him in person, nor did we exchange more than a handful of letters. It would be more accurate to say I knew of John rather than knew him. Early on in my own fannish career I discovered some of John's better writing in places such as Peter Robert's EGG and the various incarnations of John's own fanzines. It wasn't hard to to admire the gleefully scurrilous manner in which John wrote about fandom and his rather erratic life. Mind you, as much as I enjoyed the carnage that flowed out of his typewriter I did wonder what the likes of Roy Kettle, John hall, and Chris Priest had done to deserve such drubbings, and why they hadn't taken to John with big, big sticks in return. My only direct contact with John came when the Twentieth Anniversary of ANZAPA (the Australian & New Zealand Amateur Press Association) approached and it was decided to encourage past members to contribute. I didn’t hesitate to contact John and ask if he would like to write something. (He would, and did, in the form of SON OF WHY BOTHER #4, the last item in this collection.) During the exchange of letters that my inquiry sparked I suggested that since Perry Middlemiss had already labelled me a ‘larrikin writer’ I was clearly his heir and thus be considered a member of Ratfandom. John responded by suggesting that I'd need to do better than that to back such a claim. So I sent him a bill for my board and education and a note that he had till the end of the month to reimburse me. He must have laughed because in his next letter he named me an Australian auxiliary, a Kangaroo Rat if you like. Trouble was he also casually let slip that he had told his publishers that as his heir I would take over his Harry Adam Knight responsibilities once he no longer able deal with them. He assured me he had supreme confidence in my ability to complete any and all undelivered books. I'm still a bit worried about that actually. John Brosnan discovered fandom in the mid-sixties while still living in Perth. Back then John was a comics fan first and foremost so while he corresponded with various fans (and even met John Bangsund, editor of ASFR, during one of Bangsund’s trips to Perth) it was with John Ryan that he formed his closest relationship. So much so that when John decided to expand his horizons by moving to Sydney it was with the Ryans that he first lived. For the next couple of years John was an active part of the Sydney fan scene and Australian fandom as a whole. It wasn't enough apparently because in 1970 he became involved in a project to convert a double- decker bus and use it to travel to England (this was back in the days when young Australians who found their country of birth too limited and dull would conceive a desire for Mother England). The trip didn't run as smoothly as planned (according to John this was mostly because many of the original participants dropped out before the trip even started and their replacements were less than suitable) but despite this John survived till Greece where he decided to complete the trip on his own. Having abandoned the bus like a rat fleeing a sinking ship it was entirely appropriate that John's next move was to become a leading light with the London based group known as Ratfandom. And so it was that in the company of characters such as Greg Pickersgill, Roy Kettle, Robert Holdstock, John Hall, and Peter Roberts, John proceeded to create havoc in both the elegant steets of London and the cultured drawing rooms of British fandom. Not content with his reputation as a fanwriter to be reckoned with, (John was given a Novacon award for 'Best Fanzine' in 1974) he broke into the professional ranks with James Bond in the Cinema. After this the need to earn a living via professional sales saw John's fannish output shink and almost entirely disappear by the beginning of the eighties. -6- I won't attempt to summarise John's career any further as that story would be better told by the likes of John Baxter, Roy Ketter or Robert Holdstock, close friends of John's who kept in contact with him right to the end. I on the other hand had not heard from John for years when Roy Kettle passed on the news of John's death in April, 2005. In a way it was disconcerting news because John had speculated about his own demise so often over the years that I half-expected him to outlive us all. None-the-less it didn't take me long to decide how I should respond. While I’m not sure I have what it takes to be the next Harry Adam Knight (or even the old one in clever plastic disguise) it felt right that I should offer to publish a collection of John’s best fannish material. As it happened I'd already put John's name on a list of fans who deserved to be honoured by reprinting some of their better work. I had even drawn up a preliminary list of possible articles for a Brosnan collection so actually taking on this task was hardly a reach. Mind you, I never planned on taking so long to complete the project, but then again when I originally suggested a collection I didn’t realise the end result would be quite this large. However I like to think the fact that there is so much I couldn’t bring myself to leave out is a tribute to the quality of John's writing rather than a lack of taste on my part. None-the-less if it were not for Bill Burns and the eFanzines website I would have been forced to make some very difficult choices in order to keep the overall length manageable. I'd like to thank Bill for ensuring that there was no need for me to separate the cream from the merely good. While I'm at it I'd also like to thank Leroy Kettle, Ian Maule, Rob Hansen, and everybody else who made suggestions and offered financial or moral support. Projects like this are so much easier to finish when you know that there is an audience eager to see the final result. And that is enough from me, I can only hope the wait has been worth it. Confessions of a Job Hopper Since leaving the civilised part of Australia and settling in Sydney I've been indulging in a new hobby. No, not that. It's called job-hopping. Job-hopping is something that I've always had an urge to do but back in the West parental pressure sort of hampered me. Now, free from such influences, I'm able to act out these reckless, devil-may-care impulses.
Recommended publications
  • Chelsea Champions League Penalty Shootout
    Chelsea Champions League Penalty Shootout Billie usually foretaste heinously or cultivate roguishly when contradictive Friedrick buncos ne'er and banally. Paludal Hersh never premiere so anyplace or unrealize any paragoge intemperately. Shriveled Abdulkarim grounds, his farceuses unman canoes invariably. There is one penalty shootout, however, that actually made me laugh. After Mane scored, Liverpool nearly followed up with a second as Fabinho fired just wide, then Jordan Henderson forced a save from Kepa Arrizabalaga. Luckily, I could do some movements. Premier League play without conceding a goal. Robben with another cross to Mueller identical from before. Drogba also holds the record for most goals scored at the new Wembley Stadium with eight. Of course, you make saves as a goalkeeper, play the ball from the back, catch a corner. Too many images selected. There is no content available yet for your selection. Sorry, images are not available. Next up was Frank Lampard and, of course, he scored with a powerful hit. Extra small: Most smartphones. Preview: St Mirren vs. Find general information on life, culture and travel in China through our news and special reports or find business partners through our online Business Directory. About two thirds of the voters decided in favor of the proposition. FC Bayern Muenchen München vs. Frank Lampard of Chelsea celebrates scoring the opening goal from the penalty spot with teammate Didier Drogba during the Barclays Premier League. This site uses Akismet to reduce spam. Eintracht Frankfurt on Thursday. Their second penalty was more successful, but hardly signalled confidence from the spot, it all looked like Burghausen left their heart on the pitch and had nothing to give anymore.
    [Show full text]
  • Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
    Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr.
    [Show full text]
  • Trafalgar Square Publishing
    Trafalgar Square Publishing Spring 2019 Best-Selling Titles Spring 2019 9781781452929 9781781453278 9781781453155 9781781453414 9781781452912 9781445670072 9781849909679 9781785941689 9780712352253 9780712352505 9780712352765 9781787390164 9781785003240 9781785035517 9781783963201 9781783963140 9781908531841 9781912050420 9780008135782 9781784977870 9781784979911 9781788542807 9781786694430 9781784082796 9781786064653 Spring 2019 Best-Selling Titles 9781921997969 9780565094423 9780565094409 9780857301758 9781843447740 9781910633847 9781912374038 9781910633809 9780957148345 9781843681441 9781843681311 9781509823512 9780143574224 9781844137879 9780718185336 9781846149429 9780720620054 9781910258637 9781910258743 9781910258590 9781910497364 9781786090010 9781787411883 9780750979948 9780750985598 Don’t Miss Contents 32 Glimpses of Animals/Pets .......................................................................1, 19–20, 97–101, 158 the Unknown Antiques & Collectibles/Crafts & Hobbies ................................25, 152–153, 155 Architecture ..............................................................................90, 107, 148, 154 Art/Design ................................................ 8, 25, 30, 102, 107, 123, 147, 151, 145 Autobiography/Memoir ......................... 29–30, 73, 83, 85, 87, 99, 101, 145–146 Biography .................. 3–4, 26, 30, 85, 99, 112, 114–119, 121, 145, 147, 157, 159 Body/Mind/Spirit ............................................................................... 91, 105, 145 Business/Career ..........................................................................................
    [Show full text]
  • STARLOG INTERVIEW E Lisabeth S
    eople keep thanking us for com­ flair for words is disarming, frequently dis­ crowd—supposedly to look after the Doctor STARLOG INTERVIEW ing—like we are doing them a big solves into convulsions of giggles as she and make sure he was in good health. Of P favor," she says, sitting in the 19th- searches her memory for anecdotes of her course, you can't do that with the Doctor. He floor luxury suite of a Los Angeles Hotel with years as Sarah Jane Smith. Yet, she is also ex­ takes off on a tangent straight away.. .you all of Hollywood at her feet. "I am not being tremely introspective and analytical when it are just left to trail behind." humble,'' she continues, "but they have done comes to discussing her character, the pro­ ' 'There is a lovely scene that Ian did," adds us the favor, to be asked to come to Holly­ gram, her relationship with the other per­ Sladen. "The Doctor has two hearts—and it wood—to be allowed to be applauded and formers and her profession. was lovely when he took his stethoscope out looked after—I'm not joking. I have had on­ and found both of them. He was totally out ly a couple of hours sleep in the last couple of Joining the Show of his depth." days, and I'm not the least bit tired." In discussing the show with Ian Marter, the "She's as high as a kite," says the words pour out from the two of them. working AS A Team gentleman next to her.
    [Show full text]
  • Resisting Hollywood Dominance in Sixties British Cinema : the NFFC/Rank Joint Financing Initiative
    This is a repository copy of Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94238/ Version: Published Version Article: Petrie, Duncan James orcid.org/0000-0001-6265-2416 (2016) Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. Historical Journal of Film, Radio and Television. ISSN 1465-3451 https://doi.org/10.1080/01439685.2015.1129708 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative Duncan Petrie To cite this article: Duncan Petrie (2016): Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2015.1129708 To link to this article: http://dx.doi.org/10.1080/01439685.2015.1129708 © 2016 The Author(s).
    [Show full text]
  • JUNEAU, ALASKA. FUNERAL RECORDS MASTER INDEX Jan 2, 1898 – March 20, 1964
    MS 114 and MFMS 51: JUNEAU, ALASKA. FUNERAL RECORDS MASTER INDEX Jan 2, 1898 – March 20, 1964 Note: Individual funeral records described in this index may be obtained by contacting the Alaska State Library Historical Collections, Reference Services. Telephone: 907 465-2925 E-mail: [email protected] FUNERAL. RECORDS JUNEAU~ ALASKA. MASTER INDEX (REv. 12/88) TO THE FUNERAL RECORDS OF: THE C. W. YOUNG COMPANY. (MOR±UARY)J THE JUNEAU—YOUNG COMPANY (MORTUARY)J AND THE CHARLES W. CARTER MORTUARY COVERING THE PERIOD OF: 2 JANUARY 1898 THRU 20 MARCH 196’4, MASTER INDEX COPYRIGHT 1989 BY: GASTINEAU GENEALOGICAL SOCIETY 3270 NOWELL AVENUE JUNEAU, ALASKA 99801 FUNERAL RECORDS JUNEAUI ALASKA OF THE C. WI YOUNG Co. (MORTUARY); THE JUNEAUYOUNG Co. (MORTUARY); AND THE CHARLES W. CARTER MORTUARY COVERING THE PERIOD OF: 2 JANUARY 1898 THROUGH 20 MARCH 196~ ORIGINALLY RECORDED IN: 19 VoLUMES MICROFILMED ON: 5 ROLLS OF 16MM MICROFILM THIS Is——--EILM No1 6(38-ER-i: MASTER INDEX FILM No. GGS—ER—2: VOLUMES LTHRU 6, INCL. FILM No. GGS—FR—3: VOLUMES 7 THRU 12, INCL. FILM No. GGS—FR—’4: VOLUMES 13 THRU 17, INCH FILM No. GGS-FR-5: VOLUMES 18 & 19. a) NOTE$: 1. EVERYIHING FOUND WITHIN THE COVERS OF THE ORIGINAL 19 VOLUMES HAS BEEN MICROFILMED) FUNERAL RELATED OR OTHERWISE. 2, FILMS GGS-ER-2 THROUGH 665-FR-S ALSO H (EACH) CONTAIN A “DICTIONARY OF PLACE NAMES” (A MINI—GAZETTEER) TOGETHER WITIhA MAPS/CHARTS SECTION TO~FACILITATE YOUR LOCATING PERTINENT PLACES. MICROFILMED BY: GASTINEAU GENEALOGICAL SOCIETY COPYRIGHT: JULY 1987 ACKNOWLEDGMENTS The Gastineau Genealogical Society is extremely grateful to Alaskan Memorial Parks, Inc.
    [Show full text]
  • An Impossible Task? Scripting the Chilian Club
    Chapter 5 An Impossible Task? Scripting The Chilian Club Andrew Spicer Introduction This chapter will explore the multifarious drafting and redrafting of scripts and full screenplays for a film based on George Shipway’s controversial political satire The Chilian Club (1971), the story of a quartet of elderly assassins – former army officers – who believe they are saving their country from Communist subversion. Although The Chilian Club was never produced, ten complete adaptations were written involving four different hands – writer- directors Peter Collinson and Mike Hodges, Benny Green, the well- known radio scriptwriter and broadcaster, and Michael Klinger who was to have been the film’s producer – over a six- year period (1972–7). As discussions of screenwriting often emphasize (Rilla 1973: 12–16; Cook and Spicer 2008: 213–16; Maras 2009: 11–15), it is important to establish what is understood to be the object of study. Thus, although there will be a detailed examination of the scripts themselves and the aesthetic difficulties of realizing Shipway’s novel, the chapter will also pay close attention to the fluctuating nature of the collaborations involved and contextual factors that shaped them. This was a period of exceptional volatility and uncertainty in the British film industry, and Klinger, as an independent producer, faced extreme difficulties that had a direct bearing on his attempts to film The Chilian Club. Figure 5.1 The strapline for Klinger News with a typical headline; courtesy of Tony Klinger 72 Andrew Spicer My analysis of the deeper forces at work in attempting to realize The Chilian Club will be based on hitherto unused material in the University of the West of England’s Michael Klinger Papers that shed light on the convoluted relationships between screenwriters, distributors, potential investors, public bodies and large corporations, all pivoting round the figure of Michael Klinger as the producer.
    [Show full text]
  • 4 Modern Shakespeare Festivals
    UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Festival Shakespeare: Celebrating the Plays on the Stage Festival Shakespeare: Celebrando las Obras en la Escena Dª Isabel Guerrero Llorente 2017 Page intentionally left blank. 2 Agradecimientos / Acknoledgements / Remerciments Estas páginas han sido escritas en lugares muy diversos: la sala becarios en la Universidad de Murcia, la British Library de Londres, el centro de investigación IRLC en Montpellier, los archivos de la National Library of Scotland, la Maison Jean Vilar de Aviñón, la biblioteca del Graduate Center de la City University of New York –justo al pie del Empire State–, mi habitación en Torre Pacheco en casa de mis padres, habitaciones que compartí con Luis en Madrid, Londres y Murcia, trenes con destinos varios, hoteles en Canadá, cafeterías en Harlem, algún retazo corregido en un avión y salas de espera. Ellas son la causa y el fruto de múltiples idas y venidas durante cuatro años, ayudándome a aunar las que son mis tres grandes pasiones: viajar, el estudio y el teatro.1 Si bien los lugares han sido esenciales para definir lo que aquí se recoge, aún más primordial han sido mis compañeros en este viaje, a los que hoy, por fin, toca darles las gracias. Mis primeras gracias son para mi directora de tesis, Clara Calvo. Gracias, Clara, por la confianza depositada en mí estos años. Gracias por propulsar tantos viajes intelectuales. Gracias también a Ángel-Luis Pujante y Vicente Cervera, quienes leyeron una versión preliminar de algunos capítulos y cuyos consejos han sido fundamentales para su mejora. Juanfra Cerdá fue uno de los primeros lectores de la propuesta primigenia y consejero excepcional en todo este proceso.
    [Show full text]
  • 50 Years of Stop-And-Frisk a Retrospective of Terry V. Ohio
    BY PATRICIA GEORGE & ALEXANDER BENEZRA 50 Years of Stop-and-Frisk A Retrospective of Terry v. Ohio PATRICIA GEORGE is the Assistant Bureau Chief for Community Prosecution at the City of Phoenix Prosecutor’s Office. She has been with the office for 17 years. As part of her duties, she currently oversees the Prosecutor’s Office management for the Phoenix Veterans Court, Phoenix Behavioral Health Court, and Misdemeanor Repeat Offender Program, and she is the Prosecutor’s Office liaison for homeless issues in the City of Phoenix. ALEXANDER BENEZRA has been practicing in the field of criminal defense since 2010, currently at the City of Phoenix Public Defender’s Office. He also serves as the treasurer of the State Bar Criminal Justice Section, a member of the Arizona Supreme Court’s Post Conviction Actions Task Force, and is the President of the Arizona Thurgood Marshall Inn of Court. 14 ARIZONA ATTORNEY DECEMBER 2018 www.azbar.org/AZAttorney The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized. Police report on John Terry et al., Oct. 31, 1963. In the early afternoon of he had been with Chilton, and make a slow business for a robbery. McFadden stopped October 31, 1963, on a quiet sidewalk in pass in front of a business, United Air, and all three men and searched them for weap- Cleveland, Ohio, John Woodall Terry and then return to the side of Chilton, who ons for his own safety.
    [Show full text]
  • London Underground Films Over a Century
    The Scala Underground film map, station to station Film Underground Station Year 28 Days Later Bank 2002 30 is a Dangerous Age, Cynthia Barking 1968 80 Million Women Want-? Woodford 1913 A Clockwork Orange Fulham Broadway 1971 A Hard Day's Night Goodge Street 1964 A Kind of English Bethnal Green 1986 A Lizard in a Woman's Skin Wood Green 1971 A Matter of Life and Death Ruislip Gardens 1946 A Place to Go Old Street 1963 Abominable Dr. Phibes, The Stanmore 1971 Absolute Beginners White City 1986 Afraid of the Dark West Brompton 1991 Alfie Bayswater 1966 Alien North Acton 1979 All Neat in Black Stockings East Putney 1968 An American Werewolf in London Tottenham Court Road 1981 And Now for Something Completely Different Totteridge & Whetstone 1971 Animal Farm Highbury & Islington 1954 Another Year Wanstead 2010 Arsenal Stadium Mystery, The Arsenal 1939 Attack the Block Brixton 2011 Babymother Harlesden 1998 Bargee, The Moor Park 1964 Bed-Sitting Room, The Leyton 1969 Bedazzled Gunnersbury 1967 Belle Rickmansworth 2013 Berberian Sound Studio Bromley-by-Bow 2012 Beware of Mr. Baker Neasden 2012 Black Narcissus South Ruislip 1947 Blacksmith Scene Kenton 1893 Blowup North Greenwich 1966 Blue Lamp, The Royal Oak 1950 Bob Marley and the Wailers: Live! At the Rainbow Finsbury Park 1977 Boy Friend, The Preston Road 1971 Brazil Holland Park 1985 Breakfast on Pluto Leicester Square 2005 Breaking Glass Barkingside 1980 Breaking of Bumbo, The St. James's Park 1970 Bride of Frankenstein Dagenham Heathway 1931 Bright Young Things Broadgate (closed) 2003
    [Show full text]
  • Doctor Who: Players : 50Th Anniversary Edition Pdf, Epub, Ebook
    DOCTOR WHO: PLAYERS : 50TH ANNIVERSARY EDITION PDF, EPUB, EBOOK Terrance Dicks | 320 pages | 23 Apr 2013 | Ebury Publishing | 9781849905213 | English | London, United Kingdom Doctor Who: Players : 50th Anniversary Edition PDF Book The Curse of Peladon. Read more I loved her by the end but it took a long time for me to warm up to her. Dudley Simpson, realised Brian Hodgson [a]. Yes, almost every fan has seen the fiftieth anniversary special by now. Here, again, they meet some strange characters out to get Churchill. Captured along with Churchill by the Boers, the Doctor and Peri soon di When his companion Peri demands elegance for their next destination, the Doctor sets the coordinates for London in to enjoy the season there. I just wanted to get it over with. Dick Mills [a]. Nov 11, Stephen rated it it was amazing. Qty: Add to cart. Free Shipping in the UK on over 5 million books in stock. Every used book bought is one saved from landfill. The Wheel in Space. Tweet Share Pin Comment. The novel also allows the Second Doctor to make an appearance when the Sixth Doctor shares a memory with Peri. He's the only one. The Doctor is disturbed by these events and decides to set himself and Peri up in London society in the s. Author Terrance Dicks. Delta and the Bannermen. Moronic hooligans who throw grit in the machinery of history for the fun of hearing it grind screaming to a halt. Additional information Sku GOR We're booksellers in an actual bookshop, so you can speak with us or email us if you have any questions.
    [Show full text]
  • Doctor Who Assistants
    COMPANIONS FIFTY YEARS OF DOCTOR WHO ASSISTANTS An unofficial non-fiction reference book based on the BBC television programme Doctor Who Andy Frankham-Allen CANDY JAR BOOKS . CARDIFF A Chaloner & Russell Company 2013 The right of Andy Frankham-Allen to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Copyright © Andy Frankham-Allen 2013 Additional material: Richard Kelly Editor: Shaun Russell Assistant Editors: Hayley Cox & Justin Chaloner Doctor Who is © British Broadcasting Corporation, 1963, 2013. Published by Candy Jar Books 113-116 Bute Street, Cardiff Bay, CF10 5EQ www.candyjarbooks.co.uk A catalogue record of this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Dedicated to the memory of... Jacqueline Hill Adrienne Hill Michael Craze Caroline John Elisabeth Sladen Mary Tamm and Nicholas Courtney Companions forever gone, but always remembered. ‘I only take the best.’ The Doctor (The Long Game) Foreword hen I was very young I fell in love with Doctor Who – it Wwas a series that ‘spoke’ to me unlike anything else I had ever seen.
    [Show full text]