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Espana Cani Pascual Marquina Narro Pdf Espana cani pascual marquina narro pdf Continue Fixed versions (5 editions) Scans only links More Source Advice Dicc. Spanish and Spanish-language American music, SGAE, 1999-2002 Spain kae, policeman. 1923 Spain ca, between 1926 and 1933 Information found young. (pasodoble; Markina) (Markina Narro, Pascual; voice and piano: Spain trumpet) roll labels (pasodoble; Pascual Marina) Download in other formats De XilocapediaNace May 16, 1873 in Calatayud. His father, the director of civic groups, taught him in Solfeo and at the age of seven he entered the infant choir of the Basilica of the Holy Sepulchre with his first teacher, Ildefonso Pardos, The Chapel Master. His excessive love of music led him to join the band Uni'n Bilbilitana, where at the age of 9 he played the flute. He began to compose very young and at the age of fifteen wrote his first work, Osarum for tenor and organ. Kalatayud became small for her aspirations and moved to Darkoku at the age of seventeen to lead her group. Two years lasted this vast experience, which put wings on anxiety, which did not stop, at the point of promotion of his replacement and departure to Barcelona to join the gang of the regiment Luchana, which allowed him to play in orchestras and study harmony and composition with the masters of Varela, Silvario, MartinezOralla and Bonet. In 1901 he appeared in opposition to join the Army Corps of Senior Musicians. He has thirty-eight opponents, gets the number one and is the director of the group of deminers of the garrison Llerena in Madrid. He fulfilled one of his dreams: to come to the capital to try to enter the music world of Madrid; Barcelona brings a large number of works of all genres, is in a hurry, wishes and a great desire of the prime minister; warn you of the company's difficulties. The Lirio Theatre was held by Chape, Fernandez Caballero, Valverde, Chuek... and two young authors who joined in 1901: Amadeo Vives and Jose Serrano, the first with Don Lucas del Cigarral and Valencian with La Reina Mora. Markina does not sleep, works tirelessly, fights and learns without hours, refers to the world of culture and the first librettos appear in music... and one of them, entitled Jackson Weyan's The Last Cople and Jesus Plaza, opens on February 20, 1904 at the Contemporary Theatre. On the night of the premiere there is a behind-the-scenes audience who hugs and congratulates Markina on his success... it is Ruperto Chape who professes a sincere friendship and who will encourage him to the death of the glorious author La Revoltosa in 1908. Markina professed absolute affection for her all his life. Of the success of La Iltim Copla, Pascual Markina collaborates with Pablo Luna and Blasco Ibanez in Sangre at arena, Celestino Roig's Luxury Train, with Miguel Michura and Ricardo Gonzalez in El Candil del Rey, with Enric Morera in L'hivern, with Padilla en Sol and caireles, ... so up to more than fifty zarzuelas, some of them with more than two hundred submissions. Meanwhile, his popular works continue to be born, the ones that would give him so much fame, pasodobles, street walks, mazurkas, chotis ... Jacks that I will always carry in my heart and that would make them dance with marching and garbo hugged in pasodoble. In 1914 he conducted the orchestra of the Theatre de la zarzuela, a work that will develop several seasons, and in 1916 he possessed the baton to lead a prestigious group of engineers, which was for the directors of the famous Eduardo Lopez Juarranz - unforgettable author pasodoble La Giralda- and Arturo Sako del Valle, and who alternated with Alabardos performed at the palace. Markina has made tremendous national and international success with the aforementioned group who come to confirm his numerous entries. For eighteen years he was an artistic and orchestral conductor of the gramophone company Voice of his master. I admired and loved how many translators he had, He recorded with Anselmi, Titta Rufo, Maria Galvani, Amelia Galli-Kurci, Humberto McNes, Cora Raga, Marcos Redondo - the premiere of which was held by his great zarzuela Santa Maria del Mar- Friend of the artists of his time, he always remembered with great love masters Cerrano, Alonso, Guerrero, Angel Mingote, to whom the great zarzuela Santa Maria del Mar- Friend of his time, he always remembered with great love the masters Cerrano, Alonso, Guerrero, Angel Mingote, to whom The Great His most burning passion was Aragon, where he always returned and to whom he dedicated cute pages: Sabion, Los de Ricala, Gimno Darka, La Marcha de la Alegria, Viva Calatayud!, Viva la Jota!... and his last pasodoble in his last breath Long live Aragon, which is my land! Pascual Marchina died in Madrid on July 13, 1948. He was in possession of the trust of Alfonso XII, the Slab and Cross of St. Hermenegildo, the Cross of Military Merit, The Cruz del Reef, Alfonso XIII and the Knight with the Cross of the Royal Victorian Order of England. Aragon did not forget it and dedicated the street to Saragosa and Calatayud along with the monument, the original Juan Cruz Melero, as well as in Villeneuve. Bibliography by Dean Robert Canna: Exploring pasodobles pasodobles pasoile Marquinca - including a brief history of Spanish pasodoble and a specific analysis of Markin's pasodobles .... Microfilms International University, University of Texas at Austin. 1985. A. Sgardia Sgardia: Aragonese composer Pascual Markina in: Cuadernos de Saragosa n. 39, Saragosa. 1979. Martin Domingo, Enrique Garcia Asensio: Masters Sound Recording / Pascual Markina, J. Madrid. Spanish radio television, 1995. The external reference of Spain ca' (Gypsy Spain) is pasodoble composed by Pascual Marquina Narro (1873-1948) in 1923. Markina dedicated it to his dear friend Jose Lopez de la Osa. The first recordings were made by the Orchestra of the Madrid Regiment of Engineers and published by Odeon and Regal in 1926. The following year also Regal Band and Badajoz Regiment Band No 73 recorded the famous pasodoble. Since 1928 it is a version (palillo and taconeo) Encarnacion Lopez Yalves, known as La Argentinita (1895-1945). La Rondalla Usandizaga (pulse and spike) recorded it in 1929 for Victor Recordings. In 1931, the first version of the lyrics, written by Alfredo Corral Morald and performed by Marcos Redondo, accompanied by the Odeon Band under the direction of maestro Antonio Capdevila, appeared from the Odeon House. Letter pasodoble (version 1931) It has always been ca, poetry in flower, this Spain beautiful women with fire in their eyes that inflames passion. In the gypsy Albaykan, which is a waste of light, there are zambres of caves, mystical Andalusian painting. Calais and the dancer and the singing mokito give the Andalusian Mayan Festival a radiance. Gypsy party, gentle painting of Spain... I fell. Admiring the gypsies in his paintings like no other, Julio Romero evokes the atmosphere and singing. It is from Spain Andalusia golden crucible and good verge where the life of that Hispanic people who saw us was born throbbing. This is my Spain, the most brave land. Spain has fallen! 1982 version, performed by Manolo Escobar Hear My Singing. I blew it up for you. For you, Spain is under the Andalusian sun, the cradle of a breed of pipes where you have to drink to forget and be happy. I am a Grane gypsy, I was born in Albaykan, a popular area as white as jasmine. I came to see a woman, a gypsy too, like me. I distinguish the taste of sherry wine, palm beat, bull Mirabras, and the singing of feces on the zambra and soles. You don't know that I love you, the Spain of my soul. If they forget me, I'm going to die because I live with your joy. I trumpet because that's how God made me. My ruby is the light of my love. Yes, look, look at me. I don't know what to do. My queen has coral lips that I would like to kiss at night and during the day. See also The Corner of Pasodoble la Musica del Arma de Ingeneros Notes and References - Odeon General Catalog, June 1931. Data: No2615006 Received from Pascual Marquina NavarroDeformation16 May 1873Catayud, SpainFollion July 13, 1948Midrid, Espa'olInformation Professional InformationOncupation ComposerGeneral Pasodoble y zarzuela obras notable Espa'a ca'a (edited by Pascual Markina Navarro (May 16, 1873 - July 13, 1948) was a Spanish composer and conductor. Vida was born into a family of musicians. His father, Santiago Markina Redrado, was the conductor of various orchestras, including the Bilbilitan Union Music Group, the Tobe Music Orchestra and torrell's music group. He received his first music lessons from his father, but from the age of seven he became part of the choir of babies of the Basilica of the Holy Sepulchre under the direction of Ildefonso Pardos. At the age of nine, he played the cross flute with the Bilbilitan Union Music Orchestra. At the age of fifteen he wrote his first composition, a work for tenor and organ entitled Osarum. He became director of the Daroca Band at the age of 17. Two years later, he will serve in the luchana Regiment Band in Barcelona. At the same time he studied at the Conservatory of the Supreme Municipal de Musica Barcelona composition and harmony, under the direction of Jose Maria Varela Silvari (1848-1926), Martinez Sorolla and Bonet, among others. In 1901 he became director of the music orchestra of the Llerena Hunters Regiment and then, in 1916, the music group of the Second Regiment of Engineers of Madrid, with whom he gave many concerts both in Spain and abroad.
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