Doctor Who: Ribos Operation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
The Wall of Lies
The Wall of Lies Issue 93 Established 1991 The newsletter of SFSA incorporating the South Australian Doctor Who Fan Club Inc. STATE Adelaide, March-April 2005 WEATHER Turn for the cooler Free ABC WATERMARK IS GOOD! by staff writers Improves enjoyment, stimulates nerve. Viewers who tuned in to The Robots of Death were surprised to find the ABC had chosen to follow the scum of the Earth (i.e. the commercial net- works) in having a station logo, or watermark, visible onscreen during pro- gramming. In shock news to those who see this as a vile abuse of their eyes, Para- surgeon Ima Loony insists it is beneficial to vision. "I've had people lined up outside the clinic all O ut t N morning," he said from his hole in the ground. No ow "They're getting me to slice an ABC logo out of ! Ouch. their coronae, so they can't see the watermark anymore. It's all good!" DALEKS’ RIGHTS UPHELD! by staff writers Nation Estate deny things. Chameleon Factor # 79 Despite rumours to the contrary, the Estate of deceased Doctor Who scribe and O Ou Dalek creator Terry Nation are neither cannibalistic nor abusive. ut N ow w! In actual revelations contained in the interview with representative Tim Hancock ! featured in Chameleon Factor 79, it is claimed; * Artistic and control reasons were behind the dispute * Money was not the cause of the embargo * Ongoing licensing is described * The date of the characters becoming public domain is given. Figures are mentioned, and firm denials issued. Tim dismisses the rumour that the Estate thought the Daleks were too evil as “the most ridiculous claim”. -
Trafalgar Square Publishing
Trafalgar Square Publishing Spring 2019 Best-Selling Titles Spring 2019 9781781452929 9781781453278 9781781453155 9781781453414 9781781452912 9781445670072 9781849909679 9781785941689 9780712352253 9780712352505 9780712352765 9781787390164 9781785003240 9781785035517 9781783963201 9781783963140 9781908531841 9781912050420 9780008135782 9781784977870 9781784979911 9781788542807 9781786694430 9781784082796 9781786064653 Spring 2019 Best-Selling Titles 9781921997969 9780565094423 9780565094409 9780857301758 9781843447740 9781910633847 9781912374038 9781910633809 9780957148345 9781843681441 9781843681311 9781509823512 9780143574224 9781844137879 9780718185336 9781846149429 9780720620054 9781910258637 9781910258743 9781910258590 9781910497364 9781786090010 9781787411883 9780750979948 9780750985598 Don’t Miss Contents 32 Glimpses of Animals/Pets .......................................................................1, 19–20, 97–101, 158 the Unknown Antiques & Collectibles/Crafts & Hobbies ................................25, 152–153, 155 Architecture ..............................................................................90, 107, 148, 154 Art/Design ................................................ 8, 25, 30, 102, 107, 123, 147, 151, 145 Autobiography/Memoir ......................... 29–30, 73, 83, 85, 87, 99, 101, 145–146 Biography .................. 3–4, 26, 30, 85, 99, 112, 114–119, 121, 145, 147, 157, 159 Body/Mind/Spirit ............................................................................... 91, 105, 145 Business/Career .......................................................................................... -
Rich's Notes: the Ten Doctors: a Graphic Novel by Rich Morris 102
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 102 Rich's Notes: Since the Daleks are struggling to destroy eachother as well as their attackers, the advantage goes to the Federation forces. Things are going well and the 5th Doctor checks in with the 3rd to see how the battle is playing out. The 3rd Doctor confirms that all is well so far, but then gets a new set of signals. A massive fleet of Sontaran ships unexpectedly comes out of nowhere, an the Sontaran reveal a plot to eliminate the Daleks, the Federation fleet AND the Time Lords! The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 103 Rich's Notes: The 3rd Doctor is restrained by the Sontarans before he can warn the fleet. The 5th Doctor tries as well, but the Master has jammed his signal. The Master explains how he plans to use his new, augmented Sontarans to take over the universe. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 104 Rich's Notes: Mistaking the Sontarans as surprise allies hoping to gain the lion’s share of the glory, the Draconian Ambassador and the Ice Warrior general move to greet them as befits their honour and station. But they get a nasty surprise when the Sontarans attack them. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 105 Rich's Notes: The Master, his plot revealed, now uses the sabotaged computer to take over control of the 5th Doctor’s ship. He uses it to torment his old enemy, but causing him to destroy the Federation allies. -
Doctor Who 4 Ep.14
Doctor Who 4 Episode 14 (Christmas 08) By Russell T Davies Shooting Script Pink Revisions 3rd April 2008 Prep starts: 10.03.08 Shooting: 07.04.08 - 03.05.08Tale Writer's The Doctor Who 4 - Episode 14 - Shooting Script - 31/03/08 page 1. 1 OMITTED 1 2 EXT. VICTORIAN STREET #1 - DAY 1 2 FX: a quiet corner; wheeze & grind, and the TARDIS appears. THE DOCTOR steps out. It's snowing. He likes snow! He strolls out of the quiet corner, into... A STREET MARKET. Working class London, busy and bustling. Vendors, cocky lads, working girls, crones, braziers, beggars in doorways, hot chestnuts, smoke, steam, the works. The Doctor walking through. Smiling. He's loving it, the colour and bustle and noise; this is what he travels for. Throughout all this, a CAROL can be heard; a new Murray Gold Christmas Carol. Jolly & sinister, like the best hymns. The Doctor passes the CAROLLERS, stops for a listen. Then he wanders on, calls out to an URCHIN: THE DOCTOR You there, boy, what day is this? URCHIN Tale Christmas Eve, sir! THE DOCTOR In what year? URCHIN You thick or something? THE DOCTOR Oy! AnswerWriter's the question! URCHIN Year of our Lord 1851, sir. THE DOCTOR TheRight. Nice year. Bit dull - Suddenly, a woman's voice, a distance away, yelling - ROSITA OOV Doctor! THE DOCTOR ...who, me? ROSITA OOV Doctor!!! Big grin! And he's running - ! (CONTINUED) Doctor Who 4 - Episode 14 - Pink Amendments - 03/04/08 page 2. 2 CONTINUED: 2 TRACK with him, racing through the snow, exhilarated - he's actually glad to hear someone calling his name - CUT TO: 3 EXT. -
STARLOG INTERVIEW E Lisabeth S
eople keep thanking us for com flair for words is disarming, frequently dis crowd—supposedly to look after the Doctor STARLOG INTERVIEW ing—like we are doing them a big solves into convulsions of giggles as she and make sure he was in good health. Of P favor," she says, sitting in the 19th- searches her memory for anecdotes of her course, you can't do that with the Doctor. He floor luxury suite of a Los Angeles Hotel with years as Sarah Jane Smith. Yet, she is also ex takes off on a tangent straight away.. .you all of Hollywood at her feet. "I am not being tremely introspective and analytical when it are just left to trail behind." humble,'' she continues, "but they have done comes to discussing her character, the pro ' 'There is a lovely scene that Ian did," adds us the favor, to be asked to come to Holly gram, her relationship with the other per Sladen. "The Doctor has two hearts—and it wood—to be allowed to be applauded and formers and her profession. was lovely when he took his stethoscope out looked after—I'm not joking. I have had on and found both of them. He was totally out ly a couple of hours sleep in the last couple of Joining the Show of his depth." days, and I'm not the least bit tired." In discussing the show with Ian Marter, the "She's as high as a kite," says the words pour out from the two of them. working AS A Team gentleman next to her. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Doctor Who 4.8 - Return to Telos Pdf, Epub, Ebook
DOCTOR WHO 4.8 - RETURN TO TELOS PDF, EPUB, EBOOK Nicholas Briggs,Anthony Lamb,Jamie Robertson,Tom Baker,Louise Jameson,John Leeson,Frazer Hines | none | 31 Aug 2015 | Big Finish Productions Ltd | 9781781783528 | English | Maidenhead, United Kingdom Doctor Who 4.8 - Return to Telos PDF Book Steve Tribe. About this product Product Information This range of two-part audio dramas stars Tom Baker reprising his most popular role as the Fourth Doctor from - with a number of his original TV companions. Follow us. Jenny T Colgan. However, they quickly realise that, if they do eliminate the Second Doctor, the Fourth will not exist and they will not be able to take control of the TARDIS, so they desist and the timelines return to normal. As they sleep, they take heir leave; seeing Telos up in the sky, a distant planet, the Doctor starts telling Leela about the Cybermen, wishing for her she'd never meet them. Things now go smoothly: the Doctor and Leela go fishing, they meet Geralk's robot, fish with it and then stay with him and Relly for dinner. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The Doctor, persuaded, comes up with an idea, and tells Geralk to put on his robot control. As a result, the robot stops working and begins to repeat words about the last thing he was doing when it met them: going fishing. Are you happy to accept all cookies? This category only includes cookies that ensures basic functionalities and security features of the website. -
Doctor Who: Armageddon Factor
DOCTOR WHO AND THE ARMAGEDDON FACTOR By TERRANCE DICKS Based on the BBC television serial by Bob Baker and Dave Martin by arrangement with the British Broadcasting Corporation 1 The Vanishing Planet 'Atrios!' said the Doctor. 'Do you know, I've never been to Atrios.' Romana looked up from the TARDIS's control console. 'What about Zeos?' 'Where?' 'Zeos, its twin. "Atrios and Zeos are twin planets at the edge of the helical galaxy." Didn't they teach you anything at the Academy?' 'But we're not going to Zeos!' protested the Doctor. 'No, we're going to Atrios.' 'Well, what are we hanging about for? Why don't you get on with it?' Romana's hands moved skillfully over the controls. 'Atrios, here we come! I wonder what it's like?' The wandering Time Lord known as the Doctor and Romana his Time Lady companion, were nearing the end of a long and dangerous quest. Some time ago, the White Guardian, one of the most powerful beings in the cosmos had set them a vital task - to find and reassemble the six fragments of the Key to Time. Long ago the Key had been divided, and the segments scattered to the far corners of the cosmos. Now the Key was needed again, to enable the White Guardian to correct a state of temporal imbalance which was threatening the universe, and frustrate the schemes of the evil Black Guardian. The Doctor's task was complicated by the fact that the segments of the Key had a number of mysterious powers, including that of transmutation. -
Doctor Who: Time Warrior
His spaceship crippled in an interstellar battle, the Sontaran warrior, Linx, is forced to crash-land on earth. He arrives in the Middle Ages, a time too primitive to provide the technology he needs to repair his ship. Allying himself with the local robber chief, Linx uses his powers to ‘borrow’ scientists and equipment from twentieth-century earth. Doctor Who tracks down the missing scientists and journeys into the past to save them. But can he defeat the ruthless Linx and his savage human allies before the course of human history is changed forever? Distributed in the USA by Lyle Stuart Inc, 120 Enterprise Ave, Secaucus, New Jersey 07094 UK: £1 · 35 *Australia: $3 · 95 USA: $2 ·95 *Recommended Price Science Fiction/TV tie-in ISBN 0 426 20023 3 DOCTOR WHO AND THE TIME WARRIOR Based on the BBC television serial by Robert Holmes by arrangement with the British Broadcasting Corporation TERRANCE DICKS A Target Book published by the Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1978 by the Paperback Division of W. H. Allen & Co. Ltd. A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks 1978 Original script copyright © Robert Holmes 1974 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1974, 1978 Printed in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 20023 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus.