IBM X-Force 2011 Trend and Risk Report March 2012 IBM Security Systems IBM X-Force 2011 Trend and Risk Report
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Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016) -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning. -
Cipher Code of Words, Phrases, Names of Organizations and Titles of Their
r/^i OF Words, Phrases, Names of Organizations and Ti- tles of Their Officers, Names of Principal Rail- roads, Months, Days, Time of Day, Al- phabet and Figures. FOR Use of Organizations of Railway Employes in TELEGRAPHIC CORRESPONDENCE ARRANGED BY Galesburg, 1892. Digitized by tine Internet Arcliive in 2010 witli funding from Dul<e University Libraries littp://www.arcliive.org/details/cipliercodeofworOOsliea PREFACE. In assuming, with pardonaljle pride, the labor of preparing a Cipher Code adapted to the business of the several Organizations of Railway Employes, the au- thor has endeavored to bring it thoroughly up to the requirements of the times. It is not to be expected that a work of this kind can be perfected by any one man in the first edition and the author requests those using this little book to note its short-comings for future reference, that he who undertakes the labor of revision, may have the benefit of their experience. The need of a work of this kind has at times been sorely felt by every organization and if this work meets the requirements so far as to lighten the burden of any organization in time of trouble, or to assist in gaining a single point in favor of the laboring man. then the author will feel that he has been fully repaid for his labor. To the several Organizations of Railway Emplo3'es this vrork is dedicated with the good will and best Avishes of the author. INSTRUCTIONS. This Cipher Code arranged for use of the several Organizations of Railway Employes is intended more especiall}' for Telegraphic Correspondence in time of trouble, when it is desirable or necessary to send tele- grams that can not be read by any but those for whom they are intended, as is the case in time of strikes or other important moves on the part of an Organization, as it is often necessary to use the Company's wire to reach members of the Organization on other parts of the road and unless such telegrams can be sent in a safe cipher it would be better the}^ were not sent, as the Company would be forewarned of every contem- plated move mentioned in the telegram. -
Wolverine Logan, of the X-Men and the New Avengers
Religious Affiliation of Comics Book Characters The Religious Affiliation of Comic Book Character Wolverine Logan, of the X-Men and the New Avengers http://www.adherents.com/lit/comics/Wolverine.html Wolverine is the code name of the Marvel Comics character who was long known simply as "Logan." (Long after his introduction, the character's real name was revealed to be "James Howlett.") Although originally a relatively minor character introduced in The Incredible Hulk #180-181 (October - November, 1974), the character eventually became Marvel's second-most popular character (after Spider-Man). Wolverine was for many years one of Marvel's most mysterious characters, as he had no memory of his earlier life Above: Logan and the origins of his distinctive (Wolverine) prays at a Adamantium skeleton and claws. Like Shinto temple in Kyoto, much about the character, his religious Japan. affiliation is uncertain. It is clear that [Source: Wolverine: Wolverine was raised in a devoutly Soultaker, issue #2 (May Christian home in Alberta, Canada. His 2005), page 6. Written by family appears to have been Protestant, Akira Yoshida, illustrated although this is not certain. At least by Shin "Jason" Nagasawa; reprinted in into his teen years, Wolverine had a Wolverine: Soultaker, strong belief in God and was a Marvel Entertainment prayerful person who strived to live by Group: New York City specific Christian ethics and moral (2005).] teachings. Above: Although Logan (Wolverine) is not a Catholic, and Over the many decades since he was a Nightcrawler (Kurt Wagner) is not really a priest, Logan child and youth in 19th Century nevertheless was so troubled by Alberta, Wolverine's character has his recent actions that he changed significantly. -
Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial
Radiant Beings: Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Michelle Ferebee Graduate Program in English The Ohio State University 2019 Dissertation Committee Dr. Thomas S. Davis, Advisor Dr. Jared Gardner Dr. Brian McHale Dr. Rebekah Sheldon 1 Copyrighted by Kristin Michelle Ferebee 2019 2 Abstract The Anthropocene era— a term put forward to differentiate the timespan in which human activity has left a geological mark on the Earth, and which is most often now applied to what J.R. McNeill labels the post-1945 “Great Acceleration”— has seen a proliferation of narratives that center around questions of radioactive, toxic, and other bodily contamination and this contamination’s potential effects. Across literature, memoir, comics, television, and film, these narratives play out the cultural anxieties of a world that is itself increasingly figured as contaminated. In this dissertation, I read examples of these narratives as suggesting that behind these anxieties lies a more central anxiety concerning the sustainability of Western liberal humanism and its foundational human figure. Without celebrating contamination, I argue that the very concept of what it means to be “contaminated” must be rethought, as representations of the contaminated body shape and shaped by a nervous policing of what counts as “human.” To this end, I offer a strategy of posthuman/ist reading that draws on new materialist approaches from the Environmental Humanities, and mobilize this strategy to highlight the ways in which narratives of contamination from Marvel Comics to memoir are already rejecting the problematic ideology of the human and envisioning what might come next. -
Selling Marvel's Cinematic Superheroes
Stream: Culture/Politics/Technology 2016, Vol 8(2), 23-35 © The Author(s), 2016 http://journals.sfu.ca/stream Selling Marvel’s Cinematic Superheroes through Militarization Brett Pardy School of Communication Simon Fraser University Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2011), and demonstrate the significant reorientation towards the military of the film franchise. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. I argue that superheroes are malleable icons, known largely by the public by their image and perhaps general character traits rather than their narratives. Militainment is introduced through a discourse of realism provided by Marvel Studios as an indicator that the property is not just for children. Keywords: militarization, popular film, comic books, adaptation 1. Introduction Nick Fury, head of the Strategic Homeland Intervention, Enforcement and Logistics Division (S.H.I.E.L.D) tells his team of assembled superheroes: “there was an idea… called the Avengers Initiative. The idea was to bring together a group of remarkable people, see if they could become something more. -
Historic American Indian Tribes of Ohio 1654-1843
Historic American Indian Tribes of Ohio 1654-1843 Ohio Historical Society www.ohiohistory.org $4.00 TABLE OF CONTENTS Historical Background 03 Trails and Settlements 03 Shelters and Dwellings 04 Clothing and Dress 07 Arts and Crafts 08 Religions 09 Medicine 10 Agriculture, Hunting, and Fishing 11 The Fur Trade 12 Five Major Tribes of Ohio 13 Adapting Each Other’s Ways 16 Removal of the American Indian 18 Ohio Historical Society Indian Sites 20 Ohio Historical Marker Sites 20 Timeline 32 Glossary 36 The Ohio Historical Society 1982 Velma Avenue Columbus, OH 43211 2 Ohio Historical Society www.ohiohistory.org Historic American Indian Tribes of Ohio HISTORICAL BACKGROUND In Ohio, the last of the prehistoric Indians, the Erie and the Fort Ancient people, were destroyed or driven away by the Iroquois about 1655. Some ethnologists believe the Shawnee descended from the Fort Ancient people. The Shawnees were wanderers, who lived in many places in the south. They became associated closely with the Delaware in Ohio and Pennsylvania. Able fighters, the Shawnees stubbornly resisted white pressures until the Treaty of Greene Ville in 1795. At the time of the arrival of the European explorers on the shores of the North American continent, the American Indians were living in a network of highly developed cultures. Each group lived in similar housing, wore similar clothing, ate similar food, and enjoyed similar tribal life. In the geographical northeastern part of North America, the principal American Indian tribes were: Abittibi, Abenaki, Algonquin, Beothuk, Cayuga, Chippewa, Delaware, Eastern Cree, Erie, Forest Potawatomi, Huron, Iroquois, Illinois, Kickapoo, Mohicans, Maliseet, Massachusetts, Menominee, Miami, Micmac, Mississauga, Mohawk, Montagnais, Munsee, Muskekowug, Nanticoke, Narragansett, Naskapi, Neutral, Nipissing, Ojibwa, Oneida, Onondaga, Ottawa, Passamaquoddy, Penobscot, Peoria, Pequot, Piankashaw, Prairie Potawatomi, Sauk-Fox, Seneca, Susquehanna, Swamp-Cree, Tuscarora, Winnebago, and Wyandot. -
IBM X-Force Threat Intelligence Index 2018
IBM X-Force Threat Intelligence Index 2018 IBM X-Force Threat Intelligence Index 2018 Notable security events of 2017, and a look ahead IBM Security March 2018 IBM X-Force Threat Intelligence Index 2018 TABLE OF CONTENTS A threat intelligence powerhouse ...............................3 TrickBot ............................................................. 18 Additional credential storage ............................... 32 Executive overview ..................................................... 4 QakBot (aka QBot) ............................................ 19 X-Force-monitored network activity .................... 32 Network attack trends .................................................6 Necurs botnet still hitting hard ......................... 19 Cybercrime and cryptocurrency ................................ 34 Security incidents and attacks ...............................6 2017’s goners ....................................................... 20 The rush for crypto ............................................... 35 Network attack vectors ..........................................7 Neverquest’s 2017 exit ..................................... 20 Wallet phishers ................................................. 35 Inject unexpected items .................................... 8 Goodbye Shifu? ..................................................21 Coin-mining malware ........................................ 35 Botnet-based CMDi LFI attacks ..................... 8 What to expect in 2018? .......................................21 Why mine coins -
Scholar Adventurers Also by Richard D
ichard THE SCHOLAR ADVENTURERS ALSO BY RICHARD D. ALTICK Preface to Critical Reading The Cowden Clarkes The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 The Art of Literary Research Lives and Letters: A History of Literary Biography in England and America Browning's Roman Murder Story: A Reading of The Ring and the Book (with James F. Loucks II) To Be in England Victorian Studies in Scarlet Victorian People and Ideas The Shows of London Paintings from Books: Art and Literature in Britain, 1760-1900 Deadly Encounters: Two Victorian Sensations EDITIONS Thomas Carlyle: Past and Present Robert Browning: The Ring and the Book THE Scholar Adventurers RICHARD D. ALTICK Ohio State University Press, Columbus Copyright ©1950, 1987 by Richard D. Altick. All rights reserved. Library of Congress Cataloging-in-Publicatlon Data Altick, Richard Daniel, 1915- The scholar adventurers. Reprint. Originally published: New York : Macmillan, 1950. With new pref. Bibliography: p. Includes index. 1. English literature—Research. 2. Learning and scholarship—History. 3. Great Britain—Intellectual life. I. Title. P56.A7 1987 820'.72'0922 87-11064 ISBN O-8142-O435-X CONTENTS Preface to the Ohio State University Press Edition vii Introduction: The Unsung Scholar 1 I. The Secret of the Ebony Cabinet 16 II. The Case of the Curious Bibliographers 37 III. The Quest of the Knight-Prisoner 65 IV. Hunting for Manuscripts 86 V. Exit a Lady, Enter Another 122 VI. A Gallery of Inventors 142 VII. The Scholar and the Scientist 176 VIII. Secrets in Cipher 200 IX. The Destructive Elements 211 X. -
SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
FROM THE NEW YORK TIMES ARCHIVES SPIDER-MAN: A BUMPY RIDE ON BROADWAY The Broadway production of “Spider-Man: Turn Off the Dark” suffered from vast expenses and discord. (Sara Krulwich/The New York Times) TBook Collections Copyright © 2015 The New York Times Company. All rights reserved. Cover photograph by Sara Krulwich/The New York Times This ebook was created using Vook. All of the articles in this work originally appeared in The New York Times. eISBN: The New York Times Company New York, NY www.nytimes.com www.nytimes.com/tbooks Broadway’s ‘Spider-Man’ Spins A Start Date By PATRICK HEALY February 24, 2009 The widely anticipated new musical “Spider-Man, Turn Off the Dark,” with music and lyrics by Bono and the Edge and directed by Julie Taymor (“The Lion King”), took a big swing toward a Broadway debut on Tuesday: the producers announced that the show would begin previews on Jan. 16 at the Hilton Theater. The musical, produced by Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment and Sony Pictures Entertainment, is to open on Feb. 18. Industry insiders have said its budget would be the largest in Broadway history, about $40 million; a spokesman for the show, Adrian Bryan-Brown, said on Tuesday that the producers would not comment on the dollar amount. ‘Spider-Man’ Musical Names 2 Of Its Stars June 27, 2009 Evan Rachel Wood will be Mary Jane Watson and Alan Cumming will star as Norman Osborn (a k a Green Goblin) in the upcoming Broadway musical “Spider-Man, Turn Off The Dark,” the producers announced on Friday. -
A Qualitative Content Analysis of How Superheroines Are Portrayed in Comic Books
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Fight Like a Girl: A Qualitative Content Analysis of How Superheroines are Portrayed in Comic Books A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Arts in Sociology By Kimberly Romero December 2020 Copyright by Kimberly Romero 2020 ii The graduate project of Kimberly Romero is approved: _________________________________________ ______________ Dr. Michael Carter Date _________________________________________ ______________ Dr. Stacy Missari Date _________________________________________ ______________ Dr. Moshoula Capous-Desyllas, Chair Date California State University, Northridge iii ACKNOWLEDGEMENTS I would like to start off by acknowledging my parents for braving through a civil war, poverty, pain, political criticisms, racial stereotypes, and the constant bouts of uncertainty that immigrating to the United States, seeking asylum from the dangers plaguing their home country of El Salvador, has presented them with throughout the years. If it were not for your sacrifices, we would not have the lives and opportunities we have now. Having your constant love and support means the world to me. You are both my North Stars for everything I do. I would also like to acknowledge my sister for convincing Mom and Dad to let you name me after two of your greatest childhood role models, superheroines, and cultural icons. The Pink Power Ranger and The Queen of Tejano music are both pretty huge namesakes to live up to. I hope I do their legacies justice and that I am making you proud. I know I do not say this to you often but know that, through all our ups and downs, you were my hero growing up.