MAGAZINE Vol8no2 002-Career Services.Qxd 1/25/10 5:52 PM Page 2 Where’S Your Career Going?

Total Page:16

File Type:pdf, Size:1020Kb

MAGAZINE Vol8no2 002-Career Services.Qxd 1/25/10 5:52 PM Page 2 Where’S Your Career Going? Vol8No2_cov1.qxd 1/25/10 11:24 PM Page 1 WINTER 2010 VOLUME 8 ■ NUMBER 2 MAGAZINE www.nyit.edu Vol8No2_002-Career Services.qxd 1/25/10 5:52 PM Page 2 Where’s Your Career Going? NYIT’s Office of Career Services can help you refine your career plans and put you in touch with top employers. Our professional career counselors can help you succeed now and in the future. • Access NYIT’s Career Net at www.nyit.edu/cs • Find employment opportunities worldwide • Attend professional development workshops • Take an online assessment test • Post resumés and cover letters For more information or to schedule an appointment, call 516.686.7527, 212.261.1537, or e-mail [email protected]. NYIT’s Office of Career Services is a member of the National Association of Colleges and Employers. Vol8No2_003-toc 7.qxd 1/25/10 11:13 PM Page 3 WINTER 2010 ■ VOL. 8 NO. 2 MAGAZINE CONTENTS www.nyit.edu PRESIDENT’S NOTE 4 ■ Moving in Front of the 21st Century NYIT and our global graduates are ahead of the curve when it comes to dealing with today’s critical issues. CAMPUS BUZZ 6 ■ NYIT Energizes U.N. Conference NYIT sponsors an international energy forum at the United Nations to address one of the world’s biggest challenges. ■ 7 16 SUCCESS BY DESIGN CHRISTOPHER APPOLDT Meet five graduates who share a passion for architectural design—the ultimate 7 ■ A Stunning Debut interdisciplinary art—as they build a better world for the future. Students, alumni, and business leaders celebrate the grand opening of the NYIT Auditorium on Broadway. FEATURES 9 ■ Students Enjoy a 28 ■ ONCE UPON A DOT Chile Reception Architecture students collaborate with Video games are one of the highest gross- their peers from the University of ing areas of the entertainment industry, Chile to work on a UNESCO World and NYIT alumni are designing the next Heritage Site in Valparaiso. wave of interactive entertainment. KENDRICK BRINSON/GETTY IMAGES 22 ■ IN SICKNESS AND IN HEALTH As health care reform continues to grab headlines, NYIT graduates speak out on the next generation of medicine. MARTIN KLIMEK/GETTY IMAGES ALUMNI NOTES 34 ■ In Memoriam: 14 HOWARD HOWARD HOW/GETTY IMAGES Alexander Schure SCOREBOARD Friends and graduates share their fond memories of NYIT founder 14 ■ Ice Dreams Alexander Schure. Not even a broken leg will stop speed skater Allison Baver (M.B.A. ’07) from 36 ■ Graduates on the Go racing in the 2010 Winter Olympics. COVER: MICHAEL WEBER (PHOTOGRAPHY); MICHAEL VIGGIANO (DESIGN) Winter 2010 ■ MAGAZINE ■ www.nyit.edu ■ 3 Vol8No2_004-Presidents 10.qxd 1/25/10 9:36 PM Page 4 PRESIDENT’SNOTE EDWARD GUILIANO, PH.D. Moving in Front of the 21st Century FEW MONTHS AGO, I CAUGHT A 60 MINUTES REPORT ON THE IMPENDING include solar carports at our Long THREAT OF CYBER ATTACKERS ON NATIONAL SECURITY. I FOUND MYSELF Island sites and continued work in A biodiesel research. No doubt, we DOING A DOUBLE-TAKE WHEN STEVE KROFT’S OPENING LINES MIRRORED THE will see widespread use of both in FIRST PARAGRAPH OF THE EARLIER NYIT MAGAZINE’S FALL 2009 COVER STORY the coming years. ABOUT OUR ALUMNI IN THAT VERY FIELD. BOTH REPORTS SHARED THE SAME We also look forward to co-hosting the Think Green Forum with STARTLING FACTS AND ENDED WITH THE SAME CONCLUSION—THAT A VIGILANT Nanjing University of Posts and COUNTERATTACK ON CYBER CRIME BY HIGHLY TRAINED PROFESSIONALS IS NEEDED Telecommunications (NUPT) this TO PREVENT CALAMITY. A COINCIDENCE? PERHAPS. BUT FOR ME, AND I HOPE April in Nanjing, China, home to the newest NYIT undergraduate FOR YOU, IT IS A POSITIVE AFFIRMATION OF THE GOOD WORK OUR ALUMNI campus. The corporate, govern- ARE DOING IN THIS FIELD, AS WELL AS MANY OTHERS, AS WE FACE THE ment, and academic leaders who CHALLENGES OF THE 21ST CENTURY. will gather there promise to forge On the heels of this story, NYIT will host an important conference on cyber security at the Manhattan campus this fall. This provides an opportunity to showcase our new state-of-the-art theater, the NYIT Auditorium on Broadway, as we welcome some of the preeminent experts in the field. Rest assured, your alma mater con- tinues to fulfill its goal of preparing its students for the careers of tomorrow, including those we cannot even imag- ine today. And with that, the value of your degree increases. You and your fellow alumni demonstrate the power of an NYIT education by pioneering and conquering new challenges every day in a variety of forward-thinking, vital capacities. Look no further than the pages of this magazine to see how NYIT CHRISTOPHER APPOLDT alumni are altering the cityscapes of video games, one of the highest new ideas and solutions in the field of the world with breathtaking grossing segments of the entertain- of sustainable energy. architectural designs (including the ment industry. As we enter this bright but chal- recently opened Burj-Dubai, now These are but a few of the areas in lenging second decade of the 21st the tallest building in the world); which NYIT and its community are century, may you continue to join us how our alumni, faculty, and stu- using technology to define our 21st- on our forward-thinking path and dents are playing a role on the front century global world. Another exam- help us create solutions for ourselves lines of medical care and the poten- ple is our Center for Metropolitan and our communities. ■ tial health care reform; or how Sustainability, which continues its Wishing you continued success, NYIT graduates have made com- mission by exploring alternative Edward Guiliano, Ph.D. pelling contributions to the world energy sources. Recent developments President 4 ■ www.nyit.edu ■ MAGAZINE ■ Winter 2010 Join Our Circle of Friends! The NYIT Alumni Federation invites you to join inCircle, our online networking site exclusively for NYIT graduates. ■ Stay in touch with friends and reconnect with classmates ■ Submit news about yourself for publication in NYIT Magazine ■ Search for career opportunities and post your resumé ■ Upload and share photos ■ Join online discussions ■ Meet and network with NYIT alumni around the world nyit.affi nitycircles.com Vol8No2_006-10,12-13-Buzz 8.qxd 1/25/10 10:05 PM Page 6 CAMPUSBUZZ NYIT Energizes U.N. Conference arbon capture, advanced batter- ies, G-20, climate change, solar, Cwind, and water ... How do world leaders tackle 21st-century energy issues? By coming together to discuss opportunities at the World Energy Forum’s (WEF) International Energy Conference, held at the United Nations on Aug. 31-Sept. 1, 2009. As a leading sponsor and participant, NYIT welcomed more than 600 atten- dees, including energy secretaries, pol- icy makers, and executives from multi- national companies. NYIT President Edward Guiliano opened the keynote session by discussing the role universi- ties can take to educate and innovate in the areas of sustainable energy. He also highlighted NYIT’s accomplishments in the green sector, such as solar car- ports and the new campus-wide bike share program. JUPITER IMAGES NYIT sponsored the World Energy Forum’s International Energy Conference at the United Nations on Aug. 31-Sept. 1, 2009. President Guiliano opened the keynote session by discussing the role of higher education in developing new forms of sustainable technology to be used worldwide. “NYIT’S PARTICIPATION IN THESE FORUMS COINCIDES new remedies, and new solutions.” 2009 U.N. energy conference. Other speakers included William “For NYIT, this was significant,” WITH ITS MISSION AS A Ngeleja, minister of energy and minerals says Oh, who serves as chairman of from the United Republic of Tanzania; the WEF’s executive board. “NYIT is GLOBAL UNIVERSITY. George Pataki, the former governor of an institutional learning center that New York; and Ambassador Waheed conducts research applicable in the ENERGY IS AN INTERNA- Wahedullah, deputy chairman of the real world. NYIT’s participation in TIONAL AFFAIR WITH WEF. In addition, more than 20 NYIT these forums coincides with its mis- faculty and staff as well as 15 students sion as a global university. Energy is SOCIAL AND ECONOMIC from NYIT-Nanjing attended the an international affair with social and global forum. economic significance. Without energy SIGNIFICANCE.” This was NYIT’s second appearance at security, no nation can find peace and the United Nations. In July 2008, NYIT development, which affects peoples’ –HAROLD OH and its Center for Water Resources daily lives.” NYIT DEAN FOR UNIVERSITY ADVANCEMENT Management brought together represen- In April 2010, NYIT and Nanjing tatives from non-governmental organiza- University of Posts and Telecommuni- tions, international corporations, and cations (NUPT) will co-host a forum “As a New York and global universi- universities to discuss the issues sur- titled “Think Green: Energy, ty, we are the heartland of innovation. rounding the impending water crisis at Education, and Environmental We constantly grow new ideas, and it NYIT’s first annual International Water Initiatives” in Nanjing, China. The is just part of our DNA,” President Conference (see the Fall 2008 issue of two-day global conference will also Guiliano said. “Whether it is in sus- NYIT Magazine at nyit.edu/magazine tackle challenges, opportunities, and tainable practices, conservation, medi- for details). innovations in the energy sector. cine, engineering, green buildings, or Harold Oh, NYIT’s dean for univer- Visit www.nyit.edu/thinkgreen or clean energy, we have interdisciplinary sity advancement, who spearheaded the www.thinkgreen2010.org for more labs that bring together new approaches, 2008 event, also helped organize the information. ■ 6 ■ www.nyit.edu ■ MAGAZINE ■ Winter 2010 Vol8No2_006-10,12-13-Buzz 8.qxd 1/25/10 10:05 PM Page 7 The NYIT Auditorium on Broadway is a 250-seat facility that is ideal for lectures, conferences, movie screenings, and film festivals.
Recommended publications
  • Downloaded for Storage and Display—As Is Common with Contemporary Systems—Because in 1952 There Were No Image File Formats to Capture the Graphical Output of a Screen
    UC Berkeley UC Berkeley Previously Published Works Title The random-access image: Memory and the history of the computer screen Permalink https://escholarship.org/uc/item/0b3873pn Journal Grey Room, 70(70) ISSN 1526-3819 Author Gaboury, J Publication Date 2018-03-01 DOI 10.1162/GREY_a_00233 Peer reviewed eScholarship.org Powered by the California Digital Library University of California John Warnock and an IDI graphical display unit, University of Utah, 1968. Courtesy Salt Lake City Deseret News . 24 doi:10.1162/GREY_a_00233 The Random-Access Image: Memory and the History of the Computer Screen JACOB GABOURY A memory is a means for displacing in time various events which depend upon the same information. —J. Presper Eckert Jr. 1 When we speak of graphics, we think of images. Be it the windowed interface of a personal computer, the tactile swipe of icons across a mobile device, or the surreal effects of computer-enhanced film and video games—all are graphics. Understandably, then, computer graphics are most often understood as the images displayed on a computer screen. This pairing of the image and the screen is so natural that we rarely theorize the screen as a medium itself, one with a heterogeneous history that develops in parallel with other visual and computa - tional forms. 2 What then, of the screen? To be sure, the computer screen follows in the tradition of the visual frame that delimits, contains, and produces the image. 3 It is also the skin of the interface that allows us to engage with, augment, and relate to technical things.
    [Show full text]
  • Hereby the Screen Stands in For, and Thereby Occludes, the Deeper Workings of the Computer Itself
    John Warnock and an IDI graphical display unit, University of Utah, 1968. Courtesy Salt Lake City Deseret News . 24 doi:10.1162/GREY_a_00233 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/GREY_a_00233 by guest on 27 September 2021 The Random-Access Image: Memory and the History of the Computer Screen JACOB GABOURY A memory is a means for displacing in time various events which depend upon the same information. —J. Presper Eckert Jr. 1 When we speak of graphics, we think of images. Be it the windowed interface of a personal computer, the tactile swipe of icons across a mobile device, or the surreal effects of computer-enhanced film and video games—all are graphics. Understandably, then, computer graphics are most often understood as the images displayed on a computer screen. This pairing of the image and the screen is so natural that we rarely theorize the screen as a medium itself, one with a heterogeneous history that develops in parallel with other visual and computa - tional forms. 2 What then, of the screen? To be sure, the computer screen follows in the tradition of the visual frame that delimits, contains, and produces the image. 3 It is also the skin of the interface that allows us to engage with, augment, and relate to technical things. 4 But the computer screen was also a cathode ray tube (CRT) phosphorescing in response to an electron beam, modified by a grid of randomly accessible memory that stores, maps, and transforms thousands of bits in real time. The screen is not simply an enduring technique or evocative metaphor; it is a hardware object whose transformations have shaped the ma - terial conditions of our visual culture.
    [Show full text]
  • New York Institute of Technology the Antiquity Proposal
    New York Institute of Technology The Antiquity Proposal Streamlining Higher Education | Strategic Engagement & Retention Initiative 03 March 2013 Authored by: Mr. Brandon Lálone New York Institute of Technology Recipient: Mr. Peter C. Kinney III, Chief of Staff Date: NYiT Student | Class of 2013 The Antiquity Proposal New York Institute of Technology | Circa 2013 03.03.13 Table of Contents TABLE OF CONTENTS I ABOUT THE AUTHOR II REFLECTIONS FROM A STUDENT III PURPOSE OF DETERMINATION IV PREFACE V EXECUTIVE SUMMARY VI ABSTRACT VII EPILOGUE VIII ENDORSEMENT IX CONTACT X Authored by: Mr. Brandon Lálone New York Institute of Technology Table of Contents: I NYiT Student | Class of 2013 The Antiquity Proposal | Document Arrangement | THE GATES OF ANTIQUITY 1 OUR AUDACIOUS LEGACY 2 OUR AUDACIOUS LEGACY (CONTINUED) 3 PROPOSED ORGANIZATION 4 HISTORY & TRADITION: SIGNAGE INITIATIVE 5 HISTORY & TRADITION: WEBPAGE INTEGRATION 6 HISTORY & TRADITION: FACULTY & STAFF INCORPORATION 7 HISTORY & TRADITION: ATHLETICS INTEGRATION 8 HISTORY & TRADITION: ATHLETICS INTEGRATION 9 IMPLEMENTATION OF A UNIVERSITY MOTTO 10 REVITALIZATION OF THE OFFICIAL UNIVERSITY SEAL 11 REVITALIZATION OF THE OFFICIAL UNIVERSITY SEAL (CONTINUED) 12 OFFICIAL UNIVERSITY SEAL EXHIBIT 13 Authored by: Mr. Brandon Lálone New York Institute of Technology NYiT Student | Class of 2013 The Antiquity Proposal OFFICIAL UNIVERSITY SEAL EXHIBIT (CONTINUED) 14 OFFICIAL UNIVERSITY SEAL EXHIBIT (CONTINUED) 15 PROPOSED SEAL REDESIGN CONCEPT (OBVERSE) 16 PROPOSED SEAL REDESIGN CONCEPT (REVERSE) 17 CONCEPT SEAL EXHIBIT (CONTINUED) 18 CONCEPT SEAL EXHIBIT (CONTINUED) 19 CONCEPT SEAL EXHIBIT (CONTINUED) 20 COMPREHENSIVE SEAL EXHIBIT (CONTINUED) 21 IMPLEMENTATION OF AN OFFICIAL UNIVERSITY SONG 22 IMPLEMENTATION OF AN OFFICIAL UNIVERSITY SONG (CONTINUED) 23 IMPROVED MASCOT VISIBILITY ON CAMPUSES 24 REIMPLEMENTATION OF THE ESTATE YEARBOOK 25 CREATION OF THE JOINT SELECT COMMITTEE ON RETENTION, ENROLLMENT, & RESEARCH 26 Authored by: Mr.
    [Show full text]
  • Introduction to Computer Graphics CPSC
    Introduction to Computer Graphics CPSC 453 – 2019F CPSC453 – 2019W v Instructor: Przemyslaw Prusinkiewicz o Office: Math Sciences (MS) 622 o Office hours: TR, 3:30 – 4:30 (please let me know if you want to see me) o Phone: (403) 220-5494 o Email: [email protected] v TAs: Philmo Gu Andrew Owens v Useful info: o Submit assignments via D2L o Some course materials may be posted at: http://algorithmicbotany.org/courses/Fall2019 Formalities Grading v 4 lab assignments: 50% v Midterm Exam: 20% v Final Exam: 30% Schedule and due dates: 1) Intro to openGL: sponge ~ Thursday, Oct. 3 2) Rendering ~ Tuesday, Oct. 22 Midterm Thursday, Oct. 24 Term break November 10-16 3) Ray-tracer ~ Tuesday, Nov. 19 4) Modeling ~ Thursday, Dec. 5 Other: v Take notes on paper. v No phones, computers, tablets etc. allowed, unless: o you can use them to write formulas and draw figures faster than on paper or you have my explicit permission. v Preferably no eating, definitely no wrapping / unwrapping. Texts v Text : o S. Marshner, P. Shirley Fundamentals of Computer Graphics, 4th Edition, AK Peters/CRC 2014 (required) (3rd edition, authored by Shirley/Marschner, will do) v Online resources: o http://www.glprogramming.com/red o https://sgar91.files.wordpress.com/2010/12/opengl- programming-guide-7e.pdf o https://www.opengl.org/documentation/ o + more, as may be suggested by the TAs. What is Computer Graphics? ... any use of computers to create and manipulate images. Modeling What is Computer Graphics? ... any use of computers to create and manipulate images.
    [Show full text]
  • Edwin Catmull
    Edwin Catmull Edwin Earl "Ed" Catmull (born March 31, 1945) is an American computer scientist who was co-founder Edwin Catmull of Pixar and president of Walt Disney Animation Studios.[3][4][5] He has been honored for his contributions to 3D computer graphics. Contents Early life Career Early career Lucasfilm Pixar Personal life Catmull in 2010 Awards and honors Born Edwin Earl Bibliography Catmull References March 31, 1945 External links Parkersburg, West Virginia, U.S. Early life Alma mater University of Utah (Ph.D. Edwin Catmull was born on March 31, 1945, in Computer [6] Parkersburg, West Virginia. His family later moved Science; B.S. to Salt Lake City, Utah, where his father first served Physics and as principal of Granite High School and then of Computer Taylorsville High School.[7][8] Science) Early in life, Catmull found inspiration in Disney Known for Texture mapping movies, including Peter Pan and Pinocchio, and Catmull–Rom dreamed of becoming a feature film animator. He also spline made animation using flip-books. Catmull graduated in 1969, with a B.S. in physics and computer science Catmull–Clark from the University of Utah.[6][8] Initially interested in subdivision designing programming languages, Catmull surface[1] encountered Ivan Sutherland, who had designed the Spouse(s) Susan Anderson computer drawing program Sketchpad, and Catmull changedhis interest to digital imaging.[9] As a student of Sutherland, he was part of the university's ARPA Awards Academy Award program,[10] sharing classes with James H. Clark, (1993, 1996, [8] John Warnock and Alan Kay. 2001, 2008) From that point, his main goal and ambition were to IEEE John von [11] make digitally realistic films.
    [Show full text]
  • DROIDMAKER George Lucas and the Digital Revolution
    An exclusive excerpt from... DROIDMAKER George Lucas and the Digital Revolution Michael Rubin Triad Publishing Company Gainesville, Florida Copyright © 2006 by Michael Rubin All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, digital, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. For information on permission for reprints and excerpts, contact Triad Publishing Company: PO Box 13355, Gainesville, FL 32604 http://www.triadpublishing.com To report errors, please email: [email protected] Trademarks Throughout this book trademarked names are used. Rather than put a trademark symbol in every occurrence of a trademarked name, we state we are using the names in an editorial fashion and to the benefit of the trademark owner with no intention of infringement. Library of Congress Cataloging-in-Publication Data Rubin, Michael. Droidmaker : George Lucas and the digital revolution / Michael Rubin.-- 1st ed. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-937404-67-6 (hardcover) ISBN-10: 0-937404-67-5 (hardcover) 1. Lucas, George, 1944—Criticism and interpretation. 2. Lucasfilm, Ltd. Computer Division — History. I. Title. PN1998.3.L835R83 2005 791.4302’33’092—dc22 2005019257 9 8 7 6 5 4 3 2 1 Printed and bound in the United States of America Contents Author’s Introduction: High Magic. vii Act One 1 The Mythology of George. .3 2 Road Trip . .19 3 The Restoration. 41 4 The Star Wars. 55 5 The Rebirth of Lucasfilm . 75 6 The Godfather of Electronic Cinema. .93 Act Two 7 The Visionary on Long Island.
    [Show full text]
  • Digital Paint Systems: an Anecdotal and Historical Overview
    Digital Paint Systems: An Anecdotal and Historical Overview Alvy Ray Smith The history of digital paint systems derives from many things— chance meetings, coincidences and boredom, artistic license, brilliant researchers, a wealthy benefactor, and, of course, lawsuits. Alvy Ray Smith tells the fascinating story—facts first, then anecdotes—in his own words. This article is based on a talk presented in tal 2D (two-dimensional) and 3D modeling and January 2000 at an evening hosted by the animation, film recording, video editing, and Computer History Museum on Moffatt Field, audio synthesis. An excellent rendering of my near Palo Alto, California. I shared the floor time with Dick Shoup (sounds like “shout,” not with longtime colleague Richard G. “Dick” like “hoop”) in the early days at Xerox PARC Shoup who figures highly in what follows. It is (Palo Alto Research Center) can be found in the also based on a document I submitted to the recent book Dealers of Lightning: Xerox PARC Academy of Motion Picture Arts and Sciences and the Dawn of the Computer Age.4 For other (AMPAS) in 1997 in answer to a call from them PARC references, see Lavendel,5 Pake,6 Perry,7 for information about early paint programs and and Smith.8 their contribution to the film business.1 The time frame dates from the late 1960s to Definitions the early 1980s, from the beginnings of the A digital paint program and a digital paint technology of digital painting up to the first system are distinguished by their functions. A consumer products that implemented it.
    [Show full text]
  • 2014-2015 Undergraduate Catalog
    2014–2015 NOVA SOUTHEASTERN UNIVERSITY UNDERGRADUATE STUDENT CATALOG Nova Southeastern University Undergraduate Student Catalog 2014–2015 Abraham S. Fischler School of Education College of Health Care Sciences College of Nursing Farquhar College of Arts and Sciences H. Wayne Huizenga School of Business and Entrepreneurship Institute for the Study of Human Service, Health, and Justice Nova Southeastern University Undergraduate Student Catalog 2014–2015 Abraham S. Fischler School of Education College of Health Care Sciences College of Nursing Farquhar College of Arts and Sciences H. Wayne Huizenga School of Business and Entrepreneurship Institute for the Study of Human Service, Health, and Justice The Nova Southeastern University Undergraduate Student Catalog is a resource for information about academic program and curriculum requirements, academic policies, procedures for resolving academic and administrative grievances, course descriptions, and other information relevant to an undergraduate career at Nova Southeastern University (NSU). The Undergraduate Student Catalog is published once each year. This catalog is comprised of information pertaining to undergraduate students of the Abraham S. Fischler School of Education; the College of Health Care Sciences; the College of Nursing; the Farquhar College of Arts and Sciences; the H. Wayne Huizenga School of Business and Entrepreneurship; and the Institute for the Study of Human Service, Health, and Justice. Students are bound by the curricula published in the catalog in effect the semester they enter the university. Students are bound by the policies in the most recently published version of the catalog. If there is an interruption in studies of more than one calendar year from the end of the last semester enrolled, the student must abide by the NSU Undergraduate Student Catalog in effect upon return, or to requirements approved by the student’s academic program director.
    [Show full text]
  • Apple Confidential 2.0 the Definitive History of the World's Most Colorful
    vi Reviewers love Apple Confidential “The Apple story itself is here in all its drama.” New York Times Book Review “An excellent textbook for Apple historians.” San Francisco Chronicle “Written with humor, respect, and care, it absolutely is a must-read for every Apple fan.” InfoWorld “Pretty much irresistible is the only way to describe this quirky, highly detailed and illustrated look at the computer maker’s history.” The Business Reader Review “The book is full of basic facts anyone will appreciate. But it’s also full of interesting extras that Apple fanatics should love.” Arizona Republic “I must warn you. This 268-page book is hard to put down for a MacHead like me, and probably you too.” MacNEWS “You’ll love this book. It’s a wealth of information.” AppleInsider “Rife with gems that will appeal to Apple fanatics and followers of the computer industry.” Amazon.com “Mr. Linzmayer has managed to deliver, within the confines of a single book, just about every juicy little tidbit that was ever leaked from the company.” MacTimes “The most entertaining book about Apple yet to be published.” Booklist i …and readers love it too! “Congratulations! You should be very proud. I picked up Apple Confidential and had a hard time putting it down. Obviously, you invested a ton of time in this. I hope it zooms off the shelves.” David Lubar, Nazareth, PA “I just read Apple Confidentialfrom cover to cover…you have written a great book!” Jason Whong, Rochester, NY “There are few books out there that reveal so much about Apple and in such a fun and entertaining manner.
    [Show full text]
  • 24 Doi:10.1162/GREY a 00233 John Warnock and an IDI Graphical
    Downloaded from http://direct.mit.edu/grey/article-pdf/doi/10.1162/GREY_a_00233/689538/grey_a_00233.pdf by guest on 15 June 2021 John Warnock and an IDI graphical display unit, University of Utah, 1968. Courtesy Salt Lake City Deseret News . 24 doi:10.1162/GREY_a_00233 Downloaded from http://direct.mit.edu/grey/article-pdf/doi/10.1162/GREY_a_00233/689538/grey_a_00233.pdf by guest on 15 June 2021 The Random-Access Image: Memory and the History of the Computer Screen JACOB GABOURY A memory is a means for displacing in time various events which depend upon the same information. —J. Presper Eckert Jr. 1 When we speak of graphics, we think of images. Be it the windowed interface of a personal computer, the tactile swipe of icons across a mobile device, or the surreal effects of computer-enhanced film and video games—all are graphics. Understandably, then, computer graphics are most often understood as the images displayed on a computer screen. This pairing of the image and the screen is so natural that we rarely theorize the screen as a medium itself, one with a heterogeneous history that develops in parallel with other visual and computa - tional forms. 2 What then, of the screen? To be sure, the computer screen follows in the tradition of the visual frame that delimits, contains, and produces the image. 3 It is also the skin of the interface that allows us to engage with, augment, and relate to technical things. 4 But the computer screen was also a cathode ray tube (CRT) phosphorescing in response to an electron beam, modified by a grid of randomly accessible memory that stores, maps, and transforms thousands of bits in real time.
    [Show full text]
  • August 3Rd James Gillray
    He was extensively caricatured where aliens created their own by cartoonist of the time, such as world through the power of August 3rd James Gillray. their minds . For more logic machines, see those by Jevons [Sept 1], Charles Stanhope Marquand [Dec 10], Peirce [Sept Nathan Myhrvold (Mahon), 3rd Earl 10], and Pastore [Nov 13]. Born: Aug. 3, 1959; Stanhope Seattle, Washington Alexander Schure Myhrvold and Chuck Whitmer Born: Aug. 3, 1753; created Mondrian, a clone of Stanhope, UK Born: Aug. 3, 1920; IBM’s TopView multitasking Died: 15 December 1816 Hamilton, Canada environment for DOS, which was Stanhope is remembered for his Died: October 29, 2009 both faster and smaller. calculating devices, which Microsoft liked it so much, that it Schure founded the New York bought the company in 1986, extended the stepped drum Institute of Technology (NYIT) and Myhrvold ended up working approach of Leibniz [July 1] with in 1955, and in November 1974 for Microsoft for 13 years, a tens-carry mechanism. Two of hired Edwin Catmull [March 31] becoming Chief Technology the prototypes were later to lead NYIT’s new computer Officer and founding Microsoft acquired by Charles Babbage graphics lab which went on to Research [Feb 26] in 1991. [Dec 26]. pioneer many new techniques. When the Science Museum in Stanhope also developed a range Schure funded Lance Williams' London built the computing of "logic machines". In unfinished “The Works”, which section of Charles Babbage’s particular, his "Demonstrator" would have been the first Difference Engine #2 in 1991 was able to solve elementary entirely 3D computer animated [Dec 26], Myhrvold funded the syllogisms and probability film.
    [Show full text]
  • 9780262019095.Pdf
    Moving Innovation Moving Innovation A History of Computer Animation Tom Sito The MIT Press Cambridge, Massachusetts London, England © 2013 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected] or write to Special Sales Depart- ment, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Stone Sans and Stone Serif by Toppan Best-set Premedia Limited, Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Sito, Tom, 1956– Moving innovation : a history of computer animation / Tom Sito. pages cm Includes bibliographical references and index. ISBN 978-0-262-01909-5 (hardcover : alk. paper) 1. Computer animation—History. I. Title. TR897.7.S48 2013 777'.709—dc23 2012038048 10 9 8 7 6 5 4 3 2 1 For Shamus Culhane 1911 – 1995 In 1977, a day after visiting NYIT, he looked up from his typewriter and said to me, “ Ya know, computers are comin ’ . Gonna change everything. The Business [animation] won ’ t ever be the same. ” Contents Acknowledgments ix Introduction 1 1 Film and Television at the Dawn of the Digital Revolution 5 2 Analog Dreams: Bohemians, Beatniks, and the Whitneys 11 3 Spook Work:
    [Show full text]