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PUBLICATION OF THE AMERICAN DIALECT SOCIETY Annual Supplement to American Speech • Duke University Press is pleased to offer the following back issues of PADS, dating from 1944 to 2002, for only $20 each (plus shipping)(subject to availability). PADS 1 (1944) A Maine Word-List from David Barker’s “My First Courtship,” Instructions to Collectors of Dialect, George P. Wilson B. J. Whiting 14 pages, ISBN 0-8173-0601-3 The Value of Dialect, George P. Wilson Hemp Words, L. R. Dingus PADS 2 (1944) 68 pages, ISBN 0-8173-0611-0 Word-Lists from the South, Leah A. Dennis et al. 72 pages, ISBN 0-8173-0602-1 PADS 12 (1949) Pronunciation of the French Spoken at Brunswick, Maine, PADS 3 (1945) William N. Locke Notes on the Sounds and Vocabulary of Gullah, Lorenzo D. Turner 201 pages, ISBN 0-8173-0612-9 28 pages, ISBN 0-8173-0603-X PADS 13 (1950) PADS 4 (1945) A Word-List from “Bill Arp” and “Rufus Sanders,” Margaret Gillis Figh Proverbs and How to Collect Them, Margaret M. Bryant Comments on Word-Lists in PADS, James Nathan Tidwell 25 pages, ISBN 0-8173-0604-8 A Word-List from Southern Kentucky, A. P. Dalton 27 pages, ISBN 0-8173-0613-7 PADS 5 (1946) A Glossary of Virginia Words, Phyllis J. Nixon, PADS 14 (1950) preface by Hans Kurath A Word-List from South Carolina, F. W. Bradley 46 pages, ISBN 0-8173-0605-6 Expressions from Rural Florida, Lucille Ayers Minorcan Dialect Words in St. Augustine, Florida, Lillian Friedman PADS 6 (1946) 81 pages, ISBN 0-8173-0614-5 A Word-List from Virginia and North Carolina, C. -
Corruption of the Characters in Willa Cather's a Lost Lady
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.51, 2018 Corruption of the Characters in Willa Cather’s A Lost Lady Dewi Nurnani Puppetry Department, Faculty of Performing Arts, Indonesia Institute of Arts, Surakarta, Central Java, Indonesia, 57126 email: [email protected] Abstract This writing studies about corruption of the characters in the novel entitled A Lost Lady by Willa Cather. The mimetic approach is used to analyze this novel. So in creating art, an author is much influenced by the social condition of society in which he lives or creates, directly or indirectly. It can be learned that progression does not always make people happy but often it brings difficulties and even disaster in their lives. It is also found that the corruption in the new society happens because the characters are unable to endure their passionate nature as well as to adapt with the changing.To anticipate the changing, one must have a strong mentality among other things, by religion or a good education in order that he does not fall into such corruption as the characters in A Lost Lady . Keywords : corruption, ambition, passionate, new values, old values 1. Background of The Study Willa Sibert Cather, an American novelist, short story writer, essayist, journalist, and poet, was born on December 7, 1983 near Winchester, Virginia, in the fourth generation of an Anglo-Irish family. Her father, Charles F. Cather, and her mother, Mary Virginia Cather, and also their family moved to the town of red Cloud, Nebraska, when she was nine years old. -
Biophilia, Gaia, Cosmos, and the Affectively Ecological
vital reenchantments Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) vital reenchantments: biophilia, gaia, cosmos, and the affectively ecological. Copyright © 2019 by Lauren Greyson. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/li- censes/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-07-6 (print) ISBN-13: 978-1-950192-08-3 (ePDF) lccn: 2018968577 Library of Congress Cataloging Data is available from the Library of Congress Editorial team: Casey Coffee and Eileen A. -
Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
Willa Cather's Spirit Lives
Willa Cather’s Spirit Lives On! October 19-20, 2018 A National Celebration of Willa Cather in Jaffrey, NH & the 100th Anniversary of My Ántonia Willa Cather, writing at the Shattuck Inn at the foot of Mt. Monadnock (left: photo taken by Edith Lewis), and standing by the tent where she wrote My Mt. Monadnock’s 3,165’ peak (above the Horsesheds in this photo of the 1775 Jaffrey Meeting- Antonia (right) house) has attracted writers and artists to Jaffrey for nearly two centuries. Come celebrate Cather in words, music, theater and food in the places and autumn mountain air she loved! First Church Melville Academy Museum Edith Lewis Jaffrey Civic Center Willa Cather’s gravestone Tickets are $75 * RESERVE EARLY * Only 140 tickets! Details at jaffreychamber.com Agenda: Friday evening, Oct. 19: Welcome Reception. The Cather My Ántonia Celebration will start in the red brick Jaffrey Civic Center. Saturday, Oct. 20: Saturday events will begin at the Meetinghouse followed by guided visits to three Ashley Olson Cather sites where young Project Shakespeare actors will enact passages from My Ántonia. • Tour sites will include the grave where Willa was buried in 1947 and where Edith Lewis was buried 25 years later; the Melville Academy Museum display on Willa and Edith; and the field where Willa wrote My Ántonia in a tent and also wrote One of Ours. • Following the tours, guests will enjoy a boxed lunch provided by the Shattuck Golf Club Grill. • After lunch, Ashley Olson and Tracy Tucker, directors of the Willa Cather Foundation, will give a presentation on My Ántonia at the 1775 Jaffrey Meetinghouse. -
Lawyers in Willa Cather's Fiction, Nebraska Lawyer
Lawyers in Willa Cather’s Fiction: The Good, The Bad and The Really Ugly by Laurie Smith Camp Cather Homestead near Red Cloud NE uch of the world knows Nebraska through the literature of If Nebraska’s preeminent lawyer and legal scholar fared so poorly in Willa Cather.1 Because her characters were often based on Cather’s estimation, what did she think of other members of the bar? Mthe Nebraskans she encountered in her early years,2 her books and stories invite us to see ourselves as others see us— The Good: whether we like it or not. In “A Lost Lady,”4 Judge Pommeroy was a modest and conscientious Roscoe Pound didn’t like it one bit when Cather excoriated him as a lawyer in the mythical town of Sweetwater, Nebraska. Pommeroy pompous bully in an 1894 ”character study” published by the advised his client, Captain Daniel Forrester,5 during Forrester’s University of Nebraska. She said: “He loves to take rather weak- prosperous years, and helped him to meet all his legal and moral minded persons and browbeat them, argue them down, Latin them obligations when the depression of the 1890's closed banks and col- into a corner, and botany them into a shapeless mass.”3 lapsed investments. Pommeroy appealed to the integrity of his clients, guided them by example, and encouraged them to respect Laurie Smith Camp has served as the rights of others. He agonized about the decline of ethical stan- Nebraska’s deputy attorney general dards in the Nebraska legal profession, and advised his own nephew for criminal matters since 1995. -
SSAWW-2021-Conference-Program-11-July-2021.Docx
2021 SSAWW Conference Schedule (Draft 11 July 2021) WEDNESDAY, NOVEMBER 3 Conference Registration: 4:00-8:00 p.m., Regency THURSDAY, NOVEMBER 4 Registration: 6:30 a.m.-4:00 p.m., Regency Book exhibition: 8:15 a.m.-5:00 p.m., Brightons Mentoring Breakfast: 7:00 a.m.-8:15 a.m., Hamptons Thursday, 8:30-9:45 a.m. Session 1A, North Whitehall “Gothic Ecologies: Alcott, Her Contexts, and Contemporaries” Sponsored by the Louisa May Alcott Society Chair: Sandra Harbert Petrulionis, Pennsylvania State University, Altoona ● "Never Mind the Boys": Gothic Persuasions of Jane Goodwin Austin and Louisa May Alcott Kari Miller, Perimeter College at Georgia State University ● Wealth, Handicaps, and Jewels: Alcott's Gothic Tales of Dis-Possession Monika Elbert, Montclair State University ● Alcott in the Cadre of Scribbling Women: 'Realizing' the Female Gothic for Nineteenth Century American Periodicals Wendy Fall, Marquette University Session 1B, Guilford “Pedagogy and the Archives (Part I)” Chair: TBD ● Commonplace Book Practices and the Digital Archive Kirsten Paine, University of Pittsburgh ● Making Literary Artifacts and Exhibits as Acts of Scholarship Mollie Barnes, University of South Carolina Beaufort ● "My dearest sweet Anna": Transcribing Laura Curtis Bullard's Love Letters to Anna Dickinson and Zooming to the Library of Congress Denise Kohn, Baldwin Wallace University ● Nineteenth Century Science of Surgery as Cure for the Greatest Curse Sigrid Schönfelder, Universität Passau 1 - DRAFT: 11 July 2021 Session 1C, Westminster (Need AV) “Recovering Abolitionist Lives and Histories” Chair: Laura L. Mielke, University of Kansas ● Audubon's Black Sisters Brigitte Fielder, University of Wisconsin-Madison ● Recovery Work and the Case of Fanny Kemble's Journal of a Residence on a Georgia Plantation, 1838-39 Laura L. -
Willa Cather and the Swedes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 1984 Willa Cather And The Swedes Mona Pers University College at Vasteras Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Pers, Mona, "Willa Cather And The Swedes" (1984). Great Plains Quarterly. 1756. https://digitalcommons.unl.edu/greatplainsquarterly/1756 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WILLA CATHER AND THE SWEDES MONAPERS Willa Cather's immigrant characters, almost a able exaggeration when in 1921 she maintained literary anomaly at the time she created them, that "now all Miss Cather's books have been earned her widespread critical and popular ac translated into the Scandinavian," the Swedish claim, not least in the Scandinavian countries, a translations of 0 Pioneers! and The Song of market she was already eager to explore at the the Lark whetted the Scandinavian appetite beginning of her literary career. Sweden, the for more Cather. As the 1920s drew to a close, first Scandinavian country to "discover" her her reputation grew slowly but steadily. Her books, issued more translations of Cather fic friend George Seibel was probably guilty of tion than any other European country. In considerably less exaggeration than was Eva fact, Sweden was ten years ahead of any other Mahoney when he recalled "mentioning her Scandinavian country in publishing the transla name in the Gyldendal Boghandel in Copen tion of a Cather novel (see table). -
EMPIRICAL TESTS of COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J
0001-0044_BUCCAFUSCO_081313_WEB (DO NOT DELETE) 8/13/2013 4:50 PM DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J. Heald †† ABSTRACT According to the current copyright statute, copyrighted works of music, film, and literature will begin to transition into the public domain in 2018. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Therefore, the next few years will likely witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works. These industries, and a number of prominent scholars, claim that when works enter the public domain, bad things will happen to them. They worry that works in the public domain will be underused, overused, or tarnished in ways that will undermine the works’ economic and cultural value. Although the validity of their assertions turns on empirically testable hypotheses, very little effort has been made to study them. This Article attempts to fill that gap by studying the market for audiobook recordings of bestselling novels, a multi-million dollar industry. Data from this study, which includes a novel human-subjects experiment, suggest that term-extension proponents’ claims about the public domain are suspect. Audiobooks made from public domain bestsellers (1913–22) are significantly more available than those made from copyrighted bestsellers (1923–32). In addition, the experimental evidence suggests that professionally made recordings of public domain and copyrighted books are of similar quality. Finally, while a low quality recording seems to lower a listener’s valuation of the underlying work, the data do not suggest any correlation between that valuation and the legal status of the underlying work. -
Literary Criticism and Cultural Theory
Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T. -
REVIEW Volume 60 Z No
REVIEW Volume 60 z No. 3 Winter 2018 My Ántonia at 100 Willa Cather REVIEW Volume 60 z No. 3 | Winter 2018 28 35 2 15 22 CONTENTS 1 Letters from the Executive Director, the President 20 Reading My Ántonia Gave My Life a New Roadmap and the Editor Nancy Selvaggio Picchi 2 Sharing Ántonia: A Granddaughter’s Purpose 22 My Grandmother—My Ántonia z Kent Pavelka Tracy Sanford Tucker z Daryl W. Palmer 23 Growing Up with My Ántonia z Fritz Mountford 10 Nebraska, France, Bohemia: “What a Little Circle Man’s My Ántonia, My Grandparents, and Me z Ashley Nolan Olson Experience Is” z Stéphanie Durrans 24 24 Reflection onMy Ántonia z Ann M. Ryan 10 Walking into My Ántonia . z Betty Kort 25 Red Cloud, Then and Now z Amy Springer 11 Talking Ántonia z Marilee Lindemann 26 Libby Larsen’s My Ántonia (2000) z Jane Dressler 12 Farms and Wilderness . and Family z Aisling McDermott 27 How I Met Willa Cather and Her My Ántonia z Petr Just 13 Cather in the Classroom z William Anderson 28 An Immigrant on Immigrants z Richard Norton Smith 14 Each Time, Something New to Love z Trish Schreiber 29 My Two Ántonias z Evelyn Funda 14 Our Reflections onMy Ántonia: A Family Perspective John Cather Ickis z Margaret Ickis Fernbacher 30 Pioneer Days in Webster County z Priscilla Hollingshead 15 Looking Back at My Ántonia z Sharon O’Brien 31 Growing Up in the World of Willa Cather z Kay Hunter Stahly 16 My Ántonia and the Power of Place z Jarrod McCartney 32 “Selah” z Kirsten Frazelle 17 My Ántonia, the Scholarly Edition, and Me z Kari A. -
American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Winter 1-1-2012 American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Bloomquist, Katherine Mary, "American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism" (2012). All Theses and Dissertations (ETDs). 997. https://openscholarship.wustl.edu/etd/997 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Dissertation Examination Committee: Vivian Pollak, Chair Ruth Bohan Anca Parvulescu Daniel Shea Akiko Tsuchiya Rafia Zafar American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism by Katherine Mary Bloomquist A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2012 Saint Louis, Missouri © Copyright 2012 by Katherine Mary Bloomquist All rights reserved. Table of Contents List of Figures iii Acknowledgements iv Dissertation Abstract v Introduction: 1 Of Maps and Memoirs Chapter 1: 30 Self and Other Portraits: Sarah Orne Jewett’s “A White Heron” as Human Documents Chapter 2: 79 As If They Had a History: Documenting the Things Named in Willa Cather’s Regional Fiction Chapter 3: 137 In Place of Picture-Postcards: “Some Measure of Privacy” in Ann Petry’s Wheeling Chapter 4: 190 “Some Kind of a Writin’ Person”: Regionalism’s Unfinished Women Writers Bibliography 245 ii List of Figures Figure 1: 29 Cover Image of The Local Colorists: American Short Stories 1857-1900, ed.