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Annual Report 2014 - 2015 Ministry of Culture Government of India
ANNUAL REPORT 2014 - 2015 MINISTRY OF CULTURE GOVERNMENT OF INDIA Annual Report 2014-15 1 Ministry of Culture 2 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site Annual Report 2014-15 CONTENTS 1. Ministry of Culture - An Overview – 5 2. Tangible Cultural Heritage 2.1 Archaeological Survey of India – 11 2.2 Museums – 28 2.2a National Museum – 28 2.2b National Gallery of Modern Art – 31 2.2c Indian Museum – 37 2.2d Victoria Memorial Hall – 39 2.2e Salar Jung Museum – 41 2.2f Allahabad Museum – 44 2.2g National Council of Science Museum – 46 2.3 Capacity Building in Museum related activities – 50 2.3a National Museum Institute of History of Art, Conservation and Museology – 50 2.3.b National Research Laboratory for conservation of Cultural Property – 51 2.4 National Culture Fund (NCF) – 54 2.5 International Cultural Relations (ICR) – 57 2.6 UNESCO Matters – 59 2.7 National Missions – 61 2.7a National Mission on Monuments and Antiquities – 61 2.7b National Mission for Manuscripts – 61 2.7c National Mission on Libraries – 64 2.7d National Mission on Gandhi Heritage Sites – 65 3. Intangible Cultural Heritage 3.1 National School of Drama – 69 3.2 Indira Gandhi National Centre for the Arts – 72 3.3 Akademies – 75 3.3a Sahitya Akademi – 75 3.3b Lalit Kala Akademi – 77 3.3c Sangeet Natak Akademi – 81 3.4 Centre for Cultural Resources and Training – 85 3.5 Kalakshetra Foundation – 90 3.6 Zonal cultural Centres – 94 3.6a North Zone Cultural Centre – 95 3.6b Eastern Zonal Cultural Centre – 95 3.6c South Zone Cultural Centre – 96 3.6d West Zone Cultural Centre – 97 3.6e South Central Zone Cultural Centre – 98 3.6f North Central Zone Cultural Centre – 98 3.6g North East Zone Cultural Centre – 99 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site 3 Ministry of Culture 4. -
In the Shadow of Empire and Nation : Chilean Migration to the United
IN THE SHADOW OF EMPIRE AND NATION: CHILEAN MIGRATION TO THE UNITED STATES SINCE 1950 By Cristián Alberto Doña Reveco A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Sociology History 2012 ABSTRACT IN THE SHADOW OF EMPIRE AND NATION: CHILEAN MIGRATION TO THE UNITED STATES SINCE 1950 By Cristián Alberto Doña Reveco This dissertation deals with how Chilean emigrants who have migrated to the US since the 1950s remember and define their migration decision in connection to changing historical processes in both the country of origin and that of destination. Using mainly oral histories collected from 30 Chileans I compare the processes that led to their migration; their memories of Chile at the time of migration; the arrival to the United States, as well as their intermediate migrations to other countries; their memories of Chile during the visits to the country of origin; and their self identifications with the countries of origin and destination. I also use census data and migration entry data to characterize and analyze the different waves of Chilean migration to the United States. I separate each wave by a major historical moment. The first wave commences at the end of World War II and the beginnings of the Cold War; the second with the military coup of September 11, 1973; the third with the economic crisis of 1982; and the fourth with the return to democratic governments in 1990. Connecting the oral histories, migration data and historiographies to current approaches to migration decision-making, the study of social memory, and the construction of migrant identities, this dissertation explores the interplay of these multiple factors in the social constructions underlying the decisions to migrate. -
President Addresses First Joint Session of New Kazakh Parliament
+5° / +1°C WEDNESDAY, MARCH 30, 2016 No 6 (96) www.astanatimes.com President Addresses First Exit Poll Says Nur Otan Joint Session of New Kazakh Wins Overwhelmingly as Parliament, Sets Priorities Mazhilis Retains Previous Makeup greens Birlik (Unity) grabbed mea- By Galiaskar Seitzhan ger 0.35 percent. This outcome is basically a virtual repetition of the ASTANA – President Nursultan previous parliamentary election in Nazarbayev-led Nur Otan Party January 2012, which ended with won 82 percent of the popular vote very similar results. in the parliamentary election in Turnout, however, proved strong- Kazakhstan, according to exit poll er this time setting a new record in results announced at midnight on the country’s electoral history and March 21. beating the result from four years The survey also showed the ruling ago when 75.45 percent of regis- party will be opposed by the same tered voters showed up at the polls. parties in the new convocation of Yulia Kuchinskaya, head of the President Nursultan Nazarbayev (at the speaking rostrum) addresses the first joint session of the Senate and the Mazhilis on March 25. the Mazhilis (the national legisla- Astana-based Institute of Democ- ture’s lower chamber) as it was the racy sociological survey company pro-business Ak zhol Democratic According to Kazakhstan’s Cen- niversary of independence with Nazarbayev recalled that the omy of Kazakhstan. Various social Party and leftist Communist Peo- tral Election Commission Chair- By Malika orazgaliyeva the newly elected parliament. 25th anniversary of Kazakhstan’s problems grow even in relatively ple’s Party again barely crossed the man (CEC) Kuandyk Turgankulov, Three parties and nine members independence coincided with a prosperous countries, he noted. -
Juanito Valderrama
singsFlamenco MJ~ lf !NITO V!IDERR!M! , HIGH FIDELITY · · FM 119 ® MONl'ILIA Juf\i'lrro MONTIUA FM-119 FM-119 HIGH FIDELITY HIGH FIDELITY ORQUESTA MONTILLA-DIRECTOR: MANUEL GORDILLO GUITAR ACCOMPANIMENT: JOSE MARIA PARDO SIDE ONE SIDE TWO EL EMIGRANTE - Bolero Flamenco COMO UNA HERMANA - Zambra RUEDO DE ORO-Pasodoble DIEGO PI~ERO - Pasodoble con Fandangos MI MARIA JESUS - Bulerias RECUERDO A MANOLETE - Seguiriyas y Martinete EL CRISTO DE LOS FAROLES-Por Tientos y Alegdas EN LA CRUZ DE DOS CAMINOS - Soleares, Bulerias y Fandangos MADRE HERMOSA -Pasodoble DE POLIZON - Habanera SOY EL INCLUSERO - Bolero Flamenco SU PRIMERA COMUNION -Habanera JUANITO V ALDERRAMA-Nacio en Torredelcampo, de la provincia andaluza de JU AJ ITO VALDERRAMA was born in Torredelcampo, Province of Jaen, Andalucia. Jaen. Como cas i todos los grandes y verdaderos artistas, Valderrama s~nt io la llamada Like all g1P1t and true artists, Valderrama showed as a child his gift for singing but de la vocacion desde muy nifio, pero tuvo que lud1ar firmemente hasta co nvencer a could not ccnvince hi s fan1i ly of the authenticity of his vocation. Before he was nine sus familiares de lo autentico de esa vocacion. No tenia aun nueve afios cuando por years old, he had rnn away from home twice, in an effort to try his luck as a singer. dos veces habia ya escapado de su casa, decidido a abrirse paso cantando. En ambas Both times he w:!.s brought home by the Civil Guard, panish equivalent of the ocasiones foe devuelto a los suyos por la Guardia Civil, pero despues de la segunda police. -
Colombian Nationalism: Four Musical Perspectives for Violin and Piano
COLOMBIAN NATIONALISM: FOUR MUSICAL PERSPECTIVES FOR VIOLIN AND PIANO by Ana Maria Trujillo A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Major: Music The University of Memphis December 2011 ABSTRACT Trujillo, Ana Maria. DMA. The University of Memphis. December/2011. Colombian Nationalism: Four Musical Perspectives for Violin and Piano. Dr. Kenneth Kreitner, Ph.D. This paper explores the Colombian nationalistic musical movement, which was born as a search for identity that various composers undertook in order to discover the roots of Colombian musical folklore. These roots, while distinct, have all played a significant part in the formation of the culture that gave birth to a unified national identity. It is this identity that acts as a recurring motif throughout the works of the four composers mentioned in this study, each representing a different stage of the nationalistic movement according to their respective generations, backgrounds, and ideological postures. The idea of universalism and the integration of a national identity into the sphere of the Western musical tradition is a dilemma that has caused internal struggle and strife among generations of musicians and artists in general. This paper strives to open a new path in the research of nationalistic music for violin and piano through the analyses of four works written for this type of chamber ensemble: the third movement of the Sonata Op. 7 No.1 for Violin and Piano by Guillermo Uribe Holguín; Lopeziana, piece for Violin and Piano by Adolfo Mejía; Sonata for Violin and Piano No.3 by Luís Antonio Escobar; and Dúo rapsódico con aires de currulao for Violin and Piano by Andrés Posada. -
The Global Reach of the Fandango in Music, Song and Dance
The Global Reach of the Fandango in Music, Song and Dance The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies Edited by K. Meira Goldberg and Antoni Pizà The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies Edited by K. Meira Goldberg and Antoni Pizà This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by K. Meira Goldberg, Antoni Pizà and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9963-1 ISBN (13): 978-1-4438-9963-5 Proceedings from the international conference organized and held at THE FOUNDATION FOR IBERIAN MUSIC, The Graduate Center, The City University of New York, on April 17 and 18, 2015 This volume is a revised and translated edition of bilingual conference proceedings published by the Junta de Andalucía, Consejería de Cultura: Centro de Documentación Musical de Andalucía, Música Oral del Sur, vol. 12 (2015). The bilingual proceedings may be accessed here: http://www.centrodedocumentacionmusicaldeandalucia.es/opencms/do cumentacion/revistas/revistas-mos/musica-oral-del-sur-n12.html Frontispiece images: David Durán Barrera, of the group Los Jilguerillos del Huerto, Huetamo, (Michoacán), June 11, 2011. -
Lynn Meyers Song Catalog
Title I. Allá arriba en aquella montaña First line Allá arriba en aquella montaña yo corté una caña, Composer Guridi, J., 1886-1961 Comp. Nat. Sp. Collection Seis Canciones Castellanas Hist. Per. 20th C. Publisher Union Musical Espanola, Madrid, 1941. #17468 Comments Andante con moto in 6/8. Sustained, lightly ornamented. A tender Type art, trad. Mel. Source Castile, trad. Text Source Castile, trad. Instruments Piano Voice M Voc. Level Beg. Acc. Reqts. Diff. Range e1-f2 Tessitura f1-d2 Spec. Appl. exp. Call No. LNCEMS Translation Title II. Sereno! First line Sereno! Sereno! En micasa hay un hombre durmiendo... Composer Guridi, J., 1886-1961 Comp. Nat. Sp. Collection Seis Canciones Castellanas Hist. Per. 20th C. Publisher Union Musical Espanola, Madrid, 1941.#17468 Comments Molto moderato e lugubre, in 6/8.Slow, sustained, dramatic. An ironic Type art, trad. Mel. Source Castile, trad. Text Source Castile, trad. Instruments Piano Voice H Voc. Level Int. Acc. Reqts. Diff. Range e1-gsh2 Tessitura g1-e2 Spec. Appl. exp. Call No. LNCEMS Translation Title III. Llámale con el pañuelo First line Llámale con el pañuelo; llámale con garbo y modo. Composer Guridi, J., 1886-1961 Comp. Nat. Sp. Collection Seis Canciones Castellanas Hist. Per. 20th C. Publisher Union Musical Espanola, Madrid, 1941.#17468 Comments Allegretto grazioso in 6/8. Lively, graceful. Req. vocal flexibility, facile Type art, trad. Mel. Source Castile, trad. Text Source Castile, trad. Instruments Piano Voice H Voc. Level Int. Acc. Reqts. Diff. Range d1-g2 Tessitura e1-e2 Spec. Appl. exp. Call No. LNCEMS Translation Title IV. No quiero tus avellanas First line No quiero tus avellanas, tampoco tus alelies, Composer Guridi, J., 1886-1961 Comp. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Tesis Los Orígenes De La Canción Popular En El Cine Mudo
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad I TESIS DOCTORAL Los orígenes de la canción popular en el cine mudo español, (1896-1932) MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Benito Martínez Vicente Director Emilio Carlos García Fernández Madrid, 2012 © Benito Martínez Vicente, 2012 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad I LOS ORÍGENES DE LA CANCIÓN POPULAR EN EL CINE MUDO ESPAÑOL (1896-1932) Tesis Doctoral Benito Martínez Vicente Director Dr. Emilio Carlos García Fernández Madrid, 2011 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) 2 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I LOS ORÍGENES DE LA CANCIÓN POPULAR EN EL CINE MUDO ESPAÑOL (1896-1932) Tesis Doctoral Benito Martínez Vicente Director Dr. Emilio Carlos García Fernández Madrid, 2011 3 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) 4 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) ¡RESPETABLE PÚBLICO! Señores: no alborotéis Aunque á oscuras os quedéis, Que á oscuras no se está mal Y si esperáis hasta el final, ¡ya veréis!... 1 1 Berriatúa, Luciano. “ Los primeros años del cine en las zarzuelas ”. Lahoz Rodrigo, Juan Ignacio (coord.). A propósito de Cuesta. Escritos sobre los comienzos del cine español 1896-1920. Ediciones de la Filmoteca. Institut Valencià de l’Audiovisual i la Cinematografia Ricardo Muñoz Suay. -
Brazilian Nationalistic Elements in the Brasilianas of Osvaldo Lacerda
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2006 Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda Maria Jose Bernardes Di Cavalcanti Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Di Cavalcanti, Maria Jose Bernardes, "Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda" (2006). LSU Major Papers. 39. https://digitalcommons.lsu.edu/gradschool_majorpapers/39 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BRAZILIAN NATIONALISTIC ELEMENTS IN THE BRASILIANAS OF OSVALDO LACERDA A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the Degree of Doctor of Musical Arts in The School of Music by Maria José Bernardes Di Cavalcanti B.M., Universidade Estadual do Ceará (Brazil), 1987 M.M., Louisiana State University, 2002 December 2006 © Copyright 2006 Maria José Bernardes Di Cavalcanti All Rights Reserved ii DEDICATION This monograph is dedicated to my husband Liduino José Pitombeira de Oliveira, for being my inspiration and for encouraging me during these years -
Peace Brasstronaut for the Sake of Song Sundays Mark Oelong
MAY 2012 • THAT MAGAZINE FROM CiTR 101.9 FM • FREE! , SUPPORTING VANCOUVER'S INOEPEIf ENT MUSIC COMMUNITY «FOR OVER 25 YEARS I PEACE BRASSTRONAUT FOR THE SAKE OF SONG SUNDAYS MARK OELONG **pf , EDITOR'S NOTE I'll start with a disclaimer: I just graduated from school, so I'm about to get all Apparently it's not going to slow down, so I am often reminded by many reflective and introspective and stuff. No doubt many of you are in the same older family members. Maybe time is flying because I just joined the ranks boat, so perhaps you'll relate. of adulthood (on paper, at least). Then I bought some pumps, I got a hair I think it's natural for people to regularly have "On This Day in History" cut and I got a real job. Graduation hasn't sunk in yet though; I'm still trying moments in their lives. I'm no different, and there are a few that stand out to wrap my head around having all this space in my life that homework and every year. On June 29s, I recall launching into a month-long cross-Canada class and public transit occupied. road trip with my mom in 2010, camping our way from Vancouver to the east Interwoven with these date-induced flashbacks is the music that narrated coast On April 16s, I reflect on two years ago when I went to Coachella, peed it. Driving to Indio, I got my co-pilot hooked on Brasstronaut, one of our my pants a bit seeing LCD Soundsystem for the first time, and sweated and feature artists this month. -
AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON