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Corruption of the Characters in Willa Cather's a Lost Lady
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.51, 2018 Corruption of the Characters in Willa Cather’s A Lost Lady Dewi Nurnani Puppetry Department, Faculty of Performing Arts, Indonesia Institute of Arts, Surakarta, Central Java, Indonesia, 57126 email: [email protected] Abstract This writing studies about corruption of the characters in the novel entitled A Lost Lady by Willa Cather. The mimetic approach is used to analyze this novel. So in creating art, an author is much influenced by the social condition of society in which he lives or creates, directly or indirectly. It can be learned that progression does not always make people happy but often it brings difficulties and even disaster in their lives. It is also found that the corruption in the new society happens because the characters are unable to endure their passionate nature as well as to adapt with the changing.To anticipate the changing, one must have a strong mentality among other things, by religion or a good education in order that he does not fall into such corruption as the characters in A Lost Lady . Keywords : corruption, ambition, passionate, new values, old values 1. Background of The Study Willa Sibert Cather, an American novelist, short story writer, essayist, journalist, and poet, was born on December 7, 1983 near Winchester, Virginia, in the fourth generation of an Anglo-Irish family. Her father, Charles F. Cather, and her mother, Mary Virginia Cather, and also their family moved to the town of red Cloud, Nebraska, when she was nine years old. -
Howard Willard Cook, Our Poets of Today
MODERN AMERICAN WRITERS OUR POETS OF TODAY Our Poets of Today BY HOWARD WILLARD COOK NEW YORK MOFFAT, YARD & COMPANY 1919 COPYRIGHT, 1918, BY MOFFAT, YARP & COMPANY C77I I count myself in nothing else so happy as in a soul remembering my good friends: JULIA ELLSWORTH FORD WITTER BYNNER KAHLIL GIBRAN PERCY MACKAYE 4405 ACKNOWLEDGMENTS To our American poets, to the publishers and editors of the various periodicals and books from whose pages the quotations in this work are taken, I wish to give my sincere thanks for their interest and co-operation in making this book possible. To the following publishers I am obliged for the privilege of using selections which appear, under their copyright, and from which I have quoted in full or in part: The Macmillan Company: The Chinese Nightingale, The Congo and Other Poems and General Booth Enters Heaven by Vachel Lindsay, Love Songs by Sara Teasdale, The Road to Cas- taly by Alice Brown, The New Poetry and Anthology by Harriet Monroe and Alice Corbin Henderson, Songs and Satires, Spoon River Anthology and Toward the Gulf by Edgar Lee Masters, The Man Against the Sky and Merlin by Edwin Arlington Rob- inson, Poems by Percy MacKaye and Tendencies in Modern American Poetry by Am> Lowell. Messrs. Henry Holt and Company: Chicago Poems by Carl Sandburg, These Times by Louis Untermeyer, A Boy's Will, North of Boston and Mountain Interval by Robert Frost, The Old Road to Paradise by Margaret Widdener, My Ireland by Francis Carlin, and Outcasts in Beulah Land by Roy Helton. Messrs. -
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f{OTT0 tsEDUPLICATTD 0B USID b/II'HOUTPERi"iIsSi0i\ Iii SiAii:il r.lF .rlii i;fA THE CI]RE LIBRARY OF FFIANCISH. FLAHERTY ttl shaLl speak to you of riobert Flahertyt:; method, because this method and the way it came to be i-s, I bel-ieve, the impa:-bant legacy he left use becauge for rne it was ttle greatest experience of my life with hj-m." -nd Frances Hubbard Flaherty Ln THE IIDYSSIYOFAFili'"l -MAKTR f!"nettv'" 5t y -&.h_urt Be'ua Phi Mu Chapbook Urbana, Ilfinois, 196A. tis n r Al_L artrr sei6 Robert F-'t_aherty, a kind of exp.loring. io discover and ' reveal is tl-re way every altist sef,s abcut his businc:ss,r Th': explorersr the iiscoverers, are the tran;i"crmers of the bror.'l-d. They are the scientist ciscovering new fec";, the pnit::sllther d:r-sc'ove-''ing:n nerv fac; new idea' Abc-rveal-i, they are the artist, the poet, tfre seer, Lrno oui of the crucible cf nelv fact and new idea bring new.l-ife, nera'power, new motiver anci a cleep refresi.ment. They disc;ver for us the new imsge.tl t'I-t was as an exp-lorer that Robert FJ-3herty came into fil-ms...tl It is as an explorer that Frances Fiahertv has searched to srticulate the j-n essence of histrmetho,l ,irthe rneanings his struggles, the fuLfiL.l-ment in his trway of seeing.tt Seeki.ng to share the richness of tisttitnportant legacyrI she has mineci worlds of words and ci:_stilled multiple nieanings into one worci: Inon-precOnaep I ttThe word I ha,ye chosen i.s ti.on, an eXp-lorelt s wo.rd. -
Wallace Stegner and the De-Mythologizing of the American West" (2004)
Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner. -
The Perils of Allusion in Cather's Early Stories
Colby Quarterly Volume 24 Issue 3 September Article 5 September 1988 Treacherous Texts: The Perils of Allusion in Cather's Early Stories Joan Wylie Hall Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 24, no.3, September 1988, p.142-150 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Hall: Treacherous Texts: The Perils of Allusion in Cather's Early Stori Treacherous Texts: The Perils of Allusion in Cather's Early Stories by JOAN WYLIE HALL ILLA CATHER'S recent biographer, Sharon O'Brien, suggests that the W "intrusive references to male writers" in "The Treasure of Far Island" display a female author's urge to place herself in a tradition from which she feels excluded.! Some of the same literary debts are apparent in "The Professor's Commencement," another early Cather story that also appeared in New England Magazine in 1902. 2 While she does not exag gerate the dominance of such allusions, O'Brien does overlook their suitability to the main characters in these particular stories and to Cather's early exploration of the theme of the artist, a theme she develops exten sively in The Troll Garden (1905) and The Song ofthe Lark (1915). Most of the bookish references in "The Treasure of Far Island" and "The Pro fessor's Commencement" are generated by a writer, Douglass Burnham, and by an English teacher, Emerson Graves. -
Spring 2018 Rights Guide
Spring 2018 Rights Guide Visit our website at www.strothmanagency.com Enquiries to: The Strothman Agency, LLC Email Lauren MacLeod: [email protected] Brazil: Laura Riff, The Riff Agency China: Annie Chen, Bardon Chinese Media Agency France: Anna Jarota, Anna Jarota Agency (Children’s: David Camus) Germany: Sebastian Ritscher, Mohrbooks, (Children’s: Annelie Geissler) Greece: Evangelia Avloniti, Ersilia Literary Agency Hungary: Peter Bolza, Katai & Bolza Agency Italy: Erica Berla, Berla & Griffini Rights (Children’s: Vanessa Maus) Japan: Hamish McCaskill, The English Agency Korea: Duran Kim, Duran Kim Agency Poland & Eastern Europe (Albania, Bulgaria, Bosnia and Herzegovina, Czech Republic, Croatia, Estonia, Latvia, Lithuania, Romania, Serbia, Slovakia, Slovenia): Filip Wojciechowski, Graal Russia: Zuzanna Brzezinska, Anna Jarota Agency Scandanavia, The Netherlands: Philip Sane, Lennart Sane Spain & Portugal: Teresa Vilarrubla, The Foreign Office Turkey: Amy Spangler and Dogan Terzi, Anatolia (Children's: Dilek Akdemir ) Early Warning: Upcoming & Recently Sold Ruth Ben-Ghiat: Strongmen: How They Rise, Why They Succeed, When They Fall ……………………3 Kathryn Miles: Killers on the Trail: Love, Murder, and the Quest for Justice in America's Wild Places ………………………….……………………………………………………………………..……..…………………………..…4 Michelle Wilde Anderson: Left for Dead: Local Government in the Post-Industrial Age ……..………5 Richard Ford: Dress Codes: Laws of Attire and Crime of Fashion ………………………….……………………6 Now Available: Adult Titles David Kertzer: The Pope Who -
Willa Cather Review
Copyright C 1997 by the Willa Cather Pioneer ISSN 0197-663X Memorial and Educational Foundation (The Willa Cather Society) Willa Cather Pioneer Memorial New-sletter and 326 N. Webster Street VOLUME XLI, No. 2 Red Cloud, Nebraska 68970 Summer/Fall, 1997 Review Telephone (402) 746-2653 The Little House and the Big Rock: So - what happened to me when I began to try to plan my paper for today was that my two projects Wilder, Cather, and refused to remain separate in my mind, and I had to the Problem of Frontier Girls envision a picture with a place for Willa Cather and Laura Ingalls Wilder. That meant I had to think about Plenary Address, new ways to historicize both careers. And that's why Sixth International Willa Cather Seminar I was so delighted to recognize the bit of information Quebec City, June 1995 with which I began. It places Wilder and Cather - Ann Romines who almost but not quite shared a publisher in 1931 - George Washington University in the same literary and cultural landscape. Women of about the same age with Midwestern childhoods far In August 1931, Alfred A. Knopf published Willa behind them, they were writing and publishing novels Cather's tenth novel, Shadows on the Rock. The publisher numbered Cather among the ''family" of authors he was proud to publish.1 Then, in the following month, Knopf contracted to publish the first book by a contemporary of Cather's, the children's novel Little House in the Big Woods by Laura Ingalls Wilder. Be fore the year was out, however, Wilder learned that the exigencies of "depression economics" were closing down the children's department at Knopf. -
Willa Cather and the Swedes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 1984 Willa Cather And The Swedes Mona Pers University College at Vasteras Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Pers, Mona, "Willa Cather And The Swedes" (1984). Great Plains Quarterly. 1756. https://digitalcommons.unl.edu/greatplainsquarterly/1756 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WILLA CATHER AND THE SWEDES MONAPERS Willa Cather's immigrant characters, almost a able exaggeration when in 1921 she maintained literary anomaly at the time she created them, that "now all Miss Cather's books have been earned her widespread critical and popular ac translated into the Scandinavian," the Swedish claim, not least in the Scandinavian countries, a translations of 0 Pioneers! and The Song of market she was already eager to explore at the the Lark whetted the Scandinavian appetite beginning of her literary career. Sweden, the for more Cather. As the 1920s drew to a close, first Scandinavian country to "discover" her her reputation grew slowly but steadily. Her books, issued more translations of Cather fic friend George Seibel was probably guilty of tion than any other European country. In considerably less exaggeration than was Eva fact, Sweden was ten years ahead of any other Mahoney when he recalled "mentioning her Scandinavian country in publishing the transla name in the Gyldendal Boghandel in Copen tion of a Cather novel (see table). -
EMPIRICAL TESTS of COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J
0001-0044_BUCCAFUSCO_081313_WEB (DO NOT DELETE) 8/13/2013 4:50 PM DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J. Heald †† ABSTRACT According to the current copyright statute, copyrighted works of music, film, and literature will begin to transition into the public domain in 2018. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Therefore, the next few years will likely witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works. These industries, and a number of prominent scholars, claim that when works enter the public domain, bad things will happen to them. They worry that works in the public domain will be underused, overused, or tarnished in ways that will undermine the works’ economic and cultural value. Although the validity of their assertions turns on empirically testable hypotheses, very little effort has been made to study them. This Article attempts to fill that gap by studying the market for audiobook recordings of bestselling novels, a multi-million dollar industry. Data from this study, which includes a novel human-subjects experiment, suggest that term-extension proponents’ claims about the public domain are suspect. Audiobooks made from public domain bestsellers (1913–22) are significantly more available than those made from copyrighted bestsellers (1923–32). In addition, the experimental evidence suggests that professionally made recordings of public domain and copyrighted books are of similar quality. Finally, while a low quality recording seems to lower a listener’s valuation of the underlying work, the data do not suggest any correlation between that valuation and the legal status of the underlying work. -
Frieda Lawrence
Frieda Lawrence: An Inventory of Her Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator Lawrence, Frieda, 1879-1956 Title Frieda Lawrence Collection Dates: 1870-1969 Extent 9 boxes (3.75 linear feet), 1 galley folder, 4 oversize folders Abstract: This collection includes diaries, essays, and drafts of Not I, But the Wind, and Frieda Lawrence, the Memoirs and Correspondence, as well as correspondence. Much of the correspondence is of a personal nature, but some has to do with copyrights and royalties from husband D.H. Lawrence's works. RLIN Record # TXRC98-A6 Languages English, and German. Access Open for research Administrative Information Acquisition Purchases and gifts, 1957-1990 (R2792, R4244, R4806, R4933, R6625, R7016, R6625, R6627, G8503, G5045) Processed by Chelsea Jones, 1998 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Lawrence, Frieda, 1879-1956 Biographical Sketch Born Emma Maria Frieda Johanna Baroness (Freiin) von Richthofen, Frieda Lawrence (1879-1956) was the second of three daughters born to Prussian Baron Friedrich von Richthofen and Anna Marquier von Richthofen. The family lived in a rural suburb of Metz, an area recently conquered in the Franco-Prussian War and subjected to a regime of forced Germanization. Frieda attended a local Roman Catholic convent school but found few friends among the French population. Her social world was composed of her sisters, with whom she alternately competed for parental attention and allied herself with in order to manipulate their parents, the family servants in whose care the girls were generally left, and Prussian soldiers whom she met while playing in the trenches left over from the war. -
Literary Criticism and Cultural Theory
Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T. -
The Professor's House: an Abode of Love and Death
Colby Quarterly Volume 8 Issue 2 June Article 5 June 1968 The Professor's House: An Abode of Love and Death Sister Peter Damian Charles, O.P. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 8, no.2, June 1968, p.70-82 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Charles, O.P.: The Professor's House: An Abode of Love and Death 70 Colby Library Quarterly thoughts and actions, while Emil Bergson and Marie Shabata spoil their warmth and impetuosity by illicit indulgence. As a study of My Antonia and succeeding novels in the light of Willa Cather's "land-philosophy" reveals, 0 Pioneers! repre sents an important but obviously partial enlbodiment of her full artistic vision. Granted, in 0 Pioneers! the land actually figures as a character, contributing to the action of the novel. But while depending as much as ever on the land as a vehicle for convey ing her vision in succeeding novels, Miss Cather progressively achieves a certain physical detachment from that land, along with a corresponding enlargement of her discernment. She ex plores and illumines the areas of the family, mechanization, art, learning and religion in the light of her inclusive "land philosophy," at the same time that she stands, feet firmly planted, in the world of the five senses. In fine, she immerses her readers in visible, tangible reality, awakens them to the transcendent, reveals their inextricable inter-connection, and, in The Professor's House and Death Comes for the Archbishop, advances through the subtleties and complexities of life's materials to a hard-won, convincing artistic vision.