Shivratri Puja (Fóojk=Hiwtk)Manual
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The Mountain Path, Sri Ramanas- — Editor
Unite with me to destroy (our separate iden• tities as) thou and me, and bless me with the state of (A QUARTERLY) ever vibrant joy, Oh M Arunachala ! Arunachala ! Thou dost root out the ego of those who meditate on Thee in the heart, Oh Arunachala ! " —The Marital Garland •—The Marital Garland of Letters, verse I. of Letters, verse 56 Vol. 14 OCTOBER 1977 No. IV Publisher : CONTENTS T. N. Venkataraman, President, Board of Trustees, Page Sri Ramanasramam, EDITORIAL : Music as Sadhana Tiruvannamalai. — T. S. Parthasarathy ..215 Ramana Sat-Guru (Poem) — Free rendering of a Tamil song by Satyamangalam Venkatarama Iyer — Prof. K. Swaminathan 219 Editorial Board : Music as a Cosmic and Spiritual Power Sri Viswanatha Swami — Sir George Treveiyan . 221 Sri Ronald Rose Songful Silence — Ra. Ganapati . 224 Prof. K. Swaminathan Work with Detachment — Arthur Osborne . 226 Dr. K. Subrahmanyam Spiritual Significance of Music Sri M. C. Subramanian — Dr. V. Raghavan . 227 Sri Ramamani One (Poem)—Ka. Kavana .'. 230 Stay-at-Home Verses — " At-Home " .. 231 Music for Spiritual Growth — ' Sangitprem ' (Dr. David Tepl/tz) . 232 Managing Editor : Guide to Spiritual Progress V. Ganesan, — Rabbi Mo she Letb . 234 Sri Ramanasramam, Dag Hammarskjoeld—Dr. K. Subrahmanyam 235 Tiruvannamalai. Music as Yoga -— S. Y. Krishnaswamy . 237 Stories from Yoga Vasishtha—• XIV Story of Sikhidhvaja and Chudala •— Translated by M. C. Subramanian . 239 Annual Subscription How I came to Bhagavan v INDIA Rs. 10 — Sadhu Mahatingam . 241 FOREIGN £ 2.00 $ 4.00 Only That (Poem) — Bernard Seulstan . 242 Thy Will be Done — Dilip Kumar Roy . 243 Life Subscription : Dialogue with Mr. -
Sevas at Sringeri Sharada Peetham
Temples 1. Sri Torana Ganapati................................................................................................................................................1 2. Sri Sharadamba Temple.........................................................................................................................................1 2.a Sri Sharadamba................................................................................................................................................1 2.b Sri Shakti Ganapati.........................................................................................................................................2 2.c Sri Shankaracharya..........................................................................................................................................2 2.d Sri Malayala Brahma......................................................................................................................................3 2.e Sri Kodanda Rama...........................................................................................................................................3 3. Sri Sureshwaracharya.............................................................................................................................................3 4. Sri Janardana Swami Temple................................................................................................................................4 4.a Sri Janardhana Swami....................................................................................................................................4 -
DHYANA VAHINI Stream of Meditation
DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII. -
A Brief Review of Naga (Lead) Through Ayurvedic Literature B.J
eVersion J. Res. Educ. Indian Med., 2013; Vol. XIX (1-2) 49-59 ISSN 0970-7700 A BRIEF REVIEW OF NAGA (LEAD) THROUGH AYURVEDIC LITERATURE B.J. PATGIRI1 AND DHIRAJSINGH SUMERSINGH RAJPUT2 Department of RS & BK, I.P.G.T. & R.A., Gujarat Ayurveda University, Jamnagar-361 008 Gujarat (India) Abstract:Literature survey is most essential backbone of the any research work. Critical review helps in understanding and framing an idea about the subject to be dealt. It deals with everything right from the past to the present, related to the subject and a clear picture of subject matter. Hence, for the complete knowledge of the subject, it is necessary to trace out its historical background, which gives a tangible firm in the development of stages from time to time. Bhasma’s are one of the unique preparations therapeutically used in Ayurveda and have been used as effective drugs for centuries without any noticeable side effects. Naga bhasma (incinerated powder of Lead) is one such preparation containing lead as a main ingredient. In present study critical review of Ayurvedic literature regarding Naga, various methods of Shodhana, jarana, Bhavana, Marana and various researches carried out on safety issue of Naga bhasma are described in detail. In this study it is observed that Naga bhasma is mixture of PbO Pb3O4 and contain either OH, (CO3)2 or (SO4)2 and (AsO4)3 group. The research work on acute and chronic toxicity study showed that Naga bhasma is free from toxic effect. The testicular regenerative potential study elaborates the aphrodisiac property of Lead. -
Redalyc.Visiting a Hindu Temple: a Description of a Subjective
Ciencia Ergo Sum ISSN: 1405-0269 [email protected] Universidad Autónoma del Estado de México México Gil-García, J. Ramón; Vasavada, Triparna S. Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations Ciencia Ergo Sum, vol. 13, núm. 1, marzo-junio, 2006, pp. 81-89 Universidad Autónoma del Estado de México Toluca, México Disponible en: http://www.redalyc.org/articulo.oa?id=10413110 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations J. Ramón Gil-García* y Triparna S. Vasavada** Recepción: 14 de julio de 2005 Aceptación: 8 de septiembre de 2005 * Rockefeller College of Public Affairs and Policy, Visitando un Templo Hindú: una descripción de la experiencia subjetiva y algunas University at Albany, Universidad Estatal de interpretaciones preliminares Nueva York. Resumen. Académicos de diferentes disciplinas coinciden en que la cultura es un fenómeno Correo electrónico: [email protected] ** Estudiante del Doctorado en Administración complejo y su comprensión requiere de un análisis detallado. La complejidad inherente al y Políticas Públicas en el Rockefeller College of estudio de patrones culturales y otras estructuras sociales no se deriva de su rareza en la Public Affairs and Policy, University at Albany, sociedad. De hecho, están contenidas y representadas en eventos y artefactos de la vida cotidiana. -
Laxmi Puja Pushpanjali
Laxmi Puja Dhyana (ध्यान) Puja should begin with the meditation of Bhagawati Lakshmi. Dhyan should be done in front of already installed Shri Lakshmi statue in front of you. Following Mantra should be chanted while meditating on Bhagawati Shri Lakshmi. Shri Lakshmi Puja during Diwali Aavahan (आवाहन) After Dhyan of Shri Bhagwati Lakshmi, you should chant following Mantra in front of the Murti, by showing Aavahan Mudra (Aavahan Mudra is formed by joining both palms and folding both thumbs inwards). Pushpanjali (पुष्पाञ्जली) After Shri Lakshmi has been invoked, take five flowers in Anjali (by joining palm of both hands) and leave them in front of the Murti to offer seat to Shri Lakshmi while chanting following Mantra. Swagat (स्वागत) After offering flowers-made seat to Shri Bhagawati Lakshmi, chant following Mantra with folded hands to welcome Shri Lakshmi. Padya (पाद्य) After welcoming Shri Lakshmi offer Her water to wash the feet while chanting following Mantra. Arghya (अर्घ्य) After Padya offering, offer water to Shri Lakshmi for head Abhishekam while chanting following Mantra. Gandha-Samarpan/Chandan-Samarpan (गन्ध-समर्पण/चन्दन-समर्पण) Offer Chandan to Shri Lakshmi while chanting following Mantra. Pushpa-Samarpan (पुष्प-समर्पण) Offer flowers to Shri Lakshmi while chanting following Mantra. Anga-Pujan (अङ्ग-पूजन) Now worship those Gods who are body parts of Shri Bhagawati Lakshmi itself. For that take Gandha, Akshata and Pushpa in left hand and leave them near to Shri Lakshmi Murti with right hand while chanting following Mantra(s). Ashta-Siddhi Puja (अष्ट-सिद्धि पूजा) Now worship Ashta-Siddhi near to Shri Lakshmi. -
Puja Rituals in Srimandir
Orissa Review June - 2009 Puja Rituals in Srimandir Padmanabha Mahapatra Shri Jagannath in Yantra, Tantra and Mantra mouth of Siva; that which has entered into the mouth of Uma; and that which is the opinion of The mode of worship of Sri Jagannath is Vishnu. - 'Agatam Sivamukhabjat gatam tu unique and different from that of the other Vishnu Girija mukhe, matam ch Basudevasya tasmat temples, situated in north and south India. Sri Agama uchyate'. So Agam or Tantra Sastra is Jagannath is Pranab; He has been identified with mainly based on three aspects, such as - Saivism; the mystic Vedic Bijamantra 'Om'. His puja has (Saivagam) Saktism (Saktagam) and Vaishnavism been developed and systematized in a well (Vaishnavagam). Agam or Tantra Sastra is a designed- process by coordinating the basics of means for over all development of human society Vedic, Tantric and Vaisnavite streams. - 'Dharmarth kamamokhyadi chaturbarga Dharmashastras prescribe three main streams for sadhan pathpradarshak.' the puja of Hindu Devatas, those are - Nigam, Agam and Lokacar. Nigam is the pure Vedic 'Tantra aims to transform every action in system, Agam is the tantric system and Lokacar life into a ritual, so that the individual performs is the combination of both or some other system, every action and thought with a feeling of worship which is followed with reference to the prevailing and awareness. The action of bathing, dressing, conditions of the locality, time and authorities. sitting for worship, offering various symbolic sacrifices, sexual relations, stages of development Nigam - (the Vedic system) - The guide from inception to womb, birth to marriage etc. -
History of Tantra
Balaji Deekshitulu P V, AJHC, 2020; 3:14 Review Article AJHC 2020,3:14 American Journal of History and Culture (ISSN:2637-4919) History of Tantra Balaji Deekshitulu P V Homeopathy Doctor and Psychologist, Sri Balaji Homeo Clinic, Tirupati, A.P, India. ABSTRACT The review article explains that the Tantra is oldest tradition of *Correspondence to Author: mind and body health, Universal is not creating any one, it is cre- Dr Balaji Deekshitulu P V ate by god. Its truth no scientific an evidence of various natural Homeopathy Doctor and Psychol- things in 21st century, Tantra explains systematic life, visualiza- ogist, Sri Balaji Homeo Clinic, Tir- tion of nothings etc… Tantra is best way of good things only. upati, A.P, India. Keywords: History of Tantra How to cite this article: Balaji Deekshitulu P V. History of Tantra. American Journal of History and Culture, 2020,3:14. eSciPub LLC, Houston, TX USA. Website: https://escipub.com/ AJHC: https://escipub.com/american-journal-of-history-and-culture/ 1 Balaji Deekshitulu P V, AJHC, 2020; 3:14 Introduction: form. While the Vedic practice of yajna there are no idols and shrines, in its Tantric traditions, Tantra is not easily to understand for everyone, idols and symbolic icons with puja are the this is a practical way of life, till continue A means of worship. Temples, symbolism, icons number of techniques to help mind and physical that remind the devotee of attributes and values impact. are a necessary part of the Agamic practice, Tantra (/ˈtʌntrə, ˈtæ n-/; Sanskrit: तन्त्र, literally while non-theistic paths are one of the many "loom, weave, system") denotes alternative means in the Vedic practice. -
Visiting a Hindu Temple
EDUCATIONAL INSIGHT Visiting a Hindu Temple A Beginner’s Guide Brihadeeswarar: A massive stone temple in Thanjavur, e they luxurious palaces, rustic warehouses, Tamil Nadu, built by Raja simple halls or granite sanctuaries, Hindu Raja Chola ten centuries ago B temples are springing up all over the and still vibrant today. The world, numbering in the hundreds of thousands. capstone, weighing 80 tons, Yet outside of India and a few places like Sri is the largest in India. Lanka, Nepal and Bali, what happens inside these temples remains a mystery—to young This special Educational generations of Hindus as well as to curious Insight was inspired by newcomers. It’s all a bit intimidating at first. and produced expressly This Insight is designed to answer the common for the Hindu Mandir questions that arise: Why are temples Executives’ Conference important? What are the customs and protocols, the dos and don’ts? What attitudes should one hold inside? Do all those rituals ATI O C N U A D have a meaning? What is the priest L E chanting? All these musings and more I N S S T are addressed here to help newcomers— I G H both Hindus and non-Hindus—enjoy and benefit from their temple visits. dinodia.com Quick Start… Dress modestly, no shorts or short skirts. Remove shoes before entering. Be respectful of God and the Gods. Bring your problems, prayers or sorrows but leave food and improper manners outside. Do not enter the shrines without invitation or sit with your feet pointing toward the Deities or another person. -
Puja: Expressions of Hindu Devotion. Guide for Educators. INSTITUTION Smithsonian Institution, Washington, DC
DOCUMENT RESUME ED 439 992 SO 030 951 AUTHOR Ridley, Sarah TITLE Puja: Expressions of Hindu Devotion. Guide for Educators. INSTITUTION Smithsonian Institution, Washington, DC. Arthur M. Sackler Gallery. PUB DATE 1996-00-00 NOTE 41p.; Accompanying videotape and three posters not available from ERIC. AVAILABLE FROM Office of Public Affairs, Arthur M. Sackler Gallery/Freer Gallery of Art, MRC 707, Smithsonian Institution, Washington, DC 20560 ($26). For full text: http://www.asia.si.edu/pujaonline. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Cultural Context; Foreign Countries; Global Education; Indians; Middle Schools; Multicultural Education; Non Western Civilization; Religion Studies; *Religious Cultural Groups; Secondary Education; Social Studies IDENTIFIERS Hindu Art; *Hinduism; India ABSTRACT This teaching packet serves as a unit by itself or as part of preparation unit for a visit to the Arthur M. Sackler Gallery to see the exhibition "Puja: Expressions of Hindu Devotion." Focusing on Hindu religious objects found in an art museum, the packet suggests connections between art and world studies themes. In addition, these highly symbolic objects provide much material for discussion of the creation of images, whether in two or three dimensions, in speech, or in music. In this way, study of the objects provides a springboard for creativity in art, language arts, and music. This guide explains that puja is the act of showing reverence to a god, or to aspects of the divine, through invocations, prayers, songs, and rituals. An essential part of puja for the Hindu devotee is making a spiritual connection with a deity (often facilitated through an element of nature, a sculpture, a vessel, a painting, or a print). -
Jain Rituals and Ceremonies
Hansa and Vinod Sutaria Cleveland, OH JAIN RITUALS AND CEREMONIES Introduction.....................................................................................................................2 Six Essentials:.................................................................................................................2 1. Samayik: .............................................................................................................2 2. Chaturvimsati:.........................................................................................................3 3. Vandan:...................................................................................................................5 4. Pratikraman:............................................................................................................5 5. Kayotsarg:...............................................................................................................7 6. Pratyakhan: .............................................................................................................7 Rituals in Jainism:...........................................................................................................8 Daily worship of idols: ................................................................................................8 Special (Parva) Dev pujas-Poojan:............................................................................. 10 Penances ...................................................................................................................... -
Shri Adishakti Puja - Being Sahaj Yogi
Shri Adishakti Puja - Being Sahaj Yogi Date : 21st June 1998 Place : Cabella Type : Puja Speech : English Language CONTENTS I Transcript English 02 - 06 Hindi - Marathi - II Translation English - Hindi 07 - 13 Marathi 14 - 16 ORIGINAL TRANSCRIPT ENGLISH TALK In Russia the people somehow are very open-minded. Not only that, the scientists specially are very open-minded and were suppressed very much, so they tried to find out the subtler things; not only finding out about chemicals or about some physical properties of the light, but they wanted to go into the subtler side. And they had found out already a great deal of knowledge about the auras – auras around the hand, auras around the body – they had done so much of research and it was accepted all over the world, their findings. Now this gentleman was a specialist, I think, because he's a very well-known, very, very well- known person and he's holding a very big position. He was saying that he was, he has to run 150 organizations – very humble and very nice person. And when he came out with this discovery I was happy in a way, because scientifically if it is proved, then nobody can challenge it. He has already written a book with all the algebraically complications of what he wanted to prove. And he said there is a vacuum, beyond the consciousness there's vacuum, and in that vacuum only you can know the reality. And once all this becomes the reality it is a science, and that's how it is made into science.