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Wallace Stegner and the De-Mythologizing of the American West" (2004)
Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner. -
A Brief History of Beacon Press
Dear Reader, In 2004, Beacon Press will complete 150 years of continuous book pub- lishing. This rare achievement in American publishing is a milestone a mere handful of active houses can claim. To mark this important anniversary, Beacon retained author Susan Wilson to research the history of the press in archives and through extensive interviews. What you see printed here is only a précis of her work, though we hope it will give you a sense of the importance of the press over the past three centuries. Ms. Wilson’s interviews with key fig- ures in the press over the past sixty years are preserved on high-quality digital minidisks; many have been transcribed as well. Her notes from the extensive Beacon archives held at Harvard Andover Library, which includes a fuller annotated bibliography of books published by the press, are also preserved for scholars and interested readers. Both will be available through the Beacon website (www.beacon.org) in the com- ing months. Over the years, many notable Americans, from George Emerson to Albert Einstein to Juliet Schor, have recognized the importance and vitality of this press. I hope and believe that the next 150 years will be even more rewarding ones for the press. Helene Atwan Director 1902 1904 1929 1933 1947 1950 1959 1966 1967 1970 1986 1992 A BRIEF HISTORY OF BEACON PRESS Beacon Press gratefully acknowledges the generous support of the Unitarian Universalist Funding Program, which has made this project possible. part 1 the early years: 1854–1900 The history of Beacon Press actually begins in 1825, the year the American Unitarian Association (AUA) was formed. -
Item More Personal, More Unique, And, Therefore More Representative of the Experience of the Book Itself
Q&B Quill & Brush (301) 874-3200 Fax: (301)874-0824 E-mail: [email protected] Home Page: http://www.qbbooks.com A dear friend of ours, who is herself an author, once asked, “But why do these people want me to sign their books?” I didn’t have a ready answer, but have reflected on the question ever since. Why Signed Books? Reading is pure pleasure, and we tend to develop affection for the people who bring us such pleasure. Even when we discuss books for a living, or in a book club, or with our spouses or co- workers, reading is still a very personal, solo pursuit. For most collectors, a signature in a book is one way to make a mass-produced item more personal, more unique, and, therefore more representative of the experience of the book itself. Few of us have the opportunity to meet the authors we love face-to-face, but a book signed by an author is often the next best thing—it brings us that much closer to the author, proof positive that they have held it in their own hands. Of course, for others, there is a cost analysis, a running thought-process that goes something like this: “If I’m going to invest in a book, I might as well buy a first edition, and if I’m going to invest in a first edition, I might as well buy a signed copy.” In other words we want the best possible copy—if nothing else, it is at least one way to hedge the bet that the book will go up in value, or, nowadays, retain its value. -
Solitude in the Fiction of Hawthrone, Melville, and Kate Chopin Virginia Massie Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Solitary blessings: solitude in the fiction of Hawthrone, Melville, and Kate Chopin Virginia Massie Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Massie, Virginia, "Solitary blessings: solitude in the fiction of Hawthrone, Melville, and Kate Chopin" (2005). LSU Doctoral Dissertations. 3057. https://digitalcommons.lsu.edu/gradschool_dissertations/3057 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SOLITARY BLESSINGS: SOLITUDE IN THE FICTION OF HAWTHORNE, MELVILLE, AND KATE CHOPIN A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Virginia Zirkel Massie B.A., University of Florida, 1961 M.Ed., University of South Alabama, 1982 December 2005 To My Mother ii Acknowledgments In thankful appreciation to the following persons with whose help, support, and loving compassion this degree is made possible: my husband, Walt Massie; my sons, Mike, James, and Brian Dorgan; my sister, Jo Ann Spagnuolo; Professors Bainard Cowan, Malcolm Richardson, James Borck, Sarah Liggett, and Daniel Mark Fogel; Christine Cowan and Martha Strohschein; Stephen Lindsey, M.D., Arnold Feldman, M.D., Charles “Chuck” Williamson, M.D., and Ed Adams, O.D. -
American Women Writing Fiction: Memory, Identity, Family, Space
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1988 American Women Writing Fiction: Memory, Identity, Family, Space Mickey Pearlman Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey, "American Women Writing Fiction: Memory, Identity, Family, Space" (1988). Literature in English, North America. 47. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/47 American Women Writing Fiction American Women Writing Fiction Memory, Identity, Family, Space Mickey Pearlman, Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1989 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506-0336 Library of Congress Cataloging-in-Publication Data American women writing fiction : memory, identity, family, space / Mickey Pearl man, editor. p. cm. ISBN 0-8131 -1657-0; 0-8131 -0182-4 I. American fiction—Women authors—History and criticism. 2. American fiction—20th century—History and criticism. 3. American fiction—Women authors—Bibliography. 4. American fiction—20th century—Bibliography. 5. Women and literature —United States—History—20th century. -
Maine Perspective, V 12, I 16
The University of Maine DigitalCommons@UMaine General University of Maine Publications University of Maine Publications 5-7-2001 Maine Perspective, v 12, i 16 Department of Public Affairs, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/univ_publications Repository Citation Department of Public Affairs, University of Maine, "Maine Perspective, v 12, i 16" (2001). General University of Maine Publications. 1562. https://digitalcommons.library.umaine.edu/univ_publications/1562 This Newsletter is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in General University of Maine Publications by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. SPECIAL QOUfaG UUftt WR'SKin Former U.S. Senator and astronaut John Glenn spoke to an audience of 1,500 May 1 in Hutchins Concert Hall when he delivered UMaine’s third William S. Cohen Lecture. The lecture series is a function of the William S. Cohen Center for International Policy and Commerce in the College of Business, Public Policy and Health. Former Secretary of Defense Cohen also spoke at the event. Before the lecture, Glenn visited Boardman Hall, where he was briefed on three NASA-related research projects in the College of Engineering. Photo by Monty Rand Wyeth, Grumbach to Receive Honorary Degrees Nearly 1,200 people will receive degrees at the mous portrait of President John F. Kennedy. He is also University of Maine’s 198th Commencement, sched known for his commitment to causes like the preserva uled for Saturday, May 19, at 10:30 a.m. -
Hancock County Cultural Directory
A HANCOCK COUNTY CULTURAL DIRECTORY A Guide to the Artists, Arts Organizations, and Services for Artists in Hancock County, Maine HANCOCK COUNTY CULTURAL DIRECTORY A GUIDE TO THE ARTISTS, ARTS ORGANIZATIONS, AND SERVICES FOR ARTISTS IN HANCOCK COUNTY, MAINE Edited for the The Maine Arts Commission by Leslie S. Moore Kathleen Mundell Marion K. Stocking Copyright 1997 by the Maine Arts Commission Funded in part by a grant from the National Endowment for the Arts. Published by the Maine Arts Commission 55 Capitol Street 25 State House Station Augusta, Maine 04333-0025 207-287-2724 207-287-2335 Fax 207-287-6740 TTD Send all corrections and additions in writing to: The Community Arts Program The Maine Arts Commission 55 Capitol Street A Kind ofView Augusta, Maine 04333-0025 I look one way from the porch, as far As the summer light and the crowding trees- THE POEMS in this directory represent both the native writer - As much as a couple of hundred yards- Gotts Islander, novelist and poet Ruth Moore - and the summer resident whose poetry reflects his deep attachment to Hancock Allow the eye; though for all it sees County - Samuel French Morse. For more poems by Ruth Moore, see her Cold as a Dog and the Wind Northeast (Cam den, Maine: Gorden Bok, 1958/1973) and The Tired Apple Tree One way, straight forward, it misses much. (Nobleboro, Maine: Blackberry Books, 1990). “The Offshore Islands” is from The Tired Apple Tree. For more by Samuel But the eye can wander, unconfined, French Morse, see Collected Poems (Orono, Maine: National Poetry Foundation, 1995), where “A Kind of View” and “The And frame a view to satisfy Whiitethroat in July” appear. -
Introduction: Remake It New
N o t e s Introduction: Remake It New 1 . R o b e r t R u a r k , Poor No More (New York: Henry Holt, 1959), pp. 194, 158. 2 . Ibid., pp. 232, 219–20. Also see chapter 3 . 3 . See, for example, the essays in Michael McKeon (ed.), Theory of the Novel: A Historical Approach (Baltimore, MD: Johns Hopkins University Press, 2000), none of which treats middlebrow fiction as a stage in the novel’s formal development. 4. Fredric Jameson, “Reification and Utopia in Mass Culture,” Social Text 1 (Winter 1979): 141. 5 . This is not to say that eighteenth- and nineteenth-century novels are not themselves ambivalent. For more on this, see the “Ending” chapter in this book. 6. On this definition of the fetish, see especially Octave Mannoni, “I Know Well, but All the Same . ,” trans. G. M. Goshgarian, in Molly Anne Rothenberg, Dennis A. Foster, and Slavoj Ž i ž ek (eds.), Perversion and the Social Relation (Durham, NC: Duke University Press, 2003), pp. 68–92. 7 . On the history of “highbrow” and “lowbrow,” see Lawrence W. Levine, Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA: Harvard University Press, 1988). The OED gives the first recorded usage of “middlebrow” as occurring in the Freeman’s Journal in 1924; see “Middlebrow, n. and adj. ,” Oxford English Dictionary , accessed June 7, 2011, http://www.oed.com/view/Entry/252048 . 8 . Q. D. Leavis, Fiction and the Reading Public (London: Chatto, 1932), p. 24. 9 . S e e S t e f a n C o l l i n i , Absent Minds: Intellectuals in Britain (Oxford: Oxford University Press, 2006), p. -
VALERIE MINER Email: [email protected]; Home Phone
VALERIE MINER Email: [email protected]; Home Phone: 415-374-7071; Cell Phone: 612-825-7440 www.valerieminer.com Postal Address: Stanford University, Clayman Institute, Attneave House, 589 Capistrano Way, Stanford, CA 94305-8640 Books The Roads Between Them, Novel-in Progress, fourth draft. Bread and Salt: Short Stories, Whitepoint Press, 2020 Traveling with Spirits (novel). Livingston: Livingston Press, Aug/Sept., 2013. 304 pages. After Eden (novel). Norman: University of Oklahoma Press, Spring, 2007. 248 pages. Abundant Light (short stories). East Lansing: Michigan State University Press, 2004. 191 pages. The Night Singers (short stories). Nottingham: Five Leaves Press, 2004. 200 pages; Re-issued New York: Open Road Media (paperback, electronic and audio rights), 2014. The Low Road (cross-genre narrative). East Lansing: Michigan State University Press, 2001. 259 pages. Paperback published 2002. Range of Light (novel). Cambridge: Zoland Press, 1998. 227 pages. Re-issued New York: Open Road Media (paperback, electronic and audio rights), 2014. A Walking Fire (novel). Albany: State University of New York Press, 1994. 254 pages. Rumors from the Cauldron: Selected Essays, Reviews, and Reportage. Ann Arbor: University of Michigan Press, 1992. 281 pages. Re-issued New York: Open Road Media (paperback, electronic and audio rights), 2014. Trespassing and Other Stories. London: Methuen; Freedom, CA: Crossing Press, 1989. East Lansing: Michigan State University Press, 2003. 239 pages. All Good Women (novel). London: Methuen; Freedom, CA: Crossing Press, 1987. 464 pages. Re-issued New York: Open Road Media (paperback, electronic and audio rights), 2014. Winter's Edge (novel). London: Methuen, 1984; New York: Feminist Press, 1985. 184 pages. -
Yet More Cather-Knopf Correspondence Melissa J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of Winter 2017 Yet More Cather-Knopf Correspondence Melissa J. Homestead University of Nebraska - Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, and the Reading and Language Commons Homestead, Melissa J., "Yet More Cather-Knopf Correspondence" (2017). Faculty Publications -- Department of English. 189. http://digitalcommons.unl.edu/englishfacpubs/189 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Yet More Cather-Knopf Correspondence Melissa J. Homestead | University of Nebraska−Lincoln Some years ago many of us were excited by the discovery of a in the dissemination of Cather’s works. These materials also cache of Willa Cather’s correspondence with publisher Alfred A. remind us that we should be attuned to the notable gaps in Knopf that had been in the hands of Peter Prescott, one of the materials located thus far and be on the lookout for additional succession of would-be biographers of Knopf. He died before he correspondence between Cather and both of the Knopfs. Later completed it. These letters are now held in the Barbara Dobkin in this essay, in the context of some remarks about gaps in the Collection in New York City. -
Style in My Mortal Enemy by Janah R
Secreted Behind Closed Doors: Rethinking Cather‘s Adultery Theme and ―Unfurnished‖ Style in My Mortal Enemy by Janah R. Adams June, 2011 Director of Thesis or Dissertation: Dr. Richard Taylor Major Department: English In recent years, My Mortal Enemy (1926) has been virtually ignored in Cather scholarship. I place the novel in its literary and critical context by building on information from the critical reception and recent scholarship on Cather's work to see how My Mortal Enemy fits into the expectations of Cather's writing at the time. A rejection of Cather's changing style at the time of the novels‘ reception and in more modern criticism has led to a rather narrow assessment of the novels‘ more ambiguous scenes and an overwhelming hostility toward its protagonist, obscuring the existence of other, more positive interpretations. I provide a close study of the novels‘ ambiguous scenes in relation to Cather‘s own discussion of her ―unfurnished‖ style, and explore how critics may have misread these scenes and how we might utilize a new approach, one that takes into consideration Cather's interest and relation to the visual art scene of the time, to rethink assumptions about the novel and about its protagonist. I use Cather's 1923 novel A Lost Lady and the criticism that surrounded it to rethink My Mortal Enemy and provide a new way of reading the novel, solidifying My Mortal Enemy’s place in the Cather canon and strengthening its value to the study of her life and works. By suggesting a fresh approach to the novel, I encourage readers of Cather‘s work to return to My Mortal Enemy to see what they too may have overlooked or misread in their first reading, in context of the novel itself, other novels by Cather, and the spirit of the time in which Cather lived and worked. -
C Ollections Ca Quarterlyof Women's Studies Resources
The Un~versltyof Wisconsin System E- -i_ -_C1 FEMINISTC OLLECTIONS CA QUARTERLYOF WOMEN'S STUDIES RESOURCES TABLE OF CONTENTS FROMTHEEDITORS ...............................................1 BOOKREVIEWS ....................................................2 ARENAS OF VISIBILITY: REPRESENTATION/ OLDER WOMEN/ SELF-REPRESENTATION, by Kathleen Woodward. In Full Flower: Aging Women, Power, and Sexuality, by Lois W. Banner; Remembered Lives: The Work of Ritual, Storytelling, and Growing Older, by Barbara Myerhoff; Coming Into the End Zone: A Memoir, by Doris Grumbach; Endgame: A Journal of the Seventy-Ninth Year, by May Sarton. THE MANY FACES OF MENOPAUSE, by Janeen O'Leary Cobb. The Change by Germaine Greer; Transformation Through Menopause, by Marian Van Eyk McCain; Natural Menopause, by Susan Perry and Katherine O'Hanlan, M.D.; The Silent Passage, by Gail Sheehy; The Menopause and Hormonal Replacement Therapy, ed. by Regine Sitruk-Ware, M.D. and Wulf H. Utian, M.D.; Women ofthe Fourteenth Moon, ed. by Dena Taylor and Amber Coverdale Sumrall; and The Menopause, Hormone Therapy, and Women's Health, by the U.S. Congress Office of Technology Assessment. FEMINIST VISIONS .................................................9 IMAGES OF AGING --AGING OF IMAGES, by Susan Davies. FOR MIDLIFE AND LONG-LIVING WOMEN: A REVIEW OF FEMINIST PERIODICALS.. ...........................12 by Geri L. Dickson. ARCHIVES ........................................................17 The Milwaukee Urban Archives collections on women and the Fran Leeper Buss collection of