Medicine Through Comics: Wheels Are Turning on the Road to Healing
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Prix Greffulhe (Gr.2), 3Rd Prix La Force (Gr.3)
84 Consigned by Athassel House Stud 84 Sadler's Wells Montjeu Floripedes POUR MOI Darshaan (IRE) Gwynn N. Victoress Green Desert Invincible Spirit bay filly 01/02/2013 MILLION SPIRITS Rafha 2004 (IRE) Multicolour Wave Rainbow Quest 1998 Echoes E.B.F./B.C. Nominated POUR MOI (2008), 3 wins, Derby St.(Gr.1), Prix Greffulhe (Gr.2), 3rd Prix La Force (Gr.3). Stud in 2012. First crop now 2 year olds. 1st dam MILLION SPIRITS, 2 wins at 2 and 3 years in Ireland, placed twice. Dam of : Spiritual Star (c. Soviet Star) 3 wins at 2 to 6 (15) in GB, £30,804, placed 13 times. N., (see above), her 3rd living foal. 2nd dam MULTICOLOUR WAVE, placed once at 3 years. Dam of 10 foals of racing age, 7 winners incl. : ELUSIVE WAVE, (f., Elusive City), 6 wins at 2 to 4 in France and in GB, Poule d'Essai des Pouliches (Gr.1), Prix du Calvados (Gr.3), Imprudence (Gr.3), Quincey (Gr.3), Roland de Chambure (L.), placed 7 times, 2nd Prix Marcel Boussac (Gr.1), Rothschild (Gr.1), 3rd Prix Rothschild (Gr.1), 571 125 €. Dam of : Getback In Paris, (c.2013, Galileo), in training in France. Million Waves (f., Mull of Kintyre) 1 win at 2 in Ireland, 2nd Silken Glider St.(L.). Dam of winners incl. : Blue Wave, (c.), 7 wins at 2 to 4 years in GB, £67,077. Photophore, (f., Clodovil), 2 wins at 3 years, placed once. Dam of : CITY IMAGE, (f.), 2 wins at 2 years in GB, Empress St.(L.). -
Four Summer 2018 Exhibitions Translating and Interpreting the Wild West Montana Bill
Summer 2018 ■ Four summer 2018 exhibitions ■ ■ Translating and interpreting the Wild West ■ ■ Montana Bill ■ to the point BY BRUCE ELDREDGE Executive Director and CEO About the cover: A golden eagle feeds her nestlings with Heart Mountain, east of Cody, Wyoming, in the background. (Photography by Nick Ciaravella, Moosejaw Bravo Photography, 2017.) The Draper Natural History Museum has been studying the golden eagle habitat for ten years. On June 10, an exhibition titled Monarch of the Skies: The Golden Eagle in Greater Yellowstone and the American West, opens to showcase that research. ©2018 Buffalo Bill Center of the West. Points West is published for members and friends of the Center of the West. Written permission is required to copy, reprint, or distribute Points West materials in any medium or format. All photographs in Points West are Center of the West photos unless otherwise noted. Direct all questions about image rights and reproduction to [email protected]. Bibliographies, works cited, and footnotes, etc. are purposely omitted to conserve space. However, such information is available by contacting Periodically, we include a “Beyond our Walls” section in Points West (see page the editor. Address correspondence to Editor, 23) to let readers know where they can encounter our works and content outside Points West, Buffalo Bill Center of the West, the Buffalo Bill Center of the West. It’s a great feeling to see our collections such a 720 Sheridan Avenue, Cody, Wyoming 82414, or part of the museum landscape throughout the country—and the world. [email protected]. However, as I look at the Table of Contents, I see that this entire summer edition of Points West could very well be called a “beyond our walls” issue! ■ Managing Editor | Marguerite House First, our remarkable exhibition Albert Bierstadt: Witness to a Changing West ■ Assistant Editor | Nancy McClure brings artwork from twenty-two entities including museums, colleges, historical ■ societies, and galleries. -
Afraid of Bear to Zuni: Surnames in English of Native American Origin Found Within
RAYNOR MEMORIAL LIBRARIES Indian origin names, were eventually shortened to one-word names, making a few indistinguishable from names of non-Indian origin. Name Categories: Personal and family names of Indian origin contrast markedly with names of non-Indian Afraid of Bear to Zuni: Surnames in origin. English of Native American Origin 1. Personal and family names from found within Marquette University Christian saints (e.g. Juan, Johnson): Archival Collections natives- rare; non-natives- common 2. Family names from jobs (e.g. Oftentimes names of Native Miller): natives- rare; non-natives- American origin are based on objects common with descriptive adjectives. The 3. Family names from places (e.g. following list, which is not Rivera): natives- rare; non-native- comprehensive, comprises common approximately 1,000 name variations in 4. Personal and family names from English found within the Marquette achievements, attributes, or incidents University archival collections. The relating to the person or an ancestor names originate from over 50 tribes (e.g. Shot with two arrows): natives- based in 15 states and Canada. Tribal yes; non-natives- yes affiliations and place of residence are 5. Personal and family names from noted. their clan or totem (e.g. White bear): natives- yes; non-natives- no History: In ancient times it was 6. Personal or family names from customary for children to be named at dreams and visions of the person or birth with a name relating to an animal an ancestor (e.g. Black elk): natives- or physical phenominon. Later males in yes; non-natives- no particular received names noting personal achievements, special Tribes/ Ethnic Groups: Names encounters, inspirations from dreams, or are expressed according to the following physical handicaps. -
Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016) -
Spring 2014.Indb
VOLUME 3, ISSUE 2 ISSN: 2162-2817 Immersion and Indigenous Th eology: Refl ections from NAIITS 1 A NOTE FROM THE EDITOR YALIN XIN, WCIDJ SENIOR EDITOR GUEST EDITORIAL 2 TERRY LEBLANC 5 CULTURE, CHRISTIAN FAITH AND ERROR: A WORK IN PROGRESS ADRIAN JACOBS, RICHARD TWISS, AND TERRY LEBLANC 26 INDIGENOUS THEOLOGY: ABATING COLONIAL IMPACT TERRY LEBLANC THE RESURRECTION OF STORY 32 RAY ALDRED AUTHENTIC CHRISTIAN EDUCATION FROM A NATIVE 39 AMERICAN POINT OF VIEW LEONARD “CASEY” CHURCH 49 BLACK ELK SPEAKS DAMIAN COSTELLO William Carey International Development Journal SPRING 2014 1539 E. Howard Street William Carey International Development Journal Pasadena, CA 91104 Published by William Carey International University www.wciujournal.org www.wciujournal.org • [email protected] William Carey International Development Journal Vol 3 Issue 2: Spring 2014 A Note from the Editor reetings to you all, colleagues, friends, and readers of WCIDJ! I am delighted to take this opportunity to announce a recent partnership initiative between William Carey Interna- Gtional University (WCIU) and the North American Institute for Indigenous Th eological Studies (NAIITS) in support of the education of Native North Americans and other indigenous peoples in the area of biblically and theologically framed education and community development. To celebrate this partnership, WCIU and NAIITS co-hosted a Winter Institute, in Feb/March 2014, on Indigenous Th eological Refl ections: Understanding History, Engaging the Future. At the Institute Dr. Terry LeBlanc, Casey Church, and Bryan Brightcloud led presentations and workshops on both the indigenous theologizing process and expressions. As you may agree with me after viewing some of the videos of the Institute included in this issue, NAIITS leaders, representing their community of believers, have obviously thought and ploughed deep in contextual theology and presented a lot of thought-provoking stories and refl ections to us. -
Black Elk's Legacy Mark G
Marquette University e-Publications@Marquette Library Faculty Research and Publications Library (Raynor Memorial Libraries) 12-31-2006 Black Elk's Legacy Mark G. Thiel Marquette University, [email protected] Published version. Whispering Wind, Vol. 37, No. 2 (2007): 14-18. Publisher link. © 2007 Written Heritage. Used with permission. Black Elk's Legacy By Mark Thiel All photographs are courtesy of Marquette University and from its Bureau of Catholic Indian ehaka Sapa or Black Elk Missions Records, unless noted otherwise. H(1863-1950) lived one of the most controversial lives of the 20th century. To most Americans, he is best-known from Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux, as told through John G. Neihardt (Neihardt, 1979). It chronicles his life as a warrior, wild-west show dancer, and medicine man (photo right) and, although called his life story, the book ends abruptly in 1890 at the Wounded Knee massacre on the Pine Ridge Reservation in South Dakota, where Black Elk as a 27-year old was wounded. Black Elk dressed as a distinguished elder, probably at the Duhamel's Sioux Indian Pageant, Black Hills, South Dakota, W. Ben Hunt, photographer, ca . 1939. This image is accessible online in the Marquette University Digital Collections. In 1929, Black Elk and the Duhamel family organized a pageant near the developing Mount Rushmore Monument. The pageant included short renditions of Lakota ceremonies and dances narrated by Black Elk to educate tourists about Lakota heritage. It is believed that Black Elk's evolving narration provided the basis for his last collaborative book, The Sacred Pipe: Black Elk's Account of the Seven Rites of the Oglala Sioux, for which he was interviewed in 1947 and 1948. -
EDITED PEDIGREE for EMBLETON (GB)
EDITED PEDIGREE for EMBLETON (GB) Danehill (USA) Danzig (USA) Sire: (Bay 1986) Razyana (USA) CACIQUE (IRE) (Bay/Brown 2001) Hasili (IRE) Kahyasi EMBLETON (GB) (Bay 1991) Kerali (Bay filly 2014) Miswaki (USA) Mr Prospector (USA) Dam: (Chesnut 1978) Hopespringseternal (USA) MORZINE (GB) (Chesnut 2003) Skiable (IRE) Niniski (USA) (Chesnut 1990) Kerali 3Sx3D Kerali, 4Sx4D High Line, 4Sx4D Sookera (USA), 5Sx4D Buckpasser, 5Sx5S Natalma, 5Sx4D Nijinsky (CAN), 4Sx5D Northern Dancer, 5Sx5D High Hat, 5Sx5D Time Call, 5Sx5D Roberto (USA), 5Sx5D Irule EMBLETON (GB), placed once at 2 years. 1st Dam MORZINE (GB), won 1 race at 2 years and £7,105 and placed twice, from only 4 starts; dam of 2 winners: SKI LIFT (GB) (2011 f. by Pivotal (GB)), won 2 races at 3 years and £10,677 and placed twice, from only 6 starts; broodmare. TRY OUT (GB) (2010 c. by Rail Link (GB)), won 1 race in France at 3 years and £12,927 and placed once. Embleton (GB), see above. Marron (GB) (2013 f. by Raven's Pass (USA)), placed once in Belgium at 3 years. Charity Joy (GB) (2015 c. by Oasis Dream (GB)), in training. She also has a 2-y-o filly by Charm Spirit (IRE) and a yearling filly by Golden Horn (GB). 2nd Dam Skiable (IRE), won 4 races in France and U.S.A. from 2 to 4 years and £48,628, placed once second in Matching Stakes, Del Mar, L.; dam of 8 winners: THREE VALLEYS (USA) (c. by Diesis), JT 4th top rated 2yr old in Europe in 2003, JT Champion 2yr old colt in England in 2003, won 5 races at home and in U.S.A. -
TITLE PAGE Neihardt's Ghost Dance: the Literary Creation of Black Elk
TITLE PAGE Neihardt’s Ghost Dance: The literary creation of Black Elk and Lakota Religion by Robert DeBarba M.A. (Hood College) 2019 THESIS / CAPSTONE Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in HUMANITIES in the GRADUATE SCHOOL of HOOD COLLEGE May 2019 Accepted: ______________________ ______________________ Dr. Amy Gottfried Dr. Corey Campion Committee Member Program Director ______________________ ______________________ Dr. Corey Campion Dr. April Boulton Committee Member Dean of the Graduate School ______________________ Dr. Jay Harrison Capstone Advisor i STATEMENT OF USE AND COPYRIGHT WAIVER “I do authorize Hood College to lend this Thesis (Capstone), or reproductions of it, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research.” ii ABSTRACT Native American ceremonies are an integral part of understanding indigenous culture. In the early 1900’s, John Neihardt attempted to better understand the Lakota culture by interviewing Black Elk about the Ghost Dance of 1890. Originally, Neihardt’s intention was to use the information he gathered as a backdrop to his impending novel. Instead, in 1930, he wrote Black Elk Speaks, which was based on the interview of Black Elk on Lakota Culture. Originally, the book was touted as a lens into authentic Native American religion; information that was traditionally internal was made available to outsiders. Throughout decades the book has been accepted as a valuable primary source of indigenous culture. The Lakota Ghost Dance filled a religious void in Lakota culture that resulted from generations of oppression of tribal members by Anglo Americans. -
Pulling Together: Foundations Guide
Media Attributions • Indigenization_Cover-Pages_Foundations Pulling Together: Foundations Guide by Kory Wilson is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted. The CC licence permits you to retain, reuse, copy, redistribute, and revise this book — in whole or in part — for free, providing the author is attributed as follows: Pulling Together: Foundations Guide by Kory Wilson is used under a CC BY-NC 4.0 licence. This textbook can be referenced. In APA style, it should appear as follows: Wilson, K. (2018). Pulling Together: Foundations Guide. Victoria, BC: BCcampus. Retrieved from https://opentextbc.ca/indigenizationfoundations/ Ebook ISBN: 978-1-77420-054-4 Print ISBN: 978-1-77420-053-7 Artist Statement Inspired by the annual gathering of ocean-going canoes through Tribal Journeys, ‘Pulling Together’ created by Kwakwaka’wakw artist, Lou-ann Neel, is intended to represent the connections each of us has to our respective Nations and to one another as we Pull Together. Working toward our common visions, we move forward in sync, so we can continue to build and manifest strong, healthy communities with foundations rooted in our ancient ways. Thank you to all of the writers and contributors to the guides. We asked writers to share a phrase from their Indigenous languages on paddling or pulling together… ‘alhgoh ts’ut’o ~ Wicēhtowin ~ kən limt p cyʕap ~ si’sixwanuxw ~ ƛihšƛ ~ Alh ka net tsa doh ~ snuhwulh ~ Hilzaqz as q̓ íǧ uála q̓ úsa m̓ ánáǧ uala wíw̓ úyalax̌ sṃ ~ k’idéin át has jeewli.àat ~ Na’tsa’maht ~ S’yat kii ga goot’deem ~ Yequx deni nanadin ~ Mamook isick Thank you to the Indigenization Project Steering Committee, project advisors and BCcampus staff who offered their precious time and energy to guide this project. -
Benjamin Black Elk Copyright © 1984 by the South Dakota State Historical Society
Copyright © 1984 by the South Dakota State Historical Society. All Rights Reserved. Benjamin Black Elk Copyright © 1984 by the South Dakota State Historical Society. All Rights Reserved. Dakota Images Seen through the camera viewfinders of thousands of visitors to Mount Rushmore, Benjamin Black Elk, dress- ed in traditional Sioux clothing, seemed to epitomize the popular image of the Sioux Indian. Those few visitors who also paused to talk with the man known as the "Fifth Face of Mount Rushmore" found an articulate spokesman working for the preservation of his heritage. Benjamin Black Elk was born in 1899 at Manderson on the Pine Ridge reservation in South Dakota. One of sever- al in a line to carry the family name, he was the son of Black Elk, the Oglala medicine man who was a cousin of Crazy Horse and fought with him at the Battle of the Lit- tle Bighorn. After attending Carlisle Indian School in Pennsylvania for a short time, Ben Black Elk returned to Manderson. He served as an interpreter when, in the early 1930s, John G. Neihardt conducted the interviews with his father that culminated in the book Black Elk Speaks. He later became a successful rancher in the area, winning awards for both crops and livestock. In the last two decades of his life, Ben Black Elk became one of the most photographed men of all time. In the 1950s, he began twenty years of posing for summer tourists at Mount Rushmore, having his picture taken as often as five thousand times in one day. In 1962, he became the first person to appear on the initial live televi- sion broadcast transmitted from the United States to Eu- rope via the Telstar satellite. -
What Sort of Indian Will Show the Way? Colonization, Mediation, and Interpretation in the Sun Dance Contact Zone
WHAT SORT OF INDIAN WILL SHOW THE WAY? COLONIZATION, MEDIATION, AND INTERPRETATION IN THE SUN DANCE CONTACT ZONE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sandra Garner, B.A., M.A. Graduate Program in Comparative Studies The Ohio State University 2010 Dissertation Committee: Lindsay Jones, Advisor Maurice Stevens Richard Shiels Copyright by Sandra Garner 2010 ABSTRACT This research project focuses on the Sun Dance, an Indigenous ritual particularly associated with Siouan people, as a site of cultural expression where multiple, often conflicting concerns, compete for hegemonic dominance. Since European contact the Sun Dance has been variously practiced, suppressed, reclaimed, revitalized, and transformed. It has also evoked strong sentiments both from those that sought to eradicate its practices as well as those who have sought its continuance. In spite of a period of intense colonial repression, during the last three decades the Siouan form of the Sun Dance has become one of the most widely practiced religious rituals from Indigenous North America and the number of Sun Dances held and the numbers of people participating has grown significantly. How has the Sun Dance ritual endured in spite of a lengthy history of repression? What is it about the Sun Dance that evokes such powerful sentiments? And, how do we account for the growth of the Sun Dance. I argue that the current growth and practice of the Sun Dance must be considered within the context of colonialism; a central focus of this dissertation. I identify the complex and messy ways that individuals mediate the inequitable power relations that shape colonialist interactions, as well as the way they interpret these social spaces. -
Wolverine Logan, of the X-Men and the New Avengers
Religious Affiliation of Comics Book Characters The Religious Affiliation of Comic Book Character Wolverine Logan, of the X-Men and the New Avengers http://www.adherents.com/lit/comics/Wolverine.html Wolverine is the code name of the Marvel Comics character who was long known simply as "Logan." (Long after his introduction, the character's real name was revealed to be "James Howlett.") Although originally a relatively minor character introduced in The Incredible Hulk #180-181 (October - November, 1974), the character eventually became Marvel's second-most popular character (after Spider-Man). Wolverine was for many years one of Marvel's most mysterious characters, as he had no memory of his earlier life Above: Logan and the origins of his distinctive (Wolverine) prays at a Adamantium skeleton and claws. Like Shinto temple in Kyoto, much about the character, his religious Japan. affiliation is uncertain. It is clear that [Source: Wolverine: Wolverine was raised in a devoutly Soultaker, issue #2 (May Christian home in Alberta, Canada. His 2005), page 6. Written by family appears to have been Protestant, Akira Yoshida, illustrated although this is not certain. At least by Shin "Jason" Nagasawa; reprinted in into his teen years, Wolverine had a Wolverine: Soultaker, strong belief in God and was a Marvel Entertainment prayerful person who strived to live by Group: New York City specific Christian ethics and moral (2005).] teachings. Above: Although Logan (Wolverine) is not a Catholic, and Over the many decades since he was a Nightcrawler (Kurt Wagner) is not really a priest, Logan child and youth in 19th Century nevertheless was so troubled by Alberta, Wolverine's character has his recent actions that he changed significantly.