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The Mountain Path, Sri Ramanas- — Editor Unite with me to destroy (our separate iden• tities as) thou and me, and bless me with the state of (A QUARTERLY) ever vibrant joy, Oh M Arunachala ! Arunachala ! Thou dost root out the ego of those who meditate on Thee in the heart, Oh Arunachala ! " —The Marital Garland •—The Marital Garland of Letters, verse I. of Letters, verse 56 Vol. 14 OCTOBER 1977 No. IV Publisher : CONTENTS T. N. Venkataraman, President, Board of Trustees, Page Sri Ramanasramam, EDITORIAL : Music as Sadhana Tiruvannamalai. — T. S. Parthasarathy ..215 Ramana Sat-Guru (Poem) — Free rendering of a Tamil song by Satyamangalam Venkatarama Iyer — Prof. K. Swaminathan 219 Editorial Board : Music as a Cosmic and Spiritual Power Sri Viswanatha Swami — Sir George Treveiyan . 221 Sri Ronald Rose Songful Silence — Ra. Ganapati . 224 Prof. K. Swaminathan Work with Detachment — Arthur Osborne . 226 Dr. K. Subrahmanyam Spiritual Significance of Music Sri M. C. Subramanian — Dr. V. Raghavan . 227 Sri Ramamani One (Poem)—Ka. Kavana .'. 230 Stay-at-Home Verses — " At-Home " .. 231 Music for Spiritual Growth — ' Sangitprem ' (Dr. David Tepl/tz) . 232 Managing Editor : Guide to Spiritual Progress V. Ganesan, — Rabbi Mo she Letb . 234 Sri Ramanasramam, Dag Hammarskjoeld—Dr. K. Subrahmanyam 235 Tiruvannamalai. Music as Yoga -— S. Y. Krishnaswamy . 237 Stories from Yoga Vasishtha—• XIV Story of Sikhidhvaja and Chudala •— Translated by M. C. Subramanian . 239 Annual Subscription How I came to Bhagavan v INDIA Rs. 10 — Sadhu Mahatingam . 241 FOREIGN £ 2.00 $ 4.00 Only That (Poem) — Bernard Seulstan . 242 Thy Will be Done — Dilip Kumar Roy . 243 Life Subscription : Dialogue with Mr. Wu — Wei Wu Wei . 244 Rs. 125 £ 15.00 $ 50 Reading (Poem) — L. P. Yandell . 244 Music and Bhakti Sadhana Single Copy : — Dr. M. Sadashiva Rao . 245 Rs. 2.75 £ 0.60 $ 1.25 Truthful Pilgrim (Poem) — Pavan Khanna . 246 The Creative Sadhana of Tyagaraja — M. Anantanarayanan . , 247 Owing te hea>y depreciation in the Garland of Guru's Sayings —- Sri Muruganar value of £ (Pound Sterling), the subscrip — Tr. by Prof. K. Swaminathan . 249 tion has to be raised to £ 2/- from 1.50. We hope the subscribers in the Sterling The Arunachala Hill picture in the cover page was area will not mind. drawn by Sri Bhagavan Himself. CONTENTS — (Contd.) Page f lj* fountain ftaii} The Ego Must Go — Raga . 251 (A QUARTERLY) Glory of Arunachala — Arunachala Mahal my am — Tr. by M. C. Subramanian . 252 The aim of this journal is to set Introducing . Bbausaheb Y. N. Athavale . 254 forth the traditional wisdom of all Book Reviews . 256 religions and all ages, especially Letters to the Editor . 260 as testified to by their saints and Ashram Bulletin . 263 mystics, and to clarify the paths available to seekers in the condi• tions of ©ur modern world. Contributors are requested to give the exact data as far as possible for quotations used, i.e. source and page number, and also the meaning if from * another language. It would simplify matters. Arti• cles should not exceed 10 pages. Contributions for publication All remittances should be sent to the MANAGING should be addressed to The Editor, EDITOR and not to the Editor. The Mountain Path, Sri Ramanas- — Editor. ramam, Tiruvannamalai, Tamil Nadu. They should be in English and typed with double spacing. To Our Subscribers Contributions not published will be returned on request. 1. The official year of the quarterly is from January to December. 2. SUBSCRIBERS IN INDIA should remit their annual 0 subscription by Money Order only as far as possible and not by cheque. The words ' subscription for The Mountain Path The editor is not responsible for for year/years * should be written on the M. O. statements and opinions contained coupon and the full name and address written in BLOCK in signed articles. LETTERS on the reverse of the coupon. Life Subscription should be sent by cheque drawn e favouring The Mountain Path and crossed. The journal will not be sent by V.P.P. No payment is made for contri• 3. FOREIGN SUBSCRIBERS can send their subscrip• butions published. Anything herein tion by International Money Order, British Postal Order or published may be reprinted else• by Bank cheque or draft payable in India, U.S.A. or U.K. where without fee provided due The subscription rates are for despatch of the journal acknowledgement is made and the by surface mail to all parts of the world. editor is previously notified. If despatch by AIR MAIL is desired the following additional annual amount should be remitted : AIR-MAIL SURCHARGE Contributions are accepted only £ $ on condition that they do not I. Hong Kong, Indonesia, Malaysia, appear elsewhere before being pub• Philippines, Singapore, Pakistan, lished in The Mountain Path. They Ceylon .. 1.00 2.00 can be published later elsewhere II. Austria, Australia, Belgium, Denmark, but only with acknowledgement to Czechoslovakia, West Germany, The Mountain Path. Italy, Greece, Japan, Netherlands, East and South Africa, Egypt, • France, Great Britain, Sweden . 2.00 4.00 III. North, Central and South America, THE MOUNTAIN PATH Canada, New Zealand, Fiji, Hawaii 2.50 5.00 (All the above surcharges are over and above the annual is dedicated to subscription.) Bhagavan Sri Ramana Maharshi The Mountain Path Vol. 14. No. IV, October 1977 EDITORIAL By T. S. Parthasarathy MUSIC AS SADHANA J-JERBERT SPENCER thinks that music (moksba, apavarga). Hence the number of must take its rank as the highest of the saints, evolved souls and devotees among the fine arts ; as the one which, more than any best known exponents and composers of our other, ministers to human welfare. Thoughtful music. westerners feel that 1 Music is more intimately The origin of Indian music is traced to the connected than any other art with the hidden Sama Veda and music itself is styled as the soul in us ; the incognisable part of our minds Gandharva Veda, one of the Upa Vedas. which it stirs into activity that at once fills us From time immemorial, God has been with delight and passes understanding \ A conceived as Nada Brahman (embodiment of Hindu philosopher would have accepted this sound) and the practice of music as spiritual as a description of what is known as sadhana, as nada vidya or Nada Up as ana brahmanubhava. (worship of God through sound). In one of his kritis Tyagaraja calls it s an git a upasana In any society, the influence of music is (worship through music). salutary and it is perhaps the only art that does not corrupt the mind, while poetry can The Yajnavalkya Smriti is perhaps the be licentious, dances lascivious, and writing oldest treatise which declares that a mere obscene. Even in the West, where music is votary of absolute music (music without not so widely esteemed as an upasana to words) attains salvation. The sloka runs attain the Supreme, music and devotion to thus : God went hand in hand. Composers like " He who knows the mysteries of playing Bach were intensely religious men and the the vina, he who has mastered the knowledge bulk of their work was church music. Bach's of sruti and jati and is an adept in tola, attains music, for example, is precise in feeling, moksha without effort ". delicate in form and rings with a certain kind of serenity that comes of firm faith in God Another verse equally oft-quoted is attri• and eternal salvation. This common feature buted to Lord Narayana Himself : between the master-composers of Western and " Narada ! I dwell not in Vaikuntha nor Indian music is remarkable, in the hearts of Yogins, nor in the Sun ; but where my devotees sing, there I am." India had a magnificent system of art music when elsewhere the art was still in the stage Even before Sarngadeva wrote his Sangita of folk song. But there is hardly any secular Ratnakara (13th century), devotees like the music in India. Music was never looked Alvars and the Nayanmars of the Tamil upon as a form of popular entertainment ; not country, several of whom were qualified even as a fine art. It was esteemed primarily vocalists and. instrumentalists, conceived of as a means for attaining eternal beatitude God as ' the embodiment as well as the fruit 216 THE MOUNTAIN PATH October of music, (Isaiydy Isaippayandy). In the very According to Tantra, not only musical first sloka of his monumental work, Sarnga- sounds but every particle and object of the deva pays homage to Lord Sankara as Ndda world also, evolve out of the causal fire known Tanu or ' one whose body is sound '. This led as Kaamakalaa or Kundalini (latent divine to music itself being described as Brahma- energy). The kundalini is the base of the naada or ' the voice of GodSarngadeva causal sound or ndda, which is the fountain- proceeds to give a long list of gods and head of music. When the manifested subtle goddesses who were votaries of music and sound comes out through the medium of the adds : vocal cord, it is known as music or rdga. " Brahma created this music from the The supreme aim of music is to realize the Sama Veda." essence that shines behind music. So, the rdgas have been conceived as the media for Nada vidya or Nadopdsana is the worship the realization of that essence which is the of Nada which is not mere sound but musical source of all knowledge, all intelligence and sound. The whole subject of music relates to all bliss. Tyagaraja describes it as "the ocean nada. Nada gives rise to srutis which give of Supreme Bliss called musical knowledge." rise to svaras and they in turn become the The seers of music felt within themselves the source of ragas.
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