Chicago Open 2012 Unused Editor Questions by Mike Bentley
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GP Turin 2018 Travel Guide
“Torino is not a place you can leave behind” - Friedrich Nietsche 1 A brief history Torino was founded as a roman settlement, under the name of Augusta Taurinorum (“Taurinus” means bull-like and that was the name given by the romans to the local ancient tribes, because of their height and strength). After having been mostly anonymous through the middle age, it became the capital of the Savoy dukedom in 1563, under duke Emanuele Filiberto of Savoy. The dukedom of Savoy became a kingdom in 1713, and starting from 1848 the Royal family and the government began, through wars and smart political alliances, the process of reunification of Italy (known now as Risorgimento - resurgence). This led Torino to become the first capital of Italy in 1861. During the 20th century the city become a center of excellence for the automotive industry, but after hosting the Winter Olympics in 2006, Torino is seeing its popularity rising again as a worthy touristic destination, thanks to its beautiful baroque city center, its vibrant cultural life and its wine and food traditions. Getting to the City Torino Airport: Torino is served by the Sandro Pertini international airport. Although small, the airport offers multiple daily connections to most of the big European hubs, including Frankfurt, Munich, Madrid, Amsterdam and Paris (be careful if you’re flying through London: there are connections to Gatwick and Stanstedt, not Heathrow). The airport is also served by low-cost company Ryanair, which offers connections to Barcelona, Bruxelles-Charleroi, London Stanstedt, Malta, Ibiza, Valencia and Dublin. The airport is connected to the city center by bus. -
Dissenting Opinion of Judge Sette-Camara
DISSENTING OPINION OF JUDGE SETTE-CAMARA 1 regret that 1 have been unable to agree with the Court's majority in the present Judgment in its appraisal of the facts, in its reasoning and in its conclusions, and therefore feel under the obligation to explain why 1 see this case differently. The disputed zone is the so-called Libya-Chad borderlands, bounded to the north-east by the east-south-east line of the Anglo-French Conven- tion of 8 September 1919, to the south by the 15" north latitude parallel, to the West by the 24" E meridian and to the east by the 16" E meridian. It covers an area of some 530,000 km' and encompasses the Borkou- Ounianga, the Ennedi and the Tibesti, what Chad refers to as the BET (excluding northern Kanem). The population of the area is under 100,000, compared with Chad's population of some 5.4 million, including the BET. The area contains 2 per cent of Chadian local population and it is a poor, bare and inhospitable region. In spite of the desertic nature of this zone, that we shall for conven- terra nullius. ience continue to cal1 the borderlands. it was never a , ouen. to occupation according to international law. The two Parties concur as to that, and echo herein the analogous finding of the Court in the Western Sahara case. The land was occupied by local indigenous tribes, confed- erations of tribes, often organized under the Senoussi Order. Further- more, it was under the distant and laxly exercised sovereignty of the Ottoman Empire, which marked its presence by delegation of authority to local people. -
Crisis Committee
CRISIS COMMITTEE Lyon Model United Nations 2018 Study Guide Libyan Civil War !1 LyonMUN 2018 – Libyan Civil War Director: Thomas Ron Deputy Director: Malte Westphal Chairs: Laurence Turner and Carine Karaki Backroom: Ben Bolton, Camille Saikali, Margaux Da Silva, and Antoine Gaudim !2 Director’s Welcome Dear Delegates, On behalf of the whole team I would like to welcome you to LyonMUN 2018 and this simulation of the Libyan Civil War. It is strange to feel that such an important topic that we all remember happening is already over 7 years old. Therefore, we felt it would be a good time to simulate it and think about the ways it could have gone. As delegates you will each be given characters to play in this crisis. These were real people who made a difference within the actual Civil War and have their own objectives and goals. You are tasked with advancing the goals of your character and making sure that they end up doing well out of this crisis. Every action will have consequences, everything you do will have ramifications, and mistakes can be deadly. Your chairs will be there to help but they will also be representing characters and have their own interests, meaning they may not be fully trustworthy. Behind the scenes you will have a backroom which will interpret your directives and move the plot forward. We will be there to read what you say and put it into action. However, a word to the wise, the way your wish may be interpreted may not be ideal. -
Anthropoetics XX, No. 2 Spring 2015
Anthropoetics XX, 2 Anthropoetics XX, no. 2 Spring 2015 Peter Goldman - Originary Iconoclasm: The Logic of Sparagmos Adam Katz - An Introduction to Disciplinarity Benjamin Matthews - Victimary Thinking, Celebrity and the CCTV Building Robert Rois - Shared Guilt for the Ambush at Roncevaux Samuel Sackeroff - The Ends of Deferral Matthew Schneider - Oscar Wilde on Learning Outcomes Assessment Kieran Stewart - Origins of the Sacred: A Conversation between Eric Gans and Mircea Eliade Benchmarks Download Issue PDF Subscribe to Anthropoetics by email Anthropoetics Home Anthropoetics Journal Anthropoetics on Twitter Subscribe to Anthropoetics RSS Home Return to Anthropoetics home page Eric Gans / [email protected] Last updated: 11/24/47310 12:58:33 index.htm[5/5/2015 3:09:12 AM] Goldman - Originary Iconoclasm Anthropoetics 20, no. 2 (Spring 2015) Originary Iconoclasm: The Logic of Sparagmos Peter Goldman Department of English Westminster College Salt Lake City, Utah 84105 www.westminstercollege.edu [email protected] The prohibition of "graven images" in the Jewish scriptures seems to have no precedent in the ancient world. Surrounded by polytheistic religions populated with a multitude of religious images, the ancient Hebrews somehow divined that the one true God could not be figured, and that images were antithetical to his worship. It's true, of course, and significant, that every known culture has taboos regarding representations qua representations, often but not exclusively iconic figures.(1) But only the Hebrews derived a prohibition on images from the recognition that God is both singular and essentially spiritual, hence resistant to material representation.(2) In the ancient world, images were connected to the divine, either as the privileged route to god's presence, both dangerous and desirable; or as forbidden temptations to idolatry, the worship of "false gods," however defined. -
Enrico Marone Cinzano's Guide to Turin, Italy
October 14, 2015 Enrico Marone Cinzano’s Guide to Turin, Italy By Staff Writer Designer, Count, and all-around Renaissance man Enrico Marone Cinzano shares his picks for dining, shopping, and sightseeing in the historic capital of Piedmont. A talent for creating elegant, quality objects might as well be Italian designer Enrico Marone Cinzano’s blood right—his paternal great-great-grandfather founded Cinzano vermouth and his maternal great-great-grandfather established FIAT Automobiles. It’s hardly surprising then that the Torino-born, Massachusetts-educated businessman and creative would go on to launch a sustainable fashion label, Project Alabama, in 2001, and a self- titled, nature-inspired furniture and lighting collection 11 years later. With a true passion for his hometown, Marone Cinzano shares his must-dos in Turin, from where to find the most authentic dish to the perfect way to spend a Sunday morning. http://www.departures.com/travel/travel-guides/designer-enrico-marone-cinzano-favorite-things-to-do-in-turin-italy What neighborhood are you from, and how long did you live there? I lived on the hill of Superga, just underneath the cathedral (Basilica of Superga). It was designed by Filippo Juvarra and it is a beautiful, classic Baroque building that is typical of the region (Strada Basilica di Superga, 73; 39-011/899- 7456;basilicadisuperga.com). Where would you put up friends visiting town? The Golden Palace, the most luxurious hotel in town by far! It is a large structure built during the Fascist era and houses these incredible and intricate sculptures holding up the frontal canopy. -
Brochure 2017 Def2 Mipim
MIPIM CANNES 14-17 MARCH 2017 ANCE, the National Association of Construction Companies, is the leading association for the construction industry in Italy. It represents more than 20,000 firms of all sizes, including large general contractors and small and medium size enterprises, specialized in every field of civil construction. ANCE, one of the largest members of Confindustria, the Italian entrepreneurs’ organisation, is headquartered in Rome and has a community based network, composed of 20 Regional and 99 Local branches throughout the Country, in charge of each Region and Provincial Districts respectively. ANCE supports the Italian construction industry with regard to public authorities, public services, economic decision makers and other key players involved in the construction sector’s policies and activities. The Association provides a full range of services in order to meet the needs and concerns of its members, thereby improving the quality of construction and protecting the public interest. It stipulates the national labour agreement for the construction industry and operates together with the trade Unions an important network of agencies, organized at the national level, the objective of which is the training, care and safety of construction workers. As a member of the European Construction Industry Federation (Fiec) and of the European International Contractors (Eic), ANCE acts at the European level in order to support the construction industry. Via G.A. Guattani 16 Roma, Italy www.ance.it • [email protected] +39 06 84567976 / +39 06 84567312 MIPIM CANNES 14-17 MARCH 2017 3 Real Estate Opportunities The real estate market in Italy is today on a rising trend. -
Afterwards Became the Fi Rst King 0.1 Sardinia,Ailied Himsell with Austria
- 26- afterwa rds became th e fi rst king 0.1 Sardinia,aIlied himsell with A ustria against France and Spain. The siege vigorously ma inta ine d by th e French troop s, is remember ed in our history for the in vincible braver y of th e tr oop s and citizens, vigilant over th e de fense of Turin, and for th e heroism of Pietro Micca (page 121), the humble pion eer soldi er from Sa glian o in th e Biellese, who on the nigh t th e 29th of Aug ust to close the entrance to the invadors, set alight to a min e and buried himself with them under the ruins of an underground gall er y of th e Citad el. The Prince Eu gen e ca me in aid of th e distressed city; and th e siege terminated on th e 7th September with th e glorious victor y of th e Mad on na di Cam pagna, gained by th e two pri nces of Savoy, Victor Amadeus II and Euge ne, over th e French. - In fulfilm ent ora vow , th e Duke er ected th e Basilica of Superga (page 156) on th e Hill of Turin, on th e spot wher e th e two Princes of Savoy had asce nde d to reconnoiter th e enemy 's camp. - And at Mad onna di Ca mpagna (Madonna of the Country) (page 174) was erecte d on the square of th e church an eloq ue nt monument, for the bi-centenary com memorati on, in which Leonardo Bistolfi symbolized the very high sentime nt of th e « Motherl and » who consecrates alik e to vanquished and victo rious th e ea rth which received their bodi es . -
The Role of Images in Medieval Depictions of Muslims
Suzanne Akbari IMAGINING ISLAM: The Role of Images in Medieval Depictions of Muslims On the edges of medieval Europe, there was real contact between Chris tians and Muslims. Multicultural, multi-religious societies existed in al-Andalus and Sicily, while cultural contact of a more contentious sort took place in the Near East. In most parts of medieval Europe, how ever, Muslims were seen rarely or not at all, and Islam was known only at second - or third-hand. Western European accounts written during the Middle Ages invariably misrepresent Islam; they vary only to the degree with which they parody the religion and its adherents. One might imagine that such misrepresentation is simply due to the limited information available to the medieval European curious about Islam and the Prophet. If such were the case, one would expect to find a linear progression in medieval accounts of Islam, moving from extremely fanci ful depictions to more straightforward, factual chronicles. Instead, one finds accurate, even rather compassionate accounts of Islamic theology side by side with bizarre, antagonistic, and even hateful depictions of Muslims and their belief. During the twelfth century, the French abbot of Cluny, Peter the Venerable, engaged several translators and went to Muslim Spain to produce a translation of the Qur'an and to learn about Islam in order to effect the conversion of Muslims to Christianity by means of rational persuasion, approaching them, as Peter himself put it, "not in hatred, but in love."1 During the same century, however, the chanson de geste tradition flourished in France and began to be exported into the literatures of England and Germany.2 In these twelfth-century epics glorifying war and chivalric heroism, Muslims are depicted as basically similar to Christians: the structure of their armies, their kings, and their martial techniques are essentially the same. -
Mastergroupflyanddrive.Pdf
Monumento al Marinaio di Taranto Dedicated to the sailors of the Italian Navy. Apulia Tour / Apulia Baia delle Zagare - FG 1st Day 4th Day Arrival at Bari Airport. Arrival and check-in at hotel in Bari area. In the Breakfast at hotel. Transfer on your own by car to the Itria Valley - land of afternoon visit of Bari. The program of visit, includes among others, fairy trulli. Drive to Martina Franca, a charming town, where besides the Romanesque Basilica of St. Nicholas, Romanesque - Gothic cathedral of famous trulli there is also the center of the city. Walk around the town and San Sabino, a medieval castle of the Emperor Frederick II, Teatro visit the beautiful Basilica of San Martino. Transfer to Ostuni the white Petruzzelli. Dinner on your own and overnight stay at your hotel picturesque town situated on top of a hill. Walk around the city, a visit to accommodation. the baroque Cathedral and the ruins of the twelfth-century castle. Then 2nd Day drive to Alberobello, a town inscribed on the World Heritage List of Breakfast at hotel. Transfer on your own by car to Trani, visiting the UNESCO, for the famous trulli, unique little houses with conical roofs of beautiful cathedral of St. Nicholas, the most outstanding example of gray slate. In the evening return to your hotel. Dinner on your own and Romanesque apulian architecture and Castello Svevo. Return to Bari. The overnight stay at your hotel accommodation. program of visit, includes among others, Romanesque Basilica of St. 5th Day Nicholas, Romanesque - Gothic cathedral of San Sabino, a medieval castle Breakfast at hotel. -
Tours & Experiences
TOUR ED ESPERIENZE A TORINO E PROVINCIA TOURS & EXPERIENCES 5 ELEMENTS Tel. (+39) 011.3162156 [email protected] TORINO TRA STORIA E ARCHITETTURA BASILICA DI SUPERGA TORINO: HISTORY AND ARCHITECTURE BASILICA OF SUPERGA Un’affascinante passeggiata per osservare la A fascinating walking tour to admire the Goditi una spettacolare vista panoramica di Enjoy a spectacular view of the city! prima capitale d’Italia nella regale bellezza first capital of Italy and its regal beauty! The tutta la città! The excursion will make you discover the delle sue vie! L’escursione parte da Piazza excursion starts from the Piazza Castello, L’escursione vi permetterà di scoprire la Basilica Basilica of Superga, designed by the 18th Castello, dove verrete accolti dal meraviglioso welcoming you with the wonderful Royal di Superga, opera dell’architetto Juvarra, dove century famous architect Filippo Juvarra, Palazzo Reale e dalla bellissima Chiesa di San Palace and the beautiful St. Lawrence Church, riposano numerosi principi e re di Casa Savoia. where lie many princes and kings of the Lorenzo, proseguendo poi per il Duomo in cui continuing to Torino Cathedral where is kept Situata in posizione dominante su una collina Savoy house. It has been built by will of Duke è conservata la Santa Sindone. A poca distanza the Holy Shroud. Nearby you can admire the da dove è possibile ammirare tutta Torino, Vittorio Amedeo II, because of a vow he made potrete ammirare la Porta Palatina con i resti Porta Palatina and the rest of the ancient la basilica fu voluta dal Re Vittorio Amedeo to the “Madonna delle Grazie” in 1706, when dell’antico teatro, principali testimonianze theatre, the main archeological witnesses of II come ringraziamento alla Vergine Maria the city of Torino was putted under siege by archeologiche dell’epoca romana della città. -
The Song of Roland Has Some Connection to the History of Charlemagne's Failed Conquest of Spain in 778, but This Connection Is Rather Loose
Song of Roland Context: On the afternoon of August 15, 778, the rear guard of Charlemagne's army was massacred at Roncesvals, in the mountains between France and Spain. Einhard, Charlemagne's contemporary biographer, sets forth the incident as follows in his Life of Charlemagne: While the war with the Saxons was being fought incessantly and almost continuously, [Charlemagne] stationed garrisons at suitable places along the frontier and attacked Spain with the largest military force he could muster; he crossed the Pyrenees, accepted the surrender of all the towns and fortresses he attacked, and returned with his army safe and sound, except that he experienced a minor setback caused by Gascon treachery on returning through the passes of the Pyrenees. For while his army was stretched out in a long column, as the terrain and the narrow defiles dictated, the Gascons set an ambush above them on the mountaintops—an ideal spot for an ambush, due to the dense woods throughout the area—and rushing down into the valley, fell upon the end of the baggage train and the rear guard who served as protection for those in advance, and in the ensuing battle killed them to the last man, then seized the baggage, and under the cover of night, which was already falling, dispersed as quickly as possible. The Gascons were aided in this feat by the lightness of their armor and by the lay of the land where the action took place, whereas the Franks were hindered greatly by their heavy armor and the terrain. In this battle Eggihard, the surveyor of the royal table; Anselm, the count of the palace; and Roland, prefect of the Breton Marches, were killed, together with many others. -
The Chanson De Geste
Edinburgh Research Explorer The Chanson de geste Citation for published version: Sinclair, F 2011, The Chanson de geste. in W Burgwinkle, N Hammond & E Wilson (eds), The Cambridge History of French Literature. Cambridge University Press, pp. 28–37. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Cambridge History of French Literature General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 P1: SPK Trim: 228mm × 152mm Top: 10.544mm Gutter: 16.871mm CUUK1244-03 cuuk1244/Burgwinkle ISBN: 978 0 521 89786 0 October 9, 2010 5:31 3 The chanson de geste finn e. sinclair The chanson de geste represents the first manifestation of a French literary tradition, with its oldest extant written text dating from around 1098.Thisis the Chanson de Roland, preserved in the Oxford Manuscript Digby 23.These chansons, and the Chanson de Roland in particular, have been the focus of critical attention from the nineteenth century onwards, as theories of their origins, the means of their composition and dissemination, their relation to history, and their function as ideological and literary models have been repeat- edly constructed and deconstructed.