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Fourth Poetry Collection Honours Intense Suffering and Immeasurable Beauty Randy Lundy Reassures Readers That Despite Darker Moments, Now He Is Okay by Ariel Gordon
FEATURING NEW WORKS FREE FROM ALBERTA, SASKATCHEWAN, #76 | Spring/Summer 2020 prairiebooksnow.ca AND MANITOBA you’ll also find: Untangling public-private partnerships reveals ideological bias inside Crime, bombast, and falsehoods New books by come together in new novel Un roman jeunesse où jeux vidéo randy doreen et communauté se mêlent / Young lundy vanderstoop Traveller turned poet builds a home, adult novel blends video games with keeps moving community One-act play builds on life experience And more online exclusives on our in transitioning new website, prairiebooksnow.ca! Couple’s storybook series written for own children come to life Publications Mail Agreement Number 40023290 20 years later Return undeliverable Canadian addresses to: Association of Manitoba Book Publishers COURTNEY BARR COURTNEY 404–100 Arthur Street, Winnipeg, MB R3B 1H3 NEW FROM FERNWOOD PUBLISHING Challenging the Right, Augmenting the Left: NOlympians: Recasting Leftist Imagination Inside the Fight Against Capitlist Mega-Sports edited by Robert Latham, Julian von Bargen, in Los Angeles, Tokyo, & Beyond A.T. Kingsmith, Niko Block by Jules Boykoff July 2020 Ideology Over Economics: The Socialist Challenge Today: P3s in an Age of Austerity Syriza, Corbyn, Sanders by John Loxley by Leo Panitch & Sam Gindin July 2020 with Stephen Maher www.fernwoodpublishing.ca 76spring/ summer 2020 On the cover: Artwork by Sheldon Dawson from Louis Riel Day (page 17). Sheldon’s culturally sensitive illustrations help teach positive, healthy, and traditional lifestyles and provide -
The Mountain Path, Sri Ramanas- — Editor
Unite with me to destroy (our separate iden• tities as) thou and me, and bless me with the state of (A QUARTERLY) ever vibrant joy, Oh M Arunachala ! Arunachala ! Thou dost root out the ego of those who meditate on Thee in the heart, Oh Arunachala ! " —The Marital Garland •—The Marital Garland of Letters, verse I. of Letters, verse 56 Vol. 14 OCTOBER 1977 No. IV Publisher : CONTENTS T. N. Venkataraman, President, Board of Trustees, Page Sri Ramanasramam, EDITORIAL : Music as Sadhana Tiruvannamalai. — T. S. Parthasarathy ..215 Ramana Sat-Guru (Poem) — Free rendering of a Tamil song by Satyamangalam Venkatarama Iyer — Prof. K. Swaminathan 219 Editorial Board : Music as a Cosmic and Spiritual Power Sri Viswanatha Swami — Sir George Treveiyan . 221 Sri Ronald Rose Songful Silence — Ra. Ganapati . 224 Prof. K. Swaminathan Work with Detachment — Arthur Osborne . 226 Dr. K. Subrahmanyam Spiritual Significance of Music Sri M. C. Subramanian — Dr. V. Raghavan . 227 Sri Ramamani One (Poem)—Ka. Kavana .'. 230 Stay-at-Home Verses — " At-Home " .. 231 Music for Spiritual Growth — ' Sangitprem ' (Dr. David Tepl/tz) . 232 Managing Editor : Guide to Spiritual Progress V. Ganesan, — Rabbi Mo she Letb . 234 Sri Ramanasramam, Dag Hammarskjoeld—Dr. K. Subrahmanyam 235 Tiruvannamalai. Music as Yoga -— S. Y. Krishnaswamy . 237 Stories from Yoga Vasishtha—• XIV Story of Sikhidhvaja and Chudala •— Translated by M. C. Subramanian . 239 Annual Subscription How I came to Bhagavan v INDIA Rs. 10 — Sadhu Mahatingam . 241 FOREIGN £ 2.00 $ 4.00 Only That (Poem) — Bernard Seulstan . 242 Thy Will be Done — Dilip Kumar Roy . 243 Life Subscription : Dialogue with Mr. -
The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
Dhupan and COVID 19 Prevention
Dhupan and COVID 19 prevention Dhupan Karma (Fumigation): It is fumigation therapy described in Ayurvedic literatures for proper disinfection and sterilization purpose by using Vishaghna, Krumighna and Vrinahara gana drugs for their anti-microbial and disinfectant properties. Agnihotra, Homa, Havana, Yagya are the traditional way to protection of population from the diseases originating from Bhuta (microbes). Raksoghana dhupana is mentioned for protection against infections ( Kashyap Samhita kalpa sthan ch 1) . Aparajitha dhupa is mentioned for disinfecting the environment and also in all types of fevers . ( Vriddha Vagbhatt: Ashtanga Hrudaya with Commentaries of Sarvangasundara of Arunadatta & Ayurveda Rasayana of Hemadri edited by Pt.Hari Sadashiva Shastri Paradakara, Chikitsastana 1/163 ) Charak has mentioned dhupana karma with guggul , nimba, vacha, kutha, haritaki, sarsapa,yava and ghrita for various disease like Shwaas , kasa ( Charaka Samhita, Chikitsastana3/307-308) Sushruta has mentioned dhupana karma to be done twice a day for 10 days by using Rakshoghna Ghana dravya like sarsapa, nimba, lavana, ghrita . Microbes are easily destroyed by rakshoghna dravyas. (Sushruta Samhita, Sutrastana19/24-28 ) Fumigation of shelters, homes, living spaces twice a day, in morning and evening by using drugs of krumighna (anti microbial) , vishaghna ( anti poisonous) and rakshoghna (protective) drugs can be effectively used to maintain hygienic conditions and to prevent the spread of COVID-19 General rules for dhupan: It shall only be done twice a day and for 10 days. Dhupan shall not be done in enclosed spaces. Doors and windows shall be kept open for ventilation. Dhupa shall not contain any chemical constituent , only Medicinal dravyas shall be used. -
EIA & EC for Kathalchari Field Development, Block
EIA & EC for Kathalchari Field Development, Block (AA-ONN-2002/1), Tripura Final EIA Report Prepared for: Jubilant Oil and Gas Private Limited Prepared by: SENES Consultants India Pvt. Ltd. June, 2016 EIA for development activities of hydrocarbon, installation of GGS & pipeline laying at Kathalchari FINAL REPORT EIA & EC for Kathalchari Field Development, Block (AA-ONN-2002/1), Tripura M/s Jubilant Oil and Gas Private Limited For on and behalf of SENES Consultants India Ltd Approved by Mr. Mangesh Dakhore Position held NABET-QCI Accredited EIA Coordinator for Offshore & Onshore Oil and Gas Development and Production Date 28.12.2015 Approved by Mr. Sunil Gupta Position held NABET-QCI Accredited EIA Coordinator for Offshore & Onshore Oil and Gas Development and Production Date February 2016 The EIA report preparation have been undertaken in compliance with the ToR issued by MoEF vide letter no. J-11011/248/2013-IA II (I) dated 28th January, 2014. Information and content provided in the report is factually correct for the purpose and objective for such study undertaken. SENES/M-ESM-20241/June, 2016 i JOGPL EIA for development activities of hydrocarbon, installation of GGS & pipeline laying at Kathalchari INFORMATION ABOUT EIA CONSULTANTS Brief Company Profile This Environmental Impact Assessment (EIA) report has been prepared by SENES Consultants India Pvt. Ltd. SENES India, registered with the Companies Act of 1956 (Ranked No. 1 in 1956), has been operating in the county for more than 11 years and holds expertise in conducting Environmental Impact Assessments, Social Impact Assessments, Environment Health and Safety Compliance Audits, Designing and Planning of Solid Waste Management Facilities and Carbon Advisory Services. -
Sevas at Sringeri Sharada Peetham
Temples 1. Sri Torana Ganapati................................................................................................................................................1 2. Sri Sharadamba Temple.........................................................................................................................................1 2.a Sri Sharadamba................................................................................................................................................1 2.b Sri Shakti Ganapati.........................................................................................................................................2 2.c Sri Shankaracharya..........................................................................................................................................2 2.d Sri Malayala Brahma......................................................................................................................................3 2.e Sri Kodanda Rama...........................................................................................................................................3 3. Sri Sureshwaracharya.............................................................................................................................................3 4. Sri Janardana Swami Temple................................................................................................................................4 4.a Sri Janardhana Swami....................................................................................................................................4 -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
DHYANA VAHINI Stream of Meditation
DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII. -
Mazdaism Text.Pdf
3 COTENTS. Address ... ... ... ... i-iv Foreword ... ... ... ... i — Abbreviations ... ... ... 4 Discourse 1 ... ... ... ... 5—83 Preliminaries 5. Zend-Avesta 9. Aliiira Mazda 10. Zoroastrian Duality 13. Unity of Godliood and Evil 22. Zatvan Akarana 23. Trinity, etc. 24. Fire 29. Naojotae Ceremony 37. Patet 38. —Theisms 42. Ethics 44. Motherhood of G<^ 51. Origin of Ideas 53. Christian In- debtedness 58. Moslem Indebtedness 59. Vishnuism and Mazdaism 61. Bhago-bakhta 65. Aramati67. Compara- tive Names, First List 68. Vaikuntha 69. Kaka-Sparsa 70. Reconcilation 74. Apology 76. ’Note A: Aryama Vaeja 78. Note B : Manu 78. Note C : Kine 79. Note D: Krishna, Blue 81. Note E : Morality 82. Note F: Vishnuism spreading 83. Discourse 11 ... ... ... 84— 138 Preliminary 84. Zend Avesta 84. Zaralhustra 86. Krishna 90. Daena 92. Ahura Mazda 94. AramStiti 97 Narayana loi. Comparative Names, Second List 102. Garodemana 104. Dakhma 108. Amesha Spentas no. Vishvaksena (Srosh) 113. Palingenesis 114. Parallelisms lao. ^ Archa or Symbolic Worship 121. Eschatology 123. Druj 129. Saosbyants 131. Universal Religion 133. Note A: Zarathustra 148. Note B: Ahura Mazda 152. Note C and D : Service is the End for all 159. Discourse III ... ... 159—219 Preliminary 159. The Triple Alliance 159. Caste and Class 162. Racial Affinities 164. Spenta 166. Time and Space 167. Ardvisura Anahita 169. The Quintuple Hy- postasis 171. Narasimha 173. The Farvardin Vast 174. Common Names, Third List 176. R^ma, Mitra, Vayu 178. Varaha, Vrishni, Akriira 181. Nar&yana, Raivata 182. Krishna 183. Ashi Vanguhi 188. Jarasandha, Gopi-Vasu 194. Astavatareta 195. Fravashi 197. Mantras 198. Gomez 211. Summing up 213. -
Redalyc.Visiting a Hindu Temple: a Description of a Subjective
Ciencia Ergo Sum ISSN: 1405-0269 [email protected] Universidad Autónoma del Estado de México México Gil-García, J. Ramón; Vasavada, Triparna S. Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations Ciencia Ergo Sum, vol. 13, núm. 1, marzo-junio, 2006, pp. 81-89 Universidad Autónoma del Estado de México Toluca, México Disponible en: http://www.redalyc.org/articulo.oa?id=10413110 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations J. Ramón Gil-García* y Triparna S. Vasavada** Recepción: 14 de julio de 2005 Aceptación: 8 de septiembre de 2005 * Rockefeller College of Public Affairs and Policy, Visitando un Templo Hindú: una descripción de la experiencia subjetiva y algunas University at Albany, Universidad Estatal de interpretaciones preliminares Nueva York. Resumen. Académicos de diferentes disciplinas coinciden en que la cultura es un fenómeno Correo electrónico: [email protected] ** Estudiante del Doctorado en Administración complejo y su comprensión requiere de un análisis detallado. La complejidad inherente al y Políticas Públicas en el Rockefeller College of estudio de patrones culturales y otras estructuras sociales no se deriva de su rareza en la Public Affairs and Policy, University at Albany, sociedad. De hecho, están contenidas y representadas en eventos y artefactos de la vida cotidiana. -
Badal Sircar
Badal Sircar Scripting a Movement Shayoni Mitra The ultimate answer [...] is not for a city group to prepare plays for and about the working people. The working people—the factory workers, the peasants, the landless laborers—will have to make and perform their own plays. [...] This process of course, can become widespread only when the socio-economic movement for emancipation of the working class has also spread widely. When that happens the Third Theatre (in the context I have used it) will no longer have a separate function, but will merge with a transformed First Theatre. —Badal Sircar, 23 November 1981 (1982:58) It is impossible to discuss the history of modern Indian theatre and not en- counter the name of Badal Sircar. Yet one seldom hears his current work talked of in the present. How is it that one of the greatest names, associated with an exemplary body of dramatic work, gets so easily lost in a haze of present-day ignorance? While much of his previous work is reverentially can- onized, his present contributions are less well known and seldom acknowl- edged. It was this slippage I set out to examine. I expected to find an ailing man reminiscing of past glories. I was warned that I might find a cynical per- son, an incorrigible skeptic weary of the world. Instead, I encountered an in- domitable spirit walking along his life path looking resolutely ahead. A kind old man who drew me a map to his house and saved tea for me in a thermos. A theatre person extraordinaire recounting his latest workshop in Laos, devis- ing how to return as soon as possible. -
Swami Chinmayananda
January/February 2015 Vol. 26, No.1 Swami Chinmayananda CHINMAYA MISSION SAN JOSE PUBLICATION MISSION STATEMENT To provide to individuals, from any background, the wisdom of Vedanta and practical means for spiritual growth and happiness, enabling them to become a positive contributor to the society. Chinmaya Lahari While Shiva dances, His matted locks hold the sacred river Ganga, the power and the source of all movement in life, with its waters that purify mankind and the crescent moon delicate as a new-born babe with its promise of life in all its radiance and glory. What is perhaps most significant of all in the image is the combination of this God ascetic, the solitary One, master of meditation, with the frenzied dance - the Yogi and the artist. A dancer becomes the being that he impersonates on the stage. In the dance are aroused the entire energy of body, mind, intellect and soul.. It is a complete surrender to God. While the body moves in a frenzy, like the world with its tumult, Shiva Himself, is undisturbed by the activity, depicting most wonderfully the mortal life and Divine Self. Swami Chinmayananda Art of God Symbolism CONTENTS Volume 26 No.1 January/February 2015 From The Editors Desk . 2 Chinmaya Tej Editorial Staff . 2 The Challenge Part 1 . 3 Satsang with Pujya Gurudev . 8 Maha Shivaratri 2015 . 10 Sādhanā . 16 Swami Chinmayananda's Visit to Krishnalaya . 18 Work . 20 Swaranjali Youth Choir . 21 Tapovan Prasad . 21 Chinmaya Study Groups . 22 Adult Classes at Sandeepany . 23 Shiva Abhisheka & Puja . 23 Bala Vihar/Yuva Kendra & Language Classes .