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SYMFONICKÝ REPERTOÁR / SYMPHONIC REPERTOIRE / SYMPHONISCHES REPERTOIRE Auber: The Most Popular Opera Overtures Baguer: Symphonies No. 13 -15 Bach, J.S.: Four Orchestral Suites Barber: Adagio for Strings Bartók: Music for Strings, Percussions and Celesta, Divertimento, Dance Suite, Concerto for Orchestra, Romanian Dances Beethoven: Complete Orchestral Works Benda, J. A.: Symphonies No. 4 - 6 Berlioz: Fantastic Symphony, Funeral Symphony, Harold in Italy, Faust-excerpts, B. Cellini, King Lear, Corsar, Roman Carnival Bernstein: Preludium, Fuga and Riff, Symphony No. 2 „Age of Anxiety“ Bizet: Carmen Suites, L´Arlesienne Suites, Roma, Symphony C dur Boccherini: Variations Sulla Ritirata Borodin: Polovstvian Dances, In the Central Asia, Prince Igor Overture Brahms: Complete Orchestral Works Britten: Simple Symphony, Variation on a Theme of H. Purcell (The Young People´s Guide), Variations on a Theme of F. Bridge, Mattinees musicales, Sinfonietta, Sinfonia da Requiem Bruckner: Symphonies No. 2 - 7, Overture g minor Copland: Appalachian Spring Suite, Fanfare for the Common Man Debussy: Prélude a l´apres-midi d´un Faune, La Mer, Images Dukas: L´Apprenti Sorcier Dvořák: Complete Orchestral Works Elgar: Cockaigne Overture, Enigma Variations, Elegy for Strings Enescu: Romanian Rhapsodies Falla: El Amor Brujo Suite Fauré: Peleas and Melisande, Pavane Fibich: Toman and Wood Nymphe, Night in the Karlštejn Overture, Othello, In the Twilight, Záboj, Slavoj and Luděk, Symohonies No. 1, 2, 3 Flotow: Martha Overture Foerster: Festive Overture, Shakespeare Suite Franck: Symphony d moll, The Most Popular Symphonic Poems Fučík: Popular Dances, Marches, Overtures Gershwin: American in Paris, Porgy and Bess Symphonic Picture, Cuban Overture Glazunov: Symphonies No. 2, 3, 4, 5, 8, 9, Spring, Mazurka, Andantino, Finnish Sketches, Suite from Ancient Times, Finnish Fantasy Glinka: Ruslan and Ludmila Overture, Ivan Susanin Overture, Kamarinskaja, Valse Fantasy, Night in the Madrid, Jota Aragonese Gluck: The Most Popular Opera Overtures, Sinfonia in Re Grieg : Peer Gynt Suites, Holberg Suite, Symphonic Dances, Norwegian Dances Händel: Fireworks Music, Water Music, Xerxes Overture Haydn: The Most Popular Symphonies and Concertante Symphonies Hindemith: Mathis der Maler Symphony, Symphonic Metamorphoses, Nobilissima Visione Honegger: Pacific 231, Summer Pastorale, Symphonies No. 2 and 3 Huanzhi: Spring Festival Overture Janáček: Taras Bulba, Symfonietta, Lachian Dances, Moravian Dances, Suite, Idylle Kilar: Symphony No. 5, Pan Tadeusz Polonaise, Orawa Kodály: Háry János Suite, Dances from Galanta Kurpiński: The Ruins of Babylon Overture Liszt: Les Preludes, Tasso, Hungaria, Faust Symphony, Dante Symphony, Prometheus, Mephisto Waltz Lutoslawski: The Mourning Music, Concerto for Orchestra, Symphony No.4, Little Suite Mahler: Symphonies No. 1, 2, 4, 5, 6, 9, Das Lied von der Erde Malawski: Toccata Martinů: Symphonies No. 1, 4, 6, Tre Ricercari, Lidice Memorial Mendelssohn: Complete Symphonies, Hebrides, A Midsummer Night Dream Meyerbeer: Struensee, Dinorah Overture Moniuszko: The Most Popular Opera Overtures and Dances, Fairy Tale Overture Mozart: Complete Opera Overtures, Eine Kleine Nachtmusik, Divertimenti, The Most Popular Symphonies and Concertante Symphonies, Adagio and Fuga for Strings, Haffner Serenade Mussorgsky: Pictures at the Exhibition, Night on the Bald Mountain Nedbal: Valse Triste, Valse Noble, The Most Popular Operette Overtures Novák: Slovakian Suite, In the Tatras, About Eternal Longing Offenbach: The Most Popular Operette Overtures Penderecki: Symphony No. 2 ”Christmas“ Petrassi: Concerto for Orchestra No. 3 Prokofjev: Symphonies No. 1, 2, 5, 6, Romeo and Juliet Suites, Egyptian Nights, Summer Day Purcell: Golden Sonata Ravel: Le Tombeau de Couperin, Bolero, Daphnis and Chloe Suites, Pavanne, La Valse, Alborada del Gracioso Reger: Mozart Variations Respighi: Ancient Dances and Arias, Gli Ucelli, Il Trittico Botticelliano, Pini di Roma Rimsky- Korsakov: Sheherezade, Capriccio Espagnole, Antar, Russian Eastern Overture Rossini: The Most Popular Opera Overtures, Sonatas for Strings Saint-Saëns: The Carnival of Animals, Symphony No. 3, Bacchanale from Samson and Dalila, Algerian Suite Shostakovich: Symphony No.1, 5, 6, 7, 8, 9, 10, Festival Overture Schönberg: Verklärte Nacht, Begleitmusik zu einer Lichtspielscene Schubert: Complete Symphonies, Rosamunde, German Dances Schumann: Complete Symphonies, Manfred, Julius Caesar Sibelius: Symphonies No.1, 2, 4, 5, Finlandia, En Saga, Karelia Suite, Valse Triste, Andante Festivo Skrjabin: Symphony No. 2 Smetana: Complete Orchestral Works Strauss, R.: Don Juan, Till Eulenspiegel, Wind Serenade, Salome Dance, Divertimento, Ein Heldenleben, Tod und Verklärung, Dance Suite Strauss, J., jr.: The Most Popular Dances and Operette Overtures Stravinsky: Symphony in 3 mvt., Sinfonie for Winds, The History of Soldier, Dumbarton Oaks, Pulcinella, Dances Concertantes, L´Oiseu de Feu, Petrouchka Suite, Symphony in C, Psalm Symphony, The Rite of Spring Suchoň: Serenade for Strings Suk: Meditation, Praga, Serenade for Strings, Fairy Tale, Asrael, New Life March Suppé: The Most Popular Operette Overtures Szymanowski: Symphony No. 2 Škroup: Chrudim Overture Tartini: Sinfonia in D Telemann: The Most Popular Overtures and Orchestral Suites Tolar: Baletti e Sonate for Chamber Orchestra Tomášek: Overture Es dur Tchaikovsky: Complete Ballet Suites, Complete Symphonies, Italian Capriccio, Overture 1812, Souvenir du Florence, Serenade for Strings, Serenade for Orchestra No. 3, Mozartiana, Romeo and Juliet, Francesca da Rimini, Slavonic March Vejvanovský: The Most Popular Orchestral Works Verdi: The Most Popular Opera Overtures and Ballet Music Vivaldi: The Most Popular Concerti Grossi Wagner: Complete Opera Overtures and Orchestral Excerpts, Siegfried Idylle, Symphony C dur Warlock: Capriol Suite Weber: Complete Opera Overtures, Symphony No. 1 Webern: Passacaglia for Orchestra Wolf: Italian Serenade Zach: Symphonies for Strings Zelenka: The Most Popular Orchestral Works .
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  • Recomposing National Identity: Four Transcultural Readings of Liszt’S Marche Hongroise D’Après Schubert

    Recomposing National Identity: Four Transcultural Readings of Liszt’S Marche Hongroise D’Après Schubert

    City Research Online City, University of London Institutional Repository Citation: Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409 This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/15059/ Link to published version: http://dx.doi.org/10.1525/jams.2016.69.2.409 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert SHAY LOYA A Curious Attachment Sometime in 1882, past his seventieth year, Liszt decided that an old piece of his deserved another revision. This resulted in the last of many arrange- ments of the Marche hongroise d’après Schubert, a work that originally took form as the second movement of the Mélodies hongroises d’après Schubert of 1838–39 (S.