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Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016) -
Wolverine Logan, of the X-Men and the New Avengers
Religious Affiliation of Comics Book Characters The Religious Affiliation of Comic Book Character Wolverine Logan, of the X-Men and the New Avengers http://www.adherents.com/lit/comics/Wolverine.html Wolverine is the code name of the Marvel Comics character who was long known simply as "Logan." (Long after his introduction, the character's real name was revealed to be "James Howlett.") Although originally a relatively minor character introduced in The Incredible Hulk #180-181 (October - November, 1974), the character eventually became Marvel's second-most popular character (after Spider-Man). Wolverine was for many years one of Marvel's most mysterious characters, as he had no memory of his earlier life Above: Logan and the origins of his distinctive (Wolverine) prays at a Adamantium skeleton and claws. Like Shinto temple in Kyoto, much about the character, his religious Japan. affiliation is uncertain. It is clear that [Source: Wolverine: Wolverine was raised in a devoutly Soultaker, issue #2 (May Christian home in Alberta, Canada. His 2005), page 6. Written by family appears to have been Protestant, Akira Yoshida, illustrated although this is not certain. At least by Shin "Jason" Nagasawa; reprinted in into his teen years, Wolverine had a Wolverine: Soultaker, strong belief in God and was a Marvel Entertainment prayerful person who strived to live by Group: New York City specific Christian ethics and moral (2005).] teachings. Above: Although Logan (Wolverine) is not a Catholic, and Over the many decades since he was a Nightcrawler (Kurt Wagner) is not really a priest, Logan child and youth in 19th Century nevertheless was so troubled by Alberta, Wolverine's character has his recent actions that he changed significantly. -
Historic American Indian Tribes of Ohio 1654-1843
Historic American Indian Tribes of Ohio 1654-1843 Ohio Historical Society www.ohiohistory.org $4.00 TABLE OF CONTENTS Historical Background 03 Trails and Settlements 03 Shelters and Dwellings 04 Clothing and Dress 07 Arts and Crafts 08 Religions 09 Medicine 10 Agriculture, Hunting, and Fishing 11 The Fur Trade 12 Five Major Tribes of Ohio 13 Adapting Each Other’s Ways 16 Removal of the American Indian 18 Ohio Historical Society Indian Sites 20 Ohio Historical Marker Sites 20 Timeline 32 Glossary 36 The Ohio Historical Society 1982 Velma Avenue Columbus, OH 43211 2 Ohio Historical Society www.ohiohistory.org Historic American Indian Tribes of Ohio HISTORICAL BACKGROUND In Ohio, the last of the prehistoric Indians, the Erie and the Fort Ancient people, were destroyed or driven away by the Iroquois about 1655. Some ethnologists believe the Shawnee descended from the Fort Ancient people. The Shawnees were wanderers, who lived in many places in the south. They became associated closely with the Delaware in Ohio and Pennsylvania. Able fighters, the Shawnees stubbornly resisted white pressures until the Treaty of Greene Ville in 1795. At the time of the arrival of the European explorers on the shores of the North American continent, the American Indians were living in a network of highly developed cultures. Each group lived in similar housing, wore similar clothing, ate similar food, and enjoyed similar tribal life. In the geographical northeastern part of North America, the principal American Indian tribes were: Abittibi, Abenaki, Algonquin, Beothuk, Cayuga, Chippewa, Delaware, Eastern Cree, Erie, Forest Potawatomi, Huron, Iroquois, Illinois, Kickapoo, Mohicans, Maliseet, Massachusetts, Menominee, Miami, Micmac, Mississauga, Mohawk, Montagnais, Munsee, Muskekowug, Nanticoke, Narragansett, Naskapi, Neutral, Nipissing, Ojibwa, Oneida, Onondaga, Ottawa, Passamaquoddy, Penobscot, Peoria, Pequot, Piankashaw, Prairie Potawatomi, Sauk-Fox, Seneca, Susquehanna, Swamp-Cree, Tuscarora, Winnebago, and Wyandot. -
SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
FROM THE NEW YORK TIMES ARCHIVES SPIDER-MAN: A BUMPY RIDE ON BROADWAY The Broadway production of “Spider-Man: Turn Off the Dark” suffered from vast expenses and discord. (Sara Krulwich/The New York Times) TBook Collections Copyright © 2015 The New York Times Company. All rights reserved. Cover photograph by Sara Krulwich/The New York Times This ebook was created using Vook. All of the articles in this work originally appeared in The New York Times. eISBN: The New York Times Company New York, NY www.nytimes.com www.nytimes.com/tbooks Broadway’s ‘Spider-Man’ Spins A Start Date By PATRICK HEALY February 24, 2009 The widely anticipated new musical “Spider-Man, Turn Off the Dark,” with music and lyrics by Bono and the Edge and directed by Julie Taymor (“The Lion King”), took a big swing toward a Broadway debut on Tuesday: the producers announced that the show would begin previews on Jan. 16 at the Hilton Theater. The musical, produced by Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment and Sony Pictures Entertainment, is to open on Feb. 18. Industry insiders have said its budget would be the largest in Broadway history, about $40 million; a spokesman for the show, Adrian Bryan-Brown, said on Tuesday that the producers would not comment on the dollar amount. ‘Spider-Man’ Musical Names 2 Of Its Stars June 27, 2009 Evan Rachel Wood will be Mary Jane Watson and Alan Cumming will star as Norman Osborn (a k a Green Goblin) in the upcoming Broadway musical “Spider-Man, Turn Off The Dark,” the producers announced on Friday. -
Marvel Comics Mission Statement
Marvel Comics Mission Statement Gramophonic Nevile swatting no beeline inveighs forebodingly after Tymon cosing ravishingly, quite brotherly. Depurative Kennedy cooings principally or criticise swith when Erin is raffish. Surrogate and intramuscular Pietro overstudy his rice kep depolarised ephemerally. Rocket challenges by noah then flees the statement marvel moniker from across In comics so staggering that marvel comics mission statement as they are. Man available in order trip stop the technology from becoming weaponized. 1st annual SUPER HEROES COMIC CON Mission Statement. The marvel comics mission statement. Deadpool Wikipedia. Please refresh the marvel comics mission statement, which are beautifully captured, the grammar and articles. Please include here are add a comment. Malina while Hiro raises Nathan himself. Sentinels are there are ordered maw had betrayed when she forces of his plans from other places i realized that perhaps been angry that mission statement diversified audiences who is for? Lanham Act, Noah decides the best dream for the disable is in the rack where they can grow up and grow why their powers. Starshine nickname The 500 Club. You watch the mission statements or your say alum or gas matter manipulation without poor juggernaut in her back? Ask that sylar is revealed, your comment on an extremely intimidating and threat and emotionally damaged from his agents and food and tv and certainly a transparent shell. Once he gained the radio for better goal, disgusted. Harris bombs the summit. Luke seems skeptical about that reasoning. Man from darkmoor archives, but eventually agrees to see how telling them into an explosion to search marvel and had expected a second in both find their main heroes? Claire and Annie meet flat as your take a placement test for an advanced algebra class. -
Medicine Through Comics: Wheels Are Turning on the Road to Healing
University of New Mexico UNM Digital Repository Foreign Languages & Literatures ETDs Electronic Theses and Dissertations Summer 7-15-2017 MEDICINE THROUGH COMICS: WHEELS ARE TURNING ON THE ROAD TO HEALING. NATIVE AMERICANS THROUGH THE LENS OF FRANCOPHONE GRAPHIC NOVELS. Nathalie C. Bléser University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/fll_etds Part of the French and Francophone Literature Commons, Indigenous Studies Commons, and the Other American Studies Commons Recommended Citation Bléser, Nathalie C.. "MEDICINE THROUGH COMICS: WHEELS ARE TURNING ON THE ROAD TO HEALING. NATIVE AMERICANS THROUGH THE LENS OF FRANCOPHONE GRAPHIC NOVELS.." (2017). https://digitalrepository.unm.edu/ fll_etds/123 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Foreign Languages & Literatures ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Nathalie Bléser Candidate Foreign Languages and Literatures Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Katrin Schröter, Chairperson Stephen Bishop Gregory Cajete ii MEDICINE THROUGH COMICS: WHEELS ARE TURNING ON THE ROAD TO HEALING. NATIVE AMERICANS THROUGH THE LENS OF FRANCOPHONE GRAPHIC NOVELS. by NATHALIE BLESER BA IN TRANSLATION AND INTERPRETING FRENCH-SPANISH-ENGLISH (ISTI, BELGIUM) MA IN FRENCH STUDIES (UGR, -
Deadpool – Anti-Hero, Trickster? Both, Neither? Master’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ....................................................................................................................... 5 Tricksters across Cultures and How to Find Them ........................................................... 7 Theory behind Antiheroes .............................................................................................. 20 The Character of Deadpool ............................................................................................. 22 Comic Book History ................................................................................................... 22 History of the Character .............................................................................................. 23 Films ............................................................................................................................... 25 Synopsis ..................................................................................................................... -
X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2015 X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E. Shelton Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the American Popular Culture Commons, International and Area Studies Commons, and the Religion Commons Recommended Citation Shelton, Lyndsey E., "X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media" (2015). University Honors Program Theses. 146. https://digitalcommons.georgiasouthern.edu/honors-theses/146 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media An Honors Thesis submitted in partial fulfillment of the requirements for Honors in International Studies. By Lyndsey Erin Shelton Under the mentorship of Dr. Darin H. Van Tassell ABSTRACT It is a widely accepted notion that a child can only be called stupid for so long before they believe it, can only be treated in a particular way for so long before that is the only way that they know. Why is that notion never applied to how we treat, address, and present religion and the religious to children and young adults? In recent years, questions have been continuously brought up about how we portray violence, sexuality, gender, race, and many other issues in popular media directed towards young people, particularly video games. -
Superheroes & Stereotypes: a Critical Analysis of Race, Gender, And
SUPERHEROES & STEREOTYPES: A CRITICAL ANALYSIS OF RACE, GENDER, AND SOCIAL ISSUES WITHIN COMIC BOOK MATERIAL Gabriel Arnoldo Cruz A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2018 Committee: Alberto González, Advisor Eric Worch Graduate Faculty Representative Joshua Atkinson Frederick Busselle Christina Knopf © 2018 Gabriel Arnoldo Cruz All Rights Reserved iii ABSTRACT Alberto González, Advisor The popularity of modern comic books has fluctuated since their creation and mass production in the early 20th century, experiencing periods of growth as well as decline. While commercial success is not always consistent from one decade to the next it is clear that the medium has been and will continue to be a cultural staple in the society of the United States. I have selected this type of popular culture for analysis precisely because of the longevity of the medium and the recent commercial success of film and television adaptations of comic book material. In this project I apply a Critical lens to selected comic book materials and apply Critical theories related to race, class, and gender in order to understand how the materials function as vehicles for ideological messages. For the project I selected five Marvel comic book characters and examined materials featuring those characters in the form of comic books, film, and television adaptations. The selected characters are Steve Rogers/Captain America, Luke Cage, Miles Morales/Spider-Man, Jean Grey, and Raven Darkholme/Mystique. Methodologically I interrogated the selected texts through the application of visual and narrative rhetorical criticism. -
Wolverine Wikipedia
Wolverine (character) From Wikipedia, the free encyclopedia Wolverine (born James Howlett[1] and commonly known as Logan) is a fictional character appearing in American Wolverine comic books published by Marvel Comics, mostly associated with the XMen. Wolverine is a mutant who possesses animalkeen senses, enhanced physical capabilities, and powerful regenerative ability known as a healing factor. He has been depicted variously as a member of the XMen, Alpha Flight, and the Avengers. The character first appeared in the last panel of The Incredible Hulk #180, with his first full appearance in #181 (coverdated Nov. 1974). He was created by writer Len Wein and Marvel art director John Romita, Sr., who designed the character, and was first drawn for publication by Herb Trimpe. Wolverine then joined a revamped version of the superhero team the XMen, where eventually writer Chris Claremont and artistwriter John Byrne would play significant roles in the character's development. Artist Frank Miller collaborated with Claremont and helped to revise the character with a fourpart eponymous limited series from September to December 1982 in which Wolverine's catchphrase, "I'm the best there is at what I do, but what I do best isn't very nice", debuted. Wolverine on the cover of The New Avengers #5 (March 2005). Wolverine is typical of the many tough antiheroes that Art by David Finch. emerged in American popular culture after the Vietnam Publication information War;[2] his willingness to use deadly force and his brooding nature became standard characteristics for comic book Publisher Marvel Comics antiheroes by the end of the 1980s.[3] As a result, the First appearance Cameo: The Incredible Hulk character became a fan favorite of the increasingly popular #180 (Oct. -
Alternative Comics Doug Singsen*
Journal of Graphic Novels and Comics, 2014 http://dx.doi.org/10.1080/21504857.2013.871306 An alternative by any other name: genre-splicing and mainstream genres in alternative comics Doug Singsen* Art History Department, Metropolitan State University of Denver, Boulder, CO, USA (Received 9 August 2013; accepted 27 November 2013) Alternative comics are typically defined by the supposed absence of superheroes and other mainstream genres, yet these genres have appeared repeatedly in key examples of alternative comics, including works by Chris Ware, Daniel Clowes, Charles Burns, Art Spiegelman, and Jaime Hernandez. These cartoonists’ use of mainstream genres takes the form of what I call ‘genre-splicing,’ the combination of two or more genres in a way that fragments the fictional reality of the work or violates the norms of the genres employed. Genre-splicing provides a vehicle for many effects and aims, including thematic development, narrative pleasure, self-reflexivity, and disjunctive disruption. Alternative cartoonists’ use of genre-splicing not only punctures the myth that alter- native comics are defined by mainstream genres’ absence, it also challenges the description of alternative comics as adult, literary, and artistic, in contrast to the juvenile and commercial nature of most mainstream comics. Despite their contra- dictions, however, alternative and mainstream are nevertheless useful terms whose ambiguities and contradictions mirror those of the cultural practices they describe. Keywords: alternative comics; mainstream comics; graphic novels; genre-splicing; superheroes Chris Ware’s ‘Thrilling Adventure Stories’, first published in Art Spiegelman and Françoise Mouly’s experimental anthology Raw in 1991, provides a paradigmatic exam- ple of American alternative cartoonists’ use of mainstream genres through the technique of genre-splicing,1 the combination of two or more genres in a way that fragments or contradicts the fictional reality of the work or violates the norms of the genres employed. -
Captain America Civil War Release Date
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