Espana cani pascual marquina narro pdf

Continue Fixed versions (5 editions) Scans only links More Source Advice Dicc. Spanish and Spanish-language American music, SGAE, 1999-2002 kae, policeman. 1923 Spain ca, between 1926 and 1933 Information found young. (pasodoble; Markina) (Markina Narro, Pascual; voice and piano: Spain trumpet) roll labels (pasodoble; Pascual Marina) Download in other formats De XilocapediaNace May 16, 1873 in Calatayud. His father, the director of civic groups, taught him in Solfeo and at the age of seven he entered the infant choir of the Basilica of the Holy Sepulchre with his first teacher, Ildefonso Pardos, The Chapel Master. His excessive love of music led him to join the band Uni'n Bilbilitana, where at the age of 9 he played the flute. He began to compose very young and at the age of fifteen wrote his first work, Osarum for tenor and organ. Kalatayud became small for her aspirations and moved to Darkoku at the age of seventeen to lead her group. Two years lasted this vast experience, which put wings on anxiety, which did not stop, at the point of promotion of his replacement and departure to to join the gang of the regiment Luchana, which allowed him to play in orchestras and study harmony and composition with the masters of Varela, Silvario, MartinezOralla and Bonet. In 1901 he appeared in opposition to join the Army Corps of Senior Musicians. He has thirty-eight opponents, gets the number one and is the director of the group of deminers of the garrison Llerena in . He fulfilled one of his dreams: to come to the capital to try to enter the music world of Madrid; Barcelona brings a large number of works of all genres, is in a hurry, wishes and a great desire of the prime minister; warn you of the company's difficulties. The Lirio Theatre was held by Chape, Fernandez Caballero, Valverde, Chuek... and two young authors who joined in 1901: Amadeo Vives and Jose Serrano, the first with Don Lucas del Cigarral and Valencian with La Reina Mora. Markina does not sleep, works tirelessly, fights and learns without hours, refers to the world of culture and the first librettos appear in music... and one of them, entitled Jackson Weyan's The Last Cople and Jesus Plaza, opens on February 20, 1904 at the Contemporary Theatre. On the night of the premiere there is a behind-the-scenes audience who hugs and congratulates Markina on his success... it is Ruperto Chape who professes a sincere friendship and who will encourage him to the death of the glorious author La Revoltosa in 1908. Markina professed absolute affection for her all his life. Of the success of La Iltim Copla, Pascual Markina collaborates with and Blasco Ibanez in Sangre at arena, Celestino Roig's Luxury Train, with Miguel Michura and Ricardo Gonzalez in El Candil del Rey, with Enric Morera in L'hivern, with Padilla en Sol and caireles, ... so up to more than fifty , some of them with more than two hundred submissions. Meanwhile, his popular works continue to be born, the ones that would give him so much fame, pasodobles, street walks, mazurkas, chotis ... Jacks that I will always carry in my heart and that would make them with marching and garbo hugged in pasodoble. In 1914 he conducted the orchestra of the Theatre de la , a work that will develop several seasons, and in 1916 he possessed the baton to lead a prestigious group of engineers, which was for the directors of the famous Eduardo Lopez Juarranz - unforgettable author pasodoble La Giralda- and Arturo Sako del Valle, and who alternated with Alabardos performed at the palace. Markina has made tremendous national and international success with the aforementioned group who come to confirm his numerous entries. For eighteen years he was an artistic and orchestral conductor of the gramophone company Voice of his master. I admired and loved how many translators he had, He recorded with Anselmi, Titta Rufo, Maria Galvani, Amelia Galli-Kurci, Humberto McNes, Cora Raga, Marcos Redondo - the premiere of which was held by his great zarzuela Santa Maria del Mar- Friend of the artists of his time, he always remembered with great love masters Cerrano, Alonso, Guerrero, Angel Mingote, to whom the great zarzuela Santa Maria del Mar- Friend of his time, he always remembered with great love the masters Cerrano, Alonso, Guerrero, Angel Mingote, to whom The Great His most burning passion was Aragon, where he always returned and to whom he dedicated cute pages: Sabion, Los de Ricala, Gimno Darka, La Marcha de la Alegria, Viva Calatayud!, Viva la Jota!... and his last pasodoble in his last breath Long live Aragon, which is my land! Pascual Marchina died in Madrid on July 13, 1948. He was in possession of the trust of Alfonso XII, the Slab and Cross of St. Hermenegildo, the Cross of Military Merit, The Cruz del Reef, Alfonso XIII and the Knight with the Cross of the Royal Victorian Order of England. Aragon did not forget it and dedicated the street to Saragosa and Calatayud along with the monument, the original Juan Cruz Melero, as well as in Villeneuve. Bibliography by Dean Robert Canna: Exploring pasodobles pasodobles pasoile Marquinca - including a brief history of Spanish pasodoble and a specific analysis of Markin's pasodobles .... Microfilms International University, University of Texas at Austin. 1985. A. Sgardia Sgardia: Aragonese composer Pascual Markina in: Cuadernos de Saragosa n. 39, Saragosa. 1979. Martin Domingo, Enrique Garcia Asensio: Masters Sound Recording / Pascual Markina, J. Madrid. Spanish radio television, 1995. The external reference of Spain ca' (Gypsy Spain) is pasodoble composed by Pascual Marquina Narro (1873-1948) in 1923. Markina dedicated it to his dear friend Jose Lopez de la Osa. The first recordings were made by the Orchestra of the Madrid Regiment of Engineers and published by Odeon and Regal in 1926. The following year also Regal Band and Badajoz Regiment Band No 73 recorded the famous pasodoble. Since 1928 it is a version (palillo and taconeo) Encarnacion Lopez Yalves, known as La Argentinita (1895-1945). La Usandizaga (pulse and spike) recorded it in 1929 for Victor Recordings. In 1931, the first version of the lyrics, written by Alfredo Corral Morald and performed by Marcos Redondo, accompanied by the Odeon Band under the direction of maestro Antonio Capdevila, appeared from the Odeon House. Letter pasodoble (version 1931) It has always been ca, poetry in flower, this Spain beautiful women with fire in their eyes that inflames passion. In the gypsy Albaykan, which is a waste of light, there are zambres of caves, mystical Andalusian painting. Calais and the dancer and the singing mokito give the Andalusian Mayan Festival a radiance. Gypsy party, gentle painting of Spain... I fell. Admiring the gypsies in his paintings like no other, Julio Romero evokes the atmosphere and singing. It is from Spain golden crucible and good verge where the life of that Hispanic people who saw us was born throbbing. This is my Spain, the most brave land. Spain has fallen! 1982 version, performed by Manolo Escobar Hear My Singing. I blew it up for you. For you, Spain is under the Andalusian sun, the cradle of a breed of pipes where you have to drink to forget and be happy. I am a Grane gypsy, I was born in Albaykan, a popular area as white as jasmine. I came to see a woman, a gypsy too, like me. I distinguish the taste of wine, palm beat, bull Mirabras, and the singing of feces on the and soles. You don't know that I love you, the Spain of my soul. If they forget me, I'm going to die because I live with your joy. I trumpet because that's how God made me. My ruby is the light of my love. Yes, look, look at me. I don't know what to do. My queen has coral lips that I would like to kiss at night and during the day. See also The Corner of Pasodoble la Musica del Arma de Ingeneros Notes and References - Odeon General Catalog, June 1931. Data: No2615006 Received from Pascual Marquina NavarroDeformation16 May 1873Catayud, SpainFollion July 13, 1948Midrid, Espa'olInformation Professional InformationOncupation ComposerGeneral Pasodoble y zarzuela obras notable Espa'a ca'a (edited by Pascual Markina Navarro (May 16, 1873 - July 13, 1948) was a Spanish composer and conductor. Vida was born into a family of musicians. His father, Santiago Markina Redrado, was the conductor of various orchestras, including the Bilbilitan Union Music Group, the Tobe Music Orchestra and torrell's music group. He received his first music lessons from his father, but from the age of seven he became part of the choir of babies of the Basilica of the Holy Sepulchre under the direction of Ildefonso Pardos. At the age of nine, he played the cross flute with the Bilbilitan Union Music Orchestra. At the age of fifteen he wrote his first composition, a work for tenor and organ entitled Osarum. He became director of the Daroca Band at the age of 17. Two years later, he will serve in the luchana Regiment Band in Barcelona. At the same time he studied at the Conservatory of the Supreme Municipal de Musica Barcelona composition and harmony, under the direction of Jose Maria Varela Silvari (1848-1926), Martinez Sorolla and Bonet, among others. In 1901 he became director of the music orchestra of the Llerena Hunters Regiment and then, in 1916, the music group of the Second Regiment of Engineers of Madrid, with whom he gave many concerts both in Spain and abroad. In 1904 he began to compose tonal works to impress the public in Madrid. In 1914, he became the director of the Theatre of zarzuela. For 18 years he was artistic director of La Voz de su Amo. He received the Order of Victoria of the United Kingdom Cross for a composition in which he collected the Spanish national anthem, the Royal March, and the popular song God Save the queen, on the occasion of the wedding of Alfonso XIII of Spain with Victoria Eugenie de Battenberg. He was also awarded the Cross and Memorial Plaque of the Order of St. Hermenegildo, the Cross of Military Merit and the Reef Cross. He is also the composer of The King of Pasodoble, the world-famous Kao of Spain, who originally bore the name of El Patron kai, dedicated to the patron saint Jose Lopez de la Osa. The premiere took place in Almans (the city where Jose Lopez lived) on aniseto Coloma street at the door of his house performed by the Madrid Group of Engineers. He composed it during a train ride to Madrid, inspired by the crash of a train. There are streets dedicated to Pascual Marchina in the cities of Cartagena, Calatayud, Saragosa, Ovyedo, Montilla, Almansa and Villena. Work works for the group 1905 Recreo Salamanca, Wals 1906 Royal Weddings, Military March 1907 Long Live Jack!, 1909 Taking of Gurugo, military march 1909 Marikus, wals 1909 Hunters Llerena, pasodoble 1910 On guard, pasodoble 1913 Regolvedor, jota 1913 Between bridge and bridge?, Wals-jota 1915 La Marsha de la Alegria (March of the Children's Battalion) 1917 2nd Sapers, Military March 1917 National (dedicated bilingual bullfighter Ricardo Anlo Orrio National I) 1918 Gypsy, pasodoble 1920 Villena , pasodoble 1921 Asduluza Scene, Symphony 1922 Rose of Fire, 1922 in G major 1922 Easter procession in Seville , procession March 1923 Spain ca' 1924 Rubores (Viva Calatayud!), Pasodoble 1925 Andalusian scene, pasodoble 1925 Spanish Echo, pasodoble 1925 Anthem of the Virgin of Bethlehem, patron saint of the Alman. 1927 Snails, pasodoble 1927 Lanceros de la Reina 1928 Brisa de Malaga, pasodoble 1928 Solera fina, pasodoble (dedicated to the Andalusian village of Montilla). 1928 Song of Spain, pasodoble 1929 Amontillado Fino, pasodoble (dedicated to the Andalusian village of Montilla). 1930 Oviedo, pasodoble 1931 Joselito Welcome 1931 Gypsy Albaycan, pasodoble 1932 er bitten, pasodoble 1934 Alegrias, Pasodoble 1934 Claveles de Granada, pasodoble 1934 Anthem of The Gift, for the choir and the group 1934 Anthem of the Virgin of Pena, for the choir and group 1935 Sevilleian Cortijo, pasodoble 1935 Aragonese print, pasodoble 1935 Spain and bulls, pasodoble 1936 Civilon, pasbleodo 1936 Spanish Sky , pasodolo 1936 Sisters , Pasodoble 1936 Savion, pasodoble 1946 Viva Aragon, which is my land!, pasodoble Alegria del Vivac, luxe Cielo Andalus, pasodoble anthem Spanish flag legionnaire flag Los Ricarres, pasodoble. Tonal works 1928 Candiel King, operetta - (along with Miguel Michura and Ricardo Gonzalez) (Zarzuelas) 1904 1904 Swelling 1904 The Last Copla - libretto by Jose Jackson Weion and Jesus de la Plaza 1905 Model Academy (along with Luis Foglietti) 1905 Consueliyo 1 act (along with Pedro Cordoba) - libretto Celestino Leon and Manuel Falcon 1905 La Marujilla, 1 act (along with Arturo Sako del Valle - libretto by Jose Jackson Weian and Fernandez Cuevas y Sabau 1905 Perico , humpbeta,1 act, (along with Eduardo Fuentes) - libretto by Manuel Fernandez Palomoero and Antonio Lopez Laredo 1905 El tririanero,1 act, (along with Pedro Cordoba) - libretto: Juan Tavares and Antonio Lopez 1906 La Reina del Tablao, 1 act - libretto by Antonio Fernandez Cuevas and Jose Garcia Ontiveros 1907 El Baron de la Chiripa 1907 Las Siete Cabrillas, (along with Tomas Borres) 1908 Los Gatos 1909 Los cabezudos , 1 act (along with Luis Foglietti) - libretto by Manuel Mora and Jose Gamero 1909 They talk about the sage that one day!, 1 act (along with Tomas Barrera) - libretto by Antonio Soler and Manuel Fernandez Palomero 1909 Los cabezudos 1909 La wave negra 1910 El dulce himeneo, 1 act - libretto Antonio Fernandez Palomero 1911 Sangre y Arena, 1 act (along with Pablo Luna) - libretto Gonzalo Jover and Emilio Gonzalez del Castillo based on the novel by Vicente Blasco Ibanez 1912 Pennant fourth, (along with Luis Foglietti) - libretto by Manuel Fernandez Palomoero 1913 Luxury Train, 1 act, (along with Celestino Roig) - libretto by Miguel Michura and Ricardo Gonzalez del Toro 1913 El Nino Castiso (along with Luis Foglietti) 1914 El chavalillo, 3 scenes (along with Enrique Bru) - libretto by Antonio Velasco sazzo, Enrique Paradas and Joaquin Jimenez 1914 Casa del Sultan 1914 La triera, (La cantaora de tablao), (along with Manuel Martinez Faische) 1914 quota soldiers, (along with Luis Foglietti) 1914 rags Madrid, (along with Luis Foglietti) 1914 The Outgoe gypsy , 1 act (along with Manuel Kislant) - libretto by Manuel Fernandez Palomoero 1915 Bees of Love 1915 Joy House 1915 La Gioconda 1915 You need a woman 1915 Curious Girl 1915 fabric Marina Marina , (along with Cayo Vela) 1916 La Granja de los amores 1916 La Triste y escacharrada 1917 Let's see What Happens 1918 What You Don't Care About, (along with Jose Cabas quils) 1918 Madrid in the Dark 1918 Ladies Guaranteed 1920 Dream Palace 1921 Joy Women 1924 Lisbeth 1925 Santa Maria del Mar, (along with Cayo Vela) - libretto by Luis Pasquale Frutos and Luis Manegat 1925 Sol y caireles, (along with Jose Padilla - libretto by Manuel Fernandez Palomero 1926 Flag Legionnaire , - libretto by Manuel Fernandez Palomero 1928 Madrid Charlton L'hivern (along with Enrique Morera) La Golfercia for tenor and organ 1920 Love and Forgetfulness, the song 1927 Pelucona Senion (song). Premiere at the Goya Festival Calatayud 1933 Tongorongo and Palabrytas, Antilles songs 1934 Ana Rosa, song - (dedicated to Aragon tenor Juan Garcia) Esperance Iperans Iperance Carmen Flores La Goya Pastora , for choir and piano - text by Emilio Guillen Pedemonti work for the choir 1928 Anthem Union of Spanish Radioyentes Los de Ricla Works for Piano 1904 Andalusian Penas (piano whim) bibliography by Dean Robert Canty: Study of pasodobles Pasual Marquin - including a brief history of Spanish pasbleodos. Microfilms International University, University of Texas at Austin. 1985. A. Sgardia Sgardia: Aragonese composer Pascual Markina in: Cuadernos de Saragosa n. 39, Saragosa. 1979. D. Martin Domingo, Enrique Garcia Asensio: Masters of Pasodoble (Sound Recording) / Pascual Markina, J. Madrid. Spanish radio television, 1995. External Connections by Markina Narro, Pascual in the Great Aragon encyclopedia Pascual Markina Narro in Art and Bilingual Artists Montillan Music Band Pascual Markina No1879998 Extracted from espana cani pascual marquina narro pdf

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