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© in This Web Service Cambridge University Cambridge University Press 978-1-107-02295-9 - The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, ca. 1200–1400 Jacqueline E. Jung Index More information Index Aachen, Palace Chapel, 91 Amiens, Cathedral of Notre-Dame, 11, 31, 194 Abou-El-Haj, Barbara, 6 choir enclosures, 19–20, 196 Abraham, Old Testament patriarch hall-screen (destroyed), 20, 126 meeting with Melchisedek, 200, 205 reliefs from, 11, 126, 160, 162, 177, 194, 195 Sacrifice of Isaac by, 185, 194, 204 west facade portals, 135 Accessit ad pedes iesu, 68, 89 angels, 58, 59, 62, 64, 75, 76, 80, 89, 96, 98, 119, 120, 127, 131, acoustics in churches, 55–56 134, 135, 148, 181, 182, 183–184, 204 Adam and Eve, 48, 107 Angenendt, Arnold, 63 Adoration of the Magi, 120, 124, 180. See also Three Magi animals in art, 32, 71, 117, 119, 124, 181, 182, 185, 186, 189 Alberti, Leon Battista (d. 1472), 96 as metaphors, 142 Albertus Magnus (d. 1280), 73 Anno, Archbishop of Cologne (d. 1075), 64 Albrecht II of Krummedick, Bishop of Lubeck¨ (d. 1489), 48, 49, Annunciation to the Shepherds, 172, 177, 182–183, 184, 199 194 altarpiece, 1, 15, 24, 30, 64, 74, 78, 92–93, 95–96, 98–99, 101–103, Apocalypse, 70, 96, 139 201 Apocalyptic Beasts.See Evangelists, Symbols of in art, 1, 64, 95, 96, 98, 101 apostles, 12, 20, 113, 114–116, 173–175, 176, 177, 179 altars, 7, 13, 35, 46, 63–64, 66, 67, 68, 69, 70, 71, 72, 73, 78, 82, 89, Arhardt, Johann Jakob (d. 1674), 33, 66, 139 92, 97, 98, 113, 119, 173, 184, 203, 205, 207 Aristotle, 193 of All Souls, 64, 200 arma Christi, 59, 87 in art, 1, 64, 72, 78, 94, 95, 96, 98, 99, 101, 112, 113, 123, Arques-la-Bataille, France, 202 124 Assisi, Church of San Francesco, 24, 68, 71 of Cathedral Fabric, 66 fresco of Miracle at Greccio, 71–72, 76, 183 in front of choir screen, 23, 33, 63, 74, 92, 139, 183, Auerbach, Erich, 6 193 Augenkommunion.See Communion high, 7, 12, 16, 24, 45, 53, 54, 68, 69, 73, 74, 75, 76, 78, 91, 92, Augustine of Hippo, St., Church Father (d. 430), 7, 69, 139, 95, 111, 200, 203, 204, 205 197 view of from ambulatory, 19, 72 Augustinian Order, 51, 69, 203, 207 view of from nave, 12, 15, 16, 23, 24, 30, 70, 71, 72–80, 81, 92, 200, 203, 205 Baby Jesus, 71, 72, 97, 112, 117, 124. See also Christ, Child of Holy Cross, 12, 18, 19, 26, 27, 29, 34, 35, 40, 41, 47, 49, 53, Bad Gandersheim, abbey church, 202 58, 61, 62, 63, 64, 66, 74, 75, 76, 78, 87, 132, 200, 201, 203, Bamberg, Cathedral of Sts. Peter and George, 21–22, 37, 64, 204, 205 195 of Mary Magdalene, 54, 57, 68 baptistery, 196 Morning Altar, 66, 139, 142 Baron de Brueil, 74 on platform of choir screen, 57, 193, 199 Baroque, 204 public altar, 7, 33, 66, 200, 203. See also Altar of Holy Cross Basel (Switzerland) Cathedral, 142 of Virgin Mary, 35, 41, 66, 67, 81, 89, 200 Galluspforte (north transept portal), 144–145 Althoff, Gerd, 179 Battle for the Castle of Love, 127 ambo, 17, 18, 188 Beauvais, France, 110 Ambrose of Milan, St., Church Father (d. 397), 191 Bellinzona (Ticino), Switzerland, 24 ambulatory, 20, 72, 98, 107, 189 Bellmann, Fritz, 145 273 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02295-9 - The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, ca. 1200–1400 Jacqueline E. Jung Index More information INDEX Belting, Hans, 4 Camille, Michael, 6 Benedictines, 48, 95, 207 candles, 58, 61, 69, 71, 73, 80, 96, 101 in art, 94–95, 135 carbuncle, 47, 191, 196 churches of, 201 Carolingian, 47, 91 Berlin, Germany, 102, 207 Carpaccio, Vittore (d. 1526), 61 Staatliche Sammlungen, Gemaldegalerie,¨ 102 Carthusians, 74 Bern, Switzerland centurion, at the crucifixion, 88, 89. See also LonginusRoman All Souls’ Altarpiece (Kunstmuseum), 64, 95, 200, 201 Soldiers Cathedral (Munster),¨ 64, 200 chancel-screen, 19 hall-screen, 200, 201 Charlemagne (d. 814), Holy Roman Emperor, 91 Berthold of Regensburg (d. 1272), 53, 144, 191 Chartres, Cathedral of Notre Dame, 3, 6, 26, 31, 73, 74, 94, 122, Bethlehem, 58, 120 184 Bible. See also Scripture in 17th-century engraving, 74, 94 Acts of the Apostles, 46 cathedral school, 189, 193 Book of Deuteronomy, 168 hall-screen, 31, 60–61, 64, 74, 102 Book of Exodus, 17 keystones, 60–61 Book of Hosea, 87 low reliefs on reverse, 61, 190 Book of Maccabees, 52 narrative reliefs, 31, 116–124, 172, 177, 179–184, 190, 194 Book of Psalms, 25, 51 north transept portals, 119, 122, 189 Book of Revelations (Apocalypse), 70 Notre-Dame-sous-Terre, cult statue, 74, 122 Epistle to the Galatians, 168 Royal Portal (west facade), 112, 119, 122, 188 Gospel of John, 46, 98, 159, 160 south transept portals, 135, 189 Gospel of Mark, 88 stained glass windows, 6, 62, 119, 189 Gospel of Matthew, 12, 60, 88, 142, 144, 156, 173, 181, 183 Notre Dame de la Belle Verriere` , 62, 122 Bible moralisee´ (Moralized Bible), 96, 168 Chichester, 59 bishops, 17, 25, 47, 48, 49, 54, 58–59, 60, 63, 64, 66, 68, 73, 74, 86, choir, 19, 69 109, 110, 131, 135, 147, 149, 164, 169, 171, 193, 196, 199, as architectural space, 48, 55, 63, 69, 71, 72, 74, 78, 80, 81, 92, 94, 201 99, 119, 122, 196, 202, 203, 207 in art, 19, 48, 131, 133, 135 in art, 1, 71, 72, 94, 95, 96, 101 blood libel, 147, 167, 201 as liturgical space, 19, 45, 47, 63, 64, 66, 68, 69, 71, 200, 201, Body of Christ, 3, 5, 50, 53, 69, 73, 81, 82, 88, 89, 97, 101, 102, 203 108, 111, 112, 114, 116, 120, 126, 168, 169, 173, 183, 184. view of from nave, 202 See also EucharistCrucifix choir enclosures (clotureˆ , Chorschranke), 19, 23, 25, 27, 33, 72 Bonaventure, St. (d. 1274), 192 in art, 19, 72, 94 Bonvesin de la Riva (d. c. 1313), 178 choir screen “Books of the unlettered,” metaphor for Christian images, 6, as amplifier, 56, 57, 59, 63, 73 171–172, 179, 184, 190. See also Images in art, 1, 52–53, 64, 71–72, 74, 93–102, 199 Borno (Lombardy), Italy, 24 as backdrop to public spectacles, 66 boundary markers, as definers of sacred space, 5 as barricade, 11, 12, 14, 16 Bourges, Cathedral of St-Etienne,´ 6, 31, 87, 193 as bridge between spaces, 45–70, 112, 191 choir screen reliefs, 87, 88, 124–129, 130, 135, 138, 157, 172, 177, as canopy for altars, 30, 32, 33, 46, 57, 63, 66, 193, 197 194 as channel for the gaze, 69, 71–91, 96, 97, 103, 197 hall-screen, 102, 124 as concealing structure, 25, 69, 72, 73, 203 Brabander, Johann (d. c. 1562), 12 as container of sound, 55, 63 Branham, Joan, 18 destruction of, 12, 93, 117, 124, 133, 139, 201–202, 203 Braunschweig, Cathedral of St. Blaise, 64 displacement of, 12, 202, 203 Breisach, Cathedral of St. Stephen, 14, 15, 74, 200, 203, 205 as divider, 45, 63, 68, 69, 71, 109, 111, 112, 193, 197, 205 altarpiece, 74, 200 doors of, 12, 24, 26, 27, 29, 30, 32, 33, 35, 40, 46, 53, 57, 58, 63, choir screen, 14, 200, 202 64, 66, 70, 72–91, 139, 197, 200, 205 Browe, Peter, 69 as exhibition space, 61, 63, 73, 193 Budapest, 31 frontal bays of, 23, 30, 32, 64, 66, 74, 143 burial, 63–64, 142, 143, 147 as memory site, 192–193, 195 Buxheim (Bavaria), 15 modification of, 12, 15, 49, 202 Byzantium, 5, 25, 69, 126, 193. See also Eastern Orthodox Churches over crypt (Kryptenlettner), 26–27 Beriou,´ Nicole, 196 as partitioning wall (Schrankenlettner), 33, 64 Boringer,¨ Hans, 200 as place of asylum, 66 as place where laity and clergy meet, 207 Caen (Normandy), Church of Abbaye-aux-Dames, 11 placement of within the church, 26, 203 Caiaphas, biblical high priest, 125, 149, 153, 155, 156, 157–158, platform on, 28, 30, 40, 43, 46, 54–63, 66, 74, 75, 185, 188, 165, 179 199 274 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02295-9 - The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, ca. 1200–1400 Jacqueline E. Jung Index More information INDEX as prop in liturgical dramas, 58 Trial of before Pilate, 149, 161, 164–166 reconstruction of, 202, 203 Washing the Disciples’ Feet, 114, 173 reuse of, 201 Christ is up gestanden, 58, 196 reverse facade of, 28, 32, 43, 54, 78, 184–190, 200 Christmas, 71, 183 as shelter for people, 64 Christoformitas (conformity to Christ’s model), 126 as sign of lay identity, 201 Christus resurgens, 67 as site for public reading, 55, 59, 73, 193 Church Fathers, 197 as site of judicial activities, 59, 62 Church Militant and Triumphant, 46, 51, 53, 63, 74, 93, 194 stairs on, 30, 40, 43, 54, 57, 68, 74, 185 Cistercian Order, 22 as support for crucifix, 46, 53, 88, 92, 93, 197 clergy, 7, 58, 69, 73, 109–110, 116, 178, 186, 199 terminology of, 1–2, 45, 46, 193 in art, 1, 71, 94, 98–99, 101, 130–131, 133, 134, 135, 206, 207 as terminus to the nave, 63, 201 as audiences for sermons, 191 as threshold marker, 33, 45, 53, 62, 66, 68, 97, 98, 103, 144, as composers of vernacular texts, 194 199 dependence of on laity, 109–111, 143 wall-screens (Lettnerwande¨ ), 25, 69 exclusionary tactics of (purported), 5–6, 16–17, 33, 69, 108, 109, windows on, 33, 46, 63, 74, 78, 94 131, 196 with frontal arcade (Hallenlettner), 29, 31, 49 interred in churches, 63, 64 with projecting pulpit (Kanzellettner), 27, 28 as judicial arbiters, 60 choir stalls, 27, 41, 55, 78, 83, 184 lay critiques of, 7, 138 chorus, as term for choir, 17 as literate elite, 171, 172, 178, 184, 191, 197 Christ, 12, 68, 72, 98, 116, 130, 172, 192, 204 as liturgical performers, 66, 68, 69, 71, 73 Appearance of to His Mother, 102 as mediators, 63, 75, 78, 113, 183, 184, 196–197 Ascension of, 58, 204 as patrons of art, 47–49, 131, 138, 158, 193–194, 199 Baptism of, 114 as spectators, 78, 128, 159, 184–190 Betrayal and Arrest of, 114, 125, 149, 156, 159–163, 164, 165, Cologne, Germany, 14, 110 166, 177, 194, 195 Cathedral of Sts.
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