Reviewing Rachmaninov
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												Discover the World of Linn Records
CKD 220 ALSO AVAILABLE FROM LINN RECORDS BY SCOTTISH CHAMBER ORCHESTRA FELIX MENDELSSOHN WOLFGANG AMADEUS JOHANNES BRAHMS Violin Concerto MOZART Violin Concerto Symphony No.3 ‘Scottish’ Requiem Hungarian Dances Hebrides Overture Adagio & Fugue – CKD 224 (SACD) – – CKD 216 (SACD) – – CKD 211 (SACD) – @ www.linnrecords.com discover the world of linn records Linn Records, Glasgow Road, Waterfoot, Glasgow G76 0EQ, UK t: +44 (0)141 303 5027/29 f: +44 (0)141 303 5007 e: [email protected] a soaring but seemingly unattainable joy, this mitigated little against the overall Jean Sibelius impression of a relentless underlying force”. [The Guardian, London]. He continues his relationship with the Orchestra, returning regularly over forthcoming seasons. Pelleas and Melisande Swensen is a regular guest conductor with many of the world’s major 1. At the Castle Gate 2. Melisande orchestras, and appearances in recent seasons have included the London 3. At the Seashore 4. A Spring in the Park Philharmonic, BBC Symphony, Hallé, Bournemouth Symphony, City of Birmingham 5. The Three Blind Sisters 6. Pastorale Symphony, Orchestre National du Capitole de Toulouse, Mozarteum, Staatsorchester 7. Melisande at the Spinning-Wheel Stuttgart, Real Orquestra Sinfonica de Sevilla, and, in North America, the Los Angeles 8. Entr’acte 9. The Death of Melisande Philharmonic, Saint Paul Chamber, Saint Louis, Dallas, Indianapolis and Toronto Symphony Orchestras. Kuolema Before deciding to dedicate himself solely to his conducting career, Joseph 10. Valse Triste Swensen enjoyed a highly-successful career as a professional violinist, appearing as a soloist with the world’s major orchestras. Nowadays his occasional appearances as a Belshazzar’s Feast violin soloist are a natural extension of his work as a conductor, playing and directing 11. - 
												
												Gräsbeck 2017.5236 Words
Which of Sibelius’s 379 miniatures are remarkable? Folke Gräsbeck "Auch kleine Dinge können uns entzücken…" (Paul Heyse) Reckoning that Sibelius’s compositions amount to circa 600 separate pieces (youth works included, fragments omitted), we have to consider that roughly more than half of them are miniatures. I have calculated that nearly 380 original, separate pieces last less than 4 minutes. If we reject only Sibelius’s miniatures, we omit practically half his production. ‘I am a man of the orchestra᾿, Sibelius proclaimed. Needless to say, his successful orchestral works, generally regarded as national monuments in Finland, are impressive frescos; nonetheless, these large-scale pieces are full of carefully elaborated details. What about the painstakingly worked-out details in his small works? Do they lack credibility because they are included in miniatures? Sibelius ‘forged᾿ the motifs and melodies in the small pieces no less carefully, sometimes referring to his miniatures as his ‘suffering pieces᾿ or 'pain pieces'[1]. Probably he would not have referred to them in this way if he had not valued them highly. The designation ‘salon piece’ is clumsy as applied to Sibelius’s miniatures. Very few of them were purposely composed as standard salon music – they are all too refined and abstract, and lack the lax and redundant reiterations so typical of such pieces. Perhaps the Valse lyrique, Op. 96a, approaches a real salon piece, but the material soars far above standard salon vocabulary, the lyrical sections, for example, revealing remarkable intimacy and character. Nowadays, it is common to employ the designation ‘Salon music’ in a pejorative sense. - 
												
												Jean Sibelius (1865-1957) Symphonic Poems and Cantatas Mp3, Flac, Wma
Jean Sibelius (1865-1957) Symphonic Poems and Cantatas mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Symphonic Poems and Cantatas MP3 version RAR size: 1158 mb FLAC version RAR size: 1232 mb WMA version RAR size: 1143 mb Rating: 4.2 Votes: 668 Other Formats: MP4 AAC AHX MP3 MOD DXD DTS Tracklist 1 Cd 1: Kullervo - symphonic poem for soloists, chorus and orchestra Op.7 (Kalevala) [78:29] Cd2: Nightride and Sunrise Op. 55 [14:41]; Luonnotar Op. 70 [9:18]; Legends (Lemminkäinen Suite) Op. 22 2 (I.Lemminkäinen and the Maidens of the Island [17:08]; II.Swan of Tuonela [9:49]; III.Lemminkäinen in Tuonela [15:54]; IV.Lemminkäinen's Return [6:32]) (1895-6) [49:23] Cd 3: Jungfrun i tornet (The Maiden in the tower): one act in overture and eight scenes (1895-6) [36:39] Pelléas et Mélisande - incidental music Op. 46 (At the Castle Gate [2:47]; Mélisande [3:49]; At the Sea 3 [1:59]; By a spring in the park [2:12]; The three blind sisters [2:08]; Pastorale [1:52]; Mélisande at the spinning wheel [2:03]; Entr'acte [2:53]; The death of Mélisande [6:01]) [25:48] Cd 4: Snöfrid Op. 29 [11.23]; Oma Maa Op. 92 [11.55]; Väinön Virsi Op. 110 [8.42]; Sandels Op. 28 (1898 rev. 1915) [9.09]; Maan Virsi Op. 95 [7.41]; Laulu Lemminkäiselle Op. 31 No. 1 [3.31]; Finlandia Op. 26 4 [8.36] Read more: http://www.musicweb-international.com/classrev/2010/DEC10/Sibelius_Jarvi_6484032.htm#ixzz4wj6wRM3U Notes Sibelius Barcode and Other Identifiers Barcode: 50999 6484032 1 Related Music albums to Symphonic Poems and Cantatas by Jean Sibelius (1865-1957) - 
												
												Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. - 
												
												SIBELIUS SOCIETY NEWSLETTER No
UNITED KINGDOM SIBELIUS SOCIETY NEWSLETTER No. 76 United Kingdom Sibelius Society Newsletter - Issue 76 (January 2015) - C ontent S - Page Editorial ....................................................................................... 3 News and Views .......................................................................... 5 Original Sibelius. Festival Review by Edward Clark .................. 6 Sibelius and Bruckner by Peter Frankland .................................. 10 The Piano Music of Jean Sibelius by Rudi Eastwood .................. 16 Why do we like Sibelius? by Edward Clark ................................ 19 Arthur Butterworth by Edward Clark .......................................... 20 A memoir of Tauno Hannikainen by Arthur Butterworth ............ 25 2014 Proms – Review by Edward Clark ...................................... 27 Sibelius. Thoughts by Fenella Humphries ................................... 30 The Backman Trio. Concert and CD review by Edward Clark ... 32 Finlandia. Commentary by David Bunney ................................... 33 The modernity of Sibelius by Edward Clark ............................... 36 Sibelius and his Violin Concerto by Edward Clark ..................... 38 The United Kingdom Sibelius Society would like to thank its corporate members for their generous support: ............................................................................................... BB-Shipping (Greenwich) Ltd Transfennica (UK) Ltd Music Sales Ltd Skandinaviska Enskilda Banken Breitkopf & Härtel - 2 - Editorial - 
												
												Voces Intimae String Quartets 1890 -1922 Tempera Quartet
SIBELIUS VOCES INTIMAE STRING QUARTETS 1890 -1922 TEMPERA QUARTET Tempera Quartet Tiila Kangas · Ulla Lampela Laura Vikman · Silva Koskela BIS-CD-1466 BIS-CD-1466 Sib Qt3:booklet 11/4/07 12:41 Page 2 SIBELIUS, Johan (Jean) Christian Julius (1865-1957) String Quartets – 1890-1922 1 Adagio in D minor, JS 12 (1890) (Warner/Chappell Music Finland) 12'15 String Quartet in B flat major, Op. 4 (1890) (Warner/Chappell Music Finland) 29'42 2 I. Allegro 7'24 3 II. Andante sostenuto 7'57 4 III. Presto 5'23 5 IV. Allegro 8'40 String Quartet in D minor, ‘Voces intimae’, Op. 56 (1909) (Lienau) 29'48 6 I. Andante – Allegro molto moderato 5'53 7 II. Vivace 2'18 8 III. Adagio di molto 10'51 9 IV. Allegretto (ma pesante) 5'34 10 V. Allegro 4'57 String Quartet in D minor, ‘Voces intimae’: preliminary ending 11 V. Allegro [from Risoluto, 8 bars before Fig.11] (Manuscript / Lienau) world première recording 0'32 12 Andante festivo, JS 34a (1922) (Warner/Chappell Music Finland) 5'11 TT: 78'50 Tempera Quartet Laura Vikman violin I · Silva Koskela violin II Tiila Kangas viola · Ull a Lampela cello 2 BIS-CD-1466 Sib Qt3:booklet 11/4/07 12:41 Page 3 ean Sibelius spent the academic year 1889-90 in Berlin. Socially this Jperi od was stimulating, but creatively it was a frustrating time. He had al - ready completed composition studies at the Helsinki Music Institute under Martin Wegelius, but now he was subjected to a much more authori tarian régime as a pupil of Albert Becker. - 
												
												Yhtenäistetty Jean Sibelius Teosten Yhtenäistettyjen Nimekkeiden Ohjeluettelo
Suomen musiikkikirjastoyhdistyksen julkaisusarja 115 Yhtenäistetty Jean Sibelius Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2012 Julkaisija: Suomen musiikkikirjastoyhdistys Layout Heikki Poroila Kuva Akseli Gallén-Kallela © Heikki Poroila 2012 Neljäs tarkistettu laitos (verkkoversio 2.2) kesäkuu 2015. Suomen kirjastosäätiö on tukenut tämän verkkojulkaisun valmistamista. 01.4 Poroila, Heikki Yhtenäistetty Jean Sibelius : Teosten yhtenäistettyjen nimekkeiden ohjeluettelo. - Neljäs tarkistettu laitos. – Helsinki : Suomen musiikkikirjastoyhdistys, 2012. – 75 s. : kuv. – (Suomen musiikkikirjastoyhdistyksen julkaisusarja, ISSN 0784-0322 ; 115). – ISBN 952- 5363-14-7. ISBN 952-5363-14-7 (PDF) Yhtenäistetty Jean Sibelius 2 Lukijalle Tällä Sibelius-luettelolla on ollut kaksi varhaisempaa paperille painettua olomuotoa. Ensimmäinen versio ilmestyi jo vuonna 1989 tilanteessa, jossa kansallissäveltäjämme tuotannon perusteellinen tutkimus ja kunnollisen teosluettelon valmistaminen oli paradoksaalisesti vasta käynnistynyt. Ohje- luetteloa kootessani tiesin monien asioiden tulevaisuudessa muuttuvan, mutta perusluettelon tarvetta ei voinut kiistää. Kun toinen, korjattu painos vuonna 1996 ilmestyi, ratkaiseva askel tutkimuspuo- lella oli jo otettu. Fabian Dahlström oli saanut teosluettelonsa niin pitkälle, että oli kyennyt nume- roimaan opusnumerottomat teokset JS-koodilla. Tämä oli jo riittävä syy uuden laitoksen valmista- miseen, mutta samalla päästiin korjaamaan lukuisia virheitä ja epäjohdonmukaisia - 
												
												Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO
The Chicago Symphony Orchestra welcomes Gennady Rozhdestvensky, who has graciously agreed to conduct these concerts while CSO Music Director Riccardo Muti recovers from a hip operation. Please note that Ligeti’s Ramifications has been replaced by Sibelius’s Rakastava. PROGRAM ONE HUNDRED TWENTY-FIFTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, February 11, 2016, at 8:00 Friday, February 12, 2016, at 8:00 Saturday, February 13, 2016, at 8:00 Gennady Rozhdestvensky Conductor Stephen Williamson Clarinet Sibelius Rakastava, Op. 14 The Lover The Path of the Beloved Good Evening—Farewell Mozart Clarinet Concerto in A Major, K. 622 Allegro Adagio Rondo: Allegro STEPHEN WILLIAMSON INTERMISSION Pärt Orient & Occident First Chicago Symphony Orchestra performances Tchaikovsky Serenade for Strings in C Major, Op. 48 Piece in the Form of a Sonatina: Andante non troppo—Allegro moderato Waltz: Moderato, tempo di valse Elegy: Larghetto elegiaco Finale: Russian Theme. Andante—Allegro con spirito This concert series is made possible by the Juli Grainger Endowment. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Jean Sibelius Born December 8, 1865, Tavastehus, Finland. Died September 20, 1957, Järvenpää, Finland. Rakastava, Op. 14 When Sibelius was just that his music was difficult to perform and seven years old, his family too “modern.” made the forward-looking decision to transfer him ibelius knew that Rakastava was filled with from a popular Swedish strong and distinctive musical ideas, and language preparatory he refused to give up on it. - 
												
												SIBELIUS, Johan (Jean) Christian Julius (1865-1957)
BIS-CD-1265 Sib cantatas 7/12/04 10:04 AM Page 2 SIBELIUS, Johan (Jean) Christian Julius (1865-1957) 1 Snöfrid, Op. 29 (1900) (Wilhelm Hansen) 14'15 Improvisation for recitation, mixed chorus and orchestra Text: Viktor Rydberg Allegro molto – Andantino – Melodrama. Pesante – Andante (ma non troppo lento) Stina Ekblad narrator Jubilate Choir (choral direction: Astrid Riska) 2 Overture in A minor for orchestra, JS 144 (1902) (Fazer) 9'13 Andante molto sostenuto – Allegro – Tempo I Cantata for the Coronation of Nicholas II, JS 104 (1896) (Manuscript) 18'37 (Kantaatti ilo- ja onnentoivotusjuhlassa Marraskuun 2. päivänä 1896) for mixed chorus and orchestra Text: Paavo Cajander 3 I. Allegro. Terve nuori ruhtinas… 8'33 4 II. Allegro. Oikeuden varmassa turvassa… 9'58 Jubilate Choir (choral direction: Astrid Riska) 2 BIS-CD-1265 Sib cantatas 7/12/04 10:04 AM Page 3 Rakastava, Op. 14 ( [1894]/1911-12) (Breitkopf & Härtel) 12'18 for string orchestra, timpani and triangle 5 I. The Lover. Andante con moto 4'06 6 II. The Path of His Beloved. Allegretto 2'26 7 III. Good Evening!… Farewell! Andantino – Doppio più lento – Lento assai 5'34 Jaakko Kuusisto violin • Ilkka Pälli cello 8 Oma maa (My Own Land), Op. 92 (1918) (Fazer) 13'26 for mixed chorus and orchestra Text: Kallio (Samuel Gustaf Bergh) Allegro molto moderato – Allegro moderato – Vivace (ma non troppo) – Molto tranquillo – Tranquillo assai – Moderato assai (e poco a poco più largamente) – Largamente assai Jubilate Choir (choral direction: Astrid Riska) 9 Andante festivo, JS 34b (1922/1938) for strings and timpani (Fazer) 5'10 TT: 74'48 Lahti Symphony Orchestra (Sinfonia Lahti) (Leader: Jaakko Kuusisto) Osmo Vänskä conductor 3 BIS-CD-1265 Sib cantatas 7/5/04 10:31 AM Page 4 Snöfrid, Op. - 
												
												Winter 2015/2016
N N December 2015 January/February 2016 Volume 44, No. 2 Winter Orgy® Period N 95.3 FM Mussorgsky: Pictures at an Exhibition; Reiner, Chicago WHRB Program Guide Symphony Orchestra (RCA) Bach: Violin Concerto No. 1 in a, S. 1041; Schröder, Hogwood, Winter Orgy® Period, December, 2015 Academy of Ancient Music (Oiseau-Lyre) Gershwin: Rhapsody in Blue; Katchen, Kertesz, London with highlights for January and February, 2016 Symphony Orchestra (London) Chopin: Waltzes, Op. 64; Alexeev (Seraphim) Rimsky-Korsakov: Scheherazade, Op. 35; Staryk, Beecham, Wednesday, December 2 Royal Philharmonic Orchestra (EMI) Strauss, J., Jr.: On the Beautiful Blue Danube, Op. 314; Karajan, Berlin Philharmonic Orchestra (DG) 6:45 pm HARVARD MEN’S BASKETBALL Tchaikovsky: Ouverture solennelle, 1812, Op. 49; Bernstein, Harvard at Northeastern. Israel Philharmonic Orchestra (DG) 6:45 pm HARVARD MEN’S HOCKEY Harvard at Union. Thursday, December 3 10:00 pm BRIAN CHIPPENDALE (cont.) 10:00 pm BRIAN CHIPPENDALE Hailing from Providence, Rhode Island, drummer Brian Saturday, December 5 Chippendale has been churning out an endless wall of noise since the late 90s. Using a hand-painted and well-beaten drum 5:00 am PERDIDO EN EL SIGLO: A MANU CHAO kit, homemade masks equipped with contact mics, and an ORGY (cont.) array of effect and synthesizer pedals, his sound is powerful, 9:00 am HILLBILLY AT HARVARD relentless, and intensely unique. Best known for his work with 12:45 pm PRELUDE TO THE MET (time approximate) Brian Gibson as one half of noise-rock duo Lightning Bolt, 1:00 pm METROPOLITAN OPERA Chippendale also works with Matt Brinkman as Mindflayer and Puccini: La Bohème; Barbara Frittoli, Ana Maria solo as Black Pus. - 
												
												The Harold E. Johnson Jean Sibelius Collection at Butler University
Butler University Digital Commons @ Butler University Special Collections Bibliographies University Special Collections 1993 The aH rold E. Johnson Jean Sibelius Collection at Butler University: A Complete Catalogue (1993) Gisela S. Terrell Follow this and additional works at: http://digitalcommons.butler.edu/scbib Part of the Other History Commons Recommended Citation Terrell, Gisela S., "The aH rold E. Johnson Jean Sibelius Collection at Butler University: A Complete Catalogue (1993)" (1993). Special Collections Bibliographies. Book 1. http://digitalcommons.butler.edu/scbib/1 This Book is brought to you for free and open access by the University Special Collections at Digital Commons @ Butler University. It has been accepted for inclusion in Special Collections Bibliographies by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ^ IT fui;^ JE^ Digitized by the Internet Archive in 2010 with funding from Lyrasis IViembers and Sloan Foundation http://www.archive.org/details/haroldejohnsonjeOOgise The Harold E. Johnson Jean Sibelius Collection at Butler University A Complete Catalogue Gisela Schliiter Terrell 1993 Rare Books & Special Collections Irwin Library Butler University Indianapolis, Indiana oo Printed on acid-free paper Produced by Butler University Publications ©1993 Butler University 500 copies printed $15.00 cover charge Rare Books & Special Collections Irwin Library, Butler University 4600 Sunset Avenue Indianapolis, Indiana 46208 317/283-9265 Dedicated to Harold E. Johnson (1915-1985) and Friends of Music Everywhere Harold Edgar Johnson on syntynyt Kew Gardensissa, New Yorkissa vuonna 1915. Hart on opiskellut Comell-yliopistossa (B.A. 1938, M.A. 1939) javaitellyt tohtoriksi Pariisin ylopistossa vuonna 1952. Han on toiminut musiikkikirjaston- hoitajana seka New Yorkin kaupungin kirhastossa etta Kongressin kirjastossa, Oberlin Collegessa seka viimeksi Butler-yliopistossa, jossa han toimii musiikkiopin apulaisprofessorina. - 
												
												Download Booklet
BIS-CD-817STEREO F pl Totalplaying time:55'21 SIBELIUS,Johan (Jean) Julius Christian (1865-1e57) tr Andante Molto in F minor forCello and Piano (1887)* wot 5'21 a Tempodi valse('Lulu Waltz') in F sharpminor 0'54 forCello and Piano (1889)* pa * tr Andantino in C major for Celloand Piano(c. 1884) 1,rar".7 2'.46 tr Theme and Variationsfor Cello solo (c. 1887\*wt"t 11',26 TwoPieces ('Serious Melodies'), Op.77 8'48 for Cello and Piano (wirhetmHansen) tr l. Cantique('Laetare anima mea') (1914) 5'02 tr ll. Devotion('Ab imo pectore') (1915) ** 3'40 Four Pigces, Op.78 for Cello and Piano (wirhehHansen) 11'57 d l, lmpromptu(1915) 1',47 E ll"Romance in F major(1915) 3'04 tr lll.Religioso (1917) AIEA @ lV.Rigaudon (1915) t30 E Mafinconia, Op.20 for Celloand Piano(1900) p,"nxoptanan4 12'18 Torleif Thed6en,celo . Folke Grdsbeck,piano * .. = WorldPremidre Recordings; = FirstRecording with Authentic Cello pan - I n March1869, Maria Sibelius gave birth to her thirdchild a son, namedChristian I afterhis fatherwho had died of typhusthe previousautumn. The 27-year-oldwidow I had faceda mountainof unpaidbills when her husbanddied, and in due coursethe estatehad beendeclared bankrupt. By the time of Christian'sbirth, Maria had moved back in shameto her mother'shome, where she had devotedherself to bringingup herother children - Linda(b. 1863)and Johan(b. 1865). All three childrenplayed musical instruments, and in due coursethe sibelius childrenformed a pianotrro in their home town of Hiimeenlinna(Tavastehus); Linda playedthe piano,Johan the violinand christianthe cello.Together, they experimented with not onlythe Classicalbut alsothe Romanticrepertory.