Corruption of the Characters in Willa Cather's a Lost Lady
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Willa Cather and the Swedes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 1984 Willa Cather And The Swedes Mona Pers University College at Vasteras Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Pers, Mona, "Willa Cather And The Swedes" (1984). Great Plains Quarterly. 1756. https://digitalcommons.unl.edu/greatplainsquarterly/1756 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WILLA CATHER AND THE SWEDES MONAPERS Willa Cather's immigrant characters, almost a able exaggeration when in 1921 she maintained literary anomaly at the time she created them, that "now all Miss Cather's books have been earned her widespread critical and popular ac translated into the Scandinavian," the Swedish claim, not least in the Scandinavian countries, a translations of 0 Pioneers! and The Song of market she was already eager to explore at the the Lark whetted the Scandinavian appetite beginning of her literary career. Sweden, the for more Cather. As the 1920s drew to a close, first Scandinavian country to "discover" her her reputation grew slowly but steadily. Her books, issued more translations of Cather fic friend George Seibel was probably guilty of tion than any other European country. In considerably less exaggeration than was Eva fact, Sweden was ten years ahead of any other Mahoney when he recalled "mentioning her Scandinavian country in publishing the transla name in the Gyldendal Boghandel in Copen tion of a Cather novel (see table). -
EMPIRICAL TESTS of COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J
0001-0044_BUCCAFUSCO_081313_WEB (DO NOT DELETE) 8/13/2013 4:50 PM DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J. Heald †† ABSTRACT According to the current copyright statute, copyrighted works of music, film, and literature will begin to transition into the public domain in 2018. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Therefore, the next few years will likely witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works. These industries, and a number of prominent scholars, claim that when works enter the public domain, bad things will happen to them. They worry that works in the public domain will be underused, overused, or tarnished in ways that will undermine the works’ economic and cultural value. Although the validity of their assertions turns on empirically testable hypotheses, very little effort has been made to study them. This Article attempts to fill that gap by studying the market for audiobook recordings of bestselling novels, a multi-million dollar industry. Data from this study, which includes a novel human-subjects experiment, suggest that term-extension proponents’ claims about the public domain are suspect. Audiobooks made from public domain bestsellers (1913–22) are significantly more available than those made from copyrighted bestsellers (1923–32). In addition, the experimental evidence suggests that professionally made recordings of public domain and copyrighted books are of similar quality. Finally, while a low quality recording seems to lower a listener’s valuation of the underlying work, the data do not suggest any correlation between that valuation and the legal status of the underlying work. -
Literary Criticism and Cultural Theory
Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T. -
The Professor's House: an Abode of Love and Death
Colby Quarterly Volume 8 Issue 2 June Article 5 June 1968 The Professor's House: An Abode of Love and Death Sister Peter Damian Charles, O.P. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 8, no.2, June 1968, p.70-82 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Charles, O.P.: The Professor's House: An Abode of Love and Death 70 Colby Library Quarterly thoughts and actions, while Emil Bergson and Marie Shabata spoil their warmth and impetuosity by illicit indulgence. As a study of My Antonia and succeeding novels in the light of Willa Cather's "land-philosophy" reveals, 0 Pioneers! repre sents an important but obviously partial enlbodiment of her full artistic vision. Granted, in 0 Pioneers! the land actually figures as a character, contributing to the action of the novel. But while depending as much as ever on the land as a vehicle for convey ing her vision in succeeding novels, Miss Cather progressively achieves a certain physical detachment from that land, along with a corresponding enlargement of her discernment. She ex plores and illumines the areas of the family, mechanization, art, learning and religion in the light of her inclusive "land philosophy," at the same time that she stands, feet firmly planted, in the world of the five senses. In fine, she immerses her readers in visible, tangible reality, awakens them to the transcendent, reveals their inextricable inter-connection, and, in The Professor's House and Death Comes for the Archbishop, advances through the subtleties and complexities of life's materials to a hard-won, convincing artistic vision. -
ANALYSIS by CHAPTER the Professor's House (1925) Willa
ANALYSIS BY CHAPTER The Professor’s House (1925) Willa Cather (1873-1947) INTRODUCTION St. Peter is the gatekeeper of Heaven. Remarkably, critics overlook this. The name God-frey St. Peter initiates a religious allegory in the tradition of Hawthorne and T. S. Eliot, using the “mythic method” advocated by Eliot and the irony also characteristic of Modernists: In her case there are two prominent myths: (1) the American myth of the Garden of the West and (2) the Christian myth of salvation. Both these myths are treated ironically in what Cather called her only “ironic” novel: (1) The American West, celebrated in O Pioneers! (1913) and My Antonia (1918), turned out far from fulfilling its utopian promise to become a New Eden or heaven on earth. In fact it degenerated, as Cather had dramatized in A Lost Lady (1923); (2) St. Peter spiritually progresses backwards in time and is redeemed by an integration of the values symbolized by the culture and the tower of the ancient Cliff City in the Blue Mesa. Tom Outland becomes his transcendent Christ-evoking figure and Augusta his salvation in this world. Cather was taken from a pastoral farm to harsh frontier Nebraska at age 9. St. Peter was “dragged” from a pastoral farm to the wheatlands of Kansas at age 8. Eventually both she and he were transformed by visiting the cliff dwellings at Mesa Verde in the Southwest. Both are idealists in a decadent society. Both feel that “A work-room should be like an old shoe; no matter how shabby, it’s better than a new one.” Cather’s dislike of this novel—ironically her greatest—may be due to her uncharacteristic exposure of herself in personifying some of her own masculine traits in the Professor and some of her own female traits in the seamstress Augusta. -
Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No
Copyright © 1992 by the Wills Cather Pioneer ISSN 0197-663X Memorial and.Educational Foundation Winter, 1991-92 Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No. 4 Bibliographical Issue RED CLOUD, NEBRASKA Jim Farmer’s photo of the Hanover Bank and Trust in Johnstown, Nebraska, communicates the ambience of the historic town serving as winter locale for the Hallmark Hall of Fame/Lorimar version of O Pioneers.l, starring Jessica Lange. The CBS telecast is scheduled for Sunday 2 February at 8:00 p.m. |CST). A special screening of this Craig Anderson production previewed in Red Cloud on 18 January with Mr. Anderson as special guest. Board News Works on Cather 1990-1991" A Bibliographical Essay THE WCPM BOARD OF GOVERNORS VOTED UNANIMOUSLY AT THE ANNUAL SEPTEMBER Virgil Albertini MEETING TO ACCEPT THE RED CLOUD OPERA Northwest Missouri State University HOUSE AS A GIFT FROM OWNER FRANK MOR- The outpouring of criticism and scholarship on HART OF HASTINGS, NEBRASKA. The Board ac- Willa Cather definitely continues and shows signs of cepted this gift with the intention of restoring the increasing each year. In 1989-1990, fifty-four second floor auditorium to its former condition and articles, including the first six discussed below, and the significance it enjoyed in the late 1800s and early 1900s. Among the actresses who appeared on five books were devoted to Cather. In 1990-91, the its stage was Miss Willa Cather, who starred here as number increased to sixty-five articles, including the Merchant Father in a production of Beauty and those in four collections, and eight books. -
Newsletter & Review
NEWSLETTER & REVIEW Volume 56, No. 2 Spring 2013 For really bad weather I wear knickerbockers Then really I like the work, grind though it is In addition to painting the bathroom and doing the house work and trying to write a novel, I have been becoming rather “famous” lately Mr. McClure tells me that he does not think I will ever be able to do much at writing stories As for me, I have cared too much, about people and places I have some white canvas shoes with red rubber soles that I got in Boston, and they are fine for rock climbing When I am old and can’t run about the desert anymore, it will always be here in this book for me Is it possible that it took one man thirty working days to make my corrections? I think daughters understand and love their mothers so much more as they grow older themselves The novel will have to be called “Claude” I tried to get over all that by a long apprenticeship to Henry James and Mrs. Wharton She is the embodiment of all my feelings about those early emigrants in the prairie country Requests like yours take a great deal of my time Everything you packed carried wonderfully— not a wrinkle Deal in this case as Father would have done I used to watch out of the front windows, hoping to see Mrs. Anderson coming down the road And then was the time when things were very hard at home in Red Cloud My nieces have outlived those things, but I will never outlive them Willa Cather NEWSLETTER & REVIEW Volume 56, No. -
Nebraska Naturalism in Jamesian Frames
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 1984 Nebraska Naturalism In Jamesian Frames John J. Murphy Merrimack College Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Murphy, John J., "Nebraska Naturalism In Jamesian Frames" (1984). Great Plains Quarterly. 1755. https://digitalcommons.unl.edu/greatplainsquarterly/1755 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. NEBRASKA NATURALISM IN JAMESIAN FRAMES JOHN J. MURPHY So much has been written about Willa Cather portrayals of the commonplace ("the drama of and the influence of the classics and later Euro a broken tea cup, the tragedy of a walk down pean literature that one sometimes forgets the the block").3 Romance would stress the abnor American literary climate in which she devel mal in characterization and plot, treating Amer oped.1 It was a postromantic age of realism, ican social problems, the dwellings of the poor, epitomized by William Dean Howells's attempt the outcasts, and so on, and would not be to limit fiction to normal characters in com restricted to the norm of experience. McTeague, monplace situations, which would make of it, the 1899 novel in which Norris tried to fulfill as Cather complained, a "sort of young lady's these social responsibilities, was praised by illusion preserver.,,2 But the new breed of Cather as a "great book," a powerful depiction "naturalists," Cather's contemporaries, were in of "brute strength and brute passions," a revolt against Howells and his more accom "searching analysis of the degeneration of .. -
Fragments from Willa Cather's Lost Work Published for the First Time
FOR IMMEDIATE RELEASE: Contact: Leslie C. Levy, Executive Director [email protected] 866-731-7304 Fragments from Willa Cather’s Lost Work Published for the First Time At her death in 1947, famed author Willa Cather was working on a story -- or perhaps a novel -- set in medieval Avignon titled "Hard Punishments." By all surviving accounts, the writing Cather had completed was destroyed upon her death, the only known exception being a short fragment owned by the University of Virginia. Two new fragments of the story have recently surfaced, in the collection given to the University of Nebraska Foundation by Cather's nephew, Charles E. Cather, who died in March 2011. In the Fall 2011 issue of the Willa Cather Newsletter & Review, the Willa Cather Foundation published complete transcriptions of all three fragments for the very first time. They are designed to give readers a clear reading text, with missing characters added in brackets and Cather's own deletions omitted. Readers who may be interested in full diplomatic transcriptions, retaining every feature which can reasonably be reproduced in print, can find them on the Willa Cather Foundation website at www.WillaCather.org. “We are proud and honored to have the permission of the Willa Cather Literary Trust to share these glimpses of Cather's last major creative work,” said Leslie C. Levy, Executive Director of the Foundation. The Fall 2011 issue of the Newsletter & Review, which also features an essay on the "Hard Punishments" fragments as well as manuscript images can be purchased from Cather Books & Gifts by calling 402-746-2653 or online at www.WillaCather.org. -
“Unfurnished” Style in My Mortal Enemy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarShip Secreted Behind Closed Doors: Rethinking Cather‘s Adultery Theme and ―Unfurnished‖ Style in My Mortal Enemy by Janah R. Adams June, 2011 Director of Thesis or Dissertation: Dr. Richard Taylor Major Department: English In recent years, My Mortal Enemy (1926) has been virtually ignored in Cather scholarship. I place the novel in its literary and critical context by building on information from the critical reception and recent scholarship on Cather's work to see how My Mortal Enemy fits into the expectations of Cather's writing at the time. A rejection of Cather's changing style at the time of the novels‘ reception and in more modern criticism has led to a rather narrow assessment of the novels‘ more ambiguous scenes and an overwhelming hostility toward its protagonist, obscuring the existence of other, more positive interpretations. I provide a close study of the novels‘ ambiguous scenes in relation to Cather‘s own discussion of her ―unfurnished‖ style, and explore how critics may have misread these scenes and how we might utilize a new approach, one that takes into consideration Cather's interest and relation to the visual art scene of the time, to rethink assumptions about the novel and about its protagonist. I use Cather's 1923 novel A Lost Lady and the criticism that surrounded it to rethink My Mortal Enemy and provide a new way of reading the novel, solidifying My Mortal Enemy’s place in the Cather canon and strengthening its value to the study of her life and works. -
Willa Cather's My Mortal Enemy: the Concise Presentation of Scene, Character, and Theme
Colby Quarterly Volume 10 Issue 3 September Article 4 September 1973 Willa Cather's My Mortal Enemy: The Concise Presentation of Scene, Character, and Theme Theodore S. Adams Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 10, no.3, September 1973, p.138-148 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Adams: Willa Cather's My Mortal Enemy: The Concise Presentation of Scene 138 Colby Library Quarterly thing else" (111). It is so different, in fact, that it is irrelevant for Nellie, whose disillusionment leaves her hopeless. Is Nellie's hopeless conclusion also Miss Cather's? The novel offers no grounds for thinking otherwise. The compactness and starkness of My Mortal Enemy suggest that Miss Cather had full confidence in the accuracy of this conclusion and in her talents as a writer. Some may find it ironic that the book in which she gained the surest control of her art expresses her most despairing vision of life, but is it really? She was soon to make a journey to New Mexico and to discoveries that would brighten her spirits and give a new serenity to her later novels. Is it not, rather, entirely consistent with her devotion to her art that, when life seemed to fail her, her art saved her? WILLA CATHER'S MY MORTAL ENEMY: THE C'ONCISE PRESENTATION OF SCENE, CHARACTER, AND THEME By THEODORE S. -
Money in the Fiction of Willa Cather Vincent A
Loma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 7-1974 Money in the Fiction of Willa Cather Vincent A. Clark Follow this and additional works at: https://scholarsrepository.llu.edu/etd Part of the Fiction Commons, and the Literature in English, North America Commons Recommended Citation Clark, Vincent A., "Money in the Fiction of Willa Cather" (1974). Loma Linda University Electronic Theses, Dissertations & Projects. 554. https://scholarsrepository.llu.edu/etd/554 This Thesis is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact [email protected]. I,OMA LINDA UNIVERSITY Graduate School MONEY IN THE FICTION O'F WILL..~ CATHER by Vincent A. Clark ------·--- A Thesis in Partial Fulfillment Master of Arts in the Field of English .July 1974 Each person whose signature appears below certifies that this thesis in his opinion thesis for the degree Master of Arts. ;). ~~Delmar I. Davis, i)~cU'""""""-)~t-J.--"------Professor of _LvlJr IT". U~ -·--· -- Robert Pg Dunn 1 Associate Professor of English CONTENTS ., .L. Introduction 1 2. Money in the Life of Willa Cather 8 3. The Early Books . 16 4. The Pioneer Triumphant • . 25 5. Mammon and the Modern World 40 6. The Days That Are No More . 71 7. Conclusion: Money in the Fiction of Willa Cather .• 80 Notes ...