The Only Jewel Which Will Not Decay Is Knowledge
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The Story of the Nation's
' THE STO RY O F TH E NATIO NS. r c mum 800 Cla/h [Hm/mud 68. La g C , , , ' 73: Volume: are aimbe}! in [I nfol/mmng Special B indings ' al Pfru an ( Io/lo ill to F u m 110 exlra ” l , g p ll y, 1/ , r 0 d s Tree ( al ill d s o d ol ma /1a! e ge f. g e ge , g l r l imidc u ilt MM . , f ll g x P G NI IA. l w 8. H O f. B O 8 01112 . Anrnuu G u u G . 1 . By , By Pro R W LINSO N. MA . A m “W S. B f. K. 1 . MEDI A. ZBNMDB . 9 . y Pro J 9 By A R GO ZIN. Ma nn . A exa m . Rev . S. 2 0. TH E H ANSA T WNS. 3. B O By — i “A . H B LB N Z IMNERN. B agu o 000m . f. A un t) n EARL Y R T . By Pro . B I AIN By Prof R A LF ED J . CH URCH . TH E R Y . as. BAR BA COR SAIR S STA NLEY N - O O By LA E P LE. U 2 . R SS . W . By 3 IA By R . MO R y Prot mws UNDER TH E W . Do u R OM ANS. By vc xs Amm Mo nmso n. Prof. C T ND . O H N M AC 2 5 . S O LA By J xmro su LL D. an a n o ue. -
Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the International Cinema Addict's Definitive Resource 814ILL 4:T2 PM
Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the international cinema addict's definitive resource 814ILL 4:T2 PM Stilyagi (Crnilntlt) Review Published May 151h,2009 in Europe & Russia and Reviews. 4 Comments Musical comedy is hardly a genre most people would associate with modern Russian cinema. Traditionally known and respected for such somber and inquisitive works as Nikita Mikhalkov's Burnt by the Sun (1994), Andrei Zvyagintsev's The Return (2001), and Aleksei Balabanov's Cargo 200 (2OO7), post-Soviet Russian directors had generally focused on negative aspects of the Russian experience until the early 2000s, when waves of cash flowing from the country's oil and gas-fueled economic boom finally reached the film industry, resulting in the production of commercially-oriented blockbusters such as Night Watch (2OO4) and The 9th Company (2OO5). Continuing this trend and taking it in a new direction is Valeriy Todorovskiy's new frlm Stilyagi (Hipsters). Featuring an all-star cast, dynamic script and slick cinematography, Stilyagi takes the viewer on an epic joy ride through 1955 Moscow, two years after Stalin's death. At the height of the Cold War in the Soviet Union, the titular stilyagi were a bunch of Western-oriented hipsters who loved jazz, exhibited questionable morals and enjoyed dressing with style. Mels (Anton Shagin), a seemingly brainwashed member of the Communist youth group Komsomol, falls in love with Polza (Oksana Akinshina) while raiding an illegal underground nightclub . Polza invites Mels to join her and her friends on the "Broadway" and Mels is dumbfounded when he shows up to the party dressed plainly and looking apologetic. -
NASSAU-THESIS-2013.Pdf
Copyright by David Eduardo Nassau 2013 The Thesis Committee for David Eduardo Nassau Certifies that this is the approved version of the following thesis : Sergey Eisenstein: the use of graphic violence in Strike and Potemkin APPROVED BY SUPERVISING COMMITTEE: Supervisor: Joan Neuberger Keith Livers Sergey Eisenstein: the use of graphic violence in Strike and Potemkin by David Eduardo Nassau, B.A International Relations Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2013 Dedication I dedicate this thesis to my father, the late Pedro Nassau (b. 22 July 1952-d. 28 May 2012), who always insisted that if I put my mind into something, I can accomplish anything. Nothing is beyond the realm of possibility. Eternal memory to him. Abstract Sergey Eisenstein: the use of graphic violence in Strike and Potemkin David Eduardo Nassau , M.A The University of Texas at Austin, 2013 Supervisors: Joan Neuberger Being a very prominent film director with several recognisable works, Sergey Eisenstein has been studied extensively from all angles. The aim of this dissertation is to analyse his first two movies, Strike and Battleship Potemkin, both of them stand out when seen in the context of 1920s cinema. Both films are known for introducing strong, graphic violence in cinema and at the same time the films shed light on sensitive social issues such as income disparity, government indifference as well -
Russian Art, Icons + Antiques
RUSSIAN ART, ICONS + ANTIQUES International auction 872 1401 - 1580 RUSSIAN ART, ICONS + ANTIQUES Including The Commercial Attaché Richard Zeiner-Henriksen Russian Collection International auction 872 AUCTION Friday 9 June 2017, 2 pm PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_russisk_s001-188.indd 1 28/04/17 16.28 Коллекция коммерческого атташе Ричарда Зейнера-Хенриксена и другие русские шедевры В течение 19 века Россия переживала стремительную трансформацию - бушевала индустриализация, модернизировалось сельское хозяйство, расширялась инфраструктура и создавалась обширная телеграфная система. Это представило новые возможности для международных деловых отношений, и известные компании, такие как датская Бурмэйстер энд Вэйн (В&W), Восточно-Азиатская Компания (EAC) и Компания Грэйт Норсерн Телеграф (GNT) открыли офисы в России и внесли свой вклад в развитие страны. Большое количество скандинавов выехало на Восток в поисках своей удачи в растущей деловой жизни и промышленности России. Среди многочисленных путешественников возникало сильное увлечение культурой страны, что привело к созданию высококачественных коллекций русского искусства. Именно по этой причине сегодня в Скандинавии так много предметов русского антиквариата, некоторые из которых будут выставлены на этом аукционе. Самые значимые из них будут ещё до аукциона выставлены в посольстве Дании в Лондоне во время «Недели Русского Искусства». Для более подробной информации смотри страницу 9. Изюминкой аукциона, без сомнения, станет Русская коллекция Ричарда Зейнера-Хенриксена, норвежского коммерческого атташе. -
Ideological and Real Socialism of My Soviet Childhood, Schooling, and Teaching: Multi-Consciousness1
ISSN: 2325-3290 (online) Ideological and real socialism of my Soviet childhood, schooling, and teaching: Multi-consciousness1 Eugene Matusov University of Delaware, USA Abstract Through my autobiographical reflective ethnography of my Soviet childhood, schooling and teaching, I try to investigate the phenomenon of political multiple consciousness that I observed in the USSR and its development in children. In my analysis, I abstracted eight diverse types of consciousness, five of which are political in their nature. Eugene Matusov is a Professor of Education at the University of Delaware. He studied developmental psychology with Soviet researchers working in the Vygotskian paradigm and worked as a schoolteacher before immigrating to the United States. He uses sociocultural and Bakhtinian dialogic approaches to education. His recent books are: Matusov, E. (2017). Nikolai N. Konstantinov’s authorial math pedagogy for people with wings, Matusov, E. & Brobst, J. (2013). Radical experiment in dialogic pedagogy in higher education and its Centauric failure: Chronotopic analysis, and Matusov, E. (2009). Journey into dialogic pedagogy. Introduction Famous Soviet comedian Mikhail Zhvanetsky commented in one of his 1970s monologue that it was very difficult to learn what exactly a Soviet person thought on any issue. He suspected that the answer could be given only through a physiological examination of the person’s body, “A person who says ‘yes’ undergoes a careful examination to check if behind this ‘yes’ is lurking hidden ‘no’. The exact answer can be achieved only by a urine test, which is very difficult to obtain from the person” (Zhvanetsky, 2001, p. 175, translation from Russian is mine). For the purpose of this investigation, I define a type of political consciousness heuristically as somewhat consistent subjectivity. -
He Who Has Not Been to Moscow Has Not Seen Beauty
STRATEGIES FOR BUSINESS IN MOSCOW He who has not been to Moscow has not seen beauty A PROPOS “To Moscow, to Moscow, to Moscow!” Like a mantra, However, the majority of people who live abroad know this phrase is repeated by the sisters in Anton nothing about this. Old habits, as they say, die hard. Chekhov’s famous play “Three Sisters.” The play is Many foreigners still think that the sun never rises about three young women dreaming of escaping their in Moscow, that the city is always cold and that it boring small town and coming to the capital. Although snows year round. Not to mention the rumors of bears the play was written in 1900, people from all over roaming the streets at night. Disappointing as it may Russia, as well as people from CIS countries, still want be, these myths are still around. to move to Moscow. Of course, we are partially responsible for this – we Moscow has always been a magnet. At least this is the tell the world very little about ourselves. We need to way things have played out historically – all the best spend more resources on attracting tourists to Moscow things could be found in the capital: shops, libraries, by letting them know how convenient and comfortable clinics, schools, universities, theatres. At one point, the city has become. According to official statistics, coming to Moscow from Siberia was like taking a trip to over 5 million foreigners visited Moscow last year. This a foreign country. is obviously a small number – about 15 million tourists visit places like London and Paris every year. -
Cahiers Du Monde Russe, 43/4 | 2002, « Intellectuels Et Intelligentsia » [Online], Online Since 18 January 2007, Connection on 06 October 2020
Cahiers du monde russe Russie - Empire russe - Union soviétique et États indépendants 43/4 | 2002 Intellectuels et intelligentsia Electronic version URL: http://journals.openedition.org/monderusse/1194 DOI: 10.4000/monderusse.1194 ISSN: 1777-5388 Publisher Éditions de l’EHESS Printed version Date of publication: 30 December 2002 ISBN: 2-7132-1796-2 ISSN: 1252-6576 Electronic reference Cahiers du monde russe, 43/4 | 2002, « Intellectuels et intelligentsia » [Online], Online since 18 January 2007, connection on 06 October 2020. URL : http://journals.openedition.org/monderusse/1194 ; DOI : https://doi.org/10.4000/monderusse.1194 This text was automatically generated on 6 October 2020. © École des hautes études en sciences sociales, Paris. 1 Les articles que nous publions ici ont été choisis parmi les contributions d’un colloque franco-russe qui s’est tenu en 2000 à Moscou, à l’Institut d’histoire universelle de l’Académie des sciences de Russie et qui fut organisé avec la participation de l’École des hautes études en sciences sociales et la Maison des sciences de l’homme de Paris. Bien que l’ensemble des actes du colloque ait fait l’objet d’une publication en russe (Intelligencija v istorii. Obrazovannyj chelovek v predstavlenijah i social´noj dejstvitel´nosti = Les intellectuels dans l’histoire moderne et contemporaine. Représentations et réalités sociales, Moscou, RAN, Institut vseobshchej istorii, 2001), nous avons jugé utile de faire connaître au public français les études qui nous ont paru les plus représentatives dans le contexte international du débat sur l’intelligentsia russe. Cahiers du monde russe, 43/4 | 2002 2 TABLE OF CONTENTS Intellectuels et intelligentsia Comparer l’incomparable Le général et le particulier dans l’idée d’« homme instruit » Denis A. -
Foreword from the Head of Moscow Metro 3 Events of the Year 4
Foreword from the head of Moscow Metro 3 Events of the year 4 Performance indicators 20 Metro staff 30 Development and technical upgrade 44 Safety and security 50 International activity 56 Future development 62 1 The year 2012 can certainly be described as a year of great accomplishments, including the opening of new stations, reconstruction of existing facilities and metro technical systems. This year we have introduced a new section “Novogireevo” – “Novokosino” on the Kalininskaya line”, that allows now quick, convenient and reliable mode of transport to be provided to almost 200,000 inhabitants of the district. Besides, the metro map shows the long-awaited station ”Alma-Atinskaya” on the Zamoskvoretskaya line and the station “Pyatnitskoye shosse” in the Arbatsko-Pokrovskaya Foreword from the head line. The future of Moscow transport system is unthinkable without development of the metro, which plays a key role in the city’s public transport of Moscow Metro system. The Moscow Metro management carries out all the changes planned and appointed by the Moscow Government by paying as much attention to the demand of Muscovites and guests of the capital as possible. By 2020, 67 new stations are planned to be constructed. At present, we prioritize the construction of the Exterior interchange circuit line with the phased commissioning of line sections, the extension of the Lyublinsko-Dmitrovskaya line from station “Maryina roshcha” to the northern areas of the city by 2015. Also the construction of the new Kozhukhovskaya line from the station “Aviamotornaya” to the station “Nekrasovka. By 2017, the Kalininsko-Solntsevskaya line will be formed and operated between the station “Novokosino” and the districts, Solntsevo and Novo-Peredelkino. -
On the Topics and Style of Soviet Animated Films
BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE Article On the Topics and Style of Soviet Animated Films ÜLO PIKKOV, Estonian Academy of Arts; email: [email protected] 16 DOI: 10.1515/bsmr-2017-0002 BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE ABSTRACT This article provides a survey of Soviet animation and analyses the thematic and stylistic course of its develop- ment. Soviet animated film emerged and materialised in synch with the fluctuations of the region’s political climate and was directly shaped by it. A number of trends and currents of Soviet animation also pertain to other Eastern European countries. After all, Eastern Europe constituted an integrated cultural space that functioned as a single market for the films produced across it by filmmakers who interacted in a professional regional network of film education, events, festivals, publications etc. Initially experimental, post-revolutionary Russian ani- mation soon fell under the sway of the Socialist Realist discourse, along with the rest of Soviet art, and quickly crystallised as a didactic genre for children. Disney’s para- digm became its major source of inspiration both in terms of visual style and thematic scope, despite the fact that Soviet Union was regarded as the ideological opposite of the Western way of life and mindset. The Soviet animation industry was spread across different studios and republics that adopted slightly varied production practices and tolerated different degrees of artistic freedom. Studios in the smaller republics, such as Estonia, Latvia and Lithuania in particular, stood out for making films that were more ideologically complicated than those produced in Moscow. -
Constitution-Making in the Informal Soviet Empire in Eastern Europe, East Asia, and Inner Asia, 1945–19551
Constitution-Making in the Informal Soviet Empire in Eastern Europe, East Asia, and Inner Asia, 1945–19551 Ivan Sablin Heidelberg University Abstract This chapter provides an overview of dependent constitution-making under one-party regimes in Albania, Bulgaria, China, Czechoslovakia, East Germany, Hungary, North Korea, Mongolia, Poland, Romania, and Yugoslavia during the first decade after the Second World War. Employing and further developing the concept of the informal Soviet empire, it discusses the structural adjustments in law and governance in the Soviet dependencies. The chapter outlines the development of the concepts of “people’s republic” and “people’s democracy” and discusses the process of adoption and the authorship of the constitutions. It then compares their texts with attention to sovereignty and political subjectivity, supreme state institutions, and the mentions of the Soviet Union, socialism, and ruling parties. Finally, it surveys the role of nonconstitutional institutions in political practices and their reflection in propaganda. The process of constitution-making followed the imperial logic of hierarchical yet heterogeneous governance, with multiple vernacular and Soviet actors partaking in drafting and adopting the constitutions. The texts ascribed sovereignty and political subjectivity to the people, the toilers, classes, nationalities, and regions, often in different combinations. Most of the constitutions established a parliamentary body as the supreme institution, disregarding separation of powers, and introduced a standing body to perform the supreme functions, including legislation, between parliamentary sessions, which became a key element in the legal adjustment. Some constitutions mentioned socialism, the Soviet Union, and the ruling parties. The standardization of governance in the informal Soviet empire manifested itself in the constitutional documents only partially. -
Moscow Reserved and Allocated Names Registration Policy
Фонд содействия развитию технологий и инфраструктуры интернет Введено в действие: 01 декабря 2014 г. Версия документа: 1.0 .MOSCOW RESERVED AND ALLOCATED NAMES REGISTRATION POLICY This .MOSCOW Reserved and Allocated Names Registration Policy ("Policy") sets forth the terms, conditions, procedure and time frame for registration of reserved and allocated second-level domain names in the .MOSCOW top-level domain. Terms and definitions used in this Policy: Registration Key is a coded character set, which is an integral part of any registration application for a reserved domain name. Registration Key will be given to the User in accordance with the terms and conditions set forth herein. If a registration application does not contain a Registration Key, a reserved domain name will not be registered. Reserved domain name (reserved domain) is a second-level domain name in the top-level domain .MOSCOW that is reserved in accordance with the .MOSCOW Reservation Policy published on the website of the Foundation for Assistance for Internet Technologies and Infrastructure Development in the section "Documents" at: http://en.faitid.org/projects/moscow/documents. Allocated domain name (allocated domain) is a reserved domain whose Registration Key was given to the User in accordance with this Policy. An allocated domain remains a reserved domain until it becomes registered. Other terms used herein are defined in the Terms and Definitions Used for the Registration of Second-Level Domain Names in .MOSCOW and .МОСКВА published on the website of the Foundation for Assistance for Internet Technologies and Infrastructure Development at the section "Policies" at: http://en.faitid.org/projects/moscow/documents. -
Dmitry Shostakovich's <I>Twenty-Four Preludes and Fugues</I> Op. 87
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Spring 4-23-2010 Dmitry Shostakovich's Twenty-Four Preludes and Fugues op. 87: An Analysis and Critical Evaluation of the Printed Edition Based on the Composer's Recorded Performance Denis V. Plutalov University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Composition Commons Plutalov, Denis V., "Dmitry Shostakovich's Twenty-Four Preludes and Fugues op. 87: An Analysis and Critical Evaluation of the Printed Edition Based on the Composer's Recorded Performance" (2010). Student Research, Creative Activity, and Performance - School of Music. 27. https://digitalcommons.unl.edu/musicstudent/27 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DMITRY SHOSTAKOVICH'S TWENTY-FOUR PRELUDES AND FUGUES, OP. 87: AN ANALYSIS AND CRITICAL EVALUATION OF THE PRINTED EDITION BASED ON THE COMPOSER'S RECORDED PERFORMANCE by Denis V. Plutalov A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Mark Clinton Lincoln, Nebraska May 2010 Dmitry Shostakovich's Twenty-Four Preludes and Fugues op. 87: An Analysis and Critical Evaluation of the Printed Edition Based on the Composer's Recorded Performance Denis Plutalov, D.