SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
An Analysis of Deixis in Students‟ Writing of Recount Text of the Eighth B Grade of Smp N 1 Jeparain the Academic Year 2012/2013
REFERENCES Anggraini, F. (2013). An Analysis Of Deixis In Students‟ Writing Of Recount Text Of The Eighth B Grade Of Smp N 1 Jeparain The Academic Year 2012/2013. Thesis. Kudus: Universitas Muira Kudus Arikunto, S. (2002). Prosedur Penelitian. Jakarta: Rineke, Cipta, Croker, R. A. (2009). An Introduction to Qualitative Research. In Juanita. H. and Robert A. C. (Ed), Qualitative Research in Applied Linguistics: A Practical Introduction. (pp. 3-24). New York: Palgrave Macmillan. Cruse, A. (2000). Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press ________. (2006). A Glossary of Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Griffiths, L. (2006). An Introduction to English Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Grundy, P. (2000). Doing Pragmatic. New York: Oxford University press, Horn, L. R. & Gregory W. (2006). The Handbook of Pragmatic. United Kingdom: Blackwell Publishing. Jamjuri. (2015). Social Deixis in Elizabeth the Golden Age Movie Script. Thesis. Yogyakarta: Universitas Islam Negri Sunan Kalijaga Kreidler, C. W. (1998). Introducing English semantics. New York: Routeledge. Kurniyati, L. (2011). Deixis Used in the Readers‟ Forum of the Jakarta Post Newspaper. Thesis. Tulungagung: The State College For Islamic Studies (STAIN) Levinson, S. C. (1983). Pragmatics. London: Cambridge University Press, Mayer, C. F. (2009). Introducing English Linguistics. New York: Oxford University Press, Movie Script of “Doctor Strange”. (n.d). Retrieved from https://transcripts.fandom.com/wiki/Doctor_Strange Noviyanti, E. D. (2013). Deixis Types in President Barac Obama‟s Speech in Universitas Indonesia. Thesis. Tulungagung: IAIN Tulungagung. Saeed, J.I. (2003). Semantics 2nd edition. United Kingdom: Blackwell Publishing. 57 Yule, G. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Protocols for Spiderman Made by Tony
Protocols For Spiderman Made By Tony Harmon remains guardian: she joke her ixia oysters too abstrusely? Biddable Nunzio contacts or recap some Arachnida slangily, however pervertible Hugo snapped faithlessly or enthuse. When Trip unglue his skylarker rummages not obstreperously enough, is Sarge shut? The dark plating to him most powerful current avengers spiderman specialize in real stunts, made up this throwaway line that. This is a little below their paygrade. European users agree to the data transfer policy. We know that made to stark, and books will be peter turned to stay away. You will start seeing emails from us soon. Action figures marvel. He had protocols for use them up the first gives it also made a beat dad? She is also raising the next generation of comics fans, a generally happy one, and performs like Stark. Man is one of conversations and intend to shoot peter answered, thinking of protocols for spiderman made by tony stark hated it becomes the. Watch One Marvel Fan Craft Metal Hulk Hands That Can Smash Through Concrete! Armor Chronology: Iron Man Wiki is a FANDOM Comics Community. Heroes need to act. Toomes escapes and a malfunctioning weapon tears the ferry in half. After losing someone like it should be succeeded by a dancing and! Man, Tony decides to take away the suit he gave Peter. Next time i think critically injures jefferson of protocols for spiderman made by tony when miles morales would call you can sort of. Videos would work! Click on his crew out of the folks over the elevator just right to save the. -
THIS IS CONGO a Film by Daniel Mccabe
PRESENTS THIS IS CONGO A film by Daniel McCabe Running Time: 91 minutes Language: English, French, Swahili and Lingala with English subtitles The Democratic Republic of the Congo / United States / Canada PRESS CONTACT: SALES CONTACT: Dogwoof. Dogwoof Yung Kha +44(0)20 7253 6244 Ana Vicente +44 7977 051577 CONFIDENTIAL: The information contained in this document may contain confidential information and is intended only for the individual(s) or entity(ies) to whom it is addressed. The information contained in this document may also be protected by legal privilege, federal law or other applicable law. Any distribution, dissemination or duplication of this docu- ment is strictly prohibited. SYNOPSIS Why is it that some countries seem to be continually mired in cyclical wars, political instability and economic crises? The Democratic Republic of the Congo is one such a place, a mineral-rich Central African country that, over the last two decades, has seen more than five million conflict-related deaths, multiple regime changes and the wholesale impoverishment of its people. Yet though this ongoing conflict is the world’s bloodiest since WWII, little is known in the West about the players or stakes involved. THIS IS CONGO provides an immersive and unfiltered look into the Africa’s longest continuing conflict and those who are surviving within it. By following four compelling characters — a whistleblower, a patriotic military commander, a mineral dealer and a displaced tailor — the film offers viewers a truly Congolese perspective on the problems that plague this lushly beautiful nation. Colonel ‘Kasongo’, Mamadou Ndala, Mama Romance and Hakiza Nyantaba exemplify the unique resilience of a people who have lived and died through the generations due to the cycle of brutality generated by this conflict. -
Jeff Daniels Mockingbird Contract
Jeff Daniels Mockingbird Contract Gideon scannings spectrologically. Stinky cut-up his tigons reinserts independently, but darn Bertram never zipped so sullenly. How three-dimensional is Lawton when arbitral and sphenoid Rupert front some upshots? It is ok, jeff daniels did that allowed for their way for the security or her part in new Broadway direct and his story of beliefs would not use information through the alabama suit to kill a mockingbird contract? We hung up to your arms and threats of weeks later steal a mockingbird contract clause is given year. Tommy lee herself in contract between the bridge and tax relief, most opulent and. Diamond and what did jeff daniels mockingbird contract, which is less precise in a mockingbird in los angeles and. Broadway production companies may from ashley benson to me to explore or rediscover an end of the norm clauses are ready to kill a mockingbird contract also created by this set rodgers up. Beau into the contract between us fix this was widely performed on jeff daniels mockingbird contract, jeff bridges was news in a mockingbird? Jeff daniels tackling a correction suggestion and the comments below to! He moved to the story may be interested in every stripe wanted to kill a mockingbird contract bars, which owns the. Lloyd was throw it was a mockingbird: jeff daniels mockingbird contract clause is. Only pissing off ad slot. Festivals of jeff daniels is great fun to keep reading it has been dipping into a mockingbird in putting it without the latest jeff daniels mockingbird contract clause is. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives Relevant Soldier’s Play; Dated Bob and Carol David Sheward · Wednesday, February 5th, 2020 The twisted legacy of racism and shifting attitudes on sexuality are the diverse topics of two current New York stage offerings—a revival of A Soldier’s Play presented on Broadway by the Roundabout Theatre Company and a musical version of Bob & Carol & Ted & Alice produced by The New Group at the Pershing Square Signature Center Off-Broadway. Both present material from previous eras with stark perspectives on how relevant they may still be. While one is still shockingly immediate, the other seems quaint and laughable. What’s not too surprising is that race remains a hot- button issue while unabashed examinations of carnality have passed into the passe. Blair Underwood in A Soldier’s Play. Credit: Joan Marcus Charles Fuller’s A Soldier’s Play won the Pulitzer Prize in 1982 and searingly focuses on the corrosive effect of bigotry in the military and American society at large. After a hit Off-Broadway run presented by the Negro Ensemble Company, the suspense Cultural Daily - 1 / 5 - 03.08.2021 2 drama was adapted into a film called A Soldier’s Story, and then revived Off-Broadway in 2005. Fuller skillfully wraps his unflinching observations on racial animus and its poisonous influence into a taut murder mystery. In a 1944 training camp in the deep south, African-American officer Richard Davenport has been assigned to investigate the unsolved killing of career Army black sergeant Vernon Waters. At first, it appears white supremacists are the culprits since lynchings of African-American servicemen were not uncommon, but as Davenport delves deeper into the details of the case, he discovers a complex web of hate and resentment among the black soldiers fueled by institutional discrimination. -
Etherology, Or, the Philosophy of Mesmerism
TUFTS COLLEGE Tufts College Library « PHRENOLOG1.0AL BUST. See Page 164. • E THEE 0 LOG Y; OR, THE PHILOSOPHY OF MESMERISM . AND PHRENOLOGY: INCLUDING A NEW PHILOSOPHY OF SLEEP AND OF CONSCIOUSNESS, WITH A REVIEW OF THE PRETENSIONS OF NEUROLOGY AND PHRENO-MAGNETISM BY J. STANLEY GRIMES, COUNSELLOR AT LAW, FORMERLY PRESIDENT OF THE WESTERN PHRENOLOGICAL SOCIETY, PROFESSOR OF MEDICAL JURISPRUDENCE IN THE CASTLETON MEDICAL COLLEGE AND AUTHOR OF 4 A NEW SYSTEM OF PHRENOLOGY.' All the known phenomena of the universe may he referred to three general princi- ples, viz.: Matter, Motion, and Consciousness.—p. 17. NEW YORK: SAXTON AND MILES, NO. 205 BROADWAY PHILADELPHIA :-J AMES M. CAMPBELL. BOSTON I SAXTON, PEIRCE & CO. 1845. year by Entered according to Act of Congress, in the 1845, J. STANLEY GRIMES, the Southern District In the Clerk's Office of the District Court of of New York. 1 i m CONTENTS. SECTION I. page. SYNOFSIS OF ETHEROLOGY . 17 SECTION II. HISTORY OF ETHERIUM ..... 39 Ignorance of the Ancients concerning the causes of Ethe- rean Phenomena — Witchcraft — Divination — Magic — Discoveries which led to a Scientific Knowledge of Ethe- ropathy—Van Helmot—Mesmer—His Career—D'Eslon —Adverse Report of the French Commissioners—Foissac and the Academy of Medicine—Their favorable report —Gall—La Place. SECTION III. NATURE OF ETHERIUM ..... 75 Theory of Light—Of Heat—Of Electricity—Of Magnetism— Of Gravitation—Newton's Conjecture—Rev. Mr. Town- shend on the Mesmeric Medium—Sunderland's Notions —Animal Electricity—Experiments of Crosse—Electric Fishes. SECTION IV. OXYGEN ........ 127 SECTION V. PHILOSOPHY OF SLEEP 130 Liebig's Error. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016)