Medieval History Lesson Five: Charlemagne and the Cultural Campaign New Laws, Education, Culture and Art

Total Page:16

File Type:pdf, Size:1020Kb

Medieval History Lesson Five: Charlemagne and the Cultural Campaign New Laws, Education, Culture and Art Medieval History Lesson Five: Charlemagne and the Cultural Campaign New Laws, Education, Culture and Art Goals: Video: Illuminated Manuscripts o Why did these incredibly detailed books become THE symbol of the Middle Ages? Activity: o What do my clothes say about me, anyway? o Illuminated Manuscript Letter Lesson: o Putting Charlemagne on the Map o Timeline of Carolingians o Cause & Effect: The Legacy of Charlemagne Review: Placemat Activity BONUS: o Crusades: How they changed everything o The Song of Roland o Nobles, Knights and Chivalry VIDEO LESSON: How books changed everything… More for this Chapter: What do my clothes say about me, anyway? Can you find the symbols in this portrait of Charlemagne. Before the invention of the World Wide Web, paintings were the way that people researched and understood their leaders. What do the symbols Charlemagne had incorporated into his portrait say about the man, the myth, the legend? crown mace gothic cathedral sword colours of symbols on the robe armor details in the landscape Putting Charlemagne on the Map The Franks established the largest of the new Doodle Bar Germanic Kingdoms. Charlemagne became king of the Franks in 768. He expanded the Frankish practice of giving land to his nobles in exchange for their promised of loyalty and service. At the same time, the nobles gave land to those below them in exchange for similar promises. Peasants put themselves in service to their local lords for security. Charlemagne expanded the Frankish Kingdom to include present day France, Germany, Holland, Belgium and northern Italy. He resisted the further expansion of the Muslims who had conquered Spain. In 800, he was crowned Holy roman Emperor by the Pope. Although his empire did not last, Charlemagne established the social, cultural and political foundations for much of Western Europe for the next several centuries. Did you know… The Dark Ages was named for a time in history when it seemed like people were mostly killing one another, fighting over who was more powerful, and causing general chaos. Yet Charlemagne’s reign could be seen as one of the brightest times in Medieval History. The guy was serious abut making his kingdom and his subjects the best, brightest, most looked after people history had ever known. Charlemagne was serious about education; he wanted to obliterate illiteracy. He believed that educated citizens were strong citizens. Accomplishments: abandoned the gold standard in favour of silver currency throughout Europe o trade becomes easier o peasants can participate in commerce CONTINENT PROSPERS! changes laws and legislations to prevent nobles from getting away with corruption o local regional governors subject to inspection LOWER CLASS NO LONGER TAKEN ADVANTAGE OF! encourages schooling throughout the kingdom o opens schools and university o promotes literacy o lingua fraca, Latin, adopted as school language PEOPLE CAN COMMUNICATE INTELLIGENTLY sooooo PEACEFUL TRADE NETWORKS ABOUND! promotes Christianity throughout Europe o Charlemagne crowned Emperor by Pope Leo III o first Emperor to rule the continent since the fall of Rome SEEN AS A POWERFUL RIVAL TO THE BYZANTINE EMPRIRE! History Timeline: The Carolinians 450-850 AD 486 France is united by Clovis 751 Pepin, the first Carolingian king 768 Charlemagne becomes Carolingian king 782 Charlemagne defeats Saxons 800 Pope Leo III crowns Charlemagne Roman Emperor 814 Charlemagne dies 843 Carolinian Empire divided into three parts BONUS ACTIVITIES Crusades: How pilgrimages to the Holy Land changed Europe The Crusades were religious, political and social events. While the Crusades were mostly inspired by medieval Christians wishing to secure a place in heaven for themselves, others hoped to become medieval heroes through their courageous deeds. In the end, Europe lost the long-term goal of conquering Jerusalem, but the discoveries they made changed Europe’s economy and way of life forever. Below are a series of major changes caused by the Crusades. Your job is to convince the people of Europe that even though the Crusaders never really conquered the Middle East or its’ people, they have gained other things. Make a poster advertising one of the changes that resulted from the Crusades: Wanna make some New Friends? Support the Crusades, where nations come together and new friendships are made! Hi. I’m Rick. Are those I LOVE PANTS! your tunic! People Self • Nationalism began, especially in England, France, • Codes for sea behavior were Germany, and Italy instituted • Town merchants benefited from increased trade and • Cosmetics: rouge, henna, glass loaned money mirrors • Military knowledge increased; Supreme commander concept, sapping, mining techniques. Nature Picture • Europe united itself as a geographic entity • Heraldic emblems were copied • Geographic knowledge increased through travel of from the Muslims Crusaders and map acquisition. • Art: mosaics, stained glass • Tree grafting was introduced to agriculture windows, figured brocades, • Herbs and spices: cinnamon, cloves, mace, nutmeg, ecclesiastical art saffron, and pepper • Precious goods: pearls and ivory • Food: sugar cane and syrup, lemons, apricots, plums, dates, rhubarb, almonds, shallots, and watermelons Word Music • University concept was introduced and strengthened • Music: the guitar and the violin based on Baghdad, Cairo, and Cordoba models. introduced • The cotton paper-making process replaced importing • music becomes more complex as parchment; the amount of writing increase. melodies are invented by laying • Literature imported Sinbad the Sailor, Ali Baba and the voices. Forty Thieves, Aladdin • New Words: cotton, sofa, mattress, barracks, magazine, arsenal, admiral, tariff, algebra, alcove, crimson, lilac, azure Logic Body • Alliances were formed of former rival nations • Shipbuilding and navigational • Coined money increased in use skills increased • Town merchants benefited from increased trade and • Concentric castle designs were loaned money introduced to architecture for • Papacy consolidated its systematic dominion better defense • Gold standard was established in Europe. • The handkerchief was introduced • Mathematics: Arabic numbers, decimals and spherical to Europe trigonometry, algebra, sine and tangent • Clothing materials: silk, linen, • Science: physics and astronomy, the pendulum, optics cotton, and velvet and the telescope The Song of Roland For seven years, the valiant Christian king Charlemagne has made war against the Saracens in Spain. Only one Muslim stronghold remains, the city of Saragossa, under the rule of King Marsile and Queen Bramimonde. Marsile, certain that defeat is inevitable, hatches a plot to rid Spain of Charlemagne. He will promise to be Charlemagne's vassal and a Christian convert in exchange for Charlemagne's departure. But once Charlemagne is back in France, Marsile will renege on his promises. Charlemagne and his vassals, weary of the long war, receive Marsile's messengers and try to choose an envoy to negotiate at Marsile's court on Charlemagne's behalf. Roland, a courageous knight and Charlemagne's right-hand man, nominates his stepfather, Ganelon. Ganelon is enraged, thinking that Roland has nominated him for this dangerous mission in an attempt to be rid of him for good. Ganelon has long been jealous of Roland, and on his diplomatic mission he plots with the pagans, telling them that they could ambush Charlemagne's rearguard as Charlemagne leaves Spain. Roland will undoubtedly lead the rearguard, and Ganelon promises that with Roland dead Charlemagne will lose the will to fight. After Ganelon returns with assurances of Marsile's good faith, Roland, as he predicted, ends up leading the rearguard. The twelve peers, Charlemagne's greatest and most beloved vassals, go with him. Among them is Oliver, a wise and prudent man and Roland's best friend. Also in the rearguard is the fiery Archbishop Turin, a clergymen who also is a great warrior. At the pass of Rencesvals, the twenty thousand Christians of the rearguard are ambushed by a vastly superior force, numbering in the hundreds of thousands. Oliver counsels Roland to blow his oliphant horn, to call back Charlemagne's main force, but Roland refuses. The Franks fight valiantly, but in the end they are killed to the man. Roland blows his Oliphant so that Charlemagne will return and avenge them. His temples burst from the force required, and he dies soon afterward. He dies facing the enemy's land, and his soul is escorted to heaven by saints and angels. Charlemagne arrives, and he and his men are overwhelmed with grief at the sight of the massacre. He pursues the pagan force, aided by a miracle of God: the sun is held in place in the sky, so that the enemy will not have cover of night. The Franks push the Saracens into the river Ebro, where those who are not chopped to pieces are drowned. Marsile has escaped and returned to Saragossa, where the remaining Saracens are plunged into despair by their losses. But Baligant, the incredibly powerful emir of Babylon, has arrived to help his vassal. The emir goes to Rencesvals, where the Franks are mourning and burying their dead. There is a terrible battle, climaxing with a one- on-one clash between Baligant and Charlemagne. With a touch of divine aid, Charlemagne slays Baligant, and the Saracens retreat. The Franks take Saragossa, where the destroy all Jewish and Moslem religious items and force the conversion of everyone in the city, with the exception of Queen Bramimonde. Charlemagne wants her to come to Christ of her own accord. With her captive, the Franks return to their capitol, Aix. Ganelon is put on trial for treason. Pinabel, Ganelon's kinsman and a gifted speaker, nearly sways the jury to let Ganelon go. But Thierry, a brave but physically unimposing knight, says that Ganelon's revenge should not have been taken against a man in Charlemagne's serve: that constitutes treason. To decide the matter, Pinabel and Thierry fight. Though Pinabel is by far the stronger man, God intervenes and Thierry triumphs. The Franks draw and quarter Ganelon (tie each limb to one of four horses running in opposite directions, which tears the victim to pieces).
Recommended publications
  • Jonesexcerpt.Pdf
    2 The Texts—An Overview N’ot que trois gestes en France la garnie; ne cuit que ja nus de ce me desdie. Des rois de France est la plus seignorie, et l’autre aprés, bien est droiz que jeu die, fu de Doon a la barbe florie, cil de Maience qui molt ot baronnie. De ce lingnaje, ou tant ot de boidie, fu Ganelon, qui, par sa tricherie, en grant dolor mist France la garnie. La tierce geste, qui molt fist a prisier, fu de Garin de Monglenne au vis fier. Einz roi de France ne vodrent jor boisier; lor droit seignor se penerent d’aidier, . Crestïenté firent molt essaucier. [There were only threegestes in wealthy France; I don’t think any- one would ever contradict me on this. The most illustrious is the geste of the kings of France; and the next, it is right for me to say, was the geste of white-beardedPROOF Doon de Mayence. To this lineage, which was full of disloyalty, belonged Ganelon, who, by his duplic- ity, plunged France into great distress. The thirdgeste , remarkably worthy, was of the fierce Garin de Monglane. Those of his lineage never once sought to deceive the king of France; they strove to help their rightful lord, . and they advanced Christianity.] Bertrand de Bar-sur-Aube, Girart de Vienne Since the Middle Ages, the corpus of chansons de geste has been di- vided into groups based on various criteria. In the above prologue to the thirteenth-century Girart de Vienne, Bertrand de Bar-sur-Aube classifies An Introduction to the Chansons de Geste by Catherine M.
    [Show full text]
  • Anthropoetics XX, No. 2 Spring 2015
    Anthropoetics XX, 2 Anthropoetics XX, no. 2 Spring 2015 Peter Goldman - Originary Iconoclasm: The Logic of Sparagmos Adam Katz - An Introduction to Disciplinarity Benjamin Matthews - Victimary Thinking, Celebrity and the CCTV Building Robert Rois - Shared Guilt for the Ambush at Roncevaux Samuel Sackeroff - The Ends of Deferral Matthew Schneider - Oscar Wilde on Learning Outcomes Assessment Kieran Stewart - Origins of the Sacred: A Conversation between Eric Gans and Mircea Eliade Benchmarks Download Issue PDF Subscribe to Anthropoetics by email Anthropoetics Home Anthropoetics Journal Anthropoetics on Twitter Subscribe to Anthropoetics RSS Home Return to Anthropoetics home page Eric Gans / [email protected] Last updated: 11/24/47310 12:58:33 index.htm[5/5/2015 3:09:12 AM] Goldman - Originary Iconoclasm Anthropoetics 20, no. 2 (Spring 2015) Originary Iconoclasm: The Logic of Sparagmos Peter Goldman Department of English Westminster College Salt Lake City, Utah 84105 www.westminstercollege.edu [email protected] The prohibition of "graven images" in the Jewish scriptures seems to have no precedent in the ancient world. Surrounded by polytheistic religions populated with a multitude of religious images, the ancient Hebrews somehow divined that the one true God could not be figured, and that images were antithetical to his worship. It's true, of course, and significant, that every known culture has taboos regarding representations qua representations, often but not exclusively iconic figures.(1) But only the Hebrews derived a prohibition on images from the recognition that God is both singular and essentially spiritual, hence resistant to material representation.(2) In the ancient world, images were connected to the divine, either as the privileged route to god's presence, both dangerous and desirable; or as forbidden temptations to idolatry, the worship of "false gods," however defined.
    [Show full text]
  • The Role of Images in Medieval Depictions of Muslims
    Suzanne Akbari IMAGINING ISLAM: The Role of Images in Medieval Depictions of Muslims On the edges of medieval Europe, there was real contact between Chris­ tians and Muslims. Multicultural, multi-religious societies existed in al-Andalus and Sicily, while cultural contact of a more contentious sort took place in the Near East. In most parts of medieval Europe, how­ ever, Muslims were seen rarely or not at all, and Islam was known only at second - or third-hand. Western European accounts written during the Middle Ages invariably misrepresent Islam; they vary only to the degree with which they parody the religion and its adherents. One might imagine that such misrepresentation is simply due to the limited information available to the medieval European curious about Islam and the Prophet. If such were the case, one would expect to find a linear progression in medieval accounts of Islam, moving from extremely fanci­ ful depictions to more straightforward, factual chronicles. Instead, one finds accurate, even rather compassionate accounts of Islamic theology side by side with bizarre, antagonistic, and even hateful depictions of Muslims and their belief. During the twelfth century, the French abbot of Cluny, Peter the Venerable, engaged several translators and went to Muslim Spain to produce a translation of the Qur'an and to learn about Islam in order to effect the conversion of Muslims to Christianity by means of rational persuasion, approaching them, as Peter himself put it, "not in hatred, but in love."1 During the same century, however, the chanson de geste tradition flourished in France and began to be exported into the literatures of England and Germany.2 In these twelfth-century epics glorifying war and chivalric heroism, Muslims are depicted as basically similar to Christians: the structure of their armies, their kings, and their martial techniques are essentially the same.
    [Show full text]
  • The Song of Roland Has Some Connection to the History of Charlemagne's Failed Conquest of Spain in 778, but This Connection Is Rather Loose
    Song of Roland Context: On the afternoon of August 15, 778, the rear guard of Charlemagne's army was massacred at Roncesvals, in the mountains between France and Spain. Einhard, Charlemagne's contemporary biographer, sets forth the incident as follows in his Life of Charlemagne: While the war with the Saxons was being fought incessantly and almost continuously, [Charlemagne] stationed garrisons at suitable places along the frontier and attacked Spain with the largest military force he could muster; he crossed the Pyrenees, accepted the surrender of all the towns and fortresses he attacked, and returned with his army safe and sound, except that he experienced a minor setback caused by Gascon treachery on returning through the passes of the Pyrenees. For while his army was stretched out in a long column, as the terrain and the narrow defiles dictated, the Gascons set an ambush above them on the mountaintops—an ideal spot for an ambush, due to the dense woods throughout the area—and rushing down into the valley, fell upon the end of the baggage train and the rear guard who served as protection for those in advance, and in the ensuing battle killed them to the last man, then seized the baggage, and under the cover of night, which was already falling, dispersed as quickly as possible. The Gascons were aided in this feat by the lightness of their armor and by the lay of the land where the action took place, whereas the Franks were hindered greatly by their heavy armor and the terrain. In this battle Eggihard, the surveyor of the royal table; Anselm, the count of the palace; and Roland, prefect of the Breton Marches, were killed, together with many others.
    [Show full text]
  • Tesi Di Laurea
    Corso di Laurea Magistrale in Scienze del Linguaggio D.M. 270/2004 Tesi di Laurea The Contribution of Germanic Sources in the Textual Reconstruction of the Chanson de Roland Relatrice Prof.ssa Marina Buzzoni Correlatore Prof. Marco Infurna Laureando Lorenzo Trevisan Matricola 860930 Anno Accademico 2018 / 2019 The importance of the Germanic sources in the Chanson de Roland 2 Introduction Index Introduction ................................................................................................ 7 Foreword .................................................................................................... 11 I. Literary context and poetic tradition ............................................... 13 1. Europe in the High Medieval Period ........................................... 13 1.1 Feudalism and rural aristocracy ........................................ 14 1.2 Secular powers and the Church ........................................... 17 1.3 Expanding the borders of Christendom .............................. 19 1.4 Trade, technology and towns ............................................... 21 1.5 Knowledge and culture ....................................................... 23 2. The rise of vernacular literature in Romance .............................. 25 2.1 The Carolingian Renaissance ............................................. 25 2.2 The first Old French texts .................................................... 26 2.3 The Hagiographic Poems .................................................... 28 3. The Old French Epic ...................................................................
    [Show full text]
  • The Chanson De Geste
    Edinburgh Research Explorer The Chanson de geste Citation for published version: Sinclair, F 2011, The Chanson de geste. in W Burgwinkle, N Hammond & E Wilson (eds), The Cambridge History of French Literature. Cambridge University Press, pp. 28–37. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Cambridge History of French Literature General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 P1: SPK Trim: 228mm × 152mm Top: 10.544mm Gutter: 16.871mm CUUK1244-03 cuuk1244/Burgwinkle ISBN: 978 0 521 89786 0 October 9, 2010 5:31 3 The chanson de geste finn e. sinclair The chanson de geste represents the first manifestation of a French literary tradition, with its oldest extant written text dating from around 1098.Thisis the Chanson de Roland, preserved in the Oxford Manuscript Digby 23.These chansons, and the Chanson de Roland in particular, have been the focus of critical attention from the nineteenth century onwards, as theories of their origins, the means of their composition and dissemination, their relation to history, and their function as ideological and literary models have been repeat- edly constructed and deconstructed.
    [Show full text]
  • Song of Roland Unknown Memory Verse
    Song of Roland Unknown Memory Verse • Psalm 25 • This week, can you recite verses 1-10? Imagine • Read Summary from Omnibus! Conflict • What has been the greatest conflict of the past century? Conflict • What has been the greatest conflict of the past century? • Communism and Democracy • Liberalism and Conservatism • Socialism and Capitalism • Rich and Poor • Proletariat and Bourgeoisie • Industrialism and Agrarianism • Nationalism and Colonialism • Management and Labor • First World and Third World • East and West • North and South Allied and Axis • NATO and Soviet Conflict • The greatest conflict of the past century, even the past millennium, has been between: • Islam and Civilization • Islam and Freedom • Islam and Order • Islam and Progress • Islam and Hope • Islam and the Gospel Conflict • Every other conflict pitting men and nations against one another has inevitably waxed and waned • This furious struggle has remained all too constant • The tension between Islam and every aspiration and yearning of man intrudes on nearly every issue, every discipline, every epoch and every local Author • Le Chason de Roland or The Song of Roland • One of the most famous medieval French chivalric ballads, known as chansons de geste – literally, “songs of deeds” • Traditional folk musicians and minstrels would travel from town to town singing about the epic adventures of great heroes from the past • About a hundred of these popular epic poems survived, from the 11th to the 15th century • We don’t know who the various composers were or even when the poem took
    [Show full text]
  • The Significance of Marsile's Deathbed Posture in La Chanson De Roland Several Episodes in the Chanson De Roland Echo Events Found in the Bible
    Fredric M. Leeds The Significance of Marsile's Deathbed Posture in la Chanson de Roland Several episodes in the Chanson de Roland echo events found in the Bible. The interruption of the sun's course, which permits Charlemagne to rout the pagan army of Baligant, is reminiscent of Joshua's similar feat in the Old Testament. The destruction of the infidels by drowning reminds us of the Red Sea disaster which claimed Pharaoh's host. The prophetic dreams of Charlemagne, replete with animals, echo the great dream interpretations of the biblical Joseph. Editors of the Chanson de Roland have long recognized the biblical influences on the epic poem and have routinely noted chapter and verse of incidents which may have inspired a particular episode. Laisse CCLXIV, with which we are concerned, deals with the death of the Saracen King Marsile. Annotators have drawn parallels between Marsile's death posture and that of the Hebrew King Hezekiah of II Kings. It is my contention that the Hezekiah-Marsile relationship was of special cultural significance to the medieval audience and that Marsile's death-bed attitude is important from the point of view of both theology and popular superstition. In Laisse CCLXIV, King Marsile is bedridden with despair and with a serious wound: the loss of his right hand by Roland's sword. He hopes desperately that the Emir Baligant, who has come to his aid with a huge military force, has succeeded in defeating the Christian armies in Spain. However, Marsile's wife Bramimonde arrives with the melancholy news that the Emir's legions have been decimated and that Baligant himself is no more.
    [Show full text]
  • La Chanson De Roland
    Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/lachansonderolOOgaut Ef LA CHANSON DE ROLAND TEXTE CRITIQUE TRADUCTION ET COMMENTAIRE LÉON GAUTIER PEOFESSEOE A L'ÉCOLE DES CHABTBS OUVRAGE COURONNE PAR L'ACADÉMIE FRANÇAISE ET PAR l'aCADEMIE DES INSCRIPTIONS ET BELLES -LETTRES CINQUIÈME ÉDITION /v'^—0$ TOURS ALFRED MAME ET FILS, ÉDITEURS M DCCC LXXV INTRODUCTION I. — AVANT-PROPOS ET DEDICACE A tous ceux qui ignorent notre vieille poésie nationale, à tous ceux qui ont souci de la connaître, nous dédions «es quelques pages. La France, qui est la plus épique de toutes les na- tions modernes, a jadis possédé deux cents Poëmes populaires consacrés à des héros chrétiens , à des héros français. Ces poëmes étaient chantés, et se rattachaient par leur sujet à certaines familles héroïques, à certaines gestes.. De là leur nom de « Chansons de geste ». Imaginez de longs récits poétiques où plusieurs mil- liers de vers sont inégalement distribués en un certain nombre de tirades ou laisses. Et figurez -vous, dans chacun de ces couplets, tous les vers terminés à l'ori- gine par les mêmes assonances, et, plus tard, par les mêmes rimes. Telles sont les Chansons de geste; tels sont ces chants épiques de la France que toute l'Europe a connus, imités et traduits, et qui ont fait le tour du monde avec nos traditions et notre gloire. Or, la plus antique, la plus célèbre, la plus belle de toutes les Chansons de geste, c'est la Chanson de Roland. vj INTRODUCTION Nous allons parler de la Chanson de Roland.
    [Show full text]
  • Note the Baligant Episode in the Chanson De Roland and the Historia of Peter Tudebode
    Note Ross G. Arthur The Baligant Episode in the Chanson de Roland and the Historia of Peter Tudebode Various pieces of evidence have been gathered to show that the material in the Baligant episode is later than the contents of the rest of the Chanson de Roland, but does that mean that the text is later, and that by removing the Baligant episode we have the text of an earlier poem about Roland? If a break is to be made, the beginning of laisse 189 seems a likely point, for it is there, if anywhere, that we find what looks like a seam joining two texts. Roland and the peers and the soldiers of the rear-guard have been killed and Charlemagne and the Frankish army have taken vengeance on the killers. Saracen power in Saragossa has been smashed, and Bramimonde is beginning the traditional feminine lament for its fall. Line 2610 recapitulates line 2 and the poem's auditors anticipate a coda. All of a sudden, our expectations are derailed. The poem is not over, the story of battle is not over, for there is a greater enemy to face. We have been reminded of the "set anz tuz plens" for a quite different purpose. Back in the first year, Marsile had sent letters to Baligant in Babylon asking for reinforcements, and the emir's army is so large that it has taken seven years to organize; the huge pagan host is arriving right now, just in the nick of time, just when we (and Charlemagne) thought that all was safe.
    [Show full text]
  • Chicago Open 2012 Unused Editor Questions by Mike Bentley
    Chicago Open 2012 Unused Editor Questions By Mike Bentley 40 Tossups 1. This process was revolutionized in the 1960s by M. Ninnie’s “Rock and Roll” form of it. An early article attacking this practice was Michelangelo Antonioni’s “The Impossible Life of Clark Costa”. Chiara Francesca Ferrari wrote about the indigenization of this process in the book Since When is Fran ​ Drescher Jewish? A bande rythmo is sometimes used to assist in this process. This process was called “a ​ monstrosity, a challenge to human and divine laws” by Jean Renoir. The documentary Ciao, Federico! ​ showed how (*) Fellini took advantage of this process in films like Amarcord and Satyricon to better instruct his actors. ​ ​ ​ ​ ​ This practice is popularized doppiaggese in Italy. Cloverway, Inc. has been widely criticized for its handling of this process ​ ​ for the first 65 episodes of Sailor Moon. For 10 points, name this alternative process to subtitling, where the vocal track is ​ ​ replaced. ANSWER: Film dubbing [or film doubling] ​ ​ ​ ​ 2. A rebellion on this island started after the departure of the Buen Soccoro and the killing of a ​ ​ Mexican-born missionary named Jose Peralta; in response, many makahnas were executed. This island ​ ​ contains a monument to Captain Henry Glass, who captured it from the Spanish aboard the Charleston. ​ ​ At a speech given here during his Apollo Diplomacy tour, Richard Nixon outlined his namesake doctrine. Earlier, this island had been surrendered by George McMillin. Shoichi Yokoi lived in a (*) cave in this island ​ for 27 years, while Hideyoshi Obata tried to mount a last stand on Mt. Barriagada after the Americans captured the Orote Airfield.
    [Show full text]
  • Dissertation Master Wilcox
    Copyright by Rebecca Anne Wilcox 2009 The Dissertation Committee for Rebecca Anne Wilcox certifies that this is the approved version of the following dissertation: CULTURES OF CONQUEST: ROMANCING THE EAST IN MEDIEVAL ENGLAND AND FRANCE Committee: Geraldine Heng, Co-Supervisor Daniel Birkholz, Co-Supervisor Barbara Harlow Elizabeth Richmond-Garza William Kibler CULTURES OF CONQUEST: ROMANCING THE EAST IN MEDIEVAL ENGLAND AND FRANCE by Rebecca Anne Wilcox, B.A, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2009 Acknowledgements I would like to thank the members of my dissertation committee for their insights, kindness, and patience over the last decade. I would also like my parents for their support, without which this project never could have been completed. And I would like to thank my fiancé for his generous gifts of time and understanding as this project came to completion. iv Cultures of Conquest: Romancing the East in Medieval England and France Publication No._____________ Rebecca Anne Wilcox, Ph.D. The University of Texas at Austin, 2009 Supervisors: Geraldine Heng and Daniel Birkholz Cultures of Conquest argues for the recognition of a significant and vital subcategory of medieval romance that treats the crusades as one of its primary interests, beginning at the time of the First Crusade and extending through the end of the Middle Ages. Many romances, even those not explicitly located in crusades settings, evoke and transform crusades events and figures to serve the purposes of the readers, commissioners, and authors of these texts.
    [Show full text]